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Public and Government Affairs Update
ISSUE 71 · MARCH 7, 2012 Public and Government Affairs Update Among the legislation that passed was HB 4061, which created a Special Com- mittee on University Governance. The committee will comprise equal numbers of Oregon House and Oregon Senate members and is tasked with examining local governance board models and rec- ommending a way forward for universi- ties to create local boards. It is scheduled to report its findings by August 2012 and recommend legislation to the 2013 leg- islative session. The bill passed through the House on a vote of 43–13 and the Senate with a vote of 22–5. The legislature also approved two other bills that constitute part of Governor John Kitzhaber’s education reform agenda. SB 1538 clarifies the role of the Higher Edu- Interim President Berdahl speaks to guests at Explore Oregon cation Coordinating Commission (HECC), bringing it fully under the purview of COMMUNITY RELATIONS tive functions that support the running the Oregon Education Investment Board (OEIB). The bill also set up a process for Local leaders attend Explore of the university that is much like a town with a population of 30,000, among other the HECC to look at student issues and Oregon event at Matthew topics. University of Oregon Alumni As- make recommendations to the OEIB and Knight Arena sociation executive director Tim Clev- legislature. On the last day of the session, On February 25, UO Government and enger and University of Oregon director continued on page 2 Community Relations hosted an Ex- of intercollegiate athletics Rob Mullins were also on hand to greet guests and plore Oregon event that coincided with IN THIS ISSUE the winter meeting of the University of alumni. -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
A the Coyote Chronicle
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle Special Collections & Archives 1-26-2001 January 26th 2001 CSUSB Follow this and additional works at: http://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "January 26th 2001" (2001). Coyote Chronicle. Paper 461. http://scholarworks.lib.csusb.edu/coyote-chronicle/461 This Article is brought to you for free and open access by the Special Collections & Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Galactic Fear and Player of the Piays the Loathing Week Paluce James Taylor Page 6 Page 8 Page 10 THE CHRONICLE January 26, 2001 Circulation 5,000 California State University, San Bernardino Issue 9 \oIunie34 Fullerton Exhibit Open to the Public interesting because it was an By Lareve Miranda attempt by Alexander the Chronicle Staff Great to create the first big, multi-cultural and diverse empire. The period dates You don't have to travel all from 330 B.C. to 30 B.C., the way to the J. Paul Getty before the Roman Empire, Museum to see fascinating which means the objects on and rare exhibits. All you display are not only very old have to do is walk to the but also very rare. Accord Robert V. Fullerton Museum ing to Kirsch, art of the Hel on campus. lenistic period is heavily in The FulTertoh Museum fluenced by Greek art. may not be the Getty Mu The items in the exhibit seum, but it's good enough represents the small-scale to house some of the Los world of the Hellenistic pe Angeles-based museum's riod and include marble and ancient artworks. -
Jeff Johnson Photo by Daniel Sheehan NOTES
A Mirror and Focus for the Jazz Community June 2012 Vol. 28, No. 6 EARSHOT JAZZSeattle, Washington Jeff Johnson Photo by Daniel Sheehan NOTES Eddie Creed Memorial Concert Submissions should include a recorded Roosevelt High Takes Second Join in a memorial get together for sample of a project that can be per- Place at Ellington Competition pianist Eddie Creed at the New Or- formed in a concert setting. Selected Taking place at New York City’s leans Creole Restaurant, Sunday June artists are scheduled for performances famed Avery Fisher Hall on May 6, the 10, 4pm-8pm. A veteran and lifelong on July 12, 19, 26. Artists are paid a final concert at the 17th Annual Essen- jazz pianist, Creed was born in 1935 competitive fee for the performance. tially Ellington High School Jazz Band and died from complications due to Please send questions and submissions Competition & Festival, presented by throat cancer. electronically to [email protected]; or Jazz at Lincoln Center, featured the by mail to Earshot Jazz, 3429 Fremont Call for Artists, Deadline June 4 three top-placing bands performing Place N., #309, Seattle, WA 98103. Call with a member of the Jazz at Lincoln The submissions deadline for the Jazz: (206) 547-6763 with questions. Center Orchestra as a soloist. At an The Second Century series is June 4. awards ceremony after the performanc- es, Wynton Marsalis presented prizes and cash awards to each of the 15 final- ist bands. Christopher Dorsey, Direc- tor of the Dillard Center for the Arts, accepted the 1st place trophy and an THE SECOND CENTURY award of $5,000. -
Jambands.Com | Features | <B>The 2005 Hot List: Do Not Ignore
Jambands.com | Features | <b>The 2005 Hot List: Do Not Ignore These DVDs!</b> | 2005-12-13 The 2005 Hot List: Do Not Ignore These DVDs! Benjy Eisen 2005-12-13 [Editor's Note: This is the first of our Year in Review pieces, from DVD Review editor Trey Anastasio: Life Benjy Eisen. More will follow next month...] After Phish As 2005 takes its final bow, here are ten recent DVD releases that should not be Exclusive interview: overlooked in the year-end rush. Use this list as a holiday shopping guide or for your own Trey Talks About Jerry wish list. After all, you’ve been a good little music fan this year, haven’t you? Garcia, Shine and The Breakup, Blues In no particular order — by no means preferential and certainly not alphabetical: Traveler: Destination Unknown, Robbie Robertson: Dylan, Drugs “Festival!” and The Band, JamOff: There was a time when folk music was protest music — really and actually. There was a 13 Hot New Bands, time when three chords and the truth could call the revolution; when one guitar, one voice, Stanton Moore on one song could mobilize an entire peace-loving army. “Festival” , a 97-minute montage of Houseman's Departure and Galactic's 20th the Newport Folk Festival (from 1963 to 1966), captures the meaning — and spirituality — Anniversary (in 2015), of an entire movement as much as it captures the music itself. As such, it is a stirring Steve Winwood: The historical document that is simply fascinating to watch. Featuring significant appearances Last Great Traffic Jam, by Joan Baez, Johnny Cash, and Peter, Paul and Mary, among many others. -
Omahadiner.Pdf
OMAHA DINER is many things: the world’s definitive virtuoso of the seven-string guitar, the pioneer of saxo- phonics, a Guggenheim Fellow in music, and a Grammy nominee. In its 125 years of experience the DINER has worked in some capacity with an unlikely and astonishing array of artists: Aretha Franklin, Sting, John Mayer, Levon Helm, John Adams, Roswell Rudd, Linda Ronstadt, Pearl Jam, Elton John, My Morning Jacket, Courtney Love, The San Francisco Ballet, Sam Rivers, Marianne Faithfull, The Moscow Circus, Roger Waters, Lou Reed, Iggy Pop, Michael Tilson-Thomas, R.E.M., Johnny Copeland, Bon- nie Raitt, Lukas Foss, The Meters, Ween, D’Angelo, Les Claypool, Alvin Ailey, Digable Planets, Sonny Sharrock, Ryuichi Sakamoto, and Tom Waits. OMAHA DINER has toured every continent with the (possible) exception of Antarctica, playing rock arenas, iconic Jazz clubs, Carnegie Hall, and hardscrabble Kentucky roadhouses. The DINER turns up in other places as well - author of the liner notes to Miles Davis’ ‘In Concert’ record, actor on Saturday Night Live, dancer, sous-chef, teacher. Now comes the latest invention, OMAHA DINER - four storied musicians attempting to re-define a format that forever perverted the way we experience music. You may love Top 40 (doubtful), you may hate it (probable), you may not care about it at all (liar), but you cannot escape it. ***OMAHA DINER’s Ironclad Guarantee: all songs have touched, however briefly, #1 on the Top 40 pop chart. TOP 40 AS YOU’VE NEVER HEARD IT BEFORE! STEVEN BERNSTEIN trumpets CHARLIE HUNTER seven-string electric guitar BOBBY PREVITE drums SKERIK tenor saxophone JOHN CLEATER photo by THE KURLAND AGENCY 173 BRIGHTON AVE, BOSTON MA 02134 p/617-254-0007 f/617-782-3577 [email protected] thekurlandagency.com. -
Omaha Diner 2014
OMAHA DINER 2014 BIOGRAPHY OMAHA DINER is many things: the world's definitive virtuoso of the seven-string guitar, the pioneer of saxophonics, a recipient of the 2012 Guggenheim Fellowship for composition, and a Grammy nominee. Omaha Diner is at home in all situations in and beyond the world of music - not only scoring one of the films of legendary director Robert Altman, but performing in another one as well. In its 125 years of experience the Diner has worked in some capacity with an unlikely and astonishing array of artists: Aretha Franklin, Sting, John Mayer, Levon Helm, John Adams, Roswell Rudd, Linda Ronstadt, Pearl Jam, Elton John, My Morning Jacket, Courtney Love, The San Francisco Ballet, Sam Rivers, Marianne Faithfull, The Moscow Circus, Roger Waters, Lou Reed, Iggy Pop, Michael Tilson-Thomas, R.E.M., Johnny Copeland, Bonnie Raitt, Lukas Foss, The Meters, Ween, D'Angelo, Les Claypool, Alvin Ailey, Digable Planets, Sonny Sharrock, Ryuichi Sakamoto, and Tom Waits. Omaha Diner has toured every continent with the (possible) exception of Antarctica, playing rock arenas, iconic Jazz clubs, Carnegie Hall, and hardscrabble Kentucky roadhouses. The Diner turns up in other places as well - author of the liner notes to Miles Davis' 'In Concert' record, actor on Saturday Night Live, dancer, sous-chef, teacher. The Diner is also: "A relentless genius." "A speaker in visionary tongues." "The genuine article of complete originality." "A perpetual music-making machine." "Seattle's only true rock star." "Mind-boggling." OMAHA DINER: deconstructing popular music since 2012. PAST AND PRESENT Sitting in a diner in Omaha, Nebraska in 1954, Todd Storz noticed that a teen-age waitress selected the same song on the jukebox over and over. -
November 4 1992 Vol 2 No 45OCR.Pdf
ToplO Kids'Books Page 11 Letters ••••••••••2 Honolulu Diary3 Volume 2, Number 45, November 4, 1992 FREE ••••••••• LastAugust, whlle was Inside, doing his cartoon characters - By Julia Steele demonstrators outside best to allay fears that he failed. Fueled by crit· the Japanese consulate his nation's planned iclsms ofJapan's plan in Nuuanu chanted tran&Pacffic plutonium by the somethe of "Save the fish, save the transports posed a risk state's toppoltticians, sea, keep the Pacffic to Hawaii. Despite a the media were soon plutonium-free," one of proliferation ofgraphics frettingover the the key figures in - ludicrously populated specterof "floating Japan's nuclear industry by Hello Kitty-type Chernobyls" (a term coined by Rep. Nell NuclearDefueling: See Page 4 Letters of the Law9 •••••••••• Masn's Means Meat15 ttat,or. _. _....wared_ v-• ___ _. statk)ned atPealt a doZeRnu -....- sub,one of at ieast nuc:tea'1)0Weredattack a 5turgeon,da&& 1lleUSS ca valla, -.,.-r-····-..---,..---·----- --------·---· Letters Long live the lo'i building on a gravel parking lot. The Ka Papa Lo'i o Kanewai is a idea is to build next to, and not on, beautiful, unique, cultural resource. the lo'i. University of Hawaii students and It is time the UH administrators community alike use this historic practice two important Hawaiian EVery sunday and Monday 1n November otters you place to learnand share traditional values: malama aina and lokahi. Hawaiian values,language and food. Reopen access to Ka Papa Lo'i o PERM, CONDITION, • Kanewai, so students and community o == CUT & STYLE+ It is the last remaining lo 'i in all of lJ) 5 50 can continueto participatein thework • • ----------<t16 +Regular price $90.00 and up the Waikiki ahupuaa. -
Olly Ruff Described As Quite
The good news is that most of them are on the other side of the ocean.The bad news is that they’re proba- bly going to be around for awhile. Let the hate begin. By William Beutler ou know how it goes: We give them to be (if it ever was), and that for the moment Thomas Paine; they put him in prison. at least, everybody else is similarly aware. YThey give us the Statue of Liberty; we That Le Pen won the first round does not take forever to put it up. We save them from mean that the majority of Frogs are reflexive being a wholly owned subsidiary of the Third bigots, but it does show that their electoral Reich; they pretend the French Resistance system is a travesty. With a ballot-busting made all the difference. They give us Vietnam; sixteen candidates in the primary election — we trip on ourselves trying to figure out what ranging from the nearly-identical to the we’ve gotten into. We give them McDonalds; lunatic fringe — France is a country whose they throw bricks through the front windows. politics are extremely fractured and thor- That’s the short of it. Here’s the long of it: oughly confused. The French hate us, because of this, I The Socialist party is the majority center- submit that everyone follow my lead and left party, but it’s not much of a majority. (though I am hardly the first to raise this idea) Jospin’s defeat and early retirement were hate the French right back. -
2019 High Sierra Program for Download
Welcome! Greetings music lovers and WELCOME to the 29th Annual High Sierra Music Festival. What makes High Sierra so special is that everyone truly brings their “A GAME” to High Sierra, the best versions of themselves – starting with the musicians, on down to the staff and production crews, the vendors and volunteers, to the Quincy community and the patrons! It’s such an amazing aggregate of people and passion, and we’re grateful to all for making it happen! We hope you thoroughly enjoy the weekend while practicing self-care. Please stay hydrated! Thanks to our friends at Klean Kanteen, we have filtered drinking water stations conveniently located throughout the fairgrounds and it’s FREE! (check the festival map in the center of this booklet for locations of the Hydration Stations). If you’re an experienced High Sierra festivarian we consider you an ambassador of the festival and one who upholds the high standard that you have helped set with regard to being “kind neighbors and good people.” We thank you for honoring the unwritten FESTIQUETTE code! (See Festival Guidelines towards the back of this booklet for some specific dos and don’ts.) There’s so much to take in at High Sierra besides the four daytime stages and after midnight venues, so go at a pace that suits you, and if you just feel like relaxing at your campsite you can tune in to Grizzly Radio to listen to what’s happening on stage (see this booklet for station frequencies). Nourish yourself with tasty treats from a wide array of food vendors, shop for yourself or a loved at one of our creative crafts vendor booths, take a young one over to the Family Village, enjoy a swim at Pioneer pool out by Shady Grove, recharge with a yoga or Pilates class, or sample some delicious wine and beer at the High Sierra Swirl – our daily late afternoon beer and wine tasting adjacent to the food court in the Tulsa E. -
NAME EXT DEPARTMENT BUILDING E-MAIL Driscoll,Erin 68137
NAME EXT DEPARTMENT BUILDING E-MAIL Driscoll,Erin 68137 Academic Advising Oregon Hall [email protected] Runberg,Sonja 64345 Academic Affairs, Provost Johnson Hall [email protected] Palanuk,Pam 62153 Academic Affairs, Provost Johnson Hall [email protected] Burzell,Doug 23676 Academic Affairs-Portland Portland Center [email protected] McFarlane,Skip 60340 Academic Extension Baker Downtown Center, Ste 110 [email protected] Fisher,Heather 60421 Academic Extension Baker Downtown Center, Ste 110 [email protected] Lynn,Rebecca 61065 Accessible Education Center Oregon Hall [email protected] Gussenhoven,Sandi 61293 Admissions Oregon Hall [email protected] Stumpf,Susan 61292 Admissions Oregon Hall [email protected] Wright,Vivian 62978 Affirmative Action Peacehealth North, Ste 452 [email protected] Havlis,Priscilla 62295 American English Institute/AEI Pacific Hall [email protected] Matthews,Monte 64957 Animal Care Services Streisinger Hall [email protected] Dutton,Brenda 65125 Anthropology Condon Hall [email protected] Ellis,Linda 65711 Applied Second Languages, Center for/CASLS Baker Downtown Center, Ste 100 [email protected] Gettler,Mandy 61773 Applied Second Languages, Center for/CASLS Baker Downtown Center, Ste 100 [email protected] Deutschman,Stephanie 63683 Aquatic Animal Care Services Huestis Hall [email protected] Mason,Tim Aquatic Animal Care Services Streisinger Hall [email protected] Smith,Michael 62055 Architecture & Allied Arts Lawrence Hall [email protected] Haskins,Shaun 62859 Architecture & Allied -
Hal Blaine Remembered the Pros Weigh in on the Original Studio King
COLLECTOR’S EDITION WIN A $12,000+ DW PACKAGE THE WORLD’S #1 DRUM MAGAZINE THE SHOCK 1969: OF THE NEW SANTANA’S MICHAEL SHRIEVE • MOUNTAIN’S CORKY LAING TONY WILLIAMS • BONZO ON LED ZEPPELIN II • RINGO’S MAPLE KIT CREEDENCE’S DOUG CLIFFORD • JOE COCKER’S BRUCE ROWLAND HAL BLAINE REMEMBERED THE PROS WEIGH IN ON THE ORIGINAL STUDIO KING OCTOBER 2019 GO LONG. Our popular XF extended footboard is now available on 5000 series pedals. Same unmistakable feel, road-worthy performance and adjustability with extra length for increased power. The longest running pedal in the industry just went long. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 TRUST THE MICROPHONES THE LEGENDS TRUST Legendary soul supergroup Tower of Power relies on drummer David Garibaldi to lay down their infectious groove, night after night. And David relies on Audix microphones. DAVID GARIBALDI Tower of Power Drummer AUDIX D6, D4, i5, SCX1, MicroD, and SCX25A “I’ve used Auuddix for yeaars. Thee sound is connssisttennttly faat and our scchheddulle is the ultimmate test of duurraabiilitty. We do 150 to 2000 shows a year – all over thhe worlld – andd notthing breeakks. Audix is the best.” Check out their latest release “Soul Side of Town” on Mack Avenue Records. AudixUSA.com | 800.966.8261 CONTENTS Volume 43 • Number 10 CONTENTS Cover photo of Michael Shrieve/Santana by Baron Wolman Hal Blaine photo courtesy Hal Blaine Collection 46 HAL BLAINE REMEMBERED He helped pave the way for every great studio musician who came out of L.A., and his infl uence extends to this very day.