Advisory Board for the Arts Member Meeting

Total Page:16

File Type:pdf, Size:1020Kb

Advisory Board for the Arts Member Meeting Advisory Board for the Arts Member Meeting Participant Biographies Zoom June 18, 2020 5pm -7:30pm Debby Buchholz La Jolla Playhouse Managing Director Ms. Buchholz joined the Playhouse in 2002, serving first as General Manager before becoming Managing Director. She is a Vice President of the League of Resident Theaters (LORT) and a member of its Executive Committee. She is a recipient of a San Diego Women Who Mean Business Award from The San Diego Business Journal. Prior to joining La Jolla Playhouse, she served as Counsel to The John F. Kennedy Center for the Performing Arts and the National Symphony Orchestra in Washington, D.C. She was a faculty member of the Smithsonian Institution’s program on Legal Problems of Museum Administration. Prior to The Kennedy Center, she served as a corporate attorney in New York City and Washington, D.C. She is a graduate of UC San Diego and Harvard Law School. Ms. Buchholz and her husband, noted author and White House economic policy advisor Todd Buchholz, live in Solana Beach and are the proud parents of Victoria, Katherine and Alexia. Carrie Bilek Richmond Ballet Marketing and Communications Director After 14 years in healthcare marketing, Carrie joined Richmond Ballet in May of 2017. She is a graduate of the University of Richmond where she studied Business Administration (Finance) and French. Carrie was a member of UR’s University Dancers, serving as co-captain her senior year. Having always had a goal to work in arts administration, Carrie completed internships with the French Film Festival in Richmond, The John F. Kennedy Center for the Performing Arts in Washington, D.C., and Shakespeare’s Globe in London. Carrie is thrilled to be able to combine her love for dance with her business experience as a member of the Ballet’s marketing team. Anna Birtles Jacksonville Symphony Director of Marketing and Communications Brett Bonda Richmond Ballet Managing Director Brett Bonda is now in his 34th season with Richmond Ballet, having served the organization as a dancer, administrator, educator, and director. A dancer with the professional company from 1985-1995, Mr. Bonda performed much of the company’s repertory, dancing lead roles in ballets such as Rodeo and Coppélia, and appearing in the premiere of Stoner Winslett’s original work, Ancient Airs and Dances. After learning of the outreach work done through Lori Klinger and the National Institute of Dance, Mr. Bonda elected to retire from the stage to become the Education and Minds In Motion Director for Richmond Ballet. Mr. Bonda served as the program’s artistic and administrative coordinator for 16 years. Additionally, Mr. Bonda has served as the Ballet’s Company Manager, Tour Manager, and video producer, before stepping into his current role as Managing Director where he has worked closely with members of the Ballet’s Board to oversee the organization’s strategic planning and governance, and to initiate the ‘Road to China’ project in 2014. Mr. Bonda’s work with Richmond Ballet has been recognized both statewide and nationally: he has served as a panelist for the National Endowment for the Arts and as a juror for the Coming Up Taller Awards, and he is a board member for Virginians for the Arts. In 2001, Mr. Bonda received Richmond Magazine’s Theresa Pollak Award for Excellence in the Arts and in the summer of 2014, he represented the United States at the U.S.-China Consultation on People-to-People Exchange in Beijing alongside U.S. Secretary of State John Kerry and Richmond Ballet Artistic Director Stoner Winslett. Mr. Bonda is an alumnus of Virginia Intermont College, and lives in Mechanicsville with his wife, Annette, and their two sons, Aaron and Ethan. Greg Cameron Joffrey Ballet Executive Director Inspired by his lifelong love for the arts, for his hometown, and for connecting with people from every background, Greg Cameron leads the Joffrey Ballet as President and CEO, responsible for organization-wide administration and strategy. Under Greg’s partnership with The Mary B. Galvin Artistic Director Ashley Wheater, the Joffrey has set new records at the box office and built the strongest financial foundation in its history. Before joining the Joffrey, Greg spent three decades supporting art and artists and creating meaningful experiences for others at the Chicago Department of Cultural Affairs, the Art Institute of Chicago, the Museum of Contemporary Art, and WTTW/WFMT. In addition to leading the Joffrey, Greg throws himself into his community, volunteering for a wide range of nonprofit organizations and civic committees, including the Facing History and Ourselves Chicago Advisory Board, Enrich Chicago, and the UIC Chancellor’s Leadership Board. Greg also serves as a State Street Commissioner. Matt Carwardine-Palmer Welsh National Opera Director of Marketing & Sales Matt Carwardine-Palmer is a highly experienced arts marketer based in south Wales. Matt gained senior management experience as Head of Marketing / Marketing Director at HST Theatres (Wycombe Swan & Wyvern Theatre), and as Head of Marketing at Bristol Old Vic before becoming self-employed in late 2006. Matt has worked with a wide range of clients including Orchestras Live, Shakespeare’s Globe, Wales Millennium Centre, Royal & Derngate, National Theatre of Scotland and Arts Fundraising & Philanthropy. He was also Course Director for the TMA’s ‘Druidstone’ Essentials of Marketing in 2010 and 2011. Matt holds a First Class BA (Hons) in Arts Management and is a Member of the Chartered Institute of Marketing, holding Chartered Marketer status. He was a Trustee of Audiences South West from 2006-2009, a National Advisor to the Arts Council of Wales from 2012-15 and a Trustee of Sinfonia Cymru from 2014-19. In December 2016, Matt joined Welsh National Opera full-time in the newly created role of Director of Marketing & Sales. In 2018 he also joined the Opera Europa Marketing & Communications steering group. Mary Cook La Jolla Playhouse Director of Communications Tanya Derksen Philadelphia Orchestra Vice President of Artistic Production Tanya Derksen is the Vice President of Artistic Production for The Philadelphia Orchestra. She joined the team last fall after moving from Canada where she has almost twenty years of experience in the music industry as a performer, teacher, board member, and arts administration leader. Previous to this role, she was Executive Director of the Regina Symphony Orchestra (RSO) and led the organization to increased growth in subscription revenue and sponsorships, transformed the customer service and marketing approach, established new educational programs, and developed a visionary 5-year strategic plan for the organization. Tanya has a strong education and community outreach background from her work as Director of Education and Outreach with the Winnipeg Symphony Orchestra. In 2011, she initiated an innovative program called Sistema Winnipeg – an intensive, 5-day a week, after-school youth orchestra program based on the El Sistema model in Venezuela – for students living in neighborhoods with the lowest socio-economic status in Winnipeg. Tanya is a passionate and active arts leader with experience on various boards in the arts and business community. Currently, she is the chair of board of directors for Orchestras Canada. She has a Master of Business Administration from the University of Manitoba and a Bachelor of Music (piano) from Brandon University. Rachel Fine The Wallis Annenberg Center for the Performing Arts Executive Director and CEO Rachel Fine was named Executive Director/CEO of the Wallis Annenberg Center for the Performing Arts (The Wallis) in June 2018. Prior to assuming her position as Managing Director of The Wallis in November 2015, she was Senior Consultant at the DeVos Institute of Arts Management. Drawing upon an 18-year career in the arts as a versatile administrator, educator, and fundraiser, as well as a professional classical musician, Fine served as Executive Director of the Los Angeles Chamber Orchestra (LACO), establishing LACO as orchestra-in-residence for the Center for the Art of Performance at UCLA in an ongoing and mutually beneficial collaboration; successfully shepherding LACO through the challenges of the Great Recession; and expanding the reach of the Orchestra with prestigious debuts beyond Los Angeles. In addition, she spearheaded high-profile community events as “Play Me, I’m Yours,” an ambitious three-week project that placed 30 pianos in 30 locations across Los Angeles, and Strad Fest LA, a four-day citywide festival featuring eight Stradivarius violins. Strad Fest LA earned press coverage in The Wall Street Journal and on “60 Minutes,” and also resulted in a record-breaking fundraiser for LACO. In addition, she served in leadership positions at such institutions as the Los Angeles Children’s Chorus, where she helped found the Young Men’s Ensemble, a rare choral group for young men with changing voices, for The Juilliard School, Santa Fe Opera, and the Aspen Music Festival, as well as the renowned San Francisco-based period ensemble Philharmonia Baroque Orchestra. Fine completed a one-year comprehensive Management Fellowship in 2001-02 at the John F. Kennedy Center for the Performing Arts under the guidance of then-President Michael M. Kaiser. Fine was also selected to participate in the 2012 Leadership L.A. program, the Los Angeles County Arts Commission’s 2008-09 Arts Leadership Initiative, and the 2007-08 Wells Fargo New Executive Directors Institute of Southern California’s Executive Service Corps. She is a founding mentor of the Los Angeles Emerging Arts Leaders’ mentorship program. An accomplished pianist, Fine studied at the Eastman School of Music and the University of California, Irvine, where she graduated Phi Beta Kappa with a degree in music. She also attended graduate school in musicology at Yale University. She served on the Board of Directors of the Association of California Symphony Orchestras (ACSO) for six years and recently joined the Board of Councilors for the University of Southern California’s Thornton School of Music, where she also teaches a graduate course in executive arts leadership.
Recommended publications
  • Hollywood Pantages Theatre Los Angeles, California
    ® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................
    [Show full text]
  • More- for Immediate Release CENTER THEATRE GROUP
    For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie.
    [Show full text]
  • The Following Blue Star Theatres Are Listed in Alphabetical Order
    The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Manhattan Theatre Center, New York, NY 7 Stages, Atlanta, GA McCarter Theatre, Princeton, NJ Actors Theatre of Louisville, Louisville, KY Northlight Theatre, Skokie, IL Adventure Stage, Chicago, IL Olney Theatre Center for the Arts, Olney, MD Alabama Shakespeare Festival, Montgomery, AL Penobscot Theatre Company, Bangor, ME Alley Theatre, Houston, TX People’s Light & Theatre, Malvern, PA Alliance Theatre, Atlanta, GA Performance Network Theatre, Ann Arbor, MI American Blues Theater, Chicago, IL Pittsburgh Public Theater, Pittsburgh, PA American Conservatory Theater, PlayMakers Repertory Company, Chapel Hill, NC San Francisco, CA Portland Center Stage, Portland, OR American Repertory Theater, Cambridge, MA Round House Theatre, Bethesda, MD Arena Stage, Washington, D.C. Roundabout Theatre Company, New York, NY Arkansas Repertory Theatre, Little Rock, AR Seattle Children’s Theatre, Seattle, WA Artists Repertory Theatre, Cambridge, MA Seattle Repertory Theatre, Seattle, WA Arvada Center Theatre, Arvada, CO Second Stage Theatre, New York, NY Asolo Repertory, Sarasota, FL Signature Theatre, Arlington, VA Berkeley Repertory Theatre, Berkeley, CA South Coast Repertory, Costa Mesa, CA Bloomsburg Ensemble Theatre, Bloomsburg, PA Stages Theatre Company, Hopkins, MN Boise Contemporary Theater, Boise, ID Stageworks Theatre, Tampa, FL Burning Coal Theatre Company, Raleigh, NC Steppenwolf Theatre Company, Chicago, IL California Shakespeare Theatre, Orinda, CA Studio Theatre, Washington, D.C. Center Theatre Group, Los Angeles, CA Syracuse Stage, Syracuse, NY CENTERSTAGE, Baltimore, MD The Contemporary American Theater Festival, Chesapeake Shakespeare Company, Ellicott City, MD Shepherdstown, WV Childsplay, Tempe, AZ The Old Globe, San Diego, CA Cincinnati Playhouse, Cincinnati, OH The Repertory Theatre of St.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • 9 Short Plays from the Longest Year of Our Lives
    LONG STORY SHORT 9 SHORT PLAYS FROM THE LONGEST YEAR OF OUR LIVES Sponsored by Linda Archer The Law Office of Steven Edward Buckingham Bob & Bev Howard Meghan Riordan & Chris Prince Debra & Tom Strange A Friend of The Warehouse Theatre THE WAREHOUSE THEATRE RECEIVES GENEROUS SUPPORT FROM THE JEAN T. AND HEYWARD G. PELHAM FOUNDATION AND THE HARRIET WYCHE ENDOWMENT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE WAREHOUSE THEATRE PRESENTS LONG STORY SHORT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRO- DUCTION OR DISTRIBUTING RECORDINGS OF ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIB- ITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FROM THE ARTISTIC DIRECTOR There have been many adjustments we’ve had to make at The Warehouse over the past 15 months.
    [Show full text]
  • Michael Schweikardt Design
    Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019.
    [Show full text]
  • Cast Biographies Chris Mann
    CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s).
    [Show full text]
  • By Samuel D. Hunter Martin Benson
    50th Season • 479th Production SEGERSTROM STAGE / MARCH 28 - APRIL 27, 2014 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents the world premiere of REST by Samuel D. Hunter John Iacovelli Angela Balogh Calin Donna Ruzika Michael Roth SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC/SOUNDSCAPE John M. Baker Jackie S. Hill Sue Karutz* DRAMATURG PRODUCTION MANAGER STAGE MANAGER Directed by Martin Benson Mary Beth Adderley Olivia & A. Andrew Johnson Honorary Producers REST was commissioned by South Coast Repertory. Rest • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Etta .......................................................................................... Lynn Milgrim* Ken ......................................................................................... Wyatt Fenner* Gerald .................................................................................... Richard Doyle* Jeremy .......................................................................................... Rob Nagle* Ginny ............................................................................................ Libby West* Faye ........................................................................................... Sue Cremin* Tom ...................................................................................... Hal Landon Jr.* SETTING A retirement home of the outskirts of a town in northern Idaho. The present. LENGTH Approximately one hour
    [Show full text]
  • Annual Report Fiscal Year 2021
    Annual Report Fiscal Year 2021 Sara Porkalob in Dragon Mama. Produced by American Repertory Theater in 2019, virtually released in 2020. Photo by Gretjen Helene. Founded over forty years ago, Theatre Forward fosters collaboration between America’s prominent regional theatres, connects them to funding and resources on a national level, and advocates for the arts in America. The Theatre Forward cohort comprises a network of 19 leading theatres in as many separate cities, providing an efficient conduit for funders to support important cultural institutions and their communities on a national level. 505 Eighth Avenue, Suite 2504 | New York, NY 10018 | T. 212 750 6895 | www.theatreforward.org TO THEATRE FORWARD FUNDERS At this writing it has been fifteen months since the COVID-19 pandemic forced theatres across the country to close. We imagined it would be a period of weeks, or perhaps a few months, before normal operations would resume. As time passed and the severity of the pandemic became more apparent, theatre executives courageously faced the unavoidable and made difficult but necessary decisions to downsize and, in many cases, to cut salaries for remaining staff, and take programs and fundraising events online. During this dark period, Theatre Forward and its valued partner-donors remained committed to providing funds for general operating support, workforce stabilization, education programs, and the advancement of equity, diversity and inclusion (EDI) within the theatres and their communities. In May of 2020, Theatre Forward was proud to administer a $1 million COVID-19 relief grant program on behalf of the Hearst Foundations. And in the fiscal year ending June 30, 2021, grants and donations from individuals, corporations and foundations made it possible for Theatre Forward to distribute $870,000 to its member theatres.
    [Show full text]
  • Putting It Together
    46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
    [Show full text]
  • Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
    SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).
    [Show full text]
  • VIEW the COMPLETE ECONOMIC STUDY, Phase 2
    vision42 Economic and Fiscal Impacts of Proposed LRT Services in a Pedestrianized 42nd Street on Retail, Restaurants, Hotels & Theatres in the 42nd Street Corridor Prepared by Urbanomics, Inc. November 2006 vision42 an auto-free light rail boulevard for 42nd Street Phase II Technical Studies— Anticipated Economic Impacts on Retail, Hotels and Theaters Regina Armstrong, Principal-in-Charge Tina Lund, Senior Research Associate Heidi Gorman, Economic Planner Urbanomics 115 Fifth Avenue, 2nd Floor New York, NY 10003 212-353-7465 in association with Amos Ilan and Catherine Lanier October 16, 2006 vision42 Roxanne Warren, AIA, Chair George Haikalis, ASCE, Co-Chair The vision42 proposal is a citizens’ initiative sponsored by the Institute for Rational Urban Mobility, Inc. (IRUM), a New York City-based not-for-profit corporation concerned with advancing cost- effective transport investments that improve the livability of dense urban places. This study, one of a second round of three technical studies that address key concerns about the feasibility of the vision42 proposal, was made possible by a generous grant from the New York Community Trust/Community Funds, Inc., John Todd McDowell Environmental Fund. Institute for Rational Urban Mobility, Inc. P.O. Box 409, New York, NY 10014 212-475-3394 www.irum.org www.vision42.org Economic and Fiscal Impacts of Proposed LRT Services in a Pedestrianized 42nd Street on Retail, Restaurants, Hotels & Theatres in the 42nd Street Corridor 1 Executive Summary 2 The 42nd Street Corridor: Existing Conditions 2.1
    [Show full text]