Index

Abbott, David P., 26, 164–67, 171 control of, 89–92, 189–90 aborigines, Australian, 221–23 and desire for belief, 27 advertisements: imagery in, as female, 189–90, 192 15–16 of film, 66 for stage magicians, 112–14, gaze of, 90 151–54, 156–59, 163–64 humiliation of, 43, 44–45, 102–103 Alafrez, Abdul, 54 and illusion/disillusion dynamic, alchemy, 183–85 224–26 Aldridge, Charles T., 172 of, 181–82, 189 Alexander Film Corporation, 74 seen on film, 79–81 Altman, I. I., 74–75 in subculture of magic, 102 Amazing Jeffo, The, 178 Western, 153 Amazing Jonathan, the, 98 Augustine, 10, 200 Angel, Criss, 25 authenticity, 156–59, 216 animal taming, 126 Anxiety of Influence, The (Bloom), Balloon of Blood trick (Penn & Teller), 47–48 102 Aristotle, 14 Baqt (Egyptian governor), 15 art, status of stage magic as, 37–57 Beckman, Karen, 87–88 artist, romantic model of, 38, 53 Being and Time (Heidegger), 14 assistants, magicians’: as dancers, belief, desire for, 27, 209–10 181–82, 192 Bennett, Valarie Cordell, 93–95 demands on, 93–95 Bertram, Charles, 95 and film, 67, 69–70 Big (film), 209–10 gender and, 183–84, 192, 204 Bilis, Bernard, 39 and Sawing a Woman in Two biography, performance of, 40 illusion, 92–98 birth imagery, 225–26 See also rebirth as showgirls, 98–99 theme in subculture of magic, 102 birthday party magicians, 14 audience: bourgeois, 33–35, 45, Blackstone, Harry, 63, 68, 75 48–51, 54 Blackton, J. Stuart, 61 as child, 226 Blaine, David, 25, 28 complicity of, 23 Bloom, Harold, 47–48 232 Index body, the: disabled, 178, 183–95 Chavigny, Jean, 42 disciplined, 87, 90–92 cheating and swindling theme, 23–24, female, 93, 183–84 45 laboring, 91, 101–102 Chinese Linking Rings illusion, 159, of magician, 88–92 163, 166–67 marginal, 153–56 Chinese-themed acts, 151–74 Oriental, 157–58 Ching Ling Foo (Chee Ling Qua), of the Other, 160–66 155–57, 162, 164–73 performing, 170 Ching Ling Foo Outdone (film), at risk, 100–101 155–56 Booth, Walter, 61 Christianity, 200–203, 207, 227 Bosco (Italian magician), 44–45 Chung Ling Soo, See Robinson, Bourdieu, Pierre, 55 William Ellsworth Boys Will Be Boys (film), 68 Clarion Photoplays, 73–74 Browning, Tod, 70 close-up magic, 179, 185–90 Bryan, William Jennings, 121 coin tricks, 113, 119–22, 124 Buddhism, Pali Canon of, 14 collectors, 35, 42 bull-roarer, 221–23 colonialism, 135, 146–47, 156 Bureau of Indian Affairs, 146 commodification as magical process, Burger, Eugene, 7, 14, 21, 228 111–22 Burger, Neil, 77–81, 212–15 community, fantasy life of, 11 Burton, Lance, 98–100 Compson, Betty, 70 confidence magic, 23–24 Cabazon Band of Mission Indians, 136 Confidence-Man, The (Melville), 24 Cage, John, 22 Conjuror’s Confessions, A (Robert- Capital (Marx), 111–12 Houdin): influence of, 38–39, capitalism: and commodification, 52, 57 107–28 as mythologizing magician figure, and magician figure, 85–104 39–43 : amateur, 14, 15, other magicians in, 41–45 217 spectatorship in, 48–51 in cheating, 45 Torrini character as possibly by disabled performers, 185–90 fictional, 41–42 and gender, 187–88 Cooke, Harry G., 68 Vernon as influence in, 23–24 Coppa, Francesca, 9, 10 Carlosbach, Dr. (itinerant magician), Copperfield, David, 98 44 costume, magician’s, 52, 85–86, 99, casinos: design of, 133, 137–38, 113, 208 141–42 Coyote, trickster figure, 22 Las Vegas, 107–109, 123, 125, 143 culture, sociology of, 54–57 Native American, 8, 131–48 Cups and Balls trick: Castelli (carnival magician), 44 in ancient Egypt, 15 chance, as concept, 144–45 by Bosco, 44–45 Chaney, Lon, 72 by Penn & Teller, 22 charlatanism, 43, 45–46 Cut and Restored tricks, 28 Index 233

Erdnase, S. W., 23 Dakota Magic Casino Hotel, 131–32, Erik the Great, 75 137, 148 escape magic: contemporary, 26 Dante (Royal Dynasty of Magic and disability, 183–84, 190–95 member), 98 on film, 67 Davenport, Dorothy, 72 by Houdini, 24–25, 90–91 , 26 by Penn & Teller, 22, 99–100 Dearborn, Karen, 9 Ethereal Suspension routine (Robert- Death Defying Acts, 77 Houdin), 46–47 debunking, 26, 52 ethnographic display, 153–54, 156, deception, non-magical, 43 159–60, 163–71 deCordova, Richard, 72 Evil Gambler figure, 142 Defying the Bullet trick (Chung Ling Expert at the Card Table, The (Erdnase), Soo), 152 23 Derrida, Jacques, 19, 22 Devant, David, 69, 81 Famous Players-Lasky film studio, 68 disability: gender and, 183–95 Fantastic Orange Tree illusion: in The and magic, 177–79 Illusionist film, 77–81 magicians working with, 180–95 by Robert-Houdin, 46, 78–79 studies in, 179–80 Faust (Goethe), 109, 118–20, 128 Distinction (Bourdieu), 55 Fawkes, Isaac, 109, 112–18, 127 divination, 144–45 Fechner, Christian, 36 Doll’s House illusion, 75 Fédération Française des Artistes doppelganger, 210–11 Prestidigitateurs, 35 Downs, T. Nelson, 109, 120–22, 124, Federici, Silvia, 142, 148 128 Fejos, Paul, 62 Dracula, as capitalist, 98 feminization: through disability, Dunninger (mind reader), 26 189–95 of magic, 204–207 Edison, Thomas, 155, 172, 213–14 film: editing in, 63, 66, 76–78 Edward, John, 26 of secrets in, 73–74 Egg Bag trick, 98, 113 gambling theme in, 24 Egypt, ancient, magic in, 15 illusionism in, 76–77, 212 “Eisenheim The Illusionist” (short as life magic, 18 story), 212 magical effects cinematically created, Eliade, Mircea, 221–23 65, 66, 76–81 enchantment: Christianity and, magician characters in, 61–81, 200–201 209–10 and “inferior” groups, 50, 153–54 mirror images in, 211–16 vs. knowing, 23 narrativization of, 65 and modernity, 9 sound in, 62–63 entertainment in stage acts, 69–70, 172–73 as business, 26 “trick,” 61–62, 64–66, 68, 75, 155 in Las Vegas, 107 finance and magic, 107–28, 133–34 vs. ritual uses of magic, 10 Ford, Francis, 68 234 Index

Forte, Steve, 24 Hass, Lawrence, 9 Foucault, Michel, 91–92 Hay Foot, Straw Foot (film), 70 Foxwoods Resort Casino, 137, 142–44 Hays, Will, 74 France, stage magic in, 33–57 healing, 15, 204, 220 Frankenstein (film), 95 Heidegger, Martin, 14 Frazer, James George, 160–63, 174n4 Herrmann, Alexander, 70, 166 Herrmann, Leon, 166–67, 172 gambling: and magical thinking, Hiding the Elephant: How Magicians 131–33 Invented the Impossible Native American views of, 134–35, and Learned to Disappear 137–48 (Steinmeyer), 7 in religious context, 133–34, historiography of magic, 36–38 139–42, 144–48 Hitchcock, Alfred, 76–77 Western views of, 144–46 Hollywood studios, 64–81 Geary Act, 168, 171 Honor Code piece (Penn & Teller), gender: and bourgeoisie, 38–39 22–23 and disability, 177–78, 183–95 Houdini, Harry: on audience gaze, 90 and power, 97–104 as debunker, 26, 52 and rationality, 207 escapes of, 24–25, 90–91, 104n4 and religion, 203–207, 215 on exposure of secrets, 73–74 and stage magic, 85–98, 189–95, on film, 63, 67–69 204, 225–26 Hitchcock and, 76 Gilbert, John, 72 on Robert-Houdin, 52–53 Girl with the Celluloid Mind illusion and Robinson, 163–64 (Goldin), 69–70 Houdini Pictures Corporation, 69 Glenrose, Jan, 95 How to Become a Wizard (Robert- Goethe, J. W. Von, 109, 118–20, 128 Houdin), 38 Golden Bough, The (Fraser), 160–63, How to Win at Every Game (Robert- 174n4 Houdin), 37–38 Goldin, Horace: film use by, 69–70 and Sawing a Woman in Two identity: constructing, 152–62, illusion, 73–74, 92–98 193 and Selbit, 93 transformation of, 127–28 Grabel, Lee, 98 illusion: cinematic, 65, 66, 76–81 Grand Guignol, 96, 97 and disillusion, 217–29 Great Leon, the, 64, 73 mechanical, 78–79 Great Raymond, The, 69 mimetic, 51 Green, Fitzhugh, 62–63 optical, 17–18 Grim Game, The (film), 68–69 value of, 16–19 Guillemin, Fanch, 52–53 Illusion (film), 62, 65–66 Gus-ka-eh sacred bowl game, 140 Illusionist, The (Burger), 77–81, 212–15 Harbin, Robert, 93–94 imagination, 10–11, 202 Harlequin, 116–18 Indian Gaming Regulatory Act (IGRA) Harry Potter series (Rowling), 211 of 1988, 136, 148n2 Index 235

International Federation of Magic Los Angeles Society of Magicians, 70 Societies, 36 Louis-Philippe, King of France, 49 Iroquois (Haudenausaunee) confederacy, 140 magic: and alchemy, 183–85 It Can’t Be Done Any Slower trick and capitalism, 85–104, 107–28 (Lavand), 188 in daily life, 16–19, 29, 132–48, It’s Fun to Be Fooled (Goldin), 94 217–29 definitions of, 8, 12n1, 142, 148, Jack the Ripper, 97 161–62 Jay, Ricky, 24, 81, 228 devaluation of, 13–15 Jones, Graham M., 8, 9, 10 entertainment vs. ritual uses of, 10 and finance, 108–27 Kabbala, 198 and gambling, 131–48 Kaps, Fred, 14 history of, 36–37 Kearney, Patrick, 70 as metaphor for love, 65–66 Keith-Albee-Orpheum conglomerate, and the primitive, 50–51 64, 155, 168–69 and religion, 10, 14, 28, 133–34, Kellar, Harry, 26, 68 139–41, 147–48, 197–216, King, Mac, 98 220–24 Kris, Ernst, 42 vs. science, 9, 14 Kurz, Otto, 42 status as an art, 37–57 sympathetic, 161–62 labor: and the body, 90–92, 101–102 as term, 198 Chinese, 168–73 as way of encountering the world, division of, 99–104, 170 160–61 Lady Vanishes, The (Hitchcock), 76–77 as way of thinking, 132–48 Las Vegas: casinos of, 107–109, 123, Magic and Meaning (Burger/Neale), 7 125, 143 Magic and Mystery Exposed, A Complete commodification in, 122–27 Screen Exposé of the Baffling entertainment industry in, 9, 107 Mystery Tura (film), 73–75 gender of, 215 Magic Box, The (Siegfried and Roy), as magic capital, 98, 107–109 109, 123–27 Lasky, Jesse L., 70 Magic Bricks illusion (Selbit), 93 Last Performance, The (Fejos), 62, 73, Magic Castle, Hollywood, 23 74, 75 Magic Mirror, The (Neale), 16–17 Laurant, Eugene, 64, 68 magic of mind, 25–27 See also, mind Lavand, René, 14, 21, 177, 179–80, reading; 185–95 magic shops, 70, 113, 124 Law, John, 118 Magical Bulletin, The, 70, 71 Lawlor, Mary, 8, 10 Magician, The Legend, Myth, and Magic in the Image of or, Harlequin, South-Sea Director the Artist (Kris/Kurz), 42 (Rich), 117–18 Legends Casino, 139 magician figure, the: body of, 88–92 , 48, 62, 67, 98 and capitalism, 86–104 “life magic,” 16–19, 132–48, 217–29 as financial wizard, 108–27 236 Index magician figure, the—continued minstrelsy, 159–60, 172–73 gender of, 85–104, 189–95, 204, 226 miracles, 51, 199, 207, 228 as man of science/inventor, 38–39, Mirage Hotel, 107–108, 123, 128 96–97 mirror images, 211–16 modern, 50–57 modernity: disenchantment of, 9, mythologizing of, 39–43 50–51 and ourselves, 20 and gambling, 133–34 as religious figure, 208, 210, 220–24 and naturalism, 36 sexual powers of, 189–90, 193 and professionalizing of stage magic, vs. trickster, 22 33–57 Magician Monthly, 95 and superstition, 160 magicians: actors as, 70–72 Mohegan Sun Casino, 138–39, 143 amateur, 14, 15, 70, 72 money imagery, 112–22 and audiences, 48–51, 189–90, “monkey movement” of illusion and 224–26 disillusion, 217–20, 223–24 as characters in film, 61–81, 209–10 Mooser, Leon, 157 disabled, 177–95 Moses, 15, 202 as entrepreneurs, 93, 112 Motion Picture Producers and great, 14 Distributors of America, 74 street, 44, 163 M-U-M magic magazine, 68 as subculture, 7, 9–10, 102 Musée de la Magie, , 35 women as, 95, 101, 192 Mysteries of My Life, The (Lavand/ “magick,” 204–205 Kaufman), 186 marabouts, Muslim clerics, 50 marketplace, power of, 9 National Center for the Arts of Magic Marx, Karl, 98, 111–12, 120, 128 and Illusion, France, 56 Mashantucket Pequot tribe, 137, National Indian Gaming Commission, 142–44 136 Master Mystery, The (film serial), 68 Native American magic: reflected in Matrix, The (film), 212 casino gaming, 8, 131–48 Maven, Max, 14, 21, 28 religious aspects of, 133, 139–41, McBride, Jeff, 14, 21, 25, 98, 228 147–48, 220–21 McCambridge, Gerry, 98 trickster figures in, 22 Méliès, Georges, 37, 61, 65, 66 naturalism, 36 Melville, Herman, 24 Neale, Robert E., 7 memory, embodied on life magic, 16–20 and finance, 108–109 on nature of magic, 11, 12n1 metamorphosis, 112–18, 120, 126 on the Sawing, 97–98 Milken, Michael, 123 Necromancer, The (Rich), 116–17 Miller, D. A., 89 Neil, Charles Lang, 95 Millhauser, Steven, 212 New York Dramatic Mirror, 164, mimesis, 161–62 168–69 mind reading, 26 Ngai, Mae M., 168–69 Ministry of Culture, France, 34, 54–56 Nietzsche, Friedrich, 22 Index 237

Nightway Ceremony, Navajo, 140 trickster figures in practice of, 22 Noisy Neighbors (film), 74 pickpockets, 90 Nolan, Christopher, 213–15 Plato, 10, 13–14 Norton, Edward, 77, 80–81 “Plato’s Pharmacy” (Derrida), 19 Plouffe, Elizabeth George, 137 Off the Deep End (Penn & Teller), plus grand cabaret du monde, Le (TV 102–103 program), 39 Offenbach, Jacques, 211 Pope, Dick, 80–81 Omaha World-Herald, 170–71 Positive Illusions: Creative Self-Deception Organon (Aristotle), 14 and the Healthy Mind (Taylor), 17 Orientalism, 51, 85–86, 151–74 power: and gender, 189–95, 199 Ortiz, Darwin, 24 relations within, 97–104 Other/otherness, 9, 10, 13–14, 156, Prestige, The (Nolan), 77, 213–15 159–66 probability theory, 145

Pankhurst, Christabel and Sylvia, 88 Radio Film Telepathy illusion (Goldin), pantomime, 116–17 69–70 Paradox Sphere illusion (Passé), Rae, Oswald, 95 180–85, 192 Randi, James, 26 Passé, Jim, 177, 179–85, 190–95 Raphael (French magician), 33–34, 37, Pastrycook of the Palais-Royal 52, 53–54 trick(Robert-Houdin), 46–47 rationality, 207–209 Pathé-Frères film studio, 65 reality claims, 26 Patrice, Mademoiselle, 95 rebirth theme, 27–28 See also, birth Peck, James, 9, 10 imagery Penn & Teller: as debunkers, 26 Reels, Kenneth, 143 exposure of secrets by, 23, 227 Reid, Wallace, 72 and illusion/disillusion dynamic, Reith, Gerda, 144 226–29 religion: Christian, 200–203 and the Sawing, 101–102 and gender, 203–207 as staging post-industrial capitalism, and illusion/disillusion dynamic, 88, 98–104 226 as tricksters, 21–23 and magic, 10, 14, 28, 133–34, performance: of disability, 194 139–41, 144–48, 197–216, of everyday life, 132–48 220–24 genealogies in, 108–109, 128 Native American, 133–34, 220–21 transformative, 132–33 as term, 198 Perkins, Carol, 101 Religion and the Decline of Magic phenomenology: of experiential (Thomas), 200–202 structures, 16–19 Rich, John, 116–18 of the secret, 89–92 Richiardi, Jr., 14, 97 philosophy: constructed in opposition Ritter, John, 180–81 to magic, 13–14, 19 ritual: in daily life, 17 phenomenology as method in, 16 vs. entertainment, 10–11 238 Index ritual—continued Second Sight routine, Pinetti’s vs. healing, 15 Robert-Houdin’s, 47–48 of initiation, 221–24 secrets: exposure of, 9–10, 23, 37–38, magical, 199 73–75, 227 religious, 202–203 as irrelevant, 88 RKO Radio Pictures, 64 keeping, 87–88 Roach, Joseph, 108–109 as source of power, 88–92 Robert-Houdin, André Keime, 35 Selbit, P.T.: Girl-based illusions of, Robert-Houdin, Jean Eugène, 8 95–98, 100 ambition of, 46 and Goldin, 93 appeal of to bourgeois, 33–35 as Orientalist, 85–86 as artist, 47–48 and Sawing Through a Woman autobiographical writing of, 35, illusion, 73, 87–88, 92–96 37–57 Seminoles, the, 136 criticisms of, 34, 52 sexism, 98–99 and Fantastic Orange Tree illusion, sexuality, 101, 189–90, 193, 205, 215 46, 78–79 shaman figure, 15, 28, 205–207, as “Father of ,” 33–36 220–21 as icon, 52–53 Shirk, Adam Hull, 64, 70 life of, 35, 40–42 Shoshone tribe, 140–41 performances of, 46–47 Show, The (film), 62, 70, 72–73, 75 as scientist/inventor, 38–39, 46–47, Siegfried and Roy, 107–109, 122–27 57n3 Siegfried and Roy: Masters of the Robinson, William Ellsworth (Chung Impossible show, 107, 123–27 Ling Soo), 85, 151–59, 164–71 Sisseton Wahpeton Sioux Tribe, Romanticism, 38, 40, 53 131–32, 137 Ross, Richard, 14 Sky City Casino, 138, 142–43 Rowling, J. K., 211 sleight-of-hand, 23–24, 113–14, 163, Royal Dynasty of Magic, 98 188–89 Smith, Albert E., 61 Sawing a Lady/Woman in Two illusion: social class: and finance, 109–18 assistant role in 86–88 mobility in, 9 as Cut and Restored trick, 28 Robert-Houdin and, 33–35, 38–39, and disability, 177 54 exposure of on film, 73–74 Society of American Magicians (SAM), by Goldin, 92–98 68, 73 Penn & Teller on, 101–102 Socrates, 22 by Selbit, 73, 85, 87–88, 92–96 Soirées Fantastiques (Robert-Houdin), violence of, 73, 95–98 46–47, 78–79 Schwartz, Susan L., 9, 10 Solomon, Matthew, 10 science: and bourgeois manhood, Solomon, Thomas, 25 38–39, 54 Something to Think About (film), 70 vs magic, 9, 14, 19 South Sea Bubble, 111, 117–19 Index 239 spectatorial address, 80–81 interdisciplinary approach in, 8–11, spells, binding, 198 15–16, 28–29 Sphinx, The, 164–66 new models in, 11 Spirit Cabinet (Davenport Brothers), 26 works in, 7 spiritualism, 26, 68–70, 81, 145, 221, sucker gag/trick, 102–103, 226 227 Sufi orders, illusionary techniques of, spirituality, 10, 220–24 50–51 stage/performance magic: Sullivan, Ed, 185–86 advertisements for, 112–14, Sun Dance, the, 140–41 151–54, 156–59, 163–64 Swiss, Jamy Ian, 26, 55 as ancient form, 15 Sword Box trick, 75 birth imagery in, 225–26 sympathetic magic, 161–62 Chinese-themed acts in, 151–74 costume in, 52, 85–86, 99, 113, 208 Tales of Hoffman, The (Offenbach), 211 “death of,” early 20th-century, 63–64 Tamariz, Juan, 14, 21 and disability, 177–95 tarot cards, 22 on film, 61–81 Taussig, Michael, 161–62, 174n4 film in, 69–70, 172–73 Taylor, Shelley E., 17 finance/money imagery in, 107–28 Terror Island (film), 68 and gender, 85–98, 189–95, 204, Tertullian, 10 225–26 Tesla, Nikola, 213–14 and illusion/disillusion dynamic, thauma (astonishing wonder), 20–21 224–29 Thayer Manufacturing Company, 70 in Las Vegas, 9, 98, 107–109 Thicke, Alan, 185–86 and magic in daily life, 19–28 thinking: magical, 132–46 modern, 51 ontological status of, 26–27 as producing docile bodies, 87 Thomas, Keith, 200–202 professionalizing of, 33–57, 163 Thomas, Rick, 98 and ritual magic, 10, 15 Thurston, Howard, 63, 68–69, 75 status as art-form, 37, 42–43, 104n4 Torah, the, 15 themes/styles in, 20–28 Torrini (Edmond de Grisy), as possibly universality of, 15, 20, 28 fictional, 41–42 Stahl, Christopher, 9, 10 Trans-Mississippi and International Stallybrass, Peter, 45 Exhibition and Indian Congress Steinmeyer, Jim, 7, 95–96, 166–67 of 1898, 164–70 stereotypes, ethnic/cultural, 50, tricks: card, 23–24 143–44, 153–54, 159–60, coin, 113, 119–22, 124 164–73 creation of, 24 Sternberg, Josef von, 69 disabilities as, 186 Sting, The (film), 24 exposure of, 73–75 studies in magic: fundamental given away, 103–104 questions in, 7 as illusions about illusion, importance of, 13–14, 19, 28 218 240 Index tricks—continued Why Do the Colors Alternate licensing of, 93 Themselves? trick (Lavand), 187–88 “sucker,” 226 “Why Magic Sucks” (Swiss), 55 trickster magic, 22–23 William III, King of , 110 Tungus tribe, 205 witchcraft, 203–204 Twisted Souls (film), 68–69 women: bodies of, 93, 183, 189–90 images of violence against, 73, Underwater Torture Cell (Penn & 95–98, 183 Teller), 100 as magicians, 95, 101 Unmasking of Robert-Houdin as magicians’ assistants, 86–88, (Houdini), 52–53 92–98, 181–84 Ute tribe, 140–41 power of, 199, 225–26 and religion, 203–207 Vanderbilt, Irene, 95 as surplus, 87–88 Vanishing Coins From a Goblet trick Wonder, Ching Ling Foo, The (Lubin), (Downs), 124 173–74n3 Vanishing Lady illusion, 87–88, 95 wonder, experience of, 20–22 vaudeville, 26, 64, 68, 74, 121, Wonder, Tommy, 14, 21 168–69, 172 “Working with a Magician’s Assistant” Veidt, Conrad, 73 (Bennett), 93–95 Velle, Gaston, 61 World’s Columbian Exposition, Vernon, Dai, 14, 23–24 Chicago 1893, 169 violence: in film, 73 World’s Greatest Magic series (NBC), in stage magic, 73, 95–98, 104n5 180–81, 185–86 Writing and Drawing Automaton Walpole, Robert, 117–18 (Robert-Houdin), 48–49 Water Bowl Production (Ching Ling Wynn, Steve, 107–108, 123 Foo), 155–56, 172–73 wealth, magical expansion of, 9–10, Yakima Nation Stick Game 107–28, 133–34, 136–37 Tournament, 139 Weber, Max, 9 You Never Know Women (film cycle), Weekly Dispatch, the, 157–59 62, 65–67 West of Zanzibar (film), 62, 72–73 Young and Innocent (Hitchcock), 76 Westcar Papyrus, 15 White, Allon, 45 Zig Zag illusion (Harbin), 93–94