YOUR DAILY SHEET OF FESTIVAL REVIEWS: #09 SATURDAY 13/SUNDAY 14 AUG

IN EDINBURGH GET THREEWEEKS CHILDREN’S SHOWS Lunch With Quattro Formaggio ThreeWeeksQuattro Formaggio DIRECT TO YOUR IN-BOX Potted Potter: The Unauthorised In the deepest darkest depths of Underbelly There are even more reviews in the Harry Experience – A Parody By (a venue hosting some outstanding shows ThreeWeeks eDaily email. this year), four people are pretending Dan And Jeff to work in an Italian restaurant. But just Sign up right now for free at Festival Highlights barely. The restaurant link is tentative www.ThreeWeeks.co.uk/eDaily There are dozens of observant and, most of and confused, but it matters not. Quattro all, downright witty ‘Harry Potter’ parodies Formaggio bring forth a set of absurdist circling the internet and right across the sketches not entirely dissimilar to ‘Green globe, yet there must be few quite like Wing’, and perhaps even better than ‘Potted Potter’: a nearby child predicted ‘Green Wing’. There is the same dark before the show began, “This is going to be sexual undercurrent to everything, the brilliant,” and they weren’t far wrong. Geared same surreal meandering, inter-character perfectly to children by CBBC’s Dan and Jeff, tension and post-modern ‘we know this it has all the elements of good live children’s is weird’ winks to the audience. But it is a entertainment – pantomime cheers life-affirming and buoyant experience, and and boos, a touch of improv when things put this reviewer a good mood for the entire don’t quite go to plan, and some audience day. Let’s fill their dungeon before the month participation in a game of Quidditch. is out. Admittedly, a few of the jokes were a little Underbelly Cowgate, 4 – 28 Aug (not 17), 1.20pm anticipated by the adults but, overall, this (2.20pm), £6.50 - £9.50, fpp111. tw rating 4/5 [jh] is a mockery by Muggles that will leave you spellbound. Joanna Neary: Youth Club Pleasance Courtyard, 3 – 16 Aug, 4.00pm (5.10pm), Joanna Neary / £8.00 - £11.00, fpp28. tw rating 4/5 [ck] Falling awkwardly between character comedy and straight stand-up, ‘Youth Wolfman Investigations: Curse Club’- a story of life, love and craft in the Of The Terror Tomb 1980s – never quite lives up to its promise. Neary creates amusing, accurate teenage After Dark Entertainment characters with simple changes in body You haven’t heard of Wolfman, but he’s a language, and it is here that the show child of one of the Thunder Cats who hooked shines. The supporting characters are funny, up with some cousins of the Scooby Team and Donna, the main character, takes us on – at least, that’s how I imagine it happened. hilarious, humiliating, Weetabix-fuelled flights ‘Wolfman Investigations’ is a live-action of fancy. However, when Neary slips out of show in the style of an old-school cartoon, character to narrate or talk to the audience, complete with an absurdly catchy theme the show instantly suffers. Fluffed lines and tune that feels like it should have been a wayward accents at the dénouement don’t part of your childhood. Even the sound help, either. There is potential here; Neary effects have a nostalgically grainy sound just needs to trust her characters to tell the quality. Wolfman and his friends need the story and the laughs will come. audience’s help to solve puzzles and defeat The Stand Comedy Club V, 3 – 28 Aug (not 4, 15), Dr Clockwork’s dastardly schemes, and the 3.50pm (4.50pm), £8.00 - £9.00, fpp99. tw rating SNAP OF THE DAY: With so many shows, will you result is a wonderfully gripping comic drama. 3/5 [ab] This is a show that will charm, enthrall and sink or swim? Or possibly spin? ‘Sink Or Spin’ is at delight audiences both young and old – highly Paul Sinha: Looking At The Stars recommended. Paul Sinha / Red Comedy With The Stand Comedy the Bannatynes Health Club. Photo: Stuart Armitt Zoo Roxy, 6 – 20 Aug, 12.00pm (1.00pm), £6.00 Club (£20.00F), fpp30. tw rating 4/5 [jl] Embarking on a quest to find a message for his Fringe show this year, stand-up comic Sinha sets out to discuss the moral, Pete Bennett – Pokermen COMEDY political and social imperfections that Tourette’s And Stuff Time Out Live dictate our typically British idiosyncrasies. Pete Bennett The idea is that comedians are naturally Sam Simmons – Meanwhile A true anecdotalist, Sinha holds the Very much the product of a disorganised competitive, right? So if you put them in an /Token Events audience in the palm of his hand with a quiet mind, this collection of stories, sketches actual competition, that’s sure to get some comedic results. It certainly works for Ed I’m not entirely sure what just happened humility, appropriate to both his position and videos from ‘the UK’s most famous Byrne, one of tonight’s guests in a constantly at ‘Meanwhile’. I might have just seen as a seasoned Fringe comic and also as a Tourette’s sufferer’ is something of a mixed changing line-up. Ed is antagonistic and Simmons lose it with a rowdy stag-do and social-commentator who reaches from a bag. There are a handful of moments sublimely funny, at one point chasing a then mentally disintegrate his way to the fairly privileged background. While perhaps scattered throughout that genuinely heckler out into the foyer, screaming at end of his show, or it might all have been an slightly drifting into plain storytelling, he entertain, mostly involving some charmingly him. What with this and some technical intentional part of the performance. Being fuses one-liners and puns with lengthy obscene puppetry gags that could’ve been problems, the poker play of course quickly ‘that kind of show’, it is hard to tell. Simmons discussions on sexual identity and Jim lifted straight from Avenue Q, and a closing becomes irrelevant, but no one cares. This energetically combines song, sketches, Davidson, neatly rounding off a broader song on a slightly out-of-tune guitar is quite is the type of comedy I’m always slightly dancing, audience-victimisation and a panoply conversation on social-mobility. What’s fun, but it’s such a shame these moments wary of - namely the vacantly looking at of props, so you can never predict what he’s left is a sharply politicised show which are swept aside in a wave of disjointed some other people bantering pub-style going to do next. It’s by turns unsettling, oozes with appeal for both commercial and stand-up, unsettlingly bizarre anecdotes (hello, ‘Ricky Gervais Show’) - but here it terrifying and hilarious, but it’s always underground audiences. and painfully unfunny YouTube-esque videos. works. Recommended even for those utterly surreal: fir cones, a taco kit and a puppet The Stand Comedy Club III & IV, 3 – 28 Aug (not 4, Existing fans might get a kick out of him 15), 10.40pm (11.40pm), £8.00 - £9.00, fpp132. bouncing about the stage, but this will clueless about poker. llama all feature. It’s very funny, even if you tw rating 4/5 [ajl] don’t quite understand why. struggle to win over the uninitiated. Assembly George Square, 5 – 6 Aug, 11 – 14 Aug, 18 – 21 Aug, 25 – 28 Aug, 11.59pm (12.59am), Cabaret Voltaire, 5 – 29 Aug, 7.30pm (8.30pm), Gilded Balloon Teviot, 3 - 28 Aug, 9.15pm £10.00, fpp136. tw rating 4/5 [jh] (10.15pm), £9.00 - £11.50, fpp146 tw rating 4/5 [lm] £7.00 - £9.00, fpp133 tw rating 2/5 [rss]

MORE REVIEWS PLUS NEWS, INTERVIEWS AND EXCLUSIVE COLUMNS: WWW.THREEWEEKS.CO.UK Scott Agnew’s Scottish Breakfast disappointing. I would recommend saving with northern accents sounds naff and some varying performances. Antoinette Laundry Boy Chat Show your money and waiting for the final on lazy, but this show is actually very funny. Tagoe, however, has incredible stage Horizon Arts with Richard Jordan Productions Ltd Friday 26 August - hopefully the wheat will The obvious hard work that has gone into presence and is very believable as Aruna, a Scott Agnew ‘Laundry Boy’ is a touching, contemporary have been separated from the chaff by then. its production is impressive; being well- Somali mother afraid to look into her horrific comedy about Terry Orange’s journey of self- Few shows greet you with Irn Bru at the rehearsed and possessing the ability to use past, apathetic towards her cruel present. Pleasance Courtyard, 5, 12, 19, 26 August, 11.45pm acceptance. The plot follows our protagonist, door: our host even offers to top us up (12.45am), £6, fpp84. tw rating: 2/5 [jf] a projector without technical difficulties early Though at times the script strays into over- a manga-obsessed introvert, who works periodically, so we feel like we could be in on in the Festival is an achievement itself. wordiness, and the staging is uninspired, it is in his late father’s launderette. A surprise Agnew’s living room. Guests change daily, These are two very clever guys with a bit of hard to truly criticise a play so clearly worthy The Horne Section unintentional visit from a long-lost infatuation giving a cross-section of the Comedy Fringe talent who clearly did not come to the Free of attention. The Invisible Dot ltd causes him to suddenly reflect upon his life through four other performers who are Fringe to mess about. If you would like to see Pleasance Courtyard, 3 – 29 Aug (not 15), 12.45pm Full nudity, hula-hoops and an OAP in a (including his questionable relationship with welcomed like old friends. Today each guest some original comedy that does not involve (1.45pm), £7.00 - £9.00, fpp263. tw rating 3/5 [ls] wheelbarrow: Alex Horne was right when a vacuum cleaner) in a play which proves managed to talk over our host, meaning the sketches or a bloke on an empty stage with he said his audience would get a little refreshing, captivating, hilarious and deeply show over-ran; Agnew simply needs to keep a microphone, then this is for you. With their bit of everything. To be honest, as the GI Joe Jared… Based On One upsetting. Most of the performance is set his guests under control. As each plugs their slick underground act, there is potential fearfully loud music and harsh strobe Really Bad Date in Terry’s mind, with the cartoon-esque own show, Agnew’s confidence is replaced here for a cult following. lights danced around the room, I feared aWe Creative Group set and 80s pop music intensifying this by errr-ing over the next question and @ The Hive, 4 – 28 Aug, 3.45pm what the next hour and twenty minutes sensation, and though at times the writing fighting to get a word in. Not always laugh- (4.45pm), free, fpp139. tw rating 4/5 [sm] Not only a warning about the perils of blind is saccharine and clichéd, it is never boring. out-loud hilarious but certainly appealing, would hold. Thankfully the show works, and dating, this one-act play is a witty, honest Imagine ‘Scott Pilgrim vs. The World’ set in ‘Breakfast Chat Show’ is probably one of the this charming would-be gameshow host, portrayal of the complexities of friendship. The Stand Late Show a launderette in Yorkshire and you’ll have warmest, friendliest hours you will spend at with his loyal band, makes for excellent Whilst Julie and Susan are sharing some Stand Comedy Club something close to ‘Laundry Boy’. the Festival. entertainment. And, of course, there are long-overdue drinks, the arrival of the guests. The most amusing moments were The Stand returns with its riotous midnight Underbelly, 10 – 28 Aug, £8.50 - 10.50, fpp274 tw Cabaret Voltaire, 5 – 29 Aug, 1.00 pm (2.00pm), eccentric Jared (and his G.I. Joe tarot rating: 4/5 [lmm] £5.00 - £7.00, fpp150. tw rating 3/5 [ja] supposedly improvised; and Josie Long’s Late Club. As different guests slot in cards) forces the girls to acknowledge the earnest guffaws added delightful silliness. throughout the Fringe, it’s a chance to importance of their friendship. The actors On the other hand, David O’Doherty began unwind after a hard day of seeing shows provide a naturalistic performance that Force Quit Technodelic Comedy Show hilariously but lost my attention with some with a cold pint and some cosy chat. Always allows the script’s wit to shine through, if SMC Youth Theatre Siro-A (Japan) punchline-free blethering. Nonetheless, offering Festival highlights, the all-year- they occasionally seem to be racing through Rebecca’s assertion that she is in a “lucid The lovechild of GamarJobat and Sirqus this does better than most music/comedy round venue this time sees headliner it. Though it’s a bit like watching a sitcom, Alfon, this is a technical marvel. Conspiring combo shows, while Horne’s band packs musician/comic Steve Gribbin steal the nightmare” has a ring of truth about it. This they are believable, and towards the end chaotic show, ostensibly about memory, to combine comedy, dance and technical more punch than the genre-reigning ‘Four show with a relatively humble Friday night deliver their lines with raw emotion that wizardry with a healthy dose of thumping Poofs And A Piano’. crowd crammed in. Differing from show to comprises of shouting, running, and music is touching to watch. This heart-warming so loud that it threatens to drown out the techno music, each of their sketches uses Assembly George Square, 3 – 27 Aug, 11.00pm show, the booked acts are often seasoned mini-drama might make you think twice all of these tools to wonderful effect. Live (12.20pm), £10.00 - £14.00, fpp88. tw rating 4/5 [sm] comedians who have shows on either at performers. Apart from grasping the notion about joining eHarmony, but will transport that the plot centres on a teenager in a performers superimpose themselves over The Stand or some of the larger venues you seamlessly from laughter to tears and coma (Jessica Hilton as Rebecca) and a projected material that is both pre-made The Kingsley And I in Edinburgh over the summer. Whether back again. and recorded in the auditorium, creating it’s political satire, knob gags or heckle- traumatic incident involving a bridge, I was Various Special Guests And MCs Daily Laughing Horse @ The Beehive Inn, 4 - 14 Aug, confused throughout, from start to abrupt a frequently amusing and always visually comebacks you’re after, it’s a crowd- 8.30pm (9.30pm), free, fpp265. tw rating 4/5 [jb] impressive experience. Highlights include Paul McCaffery didn’t seem to know what pleasing venue which never fails to impress. finish. For all that, one’s disconnection from was going on: “We’re all going to go home one’s nearest and dearest is a worthy one of the troupe turning an attempt to swat The Stand Comedy Club, 5, 6, 7, 12, 13, 14, 19, God’s Fool a fly into a ninja sword fight against himself, nonplussed,” he says, and by the end of the 20, 21, 26, 27, 28 Aug, 11:59pm (2:00am), £13.00 - theme, and the acting is competent, at and a light-catching routine that features a evening, such a prediction was completely £15.00, fpp154. tw rating 5/5 [ajl] Arden Players times even good, particularly from Hilton. game of Breakout. A few technical hiccups right. This is not a reflection on the Fresh from sell-out shows in New York, the I would be pleased to see this young cast show that perhaps their ideas are a little considerable talents of either him or Damien Arden Players arrive in Edinburgh to present again provided that they weren’t writing ahead of their budget, but this is still quality Kingsley, whose anecdotal humour stands DANCE & PHYSICAL THEATRE this enlightening production following the their own script! family entertainment. strong. A Gordon Ramsay impression - “Get somewhat turbulent life of Saint Francis The Bongo Club, 5 – 16 Aug, 4.00pm (5.00pm), Me That Crème Fucking Fraiche (Pardon My £5.00 - £7.00, fpp263. tw rating 2/5 [lk] C eca, 5 – 29 Aug, 3.50pm (4.50pm), £6.50 – In The Dust of Assisi, a man constantly at war with £11.50, fpp n/a tw rating 4/5 [rss] French)” - is a particular highlight. However, himself for his passions of the flesh, who the bizarre composition of audience 2Faced Dance Company renounces all worldly goods in favour of a Life Still members, who quickly became the show’s Eloquent, moving, and just downright The ‘Agent, Stylist and PA simple life of compassion and devotion. An Folded Feather focus and enhanced an already-engaging cool: pretentious this show was not. I risk expertly told tale that bears witness to an Wanted’ Show This is one deeply, darkly sophisticated piece evening of comedy, makes it hard to know pretension here because to fully describe important passage of Christian history is Amrik Virk of theatre. ‘Life Still’ is a virtuoso puppetry how this show would have panned out the quality of the dance, I’d need to empty expressed through a well-written script and performance, where objects are invested Ever wondered what it felt like to be the only without an audience as fantastically diverse a thesaurus onto the page. Fusing Hip Hop impassioned acting. ‘God’s Fool’ illustrates with startlingly nuanced personalities, Asian on the Tube after the 7/7 bombings? as that on offer last night. and contemporary choreography, 2Faced a man centuries before his time. Offering before being turned back into objects. Or if you’ve forgotten to shave and happen Laughing Horse @Espionage, 4 - 28 Aug, 10.00pm present three fascinating pieces in which an understanding of the importance of The transition between life and stillness is to be wearing an excessively large backpack (11.00pm), free, fpp105. tw rating 3/5 [sj] the dancers’ commitment and chemistry inter-faith dialogue – an issue which is still breathtaking. An array of unexpected and at Heathrow? Stand-up comedian Amrik Virk is palpable. This all-male company are relevant today, here expressed with tasteful ever-morphing characters make their way enlightens us, and energetically fires out a The Malcolm Muggeridge talented and athletic, their choreography consideration - ‘God’s Fool’ is a play well violently and frenetically across the stage, host of amusing anecdotes – ranging from Memorial Hour tender, violent, wonderfully quick and then worth seeing. his school faux pas to a dislike of Shania hold-your-breath slow. Each piece seems to accompanied by a minimalist soundtrack Thomas Ogg and Bradley Cloche theSpace on Niddry St, 5 - 13 Aug, 4.00pm and a looped echo of their comings and Twain – ridiculing racism and cultural conjure a new world in which the dancers (5.30pm), £6.00 - £9.00, fpp266. tw rating 4/5 [aq] stereotyping as he goes along. Some gags Had this show been called the ‘Malcolm live as though for real, each movement goings. The show is at its best when a Muggeridge Memorial Minute’, then I minimum of material is used, as in the are a little drawn-out, but Amrik is a slick occurring spontaneously from some private Happiness and charismatic performer who engages would still have doubted the ability of motivation. The rhythms of the steps and the memorable torture of a sack of cloth and Wayfarer Productions Ltd and interacts with the crowd, and you walk its performers to keep the audience beats of the music fit their bodies like gloves, the bickering of two turkeys made from out feeling a little guilty that it’s a free show. entertained for the full duration. This was and the audience can’t wait to applaud. ‘Happiness’ is an emotional rollercoaster pillows. Highly atmospheric, though lacking Entertainment for everyone - unless you’re a a dreadful litany of appallingly unfunny Zoo Southside, 5 – 29 Aug (not 11, 17, 23), 4.00pm capturing the insular dynamics of a in overall direction: a patchwork of brilliance, member of the BNP, that is. sketches, most of which involved Bradley (5.05pm), £10.00 – £13.00, fpp172. tw rating 4/5 complicated marriage. I felt rather rather than a seamless tapestry. [dp] Laughing Horse @ The Three Sisters, 4 – 14 Aug, Cloche shouting deafeningly into the voyeuristic watching this fly-on-the-wall Courtyard 3 - 29 Aug (not 25), 12.15pm (1.15pm), free, fpp34. tw rating 3/5 [fm] microphone, bravely paying no heed to exploration into the couple’s complex 3.40pm (4.40pm), £8 - £10, fpp275. tw rating 4/5 [ij] unnecessary subtleties like timing or relationship, but, really, who doesn’t enjoy a The Best Of The Fest humour. Thomas Ogg was considerably MUSICALS little voyeurism? The audience were certainly Mad About The Boy better, but ultimately the performers’ total gripped with complete engagement for an Assembly Iron Shoes lack of chemistry destroyed even the slightly hour and a half, which is no mean feat at the Hey, Piano Bar Lady! Very simply staged with nothing but a couple A compilation show of some of the best cleverer sketches. If you do want to see this Fringe. The set contributes to the intimate Linn Lorkin of chairs for props, all the focus is on the performers at the Festival is always going to show, see it now, as I can only imagine that feeling of this piece, as does the venue with incredibly nimble dialogue between actors in be pretty good. Carl Donnelly is an absolute a zombie Malcolm Muggeridge is going to Adorable, classy, charming and fun. ‘Hey, mirrors on both sides of the stage, drawing this intense drama. This play discusses the delight as the show’s MC, wittily interacting rise and extract a terrible vengeance on Piano Bar Lady!’ makes for an excellent us further into their world. Performances violence and the pressures facing today’s with the audience with an ease and charm those that have involved his name in this evening. The Henderson wine bar is the are strong, covering gritty issues with younger generation; particularly, as implied that puts lesser comics to shame. The enterprise. perfect setting; a low lit, intimate space, in clever dialogue of an almost schizophrenic by the title, its disillusioned ‘boys’. Without American improv musical troupe, Baby which Linn Lorkin builds a healthy rapport conversation and engendering questions Laughing Horse @The Three Sisters, 4 - 28 Aug, pretending to provide any easy answers, Wants Candy, are hysterical and extremely 1.45pm (2.50pm), free, fpp112. tw rating 1/5 [sj] with her audience. The songs are simple, but like, “How do we learn how to love?” and impressive in their inventive creations. the play’s three characters – a boy, his bouncy and perfectly constructed, definite “What is the meaning of happiness?” Meanwhile, Tom Flanagan’s silent movie- father, and his counsellor – expertly twist The Man Who Was Nearly There highlights being her free jazz rendition of ‘As Thought-provoking and smart. esque slapstick with a bucket and stepladder Time Goes By’, and ‘International Sofa Lady’. and manipulate each other’s words to – Free The Playhouse At Hawke & Hunter Green Room, highlight the tensions between them, and is elegant buffoonery at its finest, climaxing The puns are dreadful, but Linn’s wealth of 3-29 Aug (not 8, 15, 22), 1.40pm (3:10pm), £8.50 - with a surprisingly heart-stopping piece of Dan Cardwell/ Free Festival anecdotes, flawlessly recreating the 80’s £9.50 fpp268. tw rating 4/5 [efs] to occasionally stick the knife in. A gritty acrobatics. There are also some average Being fat and sad does not automatically New York piano bar-scene in Edinburgh, are and compelling piece about the breakdown performances amongst the line-up, but that make you a comedian; Dan Cardwell would a delight. The show rattles along nicely, with Heavy Like The Weight Of A Flame and re-establishment of communication which explores the full power of language’s only increases the exciting, albeit inaccurate, do well to remember this. He alludes to the Linn really hitting her stride towards the Susan Winter Productions feeling that you have personally discovered fact that his show is more of a pitiful therapy middle of the show, with a wonderful, slightly capacity to hurt and, perhaps, to heal. Ernie Silva’s smooth, skinny presence slides the glittering stars of the show. session than comedy, apparently failing to whimsical, slightly wistful finale. ‘Hey, Piano ’s Pasture, 3 - 29 Aug (not 16), 2.20pm effortlessly between characters creating (3.20pm), £8.00 - £10.00, fpp278. tw rating 4/5 [ka] Assembly George Square, 5 – 28 Aug (not 8, 15, 22, realise that admitting that your jokes are Bar Lady!’ is a definite treasure. what feels like an autobiographical novel 26), 2.15pm (3.30pm), fpp48. tw rating 4/5 [jl] not funny does not in turn make them funny. Henderson’s Vegetarian Restaurant and Arts made visual. We are confronted with a His bizarre inclusion of video clips of him Venue, 4 - 28 Aug (Not 8, 15, 22), times vary, £5.00 - question of faith, not in religion, but in the playing himself in old age do not add humour £7.50, fpp227. tw rating 4/5 [jc] The Great Big Sketch Off! people who shape our lives, and how we and are just odd; odd and irritating. There The Great Big Sketch Off! read the signs that guide us. We follow a are pity laughs from the audience, however, Sketch comedy shows are notorious for Brooklyn kid as he deals with the advice his and there are some genuine laughs, too: his their erratic, inconsistent humour, even THEATRE family gives him, trying desperately to stick amusing improvisations when he has lost following prolonged writing and rehearsal to his own path. All American phrases are his place show that there is actually talent in sessions. It was unsurprising, therefore, good-naturedly spelt out for us and, in so there somewhere. Unfortunately, Cardwell Fit For Purpose that joke quality varied massively during doing, the fourth wall disappears, making Get lots more ThreeWeeks reviews needs to write better comedy of the scripted Pleasance / End Child Detention Now this ramshackle late-night competition, in it feels like an (extremely talented) friend variety. The detention of children by the UK Border in your inbox with the eDaily which members of different troupes were relating a personal story. It’s hilarious Laughing Horse @ The Three Sisters, 4 – 28 Aug, Agency is abhorrent; many of the staff ThreeWeeks.co.uk/edaily thrown together and given a short amount and poignant, musical but modest; simply 1.45pm (2.45pm), free non-ticketed, fpp 112. involved have an outlook borrowed from the of time to develop twelve minutes of brand sublime to watch, I couldn’t take my eyes tw rating 1/5 [sm] Daily Mail, and those who try to help are new material. Some groups tackled the off him. often ill-equipped and over-worked. Catherine ThreeWeeks Publishing, a division of challenge more conscientiously than others, The Return Of O’Farahan And O’Shea’s meticulously researched play sheds Udderbelly’s Pasture, 3 - 29 (not 16, 28), 5.00pm, UnLimited Media, Unicorn House, 221 with one team dropping out on the morning £9.00 - £11.00, fpp268. tw rating 5/5 [pr] light on these known but ignored problems. Shoreditch High Street, London, E1 6PJ. of the performance after confessing to a Keith – Free Centring on the 2010 hunger strike in Yarl’s Printing by Smart Design & Print. shameful lack of preparation, but the overall Jon Reed And Kevin Dawson/ Free Festival Wood, the cast of ‘Fit For Purpose’ deliver atmosphere was drunken, disorderly and Dubbing over an old American cop show Credits at www.ThreeWeeks.co.uk/credits TW RATINGS EXPLAINED: 1/5 BAD | 2/5 MEDIOCRE | 3/5 GOOD | 4/5 VERY GOOD | 5/5 BRILLIANT