Greenside at Royal Terrace

Total Page:16

File Type:pdf, Size:1020Kb

Greenside at Royal Terrace Greenside 2018 greensidevenue.co.uk HOW TO WELCOME TO BOOK GREENSIDE During August the easiest way to book with Greenside is to take a wander down to any of our venues and book from 2018 our wonderful Green Box Offices! Our friendly box office team are on hand to assist you. It’s important to stress that In 2018 we’re thrilled to present to focussed as we can so you’ll notice that Greenside does not take telephone you almost 170 wonderful shows from all our print products are recyclable, bookings, however if you want to book around the world. You’ll be spoilt for we’ve overhauled our bar products and one of our wonderful shows remotely choice; as one in every ten theatre recycling procedures to recycle every you can do so in one of three easy ways; shows happening at Edfringe this single product we can. We’ve got some August is happening right here at snazzy reusable Greenside coffee mugs - Online at edfringe.com Greenside. We have got three times for you to purchase and offer 50p off the Fringe average of dance and every cup of coffee when you bring - By calling 0131 226 000 physical work as well as over four your own cup. We want to put the green - Downloading the Fringe App times the Fringe average of musical into Greenside and we need your help theatre. However like all good Fringe as well! Please use our recycle bins As we are a collection point, all programmes we have much more provided and do your part by reusing as purchases via the Fringe are available than that…come and take a look at our much as you can! at any one of our box offices for biggest ever programme of work. In fact immediate collection. the programme you have in front of you Accessibility and inclusivity across our represents the fifth largest at the Fringe! venues is a key focus for us in 2018. As If you want generic information about we all know Edinburgh is a temporary our venues, directions or a moan about As well as over 170 wonderful shows festival and our lovely venues are only the weather please call our Central for your perusal we thought we’d also used as theatre spaces for three weeks Information Centre on 0131 557 21214. share with you some of our key areas a year - that presents us with some 3 of focus for 2018. Last year the Fringe unique challenges but it won’t slow reached the grand age of 70 moving us down! Head to our website and our into the next decade of the Fringe. At dedicated accessibility information so Greenside we wanted this year to look you can read more about how we aim at how we can make the audience to be as accessible as we can to ensure experience better and also how we can our programme of work can reach as be better for the planet. We’re making many people as possible. a commitment to be as environmentally 2 3 greensidevenue.co.uk FIND GREENSIDE VENUES US FOCUS 2018 AND BEYOND… Greenside at Greenside at Greenside HQ has two main areas Greenside and yet maybe fall short on Another map to add to your list! Infirmary Street Nicolson Square This one is important though... Venue 236 Venue 209 that we are focused on improving. We the three R’s which are of course – are striving to achieve a new fringe It will guide you from one Green Shows performing in Shows performing Recycle | Re-use | Reduce venue to another! If it helps pop Forest Theatre, Olive in Emerald Theatre, standard in the access information that So we are committed this year to be a the addresses into your phone. Studio or Mint Studio Fern Studio or we provide for our venues. Secondly #GreenerGreenside. 6 Infirmary Street, Lime Studio we are firmly putting the Green in Edinburgh 25 Nicolson Square, Greenside in our venues approach to We are implementing the following EH1 1 LT Edinburgh recycling and all things environmentally changes to encourage our audience, 0131 557 2124 EH8 9BX friendly. 231 companies and staff to follow the three 0131 557 2124 R’s by – NORTH Accessibility and Inclusivity B1350 Greenside at The Fringe Festival has always been Recycle all of the waste that we possibly Royal Terrace billed as an open access festival – can. We are ensuring that all of the YORK PLACE Venue 231 which in terms of what and who can produce that we sell in our bars are Shows performing EDINBURGH perform at the festival is certainly true. recyclable including the plastic cups in Jade Studio PLAYHOUSE and paper straws. A900 1b Royal Terrace, We have decided we will not be Edinburgh constricted by the venues we inhabit, Re – use Offering the option to REGENT GARDENS EH7 5AB we will think creatively to ensure that we purchase a Greenside reusable hot 0131 557 2124 drink cup. We will be offering 50p off all PRINCE’S ST are as accessible to as many patrons as NORTH BRIDGE NORTH A1 possible. hot drinks that are put into a reusable cup (doesn’t have to be a Greenside EDINBURGH Greenside have been working closely WAVERLY CALTON ROAD one! ) with the Fringe Society to be better at making our venues as inclusive and as Reduce we are committed to using THE ROYAL MILE accessible as we can be. none of the products that we have used in previous years that were not Please go to our website and look at our environmentally friendly. We will be Accessibility tab to see what information using only environmentally friendly COWGATE HOLYROOD ROAD we have available. 236 cleaning products in our bars and spaces. A7 #GreenerGreenside We figured that we cannot be called FESTIVAL THEATRE 209 EDINBURGH NICOLSON SQ Follow us on twitter Like us on facebook @greensidevenue greensidevenue 4 5 Box Office: 0131 226 0000 CONTENTS GREENSIDE at NICOLSON SQUARE VENUE 209 How to book.........................................................................................................3 Find us...................................................................................................................4 icolson Square is set moments away from the bright lights and Fringe madness of Bristo Square, moments from the Festival theatre and Accesibility and inclusivity.................................................................................5 N less than a five minute stroll to the Royal Mile. New for 2018, we have Greenside at Nicolson Square..........................................................................7 a brand new studio at Nicolson Square meaning the programme in 2018 has exploded to over sixty shows. Whilst at Nicolson Square take some time out to Greenside at Infirmary Street.........................................................................24 relax and unwind in the beautiful settings of the Well Cafe or enjoy the sun (by no means guaranteed) in our courtyard and watch the world go by. Greenside at Royal Terrace.............................................................................47 Thank you...........................................................................................................52 Perform with Greenside...................................................................................53 Timetables..........................................................................................................54 6 7 BoxShows Office: performing 0131 226 at Nicolson 0000 Square | 0131 557 2124 greensidevenue.co.uk 12+ 12+ 12+ 12+ Music Theatre Theatre 1984 An Evening with Emerald Theatre | Close Up Theatre A Dog’s Tail A Show About Shows Michael Bubbles War is peace. Freedom is slavery. Ignorance is Musicals and Opera (No Champagne Included) Lime Studio | Scruffy Penguin strength. Close Up Theatre (sell-out 2004-2017) About Show Biz Lime Studio | Kingdom Theatre Company presents Orwell’s hauntingly prescient classic, Two walks a day, food, water and love is enough Emerald Theatre | Show Choir where every thought is recorded, monitored and Fresh from 2017’s sell-out hit, Michael Bublé for dogs, but what about their owners? It’s a restricted: where Big Brother is always watching. tribute Michael Bubbles invites you to “pop” along complex world in the park and only the dogs can From Show Boat to Showman, there’s always to his show No Champagne Included. Sit back, Aug 20 - 25 | 11:45 (1 h 30 m) | £10.00 (£8.00) (F:£30.00) make sense of it all. Another Op’nin, Another Show about the sparkling self-obsessed world of Musical Theatre! smile and sing along with toe-tapping audience Aug 13 - 18 | 10:20 (50 m) | £8.00 (£5.00) (F:£20.00) Come and Meet Those Dancing Feet, because participation. www.KingdomTheatreCompany.com There’s No Business Like Show Business! Aug 3 - 5 | 18:30 (55 m) | £10.00 (F:£36.00) Aug 20 - 25 | 15:00 (50 m) | £8.00 (£6.00) (F:£18.00) Aug 6 - 9 | 18:30 (55 m) | £11.00 (£9.00) (F:£36.00) Aug 6 - 7 (2-4-1 Dates) 8+ 14+ Theatre 0+ 12+ Theatre A Collection of Comedy Grimm’s Fairy Tales, An Abundance of Tims Too Fern Studio | Tim Chapman Anchor Lime Studio | Transforum Theatre A Kinder, Gentler Quite simply: it’s all about Tim. Tim recently Lime Studio | Collaboration between Cie Come find yourself in the woods again among Comedy became the hero of a small rural town. Divisar and Woman’s Move shadow puppets, masks and magic in A There was only one problem – it was Collection of ’s Fairy Tales, Too. Created and Fern Studio | No Sex, No Swearing, No completely by accident. One man. Two In a light and playful form, the duet Anchor performed by the women of Transforum Theatre. Mocking the Audience, No Brexit audio speakers. An Abundance of Tims. depicts the dilemma between love and desire. Dance Physical Theatre and Circus Can we want what we already have, can we love Aug 20 - 25 Aug 3 - 11 | 21:00 (50 m) | £10.00 (£8.00) | 10:20 (50 m) | £8.00 (£7.00) (F:£20.00) Is it weird to buy a house where someone has what we are addicted to? just been murdered? Also Buck O’Neil and some Aug 3 - 4 | 11:30 (50 m) | £7.00 Rush lyrics.
Recommended publications
  • INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
    INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www.
    [Show full text]
  • Highlights of Available Works
    Highlights of Available Works TJ Ahearn Good Times Bad Times (Rolling Stones), 2018 Hand cut collage on vintage LP jacket with original vinyl 21 x 21 inches Framed Courtesy of the artist and lemon sky: projects + editions TJ Ahearn’s collages are created through a meticulous application of hand-cut imagery from both vintage and contemporary periodicals, books and other printed matter, which is glued onto the back of LP jackets. Most of the albums used date back to the 60s and 70s, and the original vinyl is included with the collaged piece. Ahearn creates imaginary environments through the inventive layering and juxtaposition of both banal and pop culture visual elements. The collages on view are from the artist's ongoing JUKEBOX series. TJ Ahearn lives and works between NYC and Miami. Ahearn attended School of Visual Arts in New York as well as both the University of Miami BFA Program and Miami Dade South Campus Fine Arts Program and Psychopolis Academy in the Netherlands. The work of TJ Ahearn is in many prestigious collections in the U.S. and abroad and has been exhibited at museums, galleries and art fairs internationally. Ahol Sniffs Glue Malt Liquor is Thicker Than Water, 2016 40 oz bottle, hot glue, and spray paint Courtesy of the artist Ahol, whose raw yet instantly recognizable street murals evaporate the divide between high and low art, often jumbles disparate themes from mass media, popular culture and marginalized pockets of society. He often draws inspiration from the urban environment and systems of society which dehumanize its inhabitants.
    [Show full text]
  • Paterson Erika Phd 1997.Pdf
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road. Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Ordering Chaos: The Canadian Fringe Theatre Phenomenon by Erika Paterson BJ.A., University of Victoria, 1989 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of Theatre We accept this dissertation as conforming to the required standard Dr.
    [Show full text]
  • 15Th Annual Carolyn and Norwood Thomas Undergraduate Research and Creativity Expo
    15th Annual Carolyn and Norwood Thomas Undergraduate Research and Creativity Expo 2021 a unit within the University Teaching & Learning Commons utlc.uncg.edu/ursco Preston Lee Phillips Jr, Ph.D. Director Adrienne W. Middlebrooks Business Officer Traci Miller, MSA MARC Program: Academic Enhancement Coordinator Maizie Plumley Graduate Assistant Ali Ramirez Garibay Undergraduate Assistant URSCO is a unit within the University Teaching and Learning Commons Undergraduate Research, Scholarship and Creativity Office ~ Leadership Committee ~ Lee Phillips, Ph.D. URSCO Director Amy Adamson, Ph.D. College of Arts and Sciences Heather Holian, Ph.D. College of Visual and Performing Arts Jamie Schissel, Ph.D. and Sara Heredia, Ph.D. School of Education Kathleen Williams, Ph.D. School of Health and Human Sciences Angela Bolte, Ph.D. Lloyd International Honors College George R. Still III Student Affairs Tiffany Henry University Libraries University Teaching and Learning Commons 130 Shaw Hall Greensboro, NC 27402-6170 336.334.4776 April 19, 2021 Dear Students, Colleagues, and Guests, I would like to welcome you to the 15th Annual Carolyn and Norwood Thomas Undergraduate Research and Creativity Expo and the 2nd Virtual Undergraduate Research and Creativity Expo at UNCG. As we have all worked to navigate our lives and learning through the adjusted approaches required by this ongoing pandemic, we have seen an incredible commitment of the UNCG community to learning through research and creative inquiry. This year, we are thrilled to accept 223 presentations by more than 239 students, working with 90 mentors, and representing 29 academic departments/programs. This year includes another distinction as we have partnered with the School of Art to cohost a portion of the Senior BFA Exhibitions.
    [Show full text]
  • MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE
    MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth.....................................................................................................
    [Show full text]
  • SD: STOP!! First Objection
    Situated south of Dresden, this bizarre landscape Elbe Sandstone Mountains was a rich source of motifs for almost all the 1789-1849 German romantics. Their images shape our Video approx. 50 min romantic view today of the time between the Stephan Dillemuth, 1994 French revolution and the March revolution in Germany. TV Studio, a presenter enters the stage through In a journey through film and text, leading up to an opening in a rose-strewn trellis, flowers in his an Elbe Sandstone Mountains trip, we are hand. An artificial rainbow in the background, an confronted with our own projections. antique sculpture of a woman's head on a pillar Was romanticism political or was politics in the foreground. The presenter places the romantic? And what do Journey to the Inside, flowers on the head. Biedermeier and German revolution mean to us today – in 1995? Presenter: Good evening ladies and gentlemen. As part of this regular cultural programme on the Presenter turns his back on the audience and with Hamburg Free Channel we are showing you today a scream jumps over the fence and falls a long at the usual hour a video film by the Cologne way down behind the trellis. artist Stephan Dillemuth about the Elbe Sandstone Cut to a singing child in a blue dress with a Mountains. microphone in her hand. Location shot. Girl: of a group. Put this sentence of mine in real terms And then I heard a voice ring out and you find that every clause has killed its men. Deep down in me, Which in a moment rapt away It needed four years to be translated into physical My memory..
    [Show full text]
  • Subscribe to the Press & Dakotan Today!
    PRESS & DAKOTAN n FRIDAY, MARCH 6, 2015 PAGE 9B WEDNESDAY PRIMETIME/LATE NIGHT MARCH 11, 2015 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 1:00 1:30 BROADCAST STATIONS Arthur Å Odd Wild Cyber- Martha Nightly PBS NewsHour (N) (In Suze Orman’s Financial Solutions for You 50 Years With Peter, Paul and Mary Perfor- John Sebastian Presents: Folk Rewind NOVA The tornado PBS (DVS) Squad Kratts Å chase Speaks Business Stereo) Å Finding financial solutions. (In Stereo) Å mances by Peter, Paul and Mary. (In Stereo) Å (My Music) Artists of the 1950s and ’60s. (In outbreak of 2011. (In KUSD ^ 8 ^ Report Stereo) Å Stereo) Å KTIV $ 4 $ Meredith Vieira Ellen DeGeneres News 4 News News 4 Ent Myst-Laura Law & Order: SVU Chicago PD News 4 Tonight Show Seth Meyers Daly News 4 Extra (N) Hot Bench Hot Bench Judge Judge KDLT NBC KDLT The Big The Mysteries of Law & Order: Special Chicago PD Two teen- KDLT The Tonight Show Late Night With Seth Last Call KDLT (Off Air) NBC (N) Å Å Judy Å Judy Å News Nightly News Bang Laura A star athlete is Victims Unit Å (DVS) age girls disappear. News Starring Jimmy Fallon Meyers (In Stereo) Å With Car- News Å KDLT % 5 % (N) Å News (N) (N) Å Theory killed. Å Å (DVS) (N) Å (In Stereo) Å son Daly KCAU ) 6 ) Dr.
    [Show full text]
  • Kieran Hodgson Writer / Performer
    Kieran Hodgson Writer / Performer Three-time Edinburgh Comedy Award nominee Kieran is an acclaimed actor, writer and comedian. Kieran Hodgson has had four hugely successful shows at the fringe, three of which resulted in prestigious Edinburgh Comedy Award Best Show Award Nominations for Lance, Maestro and ’75. Maestro also landed Kieran a nomination for the Times Breakthrough Award at the South Bank Sky Arts Awards 2017. Kieran’s shows have sold out theatres and comedy venues across the UK. Outside of the live circuit, Kieran has played series regular Gordon in two series of the smash hit BBC2 sitcom Two Doors Down alongside Arabella Weir, Doon Mackichan, Alex Norton, Elaine C Smith and Jonathan Watson. Kieran filmed the role of Dr Moorhouse in the forthcoming Victorian crime drama Miss Scarlet & The Duke this summer, which will air on UKTV’s Alibi channel in the UK and PBS in the US. Other recent film and television roles include: BBC3 / BBC One’s Bafta-nominated Pls Like series 2, as a regular in two series of BBC3's hit Famalam, Channel Four’s pilot The Mr Swallow Show starring Nick Mohammed, Dave's Unspun With Matt Forde, Netflix's Lovesick, and as Malcolm McLaren in Sky Arts' Urban Myths: The Sex Pistols vs Bill Grundy. Kieran’s Channel Four Blap, God’s Own County, which he wrote and also starred in alongside Monica Dolan and Jim Howick, was released in summer 2018. It was developed with Jonny Sweet and Simon Bird’s production company Guilty Party Pictures and produced by TV Burp’s Spencer Millman and is being developed further for Channel Four.
    [Show full text]
  • Jonathan Zittrain's “The Future of the Internet: and How to Stop
    The Future of the Internet and How to Stop It The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Jonathan L. Zittrain, The Future of the Internet -- And How to Stop It (Yale University Press & Penguin UK 2008). Published Version http://futureoftheinternet.org/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:4455262 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA YD8852.i-x 1/20/09 1:59 PM Page i The Future of the Internet— And How to Stop It YD8852.i-x 1/20/09 1:59 PM Page ii YD8852.i-x 1/20/09 1:59 PM Page iii The Future of the Internet And How to Stop It Jonathan Zittrain With a New Foreword by Lawrence Lessig and a New Preface by the Author Yale University Press New Haven & London YD8852.i-x 1/20/09 1:59 PM Page iv A Caravan book. For more information, visit www.caravanbooks.org. The cover was designed by Ivo van der Ent, based on his winning entry of an open competition at www.worth1000.com. Copyright © 2008 by Jonathan Zittrain. All rights reserved. Preface to the Paperback Edition copyright © Jonathan Zittrain 2008. Subject to the exception immediately following, this book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S.
    [Show full text]
  • Desire and Homosexuality in the '90S Latino Theatre Maria Teresa
    SPRING 1999 87 Out of the Fringe: Desire and Homosexuality in the '90s Latino Theatre Maria Teresa Marrero The title of this essay refers to a collection of theatre and performance pieces written and performed between 1995 and 1998 by some of the most prolific Latino artists working in the late 20th century.l One the characteristics that marks them is the lack of overall homogeneity found among the pieces. Some, like Svich's Alchemy of Desire/Dead-Man's Blues (1997) and Fur (1995) by Migdalia Cruz, function within an internal terrain that the play itself constructs, making no allusions to identifiable, specific, geographic locations (be they Hispanic or Anglo). Theirs is a self-contained world set within what could be termed the deliberations of language, the psychological and the theatrical. Others, like Alfaro's Cuerpo politizado, (1997), Greetings from a Queer Señorita (1995) by Monica Palacios, Trash (1995) by Pedro Monge-Rafuls, Stuff! (1997) by Nao Bustamante and Coco Fusco, and Mexican Medea (1997) by Cherríe Moraga, clearly take a stance at the junction between the sexual, sexual preference, AIDS, postcolonial discourse and identity politics. While the collection of plays and performances also includes fine work by Oliver Mayer, Nilo Cruz and Naomi Iizuka, for the purpose of this essay I shall concentrate on the above mentioned pieces. The heterogeneous and transitory space of these texts is marked by a number of characteristics, the most prominent and innovative of which is the foregrounding of sexual identities that defy both Latino and Anglo cultural stereotypes. By contemplating the central role of the physical body and its multiplicity of desires/states, I posit this conjunction as the temporary space for the performance of theatrical, cultural, and gender expressions.
    [Show full text]
  • Lord of the Flies
    Home Page Title Page LORD OF THE FLIES Contents !! "" ! " Page 1 of 290 Go Back Full Screen Close Quit Home Page Title Page LORD OF THE FLIES Contents a novel by !! "" WILIAM GOLDING ! " Page 2 of 290 Go Back GLOBAL VILLAGE CONTEMPORARY CLASSICS Full Screen Close Quit This e-book was set with the help of KOMAScript and LaTeX Home Page Title Page Contents !! "" ! " Page 3 of 290 Go Back Full Screen Close Quit Home Page Contents Title Page Contents 1 The Sound of the Shell 5 !! "" 2 Fire on the Mountain 42 ! " 3 Huts on the Beach 65 4 Painted Faces and Long Hair 80 Page 4 of 290 5 Beast from Water 106 Go Back 6 Beast from Air 134 Full Screen 7 Shadows and Tall Trees 155 8 Gift for the Darkness 177 Close 9 A View to a Death 207 Quit 10 The Shell and the Glasses 221 Home Page 11 Castle Rock 242 12 Cry of the Hunters 262 Title Page Contents !! "" ! " Page 5 of 290 Go Back Full Screen Close Quit Home Page Title Page 1 The Sound of the Shell Contents The boy with fair hair lowered himself down the last few feet of rock and began to pick his way toward the lagoon. Though he had taken off his !! "" school sweater and trailed it now from one hand, his grey shirt stuck to him and his hair was plastered to his forehead. All round him the long scar smashed into the jungle was a bath of heat. He was clambering ! " heavily among the creepers and broken trunks when a bird, a vision of red and yellow, flashed upwards with a witch-like cry; and this cry was Page 6 of 290 echoed by another.
    [Show full text]
  • Florida State University Libraries
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 The Laws of Fantasy Remix Matthew J. Dauphin Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE LAWS OF FANTASY REMIX By MATTHEW J. DAUPHIN A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2017 Matthew J. Dauphin defended this dissertation on March 29, 2017. The members of the supervisory committee were: Barry Faulk Professor Directing Dissertation Donna Marie Nudd University Representative Trinyan Mariano Committee Member Christina Parker-Flynn Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To every teacher along my path who believed in me, encouraged me to reach for more, and withheld judgment when I failed, so I would not fear to try again. iii TABLE OF CONTENTS Abstract ............................................................................................................................................ v 1. AN INTRODUCTION TO FANTASY REMIX ...................................................................... 1 Fantasy Remix as a Technique of Resistance, Subversion, and Conformity ......................... 9 Morality, Justice, and the Symbols of Law: Abstract
    [Show full text]