— THIS POINT— NEWSLETTER the Point Richmond History Association

Total Page:16

File Type:pdf, Size:1020Kb

— THIS POINT— NEWSLETTER the Point Richmond History Association — THIS POINT— NEWSLETTER The Point Richmond History Association www.PointRichmondHistory. org Vol. XXI No. 4 December/January, 2003 $1.50 TRJi~JA LittCe M useum Ornaments are WvaiCahCe $20.00 each ($18.00 to members) Qet yours at the museum (seepage 2 for hours). Or send the form he Cow to 139 1/2 'Washington JAvenue, 'Richmond, CCA 94801 Please send: _____Little Point Richmond Museum Ornament (s) I am enclosing $20 plus $5 shipping for each I am enclosing $18 plus $5 shipping each, I am a member of PRHA Send my ornament (s) to: Name:____________________________________________________ Address:__________________________________________________ City, State, Zip_____________________________________________ Please allow 1-2 weeks for shipping L. J Contents of this Issue From the President 1 Members 2 Editor’s Notes 3 A-Mid Trivia 4 Holidays are a time to enjoy the Songs of the Century 6 festive season and celebrations. Of all the gifts that nature and man can Church News 7 bestow, few are as treasured as the gift Newspaper Clippings 12 of friendship. In this holiday season, Allan’s Point 14 we—the staff of This Point...in time — express our thanks for your continued Sports Memories 16 support and cooperation to keep our Wig Wag Update 17 association alive. It makes our task a Cards and Letters 20 pleasant one. We look forward to the coming year and wish you a year which Deaths 22 will be one of peace and goodwill. Birthdays 23 If you are perplexed on gift giving, consider a membership in Calendar 24 the Point Richmond History Association. It keeps on giving six times during the year. Plus, every time the member re-reads the newsletter, This Point....in time, they will think of you. We also have the timeless History Building ornament as well as some books available for giving. -■* -fW— 1 Enjoy! Our little museum all decked out fo r the holidays. Thanks to all for making it look quite beautiful! This Point.... in time 1 Madeline Albright THANK YOU! Mary Crosby & Tom Piazza Family Toni Cannizzaro SANTA FE MARKETN Dora M. (Beesley) Feuerhelm MV Dixxie L. Mello POINT RICHMOND MARKET Bernadette Bisio FOR SB LUNG Mary Valenzano Bena Bowles 'Ttf/SPO/AT. ..../AT/M F" FOR OS. Adele F. (Bruno) Waymire Tony P. Bernabich Thanks to the Volunteers who open and Donna Wilson close our history museum on Thursday and Audrey C. Mogensen Saturday: Spiro Cakos Anna Gaumer Betty Dornan (Director) Velma Healy Ann Bartram Henry Allyn Bruce Bartram Bill Vallivero Bonnie Jo Cullison Shaw Family Dody Perry Anita Christiansen And a warm welcome to the following Sonja Darling new members: ’TKuAeuM John A. Theilla & Rosa T. Cassazza ThnteCeuf 11:30 am to 2 :0 0 pm Family Patrick O’Higgins SaXcauCeuf 11:30 am to 2 :0 0 ftm David T. McCarthy Danny & Teri Meister Family TLxmH /tyou! History Makers Sherri Mertle The Corbin Family Corporate Sponsors: Computing Integrity History Preservers: Royce Ong Dennis & Ellen Schaefer Kathe Kiehn 2 This Point in time Cary Shows (510-235-1336) Hello to all. Here is your holiday issue of TPIT. I think it is a pretty good one. As usual thanks to all the contributors, I put it together but you guys are TPIT. I have been working on updating our website, am taking the time to add some more issues of TPIT and will be working on a gallery of pictures. I hope to have stuff to look at before the next issue. I wish you all a very Merry Christmas, Happy Holidays and Happy New Year. See you in 2003! The deadline for the February/March issue is January 17, 2003. The November issue assembly crew was: Jerry Cerkanowicz Gary Shows Mid Doman There are new signs about town pointing Mary Highfill directions to the Red Oak Victory Ship Pam Wilson Brace Bartram Ann Bartram Sonja Darling Betty Doman Bonnie Jo Cullison Potpourri from Allan Smith • William Bill Ellis owned the first saloon in Point Richmond, it was named “The Topeka”. • On September 21, 1901, Standard Oil Company of California bought 117 acres of land in Point Richmond. The Cover: A picture that I took of our little museum building. Every once in a • In 1891 , the manager of the Martinez while you take a digital picture that you baseball team was Mr. Real Sharpe. feel is really good. This is one of those for me. This Point.... in time 3 Mid Dornan (510-234-5334) Question: We see Christmas decorations is at 25 West Richmond Avenue! Stop by for going up the same time as Halloween streamers. breakfast or lunch! When do most Americans do their Christmas *** shopping? Local merchants please note: Hydrangea Answer: at the end of Trivia. has her shop looking like a Christmas fairyland *** for the holiday season. My dream is the one It never fails, no matter the number of Bob Peckham initiated hoping ALL the names on your Christmas card list, the first one merchants on the square would outline their you get is from someone you missed. buildings in tiny lights during the holiday *** season. Frustration: Being unable to find those *** Christmas cards you bought at half price last Former Esmeralda Court resident, Sybil January. Jenkins, now of Napa, was honored on her 90th *** birthday on November 23rd. A dinner at the The Norm and Jean Reynolds household is Napa Methodist Church was hosted by her sons, so busy even dust can’t find time to settle! Son Carl Jenkins, Tucson, Arizona and Bill Jenkins, David is appearing in Splash Circus doing his of Napa. Sybil was active in the Methodist juggling and Mime Acts while sister Bethany, Church and a big supporter of Boy Scout Troop Maybeck High senior in Berkeley, has the lead 111 while living here. in the play, Major Barbara. Add this to their Saturday Angel Choir practices school work and January 16 is National Nothing Day in Sunday School attendance. That doesn’t tell all honor of its founder, newspaperman Harold the other commitments of Mom, Jean! Pullman Coffin. He declared its purpose, ‘to provide Americans with one national day when Annie’s Cafe has moved and is now called they can just sit without celebrating, observing “25 West” and is now open for business. The or honoring anything.” name is a convenient way to locate the cafe as it *** The Third Monday in January is “Clean- Off-Your-Desk-Day, a day to clean down to the desk top and get a fresh start for the new year. (For some, it might be easier to buy a new desk than to clean off the old one!) *** GOOD NEWS for those, who for 48 years, enjoyed Sundar Shadi’s elaborate Christmas display in his steep hillside yard on the Arlington. To view the papier mache-and- plaster sheep, shepherds, sheep dogs, angels, wisemen and camels making their way to Bethlehem with twinkling lights and music was 4 This Point in time a tradition for generations in the Bay Area. Shadi, Day Dinner-Dance by the Red Oak Victory Ship bom in India, was unable to do it anymore and with Patricia Pearson. retired it in 1996. He died at age 101 in March. Not wanting the tradition to die, former El Cerrito Sonja Darling flew to North Dakota to attend mayor, Jane Bartke, members and residents of the the funeral of an Aunt and to visit with her mother El Cerrito Community Foundation and the and family. Soroptomist Club have been working to restore and display the sculptures again. The figures will Birdwatcher Jerry Daniels at Brickyard Cove go up, as usual, two weeks before Christmas and has impressive bird slides and can discuss Birding will come down the day after. The true spirit of guides, good places to bird and birds around our Christmas! homes in the Point Richmond area. A suggestion Jerry: With Theresa doing the photography, how The Oxford English Dictionary has added about publishing a bird book of only POINT 3500 new words and phrases which include Yada RICHMOND AREA BIRDS? yada (likewise), road rage, sticker shock, goof- *** proof and D’oh. Words mean what they do Eighty years (80) seems to be a popular age because of how they are currently used, not how number this year as Fay Hawkins celebrated ‘his’ they were used 500 years ago. day with dinner with his family. *** Former State Assemblyman and Speaker of Joe Darling is recuperating at home after the House, John Knox, was guest speaker at the cancer surgery on his right thumb. Point Business Association and told of the many changes in the Point since the Business Home for the Thanksgiving holiday was Association beginning. Even though women were Ingvar Elle who came from Georgia to join his members in the early ‘60’s, it was known as the Dad, Jack, and siblings Roger , Ivar , Roxanne and Point Businessmen’s Association. Karilu plus their families for the turkey. Jack was *** wearing a big smile at church on Sunday as Invar The best vitamin for developing friends is Bl. reminisced with his many friends there. Ingvar is *** employed at the University of Georgia. A belated Happy Birthday to Phyllis Barusch *** who celebrated her 80th milestone in November. Are you ready for ‘slices’ of peanut butter for Her two sons arrived from Washington D.C. and your sandwiches? It’s here! Simply remove the Salt Lake City to make the event special. cellophane and slap a slice onto bread, wrap *** Welcome back Councilman Tom Butt and wife Shirley who were with the city delegation for the unofficial biannual trip to Richmond's sister city, Zhoushau, China.
Recommended publications
  • Aaamc Issue 9 Chrono
    of renowned rhythm and blues artists from this same time period lip-synch- ing to their hit recordings. These three aaamc mission: collections provide primary source The AAAMC is devoted to the collection, materials for researchers and students preservation, and dissemination of materi- and, thus, are invaluable additions to als for the purpose of research and study of our growing body of materials on African American music and culture. African American music and popular www.indiana.edu/~aaamc culture. The Archives has begun analyzing data from the project Black Music in Dutch Culture by annotating video No. 9, Fall 2004 recordings made during field research conducted in the Netherlands from 1998–2003. This research documents IN THIS ISSUE: the performance of African American music by Dutch musicians and the Letter ways this music has been integrated into the fabric of Dutch culture. The • From the Desk of the Director ...........................1 “The legacy of Ray In the Vault Charles is a reminder • Donations .............................1 of the importance of documenting and • Featured Collections: preserving the Nelson George .................2 achievements of Phyl Garland ....................2 creative artists and making this Arizona Dranes.................5 information available to students, Events researchers, Tribute.................................3 performers, and the • Ray Charles general public.” 1930-2004 photo by Beverly Parker (Nelson George Collection) photo by Beverly Parker (Nelson George Visiting Scholars reminder of the importance of docu- annotation component of this project is • Scot Brown ......................4 From the Desk menting and preserving the achieve- part of a joint initiative of Indiana of the Director ments of creative artists and making University and the University of this information available to students, Michigan that is funded by the On June 10, 2004, the world lost a researchers, performers, and the gener- Andrew W.
    [Show full text]
  • Yesterday (Beatles Song)
    Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words.
    [Show full text]
  • How Our Cultural Roots Inform Musical Heritage and Shape America's
    How our cultural roots inform musical heritage and shape America’s sense of identity Music has an enduring power. Countries often call upon composers to create music that helps shape a national identity. To write music that captures America, many composers took inspiration from the folk music, spirituals and work songs of the African-American experience. By transforming these melodies and rhythms into art songs and symphonic works, composers remind us of the timeless relevance of music in our lives. Moreover, the presence of these authentic melodies in orchestral works acknowledges the role of music in shaping a national identity. Join us as we honor our classical American roots. Joseph Young, Conductor Dvorák’s landmark “New World Symphony” n the 1890’s, people in America were searching for music that might reflect their national identity. At the same time, of course, they were asking “what is America?” and “what does it mean to be American?” IOrchestral music of the day often imitated a grand European tradition. Could there be a uniquely American “sound”? Did we have music that conveyed a sense of America? Would American composers ever achieve Henry “Harry” T. Burleigh: recognition in the world? The Man Who Introduced Dvor˘ák to Spirituals To address those questions,˘ a visionary woman named Jeannette Thurber planned a As a young boy, new National Conservatory of Music in New York City, and sought to recruit an important American European composer to oversee the conservatory and hopefully to elevate the caliber composer of American music. She set her sights on a Czech composer named Antonin Dvor˘ák Henry (1841-1904) [pronounced di-VOR-zhak].
    [Show full text]
  • Songs of the Century
    Songs of the Century T. Austin Graham hat is the time, the season, the historical context of a popular song? When is it most present in the world, best able Wto reflect, participate in, or construct some larger social reality? This essay will consider a few possible answers, exploring the ways that a song can exist in something as brief as a passing moment and as broad as a century. It will also suggest that when we hear those songs whose times have been the longest, we might not be hearing “songs” at all. Most people are likely to have an intuitive sense for how a song can contract and swell in history, suited to a certain context but capable of finding any number of others. Consider, for example, the various uses to which Joan Didion is able to put music in her generation-defining essay “Slouching Towards Bethlehem,” a meditation on drifting youth and looming apocalypse in the days of the Haight-Ashbury counterculture. Songs create a powerful sense of time and place throughout the piece, with Didion nodding to the Grateful Dead, Jefferson Airplane, Quick- silver Messenger Service, and “No Milk Today” by Herman’s Hermits, “a song I heard every morning in the cold late spring of 1967 on KRFC, the Flower Power Station, San Francisco.”1 But the music that speaks most directly and reverberates most widely in the essay is “For What It’s Worth,” the Buffalo Springfield single whose chiming guitar fifths and famous chorus—“Stop, hey, what’s that sound / Everybody look what’s going down”—make it instantly recognizable nearly five decades later.2 To listen to “For What It’s Worth” on Didion’s pages is to hear a song that exists in many registers and seems able to suffuse everything, from a snatch of conversation, to a set of political convictions, to nothing less than “The ’60s” itself.
    [Show full text]
  • NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
    NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing.
    [Show full text]
  • Old Chorale 032509X
    “The Old Chorale” March 24, 2009 Volume 2 , Issue 3 Contents A Night at the Oscars 1 Tickets 1 “A Night at the Oscars” Dewey’s Dialog 2 Music FoTeam 2 In case you haven’t checked your calendar, our show is in 3½ C.R. Officers 2 weeks!!!! That’s three more rehearsals counting tonight. Thank you to all who showed up at our “advance” rehearsal last Saturday. Progress Upcoming Singouts 3 was made. And thank you to those who provided the food, donuts, I’ve Heard That Song 4 and coffee. Who is This C.R.? 5 We have taken on an unprecedented challenge, learning seven new Just for Fun 6 –7 songs in four months. I think it shows several things: 1) We can do it Mission Statement 8 if we want it bad enough; 2) With the right tools, the learning process is quicker, more fun, and more productive; 3) The Chord Rustlers are a fearsome group of dedicated Barbershoppers. Now it’s time to perfect what we’re learned and make our appearance on the show one that our audience won’t soon forget. We’ll hold up Upcoming Events our half of the show and let FRED entertain the audiences for their half. Sig and Dave need our support to have the show run smoothly; ♦ April 4 volunteer where needed and remember to offer support rather than Park County criticism. A little sugar draws more flies than vinegar! (I made that Pioneer Society up.) Sell the show!!! Perfect the music!!! And come pre pared to have Livingston a great time.
    [Show full text]
  • Annotated Bibliography of African American Carillon Music
    Revised February 3, 2021 Annotated Bibliography of African American Carillon Music by Tiffany Ng User’s Guide T his comprehensive annotated bibliography lists carillon scores by African American composers and/or based on African American music. While most of the items are published, a few are unpublished but in informal circulation, or are pending publication. Carillonneurs are invited to use this resource to identify music to perform and teach. Despite the length of this bibliography, there are currently only four published original carillon works by African American composers. The vast majority of items are arrangements by white composers, and most of these arrange- ments are of spirituals, pointing to an essentialization of African American music that omits major genres (ex. jazz, soul, and rhythm and blues, to name a few) and freezes musical development in the 19th century. These imbalances point to an ongoing need for the commissioning of original works by Black composers. This survey also indicates that there are only four original carillon works by Black women, all of which I helped com- mission. Furthermore, of the 74 carillon arrangements of works that can be attributed to specific composers, only 11 arrangements (15%) are of works originally composed or co-written by women—Katherine Stockwell Hazzard, Betty Jackson King, Florence Beatrice Price, and contemporary songwriters Beyoncé and Mary J. Blige. Carillonneurs seeking to commission composers are thus encouraged to explore the intersection of race and gender when identifying potential collaborators, and to ask colleagues of races and genders other than their own for outside referrals to composers who will diversify their collaborative relationships.
    [Show full text]
  • Tv Advertised Lp's
    AUSTRALIAN RECORD LABELS TV ADVERTISED LABELS 1970 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, SEPTEMBER 2018 1 ACKNOWLEDGEMENTS MANY THANKS TO PAUL ELLWOOD FOR HELP WITH J & B. ANDREW RENAUT’S WEBSITE LISTS MANY OF THE MAJESTIC / K-TEL COMPILATIONS: https://majesticcompilations.com/ CONCEPT RECORDS CONCEPT RECORD PTY LTD, 139 MURRAY ST, PYRMONT, 2009 // 37 WHITING ST, ARTARMON, 2064. BEGUN BY THEO TAMBAKIS AS A J & B SPECIAL PRODUCTS LABEL. ACTIVE FROM 1984. CC 0001 BREAKIN’ IT UP VARIOUS 1984 CC 0002 HOWLIN’ FOR HITS 2LP VARIOUS 1984 CC 0003 LOVE THEMES INSPIRED BY TORVILL & DEAN VARIOUS CC 0004 THAT’S WHAT I CALL ROCK ‘N’ ROLL VARIOUS CC 0005 THE BOP WON’T STOP VARIOUS 1985 CC 0006 THE HITS HITS HITS MACHINE 2LP VARIOUS 1985 CC 0007 MASTERWORKS COLLECTION VARIOUS 1985 CC 0008 CC 0009 LOVE ME GENTLY VARIOUS CC 0010 4 STAR COUNTRY 2LP DUSTY, REEVES, WHITMAN, WILLIAMS CC 0011 CC 0012 THE DANCE TAPES VARIOUS 1985 CC 0013 KISS-THE SINGLES KISS 1985 CC 0014 THE VERY BEST OF BRENDA LEE 2LP BRENDA LEE 1985 CC 0015 SOLID R.O.C.K. VARIOUS 1985 CC 0016 CC 0017 CC 0018 HIT AFTER HIT VARIOUS 1985 CC 0019 BANDS OF GOLD 2LP VARIOUS CC 0020 THE EXTENDED HIT SUMMER 2LP VARIOUS 1985 CC 0021 METAL MADNESS 2LP VARIOUS 1985 CC 0022 FROM THE HEART VARIOUS 1986 CC 0023 STEPPIN’ TO THE BEAT VARIOUS 1986 CC 0024 STARDUST MELODIES NAT KING COLE CC 0025 THE VERY BEST OF OZ ROCK 2LP VARIOUS 1986 CC 0026 SHE BOP VARIOUS 1986 CC 0027 TI AMO VARIOUS 1986 CC 0028 JUMP ‘N’ JIVE VARIOUS 1986 CC 0029 TRUE LOVE WAYS VARIOUS 1986 CC 0030 PUTTIN’ ON
    [Show full text]
  • Appendix A: Listening Guide
    UNIT 3 APPENDICES A PROGRAM OF THE LOWELL MILKEN FUND FOR AMERICAN JEWISH MUSIC AT THE UCLA HERB ALPERT SCHOOL OF MUSIC UNIT 3: DI YIDDISHE AMERIKE | APPENDICES 1 APPENDIX A: LISTENING GUIDE UNIT 3: DI YIDDISHE AMERIKE | APPENDICES 2 Di Yiddishe Amerike – Listening Guide Name of piece: Composer: Year composed: Where composed: 1. Sonic A. What does this piece “sound like”? i. Language (in what language is it sung?) ii. Tempo (is it fast or slow?) iii. Dynamics/Rhythm (How loud or soft is this piece? Is the rhythm pronounced/ staccato/martial, or more legato/smooth?) iv. Instrumentation (what instrument/s do you hear?) B. Do you think this piece sounds more “American” or more “Jewish”? Why? 2. Meaning A. Summarize the message of this piece, through its lyrics and music, in 1-2 sentences. 3. Context A. In what way/s do/es this song reflect the composer’s Jewish background? If it doesn’t, in what way does it conflict with the composer’s Jewish background? B. What is the composer’s relationship to America? How is that expressed in this piece? UNIT 3: DI YIDDISHE AMERIKE | APPENDICES 3 APPENDIX B: BIOGRAPHIES UNIT 3: DI YIDDISHE AMERIKE | APPENDICES 4 Israel Beilin / Irving Berlin (May 11, 1888-September 22, 1989) Israel Beilin was born in the Russian Empire in 1888 (the exact place is unknown, although his family had been living in Tolochin, Byelorussia). His father Moses Beilin was a cantor. Fleeing from pogroms, the family immigrated to America in 1893. They settled in a three-room tenement in the Lower East Side.
    [Show full text]
  • NHL Nomination Form Template
    NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-934 (Rev. 12-2015) OMB Control No. 1024-0276 (Exp. 01/31/2019) SURF BALLROOM Page 1 United States Department of the Interior, National Park Service National Historic Landmarks Nomination Form 1. NAME AND LOCATION OF PROPERTY Historic Name: Surf Ballroom Other Name/Site Number: Street and Number (if applicable): 460 North Shore Drive City/Town: Clear Lake County: Cerro Gordo State: IA 2. SIGNIFICANCE DATA NHL Criteria: 1 NHL Criteria Exceptions: n/a NHL Theme(s): III. Expressing Cultural Values 2. Visual and Performing Arts 4. Mass Media 6. Popular and Traditional Culture Period(s) of Significance: 1959 Significant Person(s) (only Criterion 2): Cultural Affiliation (only Criterion 6): Designer/Creator/Architect/Builder: Architects/Engineers Harry P. Hansen & Karl M. Waggoner Architects Historic Contexts: D. Popular K. Performances O. Recordings Paperwork Reduction Act Statement. We are collecting this information under the authority of the Historic Sites Act of 1935 (16 U.S.C. 461-467) and 36 CFR part 65. Your response is required to obtain or retain a benefit. We will use the information you provide to evaluate properties nominated as National Historic Landmarks. We may not conduct or sponsor and you are not required to respond to a collection of information unless it displays a currently valid OMB control number. OMB has approved this collection of information and assigned Control No. 1024-0276. Estimated Burden Statement. Public reporting burden is 2 hours for an initial inquiry letter and 344 hours for NPS Form 10-934 (per response), including the time it takes to read, gather and maintain data, review instructions and complete the letter/form.
    [Show full text]
  • Quadraphonicquad Multichannel Engineers of All Surround Releases
    QuadraphonicQuad Multichannel Engineers of all surround releases JULY 2021 UPDATED 2021-7-16 Type Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow MCH Dishwalla Services, State MCH Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Quad Abramson, Mark 1973 Judy Collins Colors of the Day - The Best Of CD-4/Q8/QR/SACD MCH Acquah, Ebby Depeche Mode 101 Live SACD The Outrageous Dr. Stolen Goods: Gems Lifted from P: Alan Blaikley, Ken Quad Adelman, Jack 1972 Teleny's Incredible CD-4/Q8/QR/SACD the Masters Howard Plugged-In Orchestra MCH Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A MCH Ainlay, Chuck David Alan David Alan DVD-A MCH Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD MCH Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V MCH Ainlay, Chuck Everclear So Much for the Afterglow DVD-A MCH Ainlay, Chuck George Strait One Step at a Time DTS CD MCH Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD MCH Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc MCH Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD MCH Ainlay, Chuck Mavericks, The Trampoline DTS CD MCH Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD MCH Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD MCH Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD MCH Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD MCH Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD QSS: Ron & Howard Quad Albert, Ron & Howard 1975
    [Show full text]
  • Tracks of My Tears (Smokey Robinson and the Miracles)
    Track of My Tears (Smokey Robinson and the Miracles) {Intro} The tracks of my tears People say I'm the life of the I need you, need you, need you party Because I tell a joke or two Outside I'm masquerading Although I might be laughing Inside my hope is fading loud and hearty Just a clown oh yeah Deep inside I'm blue Since you put me down So take a good look at my face My smile is my make up You'll see my smile looks out of I wear since my break up with place you If you look closer, it's easy to trace (Baby) So take a good look at my The tracks of my tears face You'll see my smile looks out of I need you, need you place Since you left me if you see me If you look closer, it's easy to with another girl trace Seeming like I'm having fun The tracks of my tears Although she may be cute So take a good look at my face She's just a substitute You'll see my smile looks out of Because you're the permanent place one If you look closer, it's easy to So take a good look at my face trace You'll see my smile looks out of The tracks of my tears place If you look closer, it's easy to {outro} trace 229 "The Tracks of My Tears" is a song written by Smokey Robinson, Pete Moore, and Marv Tarplin.
    [Show full text]