THIRD SEASON of Byutv's ORIGINAL SCRIPTED SERIES

Total Page:16

File Type:pdf, Size:1020Kb

THIRD SEASON of Byutv's ORIGINAL SCRIPTED SERIES BACKGROUNDER It’s April 1964; two years have passed since viewers were introduced to the seemingly idyllic fictional town of Granite Flats, Colorado. Mysterious behavior still abounds, THIRD SEASON OF BYUtv’S ORIGINAL SCRIPTED loyalties continue to be tested, and nothing is what it seems to be. Battle lines have been SERIES GRANITE FLATS CONTINUES TO INTRIGUE drawn between the FBI, local law enforcement, AUDIENCES WITH SURPRISING PLOT TWISTS, NEW the CIA, and the KGB. Following a highly successful premiere ENIGMATIC CHARACTERS, AND A FINAL REVEAL in April 2013, Granite Flats, BYUtv’s first original scripted series, returned for a second season in April 2014 with more Cold War suspense to entertain the entire family. Now entering its third season, this ensemble show, which was inspired by actual military events (a CIA initiative called Project MKUltra), continues to entertain audiences with mid- 20th century intrigue and a plot packed with secrets while offering a primetime television option for families. Notable cast members include award-winning Produced, written, and created by a team of top Hollywood and New York actors Christopher Lloyd, Parker Posey, George talent who have made some of the industry’s most successful and long-running family Newbern, Finola Hughes, and Ivan Sergei entertainment offerings, the series was filmed entirely in Utah at a variety of authentic 1960s-era locations. Under the direction of BYUtv’s creative director, prolific IMAX film producer Scott Swofford, the Granite Flats Media Contact: Michelle Prince Thatcher+Co. • email: [email protected] • Telephone: 914.523.8937 team has captured the look and feel of the period, conveying the distinctive national mood of shifting social mores and general anxiety. Based on Project MKUltra, the story reveals the then-ubiquitous fear of nuclear attack and offers a view into the era through a complex range of nuanced and intriguing characters. Granite Flats has added a new genre to BYUtv’s already diverse roster of original “see the good in the world” programming (including original feature and documentary films, music performances and artist profiles, scripted comedy, unscripted reality, live sports, and an American history show) and represents the bold expansion that the ground- breaking cable network continues to stake out in the family market. The High Definition cable television network’s programs (13 of which won Emmy® awards in 2014) are carried in more than 55 million homes on Dish Network, DirecTV, and over 800 cable systems. THE STORY In the small, quintessentially American town of Granite Flats, Colorado, the Cold War rumbles underneath the lives of the locals. Three unlikely young heroes form their own private detective agency, but the implications of what they’re investigating are actually bigger and more serious than anyone realizes. In season one, an unidentified object In season three, friendships and (later known to be a Soviet spy satellite) fell loyalties continue to be challenged, everyone from the sky in a fiery blaze, turning the has a secret, and nothing is what it seems town into a place of secrets and fear. The to be. The trio of kid sleuths has disbanded chief of police and a special agent from the their detective agency as they mature and their FBI ferreted out a KGB spy hiding in their relationships begin to evolve. The chief of midst. A nurse at the VA Hospital learned that police and the FBI are still working together her boss oversaw mysterious testing done as to expose covert government operations and part of the CIA’s top secret Project MKUltra spies. Long-lost family members re-surface in to develop mind-control as a weapon against Granite Flats, further disrupting the lives the Soviets. In the middle of it all, the kid of the residents of the town and forcing many detectives gained insight into the complicated to face up to past indiscretions. Similar political world that became the backdrop to to season two, themes from two pieces of their own coming-of-age experiences. classic literature, Walt Whitman’s Leaves of The second season followed the three Grass and Lewis Carroll’s Through the Looking kid sleuths as they uncovered dangerous Glass, surprisingly mirror the lives of the evidence, while the chief of police and the FBI characters. continued to investigate the fallen satellite. As the Cold War escalates and the An eccentric new English teacher, Professor country confronts enormous national and global Stanfield Hargraves, captivated the kids’ challenges – including the assassination attention as he taught William Shakespeare’s of President Kennedy – the tale of Granite Hamlet from an Oxfordian perspective, Flats unfolds through the perspectives of an emphasizing the themes of a secret murder, ensemble of diverse and multi-generational false identities, and a divided heart — all of characters. which resonated not only with the students, but Like the first two seasons, season three with their parents as well. The arrival of the consists of eight new one-hour episodes. The head of the CIA’s counterintelligence program cast features top Hollywood and New York in Granite Flats rattled some residents, tested actors who have made some of television and old friendships, and created new alliances. film’s most successful programs. — 2 — GUEST APPEARANCES Season three has attracted a steady flow of top Hollywood guest directors and acting talent, including Golden Globe and Independent Spirit Award nominee Parker Posey (Waiting for Guffman, The House of Yes, Superman Returns) and Scandal star George Newbern (Father of the Bride I & II, Adventures in Babysitting). Posey, who is often referred to as the “Queen of the Indies,” plays Alice White, the aunt of 14-year-old main character Arthur Milligan. In a world of secrets and spies, Alice will unmask some truths that will not gain her favor in small town Colorado. Newbern plays Scottie Andrews, a left-wing civil liberties attorney from New York City who is the uncle of 14-year-old main character Madeline Andrews. Scottie’s fondness for his niece, as well as his boisterous and outgoing personality, helps him find his place in Granite Flats. Last season’s guest stars included three-time Emmy® Award-winning actor Christopher Lloyd (Back to the Future I-III, One Flew Over the Cuckoo’s Nest, Taxi), Ivan Sergei (The Break-Up, Jack & Jill), and Daytime Emmy®-winner Finola Hughes (General Hospital). Lloyd, Hughes, and Sergei are returning for season three. — 3 — IMAGE FPO THE SET: TOWNS THAT TIME FORGOT The Granite Flats production team brings a vast collective knowledge of historical recreation and a familiarity with the look and feel of 1960s Mountain West America, having worked on hundreds of Hollywood period films and television programs. The show’s creative direction, set design, dialogue, and wardrobe pay great attention to both minute physical details – such as lipstick colors, the model of the police chief’s gun, street and store signage, the look of distant landscapes, cultural references, and colloquial speech – as well as the overall demeanor of the characters. This focus results in a production quality that transports viewers in time. The series is filmed entirely on location in Utah, spread over 40 square miles, in towns and buildings that retain the ambiance of the show’s era and have seemingly remained impervious to the passage of time. The fictional Main Street of Granite Flats is actually the old copper town of Magna, located on the west side of the Salt Lake Valley. Additional locations include the Olmsted hydroelectric power plant and a sequestered complex of turn- of-the-century buildings (located just minutes away from Robert Redford’s Sundance Ski Resort) that serve as the show’s military base. — 4 — NAME OF INVESTIGATED NOTES Executive Producer and Director Scott Swofford is a television Scott Swofford production veteran best known for his work on over 30 IMAX films in 50 countries, including Mysteries of Egypt which grossed $80,000,000 worldwide and Amazon, which was nominated for an Academy Award in 1996. After graduating from the film program at Brigham Young University, Swofford worked for advertising firm Bonneville POSITION Productions and collaborated with directors of popular television series such as Hill Street Blues and M*A*S*H. Executive Producer He became the director of production after four years at Bonneville. Then, deciding to branch out, Swofford discovered the world of IMAX films. In 1998, Swofford co-produced Olympic Glory, the official film of the Nagano Olympics, with renowned producer and director Frank Marshall (The Bourne Series, The Curious Case of Benjamin Button, The Sixth Sense). The two teamed up again in 2006 to create Roving Mars, an IMAX documentary about the Mars Exploration Rovers, for Disney. He also produced films for National Geographic and WGBH in Boston and served as the Director of Media for the “I’m a Mormon” campaign. Swofford came to BYUtv, the country’s only nationwide university-affiliated TV network, in November 2010 to create intelligent, inspiring programming available to an audience of more than 55 million households nationwide. In an effort to provide BYUtv viewers with what they say is missing from today’s television programming – an original, scripted, family friendly series – Swofford reached out to his colleagues in the IMAX world and assembled a world-class team of production experts, writers, producers, art directors, cinematographers, and editors who are also well-versed in period films and historic recreations. This venerable team includes: NAME OF INVESTIGATED NOTES Miller has 23 film and television credits, including the Jeff Miller National Geographic documentary Lewis and Clark: Great Journey West, and Redemption Road, as well as BYUtv’s Emmy® Award- winning history series American Ride. POSITION Producer NAME OF INVESTIGATED NOTES Brian McNamara is a character actor, director, and producer who Brian McNamara has made more than 100 TV and film appearances.
Recommended publications
  • Greg Fitzpatrick
    Greg Fitzpatrick Gender: Male Service: no info Height: 5 ft. 8 in. Mobile: 818-648-2878 Weight: 145 pounds E-mail: [email protected] Eyes: Brown Web Site: http://vimeo.com/gre... Hair Length: Regular Waist: 31 Inseam: 32 Shoe Size: 7 1/2 Physique: Athletic Coat/Dress Size: 39R Ethnicity: Caucasian / White, Latin/Hispanic, Mixed Photos Film Credits #RealityHigh Stunt Coordinator Stunt Coordinator The House Stunt Dbl. Nick Kroll Todd Bryant Literally, Right Before Aaron Stunt Double: Justin Long Tim Mikulecky The First Stunt Double: Luke Arnold Dorenda Moore Suburicon Stunts Jeffery Lee Gibson Warcraft Stunt Coordinator, Re Shoots Greg Fitzpatrick Zoolander 2 Stunt Coord/Stunt Dbl. Ben Stiller Paramount Studios/Ben Stiller Dir. Generated on 09/29/2021 01:00:14 pm Page 1 of 7 Luke Lafontaine Night At The Museum 3-The Stunt Dbl. Ben Stiller/Asst. Brad Martin Secret Of The Tomb Coordinator Expelled Stunt Dbl.: Cameron Dallas Kim Koski/Tony Snegoff Godzilla Stunts John Stoneham Jr. The Secret Life Of Walter Mitty Dbl. Ben Stiller Tim Trella The Watch Dbl. Ben Stiller Jack Gill African Gothic Stunt Coordinator The Beautiful Ones Stunts Luke LaFontaine For The Love Of Money Dbl. Hal Ozan Jesse V. Johnson Project Five Stunt Double: David Eigenberg Charlie Brewer Tower Heist Stunt Double: Ben Stiller Jerry Hewitt Real Steel Atom Fight Double Garrett Warren Little Fockers Stunt Double: Ben Stiller Garrett Warren Green Hornet Acting Role / Stunts Andy Armstrong Hawthorne Stunts Kerry Rossal Ironman 2 Stunt Double: Robert Downey Jr. Tom Harper Night At The Museum 2 Stunt Double: Ben Stiller JJ Makaro Angels & Demons Stunts Brad Martin The Soloist Stunt Double: Robert Downey Jr.
    [Show full text]
  • Ent Lab Resume
    MIKE PEEBLER SAG-AFTRA, AEA TELEVISION Chicago Med Guest Star NBC Perfect Harmony Co-Star NBC Elemental (Pilot) Lead NatGeo Hawaii 5-0 Guest Star CBS The Infamous (Pilot) Guest Star A&E Chicago PD Guest Star NBC Masters of Sex Guest Star Showtime 2 Broke Girls Co-Star CBS NCIS: Los Angeles Co-Star CBS The Young and the Restless Recurring Guest Star CBS Mad Men Co-Star AMC The Mentalist Guest Star CBS Wendell and Vinnie Guest Star Nickelodeon American Horror Story Co-Star FX Medium Co-Star NBC ER Co-Star NBC NUMB3RS Co-Star CBS Las Vegas Co-Star NBC Scrubs Co-Star NBC/Touchstone Television Talk Show with Spike Feresten Co-Star Fox Best Damn Sports Show Period Recurring Sketch Comedy Player Fox Sports Network FILM Hot Bath Stiff Drink William Dillinger Dir: Matthew Gratzner Valkyrie Lieutenant Dir: Bryan Singer A Lonely Place For Dying Lieutenant Roy Hill Dir: Justin Evans Yellow Brook Randy (Supporting) The Vine Studios The New Twenty Mike (Supporting) The Vine Studios Perception James (Featured) Porch Light Pictures Honeyrun Matt (Lead) Sady Productions, LLP Rape of Nia Miles (Lead) Oz Productions THEATER (Partial Listing) Macbeth MacDuff Shakespeare Orange County Hamlet Hamlet Theatricum Botanicum Richard III Duke of Buckingham Shakespeare Orange County Julius Caesar Brutus Theatricum Botanicum Grapes of Wrath Tom Joad Will and Company As You Like It Orlando Theatricum Botanicum Dracula(World Premiere Adaptation) Dr. Seward Theatricum Botanicum Omnium Gatherum (West Coast Premiere) Jeff Theatricum Botanicum The Odyssey Tiresias, Eurylochus Will and Company Pebble In My Shoe (World Premiere) 29 Characters Will and Company Macbeth Macduff Will and Company Radio Show Sanctimonious Kid/Joe Meddling Kidz Productions A Midsummer Night's Dream Demetrius, Bottom Theatricum Botanicum Mirror of La Mancha Cardenio Will and Company King Lear Edmund Theatricum Botanicum Passions of Shakespeare Romeo/Henry V Geffen Playhouse School for Scandal Joseph Surface Dir.
    [Show full text]
  • University of Florida Thesis Or Dissertation Formatting
    THE TELEVISED SOUTH: AN ANALYSIS OF THE DOMINANT READINGS OF SELECT PRIME-TIME PROGRAMS FROM THE REGION By COLIN PATRICK KEARNEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2020 © 2020 Colin P. Kearney To my family ACKNOWLEDGMENTS A Doctor of Philosophy signals another rite of passage in a career of educational learning. With that thought in mind, I must first thank the individuals who made this rite possible. Over the past 23 years, I have been most fortunate to be a student of the following teachers: Lori Hocker, Linda Franke, Dandridge Penick, Vickie Hickman, Amy Henson, Karen Hull, Sonya Cauley, Eileen Head, Anice Machado, Teresa Torrence, Rosemary Powell, Becky Hill, Nellie Reynolds, Mike Gibson, Jane Mortenson, Nancy Badertscher, Susan Harvey, Julie Lipscomb, Linda Wood, Kim Pollock, Elizabeth Hellmuth, Vicki Black, Jeff Melton, Daniel DeVier, Rusty Ford, Bryan Tolley, Jennifer Hall, Casey Wineman, Elaine Shanks, Paulette Morant, Cat Tobin, Brian Freeland, Cindy Jones, Lee McLaughlin, Phyllis Parker, Sue Seaman, Amanda Evans, David Smith, Greer Stene, Davina Copsy, Brian Baker, Laura Shull, Elizabeth Ramsey, Joann Blouin, Linda Fort, Judah Brownstein, Beth Lollis, Dennis Moore, Nathan Unroe, Bob Csongei, Troy Bogino, Christine Haynes, Rebecca Scales, Robert Sims, Ian Ward, Emily Watson-Adams, Marek Sojka, Paula Nadler, Marlene Cohen, Sheryl Friedley, James Gardner, Peter Becker, Rebecca Ericsson,
    [Show full text]
  • 2017 ANNUAL REPORT 2017 Annual Report Table of Contents the Michael J
    Roadmaps for Progress 2017 ANNUAL REPORT 2017 Annual Report Table of Contents The Michael J. Fox Foundation is dedicated to finding a cure for 2 A Note from Michael Parkinson’s disease through an 4 Annual Letter from the CEO and the Co-Founder aggressively funded research agenda 6 Roadmaps for Progress and to ensuring the development of 8 2017 in Photos improved therapies for those living 10 2017 Donor Listing 16 Legacy Circle with Parkinson’s today. 18 Industry Partners 26 Corporate Gifts 32 Tributees 36 Recurring Gifts 39 Team Fox 40 Team Fox Lifetime MVPs 46 The MJFF Signature Series 47 Team Fox in Photos 48 Financial Highlights 54 Credits 55 Boards and Councils Milestone Markers Throughout the book, look for stories of some of the dedicated Michael J. Fox Foundation community members whose generosity and collaboration are moving us forward. 1 The Michael J. Fox Foundation 2017 Annual Report “What matters most isn’t getting diagnosed with Parkinson’s, it’s A Note from what you do next. Michael J. Fox The choices we make after we’re diagnosed Dear Friend, can open doors to One of the great gifts of my life is that I've been in a position to take my experience with Parkinson's and combine it with the perspectives and expertise of others to accelerate possibilities you’d improved treatments and a cure. never imagine.’’ In 2017, thanks to your generosity and fierce belief in our shared mission, we moved closer to this goal than ever before. For helping us put breakthroughs within reach — thank you.
    [Show full text]
  • LISA KUDROW Biography Emmy Award-Winning Actress Lisa Kudrow
    LISA KUDROW Biography Emmy Award-winning actress Lisa Kudrow continues to bring her original sense of comedic timing and delivery to every role she takes on. Most recently audiences saw Lisa in the DreamWorks film Hotel for Dogs. Prior that she starred in P.S. I Love You with Hilary Swank and Gerard Butler and in the independent film Kabluey which premiered at the Los Angeles Film Festival and at the Hamptons Film Festival. Her upcoming projects include the recently completed independent films Paper Man opposite Jeff Daniels, 17 Photos of Isabel with Natalie Portman for director Don Roos, Powder Blue with Forrest Whitaker and Ray Liotta and Bandslam for writer/director Todd Graff. Lisa has received rave reviews for her previous feature film roles. She won the Best Supporting Actress Award from the New York Film Critics, an Independent Spirit Award nomination and a Chicago Film Critics Award nomination for her role in the Don Roos scripted and directed film The Opposite of Sex (1998). She won a Blockbuster Award and received a nomination for an American Comedy Award for her starring role opposite Billy Crystal and Robert DeNiro in the Warner Bros. boxoffice hit Analyze This (1999) for director Harold Ramis. Lisa’s additional film credits include starring roles in Happy Endings (2005) for writer/director Don Roos which premiered at the Sundance Film Festival; Wonderland (2004) with Val Kilmer, in which she portrayed Sharon Holmes, wife of porn star John Holmes, in the film based on the infamous Wonderland Avenue murders; the Warner Bros. film Analyze That (2002), the sequel to Analyze This (1999), the Columbia Pictures film Hanging Up (2000) opposite Meg Ryan and Diane Keaton, Paramount’s Lucky Numbers (2000) with John Travolta, in the critically acclaimed hit comedy Romy & Michele’s High School Reunion (1997) with Mira Sorvino, Clockwatchers (1997) in which she starred opposite Toni Collette and Parker Posey and the Albert Brooks’ comedy Mother (1996).
    [Show full text]
  • 'Nothing but the Truth': Genre, Gender and Knowledge in the US
    ‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions.
    [Show full text]
  • Contemporary Films Related to Content in a Course on Death And
    Contemporary Films Related to Content in a Course on Death and Grief Barbara Head, PhD, CHPN, ACSW, FPCN University of Louisville, Kent School of Social Work [email protected] Title Year Leading Actor(s) Brief Synopsis Related Course Content Amour 2012 Jean-Louis Trintignant An elderly, loving couPle struggles to Grief and loss in later life (French) Emmanuelle Riva maintain their indePendence after the Euthanasia wife suffers a Paralyzing stroke. Caregiver stress Anticipatory grief A Single Man 2009 Colin Firth A gay university Professor struggles Disenfranchised grief Julianne Moore with his grief after the sudden death of Suicide risk in bereavement his partner. Story is set in the early Historical/cultural imPacts on grief and 1960’s. loss Beyond Belief 2007 Susan Retik Two women (both Pregnant at the time) Meaning reconstruction (Documentary) Patti Quigley who lost their husbands on 911 find Resiliency meaning in their loss. Sudden, traumatic loss The Descendants 2011 George Clooney A family struggles with the imPending Children and grief Beau Bridges death and infidelity of the mother/wife Disenfranchised grief who is rendered brain dead after a Families and grief boating accident. Discontinuation of life suPPort 50/50 2011 JosePh Gordon-Levitt A young radio journalist faces treatment Counseling the seriously ill Patient Seth Rogan for a serious malignancy with a 50/50 Professional boundaries chance of survival. Grief and loss related to serious illness in a young person Social suPPort during illness Grace is Gone 2007 John Cusack The father of two young daughters Families and grief reacts to the news of the death of his Sudden, traumatic loss wife who was killed during a tour of duty Stages and tasks of grieving in Iraq.
    [Show full text]
  • Literariness.Org-Mareike-Jenner-Auth
    Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting
    [Show full text]
  • Lean on Pete (La Route Sauvage)
    PRESENTE / PRESENTEERT LEAN ON PETE (LA ROUTE SAUVAGE) un film de / een film van Andrew HAIGH avec / met Charlie PLUMMER, Chloë SEVIGNY, Travis FIMMEL, Steve BUSCEMI D’après le roman Lean on Pete de Willy Vlautin (La Route sauvage, Éditions Albin, 2018) MOSTRA DI VENEZIA 2017 - MARCELLO MASTROIANNI AWARD : CHARLIE PLUMMER FESTIVAL DU CINEMA EUROPEEN DES ARCS 2017 - QUATRE PRIX dont MEILLEUR FILM & MEILLEUR ACTEUR : CHARLIE PLUMMER LUX FILM FEST 2018 – PRIX DU JURY JEUNE UK – 2017 – DCP – Couleur/Kleur – VO ST BIL / OV FR/NL OT – 121’ Distribution / Distributie : IMAGINE SORTIE BRUXELLES, WALLONIE ET LUXEMBOURG 18/04/2018 RELEASE VLAANDEREN 25/04/2018 T : 02 331 64 31 / M Tinne Bral : 0499 25 25 43 photos / foto's : http://press.imaginefilm.be SYNOPSIS FR Charley Tompson a quinze ans et a appris à vivre seul avec un père inconstant. Tout juste arrivé dans l’Oregon, le garçon se trouve un petit boulot chez un entraineur de chevaux et se prend d’affection pour Lean on Pete, un pur-sang en fin de carrière. Le jour où Charley se retrouve totalement livré à lui-même, il décide de s’enfuir avec Lean on Pete, à la recherche de sa tante dont il n’a qu’un lointain souvenir. Dans l’espoir de trouver enfin un foyer, ils entament ensemble un long voyage... NL De introverte tiener Charley (Charlie Plummer) kent weinig vastigheid; zijn moeder is niet in beeld, zijn jonge vader heeft al moeite genoeg zijn eigen leven op de rails te houden. Geen wonder dat Charley de kans om op eigen benen te staan met beide handen aangrijpt.
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • CLAREMONT News
    CLAREMONT News The Events Committee has received so many requests for a repeat performance of the mind reader and superb entertainer who wowed us in 2015! We are so pleased to announce that Mark Stone, The Mentalist, has agreed to return for another performance at Claremont on Thursday night, February 21st. This won’t be a repeat of his last performance. He has an entirely new show for us! Registrations for this exciting event will begin mid-January. Seating will be limited so make your reservations early. Details will be in the Registration Book and in the February newsletter. The Claremont Women’s Club Program for Tuesday, February 12th at 6:30 p.m. will be “STIR IT UP”....”LET’S COOK!” With a presentation by Marilyn Herzog, Claremont resident and food columnist for Bethany Living Magazine. Marilyn will be sharing recipes from her eclectic culinary journey and international experiences that have influenced her relationship with food! We will be sampling three of her appetizer recipes. Be sure to sign up at the front office so we know how many to make! We will also feature a themed raffle basket. Bring your $$$ and win something special! The Events Committee wants to let Claremonters know that they have decided not to sponsor a New Year's Eve Dinner Dance on December 31, 2019. They do hope to hold a dinner dance again in 2020, but felt the event needs a year's break since attendance was lower than anticipated on NYE 2018 - a low of 68 attendees. Also, if anyone knows what happened to the twinkling lights that were part of the table decor on NYE, please notify Linda Tracy, NYE Chair.
    [Show full text]
  • Blacks Reveal TV Loyalty
    Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows.
    [Show full text]