The Bmw M2 by Futura 2000 Exceeds Our Expectations and Is a Further Step by Bmw Individual in Its Collaboration with World Famous Artists.”

Total Page:16

File Type:pdf, Size:1020Kb

The Bmw M2 by Futura 2000 Exceeds Our Expectations and Is a Further Step by Bmw Individual in Its Collaboration with World Famous Artists.” “THE BMW M2 COMPETITION IS A TRULY FASCINATING CAR WITH A STYLE ALL ITS OWN: DYNAMIC, EXTROVERTED AND PROVOCATIVE TO A PLEASING DEGREE. IT‘S A GREAT HONOUR FOR ME TO BE ABLE TO ADD A LITTLE MORE THE BMW M2 EXTRAVAGANCE TO THIS CAR.” by FUTURA 2000 FUTURA 2000 BRINGING ART TO THE STREETS “WE ARE VERY PROUD TO HAVE SECURED AN INTERNATIONALLY RENOWNED ARTIST LIKE FUTURA 2000 FOR THE DESIGN OF OUR SHOW CAR. THE BMW M2 BY FUTURA 2000 EXCEEDS OUR EXPECTATIONS AND IS A FURTHER STEP BY BMW INDIVIDUAL IN ITS COLLABORATION WITH WORLD FAMOUS ARTISTS.” MARKUS FLASCH | CEO BMW M A TRUE MASTERPIECE The BMW M2 by FUTURA 2000 is setting new trends both in the art scene and in the field of sporty high-performance vehicles. Clear the stage for a unique collaboration – the first of three exclusive “BMW M2 by FUTURA 2000” vehicles hand-painted by FUTURA himself, the New York based graffiti artist that is globally known for his unparalleled style. An exclusive M2 Competition showcar that FUTURA designed in the BMW M Factory in Garching. “I AM DEEPLY IMPRESSED BY THE DYNAMIC AND SLIGHTLY PROVOCATIVE DESIGN OF THIS PIECE OF ART. WITH ITS UNIQUE, CONSTRUCTIVE AND REBELLIOUS STYLE, FUTURA 2000 IS THE PERFECT MATCH FOR OUR BMW M2 COMPETITION.” MARKUS FLASCH | CEO BMW M 5 THE MASTER OF CEREMONY “The worlds of contemporary art and streetwear are constantly changing, and more so now than ever, are finding harmonious‚ partnerships within luxury.” BMW M teamed up with FUTURA 2000 as our credible partner to navigate this exciting space. With him, we have forged a collaboration that charters unexplored territories –not only for BMW M and FUTURA 2000, but also for art collectors and car aficionados alike. Together, we have engineered innovation, through collaboration. Born Leonard Hilton McGurr, FUTURA 2000 established himself as a pioneer when graffiti met the more formal gallery ecosystem in the 1980s. He quickly became known for his radical approach on the street, introducing abstraction to an entirely letter-based discipline, and found himself part of a wider art movement that included the likes of Jean-Michel Basquiat, Keith Haring, and Dondi White. Besides his decades-long career as a contemporary artist, he influenced an entire new generation of street artists and thrillingly collaborated with several well-known brands. 8 9 STREET REBELS BMW M2 Competition: Fuel consumption in l/100 km (combined): 10.0 [9.2] CO₂ emissions in g/km (combined): 227 [209] The figures in brackets refer to the vehicle with seven-speed M double-clutch transmission with Drivelogic. – Specific parts are individually hand painted, the final look and layout can be slightly different than shown in the pictures. A HIGH-PERFORMANCE “RIDING AROUND IN A LIMITED PIECE MASTERPIECE GIVES YOU A PRIDEFUL FEELING.” FOR M ENTHUSIASTS FUTURA 2000 In addition to the three exclusive one-offs, there is also a limited-edition series inspired by this masterpiece: the BMW M2 Edition designed by FUTURA 2000. The internationally renowned, New York-based artist has left his mark on BMW M’s compact sports car in the interior and the exterior, to express the rebellious character of this high-performance vehicle. This means that as well as receiving a brand new BMW M2 Competition, every buyer gets to own a one-of-a-kind piece of art – a first ever in the history of the M GmbH. 12 13 UNIQUE AND STRICTLY LIMITED The BMW M2 Edition designed by FUTURA 2000 is the first- ever M automobile for sale with components hand-crafted by the artist. Known for his colour schemes, concentric forms and kinetic compositions, FUTURA 2000 gives the BMW M2 Competition an exceptional look. Under the artist’s lead every car was hand-painted within the M factory in Garching. No two models will be identical as the exterior designed by FUTURA 2000 can be clearly identified by its distinctively painted front and rear aprons and side skirts. It is also equipped with 19-inch 763 M light-alloy wheels in jet black. 14 15 TRULY A PIECE OF ART THAT YOU CAN NOW RIDE ON THE STREETS. The artist’s signature style is continued in the interior of the high-performance sports car. The decorative trims on the instrument panel and centre console are hand-painted by FUTURA 2000, making each vehicle truly unique. The two-tone M sports seats with Dakota leather in black and ivory-white feature contrasting seams in polar blue. The interior package also includes an M sports steering wheel in Alcantara and 12 o’clock markings, as well as special door sill trims with the limited- edition badge and a FUTURA 2000 signature. * Specific parts are individually hand painted, the final look and layout can be slightly different than shown in the pictures. 16 EXPRESSION MEETS PERFORMANCE Designed by FUTURA 2000 and strictly limited, this car edition brings contemporary art to the public realm. And it does so with impressive performance: with the BMW M2 Competition as its base, it develops 302 kW (410 hp) and accelerates to 100 km/h in 4.2 seconds with M DKG. The unique design by the artist, guarantees attention and gives the model an individual appearance. The BMW M2 by FUTURA 2000 limited-edition model is now available. Please contact your local dealer for further information. 18 19 Of all the beautiful cars of the BMW product range, why the M2 competition? Why the M2? It is a rebel. The M culture is a rebel culture obviously. There is something really wonderful about the You’ve spent a lot of time 2. It’s a kind of car I always really close to the car, so wanted to have and the what is your favourite part competition series is great. about it? So Yeah, the M2, let’s do it. I think the understatement of it and the fact that it is not If you yourself would be a that loud. It is a bit more livea- new owner of that edition, ble if you will – that is a good what would you do with it? thing! The production model is a litte bit more settled than I would get that first version the showcars so I think that ride out of my system and get it is very interesting. It is not out on the street and maybe the exact replication but it run around to some friends is a wonderful version of it. and say: “hey look at my new The best benefit to the cus- car”. Off the garage and maybe SITTING DOWN WITH OUR tomer is that I touched every just sit on it for a while and vehicle and everything is a see how this whole thing rolls MASTER OF CEREMONY little bit different, I work like out and see what people are FOR A VERY EXCLUSIVE INTERVIEW. a machine but I am not. So saying about it. I would like to every car actually is different. see it ridden! 20 21 Just one more thing: Is there anything else you would like to tell the new owners? Yes, I would like to point out the fact that they are all unique. It would be fun for fellow owners to do com- parisons. What is slightly different from my version to your version. Because myself, of course, having painted all these individual pieces – they are all unique in a sense. And I think the same can be said for the exteriors as well that have been done by the team. I also told them don’t be machines if this little element is slightly different, don’t sweat that. And like the creative What was the most challenging What should it feel like and what process, be part of the process. part for you in the process? should people feel when they ride Because it is an extention of me in that car? What kind of feelings I think it was to paint with a color and that is kind of how I approach come to your mind? system here at BMW M rather than my work. come with a bunch of buckets of Well, considering you’d be riding around paint and just paint the thing. It’s in a limited edition it gives you a prideful They are all different. It is never gotta be done in a process. It’s feeling, because you have something his one or her one, it is your one. a painting: One layer-dry-paint- special and there is something exciting And here we go. dry-paint-dry. I think the layering about it. Hopefully the owner, the driver, of it all wasn’t a challenge but he or she, whoever feels like “I have a something I had to understand. really special car” and I am happy with Okay, this is how it works out. it. So … happiness! 22 23 HIGH PERFORMANCE THAT BREAKS CONVENTIONS. “Futura 2000 and BMW Put Art in Motion.” WhiteWall “ BMW has Bad-Ass New Art Car Courtesy of Artist FUTURA 2000.” The Business Telegraph “FUTURA 2000 Takes His Art From The Street To BMW High-Performance Cars.” iGNANT “ Street Artist Futura Makes the BMW M2 His Next Canvas.” Robb Report Artist Contact: Sky Gellatly, Email: [email protected] BMW M2 Competition: Fuel consumption in l/100 km (combined): 10.0 [9.2] CO₂ emissions in g/km (combined): 227 [209] The figures in brackets refer to the vehicle with seven-speed M double-clutch stated here.]. The CO₂ efficiency specifications are determined according to Directive 1999/94/EC and the European Regulation in its current version applicable.
Recommended publications
  • Writing the Future: Basquiat and the Hip-Hop Generation, Museum of Fine Arts, Boston, Panorama: Journal of the Association of Historians of American Art 7, No
    ISSN: 2471-6839 Cite this article: Peter R. Kalb, review of Writing the Future: Basquiat and the Hip-Hop Generation, Museum of Fine Arts, Boston, Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021), doi.org/10.24926/24716839.11870. Writing the Future: Basquiat and the Hip-Hop Generation Curated by: Liz Munsell, The Lorraine and Alan Bressler Curator of Contemporary Art, and Greg Tate Exhibition schedule: Museum of Fine Arts, Boston, October 18, 2020–July 25, 2021 Exhibition catalogue: Liz Munsell and Greg Tate, eds., Writing the Future: Basquiat and the Hip-Hop Generation, exh. cat. Boston: Museum of Fine Arts, Boston, 2020. 199 pp.; 134 color illus. Cloth: $50.00 (ISBN: 9780878468713) Reviewed by: Peter R. Kalb, Cynthia L. and Theodore S. Berenson Chair of Contemporary Art, Department of Fine Arts, Brandeis University It may be argued that no artist has carried more weight for the art world’s reckoning with racial politics than Jean-Michel Basquiat (1960–1988). In the 1980s and 1990s, his work was enlisted to reflect on the Black experience and art history; in the 2000 and 2010s his work diversified, often single-handedly, galleries, museums, and art history surveys. Writing the Future: Basquiat and the Hip-Hop Generation attempts to share in these tasks. Basquiat’s artwork first appeared in lower Manhattan in exhibitions that poet and critic Rene Ricard explained, “made us accustomed to looking at art in a group, so much so that an exhibit of an individual’s work seems almost antisocial.”1 The earliest efforts to historicize the East Village art world shared this spirit of sociability.
    [Show full text]
  • FUTURA2000 (Born Leonard Hilton Mcgurr in New York City) Is a Graffiti Pioneer Who Began Painting Subways in the Late 1970S
    FUTURA2000 (born Leonard Hilton McGurr in New York City) is a graffiti pioneer who began painting subways in the late 1970s. In 1980 he painted the iconic whole car titled “Break,” which was recognized for its abstraction, rather than a focus on lettering. This painting established some of the enduring aesthetic motifs and approaches FUTURA2000 would explore over the decades that followed. FUTURA2000 was among the first graffiti artists to be shown in contemporary art galleries in the early 1980s. His paintings were shown at Patti Astor’s Fun Gallery and Tony Shafrazi, alongside those of his friends Keith Haring, Jean-Michel Basquiat, Rammellzee, DONDI, and Kenny Scharf. MoMA PS1 brought the artists together in their landmark 1981 exhibition, “New York / New Wave.” In this period, FUTURA2000 illustrated the sleeve cover for The Clash’s ‘This is Radio Clash’ seven-inch single. He accompanied The Clash on their Combat Rock tour, spray painting in the background while the band played. He painted as an accompaniment to demonstrations of break dance by the Rock Steady Crew, and concerts by Grand Master Flash and Afrika Bombataa. With the Clash, he recorded the vinyl “The Escapades of Futura 2000,” a manifesto for graffiti. By the 1990s, as the commercialization of global street culture in the 1990s inspired collaborations with fashion and lifestyle brands, FUTURA2000’s work moved toward a more refined expression of his abstract style. Commissions from brands such as Supreme, A Bathing Ape, Stüssy, and Mo' Wax saw his artwork canonized as an elemental component of cross-genre street aesthetic. He has collaborated with Nike, BMW, Comme des Garçons, Louis Vuitton, and Off-White.
    [Show full text]
  • Is Graffiti Art?
    IS GRAFFITI ART? Russell M. Jones A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2007 Committee: Andrew Hershberger, Advisor Allie Terry ii ABSTRACT Dr. Andrew Hershberger, Advisor Illegal graffiti is disconnected from standard modes of visual production in fine art and design. The primary purpose of illegal graffiti for the graffiti writer is not the visual product, but “getting up.” Getting up involves writing or painting one’s name in as many places as possible for fame. The elements of risk, freedom and ritual unique to illegal graffiti serve to increase camaraderie among graffiti writers even as an individual’s fame in the graffiti subculture increases. When graffiti has moved from illegal locations to the legal arenas of fine art and advertising; risk, ritual and to some extent, camaraderie, has been lost in the translation. Illegal graffiti is often erroneously associated with criminal gangs. Legal modes of production using graffiti-style are problematic in the public eye as a result. I used primary and secondary interviews with graffiti writers in this thesis. My art historical approach differed from previous writers who have used mainly anthropological and popular culture methods to examine graffiti. First, I briefly addressed the extremely limited critical literature on graffiti. In the body of the thesis, I used interviews to examine the importance of getting up to graffiti writers compared to the relative unimportance of style and form in illegal graffiti. This analysis enabled me to demonstrate that illegal graffiti is not art.
    [Show full text]
  • Artprice by Artmarket Presents the Top 25 Street Artists: Banksy's Success
    Artprice by ArtMarket presents the Top 25 Street Artists: Banksy’s success in not a market anomaly With a new auction record of $12.2 million hammered at the beginning of October, street artist Banksy definitely stands out on the Art Market. But don’t forget that earlier this year, in April, Kaws – another artist from the graffiti scene – reached a new record of $14.8 million in Hong Kong. And what about Jean-Michel Basquiat and Keith Haring? Despite Banksy’s incognito status, Street Art is no longer an anonymous art form; who hasn’t heard of Sherpard Fairey (Obey) or Invaders? Who doesn’t know Stik’s little men? From the Berlin Wall to Wynwood (Miami), Street Art is not only tolerated by local authorities, it has become an attraction and even a ‘must-see’ for tourists. For the Art Market, the street has become a kind of hothouse incubator. thierry Ehrmann, founder /CEO of ArtMarket.com and its Artprice department: “Long considered an illegal practice, Street Art has become the height of luxury and is now collected by movie stars : Brad Pitt, Pharrell Williams, Leonardo DiCaprio. Basquiat sometimes repainted the walls of his friends' apartments… Who would complain about that today? It’s in the nature of man – and especially of political authorities – to complain first, and then, after observing the reactions of amateurs and professionals to finally accept. The Art Market is usually well ahead of public recognition. There’s an obvious parallel with the history of the Abode of Chaos, ArtMarket.com’s head office, which is following a similar path.
    [Show full text]
  • Download Press Release
    Press release PARIS FUTURA SOLO SHOW INTROSPECTIVE 14 JUNE – 26 JULY 2014 Futura, oeuvre in situ, Paris, 2014 The star of the stars, the emblem of street-art and pioneer of the movement, known from the 70s for his abstract graffitis without letters, FUTURA is a real legend. Magda Danysz gallery is proud to announce that it is representing this artist. From June 14th to July 26th to celebrate this collaboration, it presents in Paris, an exceptional exhibition of previously unseen works created especially for this occasion prior to his world tour. As BASQUIAT, SEEN, or Keith HARING, FUTURA has been involved in a numerous exhibitions since the 80s in New-York., notably the legendary New-York / New Wave at the PS1 in 1981. This exhibition drew the portrait of a new generation revolutionizing art with completely new art expressions. Being the first person to do a “whole-car” without letters, he quickly imposed his abstract style on the artistic world, in galleries, in museums, and even in concerts, such as the one of the Clash at Mogador in 1981 where he was discovered in France for the first time. His style stands out among the others, as much for his abstract patterns which replace the classical “tags” as for the life of his composition. FUTURA is the true heir of the Abstract Expressionism, his movement portrays the same energy as Jackson Pollock. He builds a bright and colorful universe, which is instinctive, and balances geometrical lines in the patters which he paints with the spray cans as finely as if it was a paintbrush.
    [Show full text]
  • Graffiti Art from the Martin Wong Collection 1 City As Canvas
    CITY AS CANVAS GRAFFITI ART FROM THE MARTIN WONG COLLECTION 1 CITY AS CANVAS A powerful form of artistic and counter-cultural self-expression, graffiti in New York City has had a polarizing history and rapid rise into the mainstream. Beginning in the 1970s as illicit “writing” on subway cars and station walls, by the 1980s it had evolved to include colorful paintings embraced as valuable works of art by downtown collectors and patrons. City as Canvas: Graffiti Art from the Martin Wong Collection features vibrant and provocative works on paper and canvas, as well as artist black books and photographs of graffiti writing long erased from city walls. This important exhibition highlights the early work of such seminal artists as Keith Haring, FUTURA 2000, Lee Quiñones, DAZE, and LADY PINK, giving voice to their perspective as young, outsider creatives who would go on to become well-known artists and ambassadors of the genre. I. I. RAMMELLZEE. Untitled, 1980. 94.114.197. II. LADY PINK. The Death of Graffiti, 1982. 94.114.96. 2 II. 3 EXHIBITION HIGHLIGHTS This transformational exhibition marks the first time many of the works from the expansive collection of Martin Wong, an East Village artist and collector of graffiti art, have been publicly exhibited. Wong saw the importance of graffiti long before it became part of our vernacular, and amassed a treasure trove of hundreds of works. Specific highlights in the exhibition include DAZE’s Transition (1982), Martha Cooper’s photograph of DONDI (1980), LADY PINK’s The Death of Graffiti (1982), and LEE’s Howard the Duck (1988).
    [Show full text]
  • Doze Green Doze Green Was Born in 1964 in New York City and Is Currently Based in Northern California
    Doze Green Doze Green was born in 1964 in New York City and is currently based in northern California. In 1976, he began painting subway cars and became one of the original b-boy members of Rock Steady Crew, the group that pioneered breakdancing. Soon after, he transitioned from graffiti to studio work and mural commissions. In 2010, audio of an interview with Green discussing his work along with a slideshow of his images was featured in The New York Times. One of Green’s works was recently acquired by Grammy award-winning musical artist and producer Kasseem “Swizz Beatz” Dean and will be exhibited at Scope- Miami 2014 along with a selection of other works from the Dean Collection. SELECTED SOLO EXHIBITIONS 2016 Limbo. Wunderkammern Gallery. Milan, IT 2014 Out of Knowhere. Jonathan LeVine Gallery. New York, NY 2013 New Works. OpenSpace Gallery. Paris, France 2012 Luminosity in the Dark Rift. Jonathan LeVine Gallery. New York, NY 2010 New Works. Jonathan LeVine Gallery. New York, NY 2008 N.O.O.N. Jonathan LeVine Gallery. New York, NY 2007 Gas. Paper Shadow Gallery. Melbourne, Australia 2007 The Left Hand Path. Webbs Gallery. Auckland, New Zealand 2006 The Left Hand Path. Jonathan LeVine Gallery. New York, NY 2004 Greymatter. 111 Minna Gallery. San Francisco, CA 2003 Carlos Irizarry Gallery. San Juan, Puerto Rico 2002 Tour: Sight and Sound. 111 Minna Gallery. San Francisco, CA 2001 Discordia. 111 Minna Gallery. San Francisco, CA 2001 Novo Deus. Locus Gallery. New York, NY 2001 Novo Deus. 111 Minna Gallery. San Francisco, CA. 1999 Abraxas.
    [Show full text]
  • Tag Sale: Graffiti and Street Art
    PRESS RELEASE For Immediate Release Presents: Tag Sale: Graffiti and Street Art Featuring works by Banksy, Shepard Fairey, Jean-Michel Basquiat, Keith Haring, and Futura 2000 Live sale on artnet Auctions from January 29 through February 5, 2013 Futura 2000 Blueboy, 2013 Aerosol on canvas 54 x 54 in. 137 x 137 cm. Est. US$40,000–50,000 New York / Berlin, January 29, 2013—artnet Auctions is pleased to present Tag Sale: Graffiti and Street Art, a sale of over 50 works by iconic Graffiti and Street artists including Banksy, Shepard Fairey, Jean-Michel Basquiat, and Keith Haring, with estimates ranging from US$1,500 to 120,000. This sale is live on artnet Auctions from January 29 through February 5, 2013. Included in the sale is Blueboy (2013), a major new painting by legendary Graffiti artist Futura 2000. Blueboy, which belongs to the Wrinkle Finish series that debuted in Future Shock, Futura’s monumental, one-man exhibition in New York in 2012, finds the artist taking new risks with his abstractions. The stark and powerful works of the Wrinkle Finish series are a departure from the artist’s often frenetic, dense compositions, and signal maturation in his aesthetic. The measured, thoughtful abstractions in Blueboy play with viewers’ notions of texture, tactile forms, and negative space. Another highlight of the Graffiti and Street Art sale is a selection of signed and authenticated works by world-renowned Street artist Banksy, including Applause (2006), Toxic Mary (2003), and Barely Legal/LA Set (2006), the remarkable six-print portfolio. These limited-edition works have estimates ranging from US$4,000 to 120,000.
    [Show full text]
  • Presse Art Urbain.Qxp
    art L’Art Urbain... en galerie Le street-art, ou art urbain, est un mouvement artistique contemporain. Il s’agit de toutes formes d’art réalisé dans la rue ou dans des endroits urbain publics et englobe diverses méthodes telles que le graffiti, le pochoir, les stickers, les posters, la projection vidéo, les installations de lumière, la céramique, etc... La naissance de cet art est située à New-York. C'est en apposant leur signature à l'aide de bombes aérosols, dans les années 1970, que le mouvement est né, et qu'il s'est développé dans le monde entier. De là est né le graffiti, avec de grands lettrages et des éléments figuratifs. Puis, d'autres formes de représentations graphiques sont nées, ce qui prouve que le street-art est vivant, car il se renouvelle en s'appropriant de nouveaux territoires, tout en inventant de nouvelles pratiques artistiques. Alors, pourquoi ne pas le présenter dans une galerie ? Pourquoi ne pas l’élever au rang de toutes les formes artistiques qui se sont succédées sur nos murs ? “Le graffiti c'est l'émerveillement à mon sens. En comparaison, tout autre forme d'art est une régression ” Bansky Nicolas Laugero-Lasserre « Je défends les artistes militants, engagés, qui portent un regard sur la société et prônent des valeurs de tolérance, d’ouverture aux autres, de paix », explique Nicolas Laugero Lasserre, directeur de l’Espace Pierre Cardin, dans la capitale, il est également créateur et président du site internet culturel Artistik Rezo. Depuis une quinzaine d’années, il collectionne les œuvres d’art urbain, réunissant les deux grandes familles que sont le graffiti et le street art (peintures, collages, pochoirs, mosaïques, etc.).
    [Show full text]
  • Introduction
    INTRODUCTION FUTURA, born Leonard Hilton McGurr, entered into New York City’s graffiti scene in the early 1970s as a young teenager searching for identity. At this time, graffiti was just beginning to appear in New York City in the form of text- and name- based tags on subway trains and other public spaces by a group of writers—mostly other teen- agers—who adopted tags like TAKI 183, STAY HIGH 149, and PHASE 2. Futura, inspired by Stanley Kubrick’s classic sci-fi movie 2001: A Space Odyssey, joined this seminal first wave—creating the tag FUTURA 2000 (later revised to Futura). When you think of the origins of streetwear and street culture, most point to Futura’s foun- dational graffiti scene of the 1970s, as well as to early hip-hop and punk rock, Japanese street Futura-isms_FINAL pages_11.2.20.indd 7 11/3/20 9:06 AM fashion, 1990s skateboarding culture, or other countercultures of the late twentieth century. Few will recognize that simultaneously—within all of these strains—was Futura, the hidden influencer, with a foot in each of those worlds, revolutionizing from behind the scenes. His importance in the genesis of our contemporary culture, and his continued, expanded presence within that culture today, is a testament to his phenomenal resilience, subtlety, and perception as an artist. While time banishes some into irrel- evance, time has only strengthened Futura. Culled from close to forty interviews, con- versations, lectures, and other primary sources from the past thirty years, this book reveals the mind—and consistency—of Futura through- out his many phases of development, from his experiences as an early writer in New York City subway trains, to his deployment in the US Navy, | viii | Futura-isms_FINAL pages_11.2.20.indd 8 11/3/20 9:06 AM his revolutionary impact on graffiti art, and his lasting influence on popular culture.
    [Show full text]
  • 80'S Graffiti Sale
    PRESS RELEASE For Immediate Release Presents: 80’s Graffiti Sale Live sale on artnet Auctions from December 13 through 20, 2012 Keith Haring Untitled (Robots, Figures, and Angels), c. 1984 Chalk on MTA craft paper 46 x 52 in. 116.84 x 132.08 cm. Est. US$75,000–95,000 €57,708–73,098 New York / Berlin, December 2012 — artnet Auctions is proud to feature the 80’s Graffiti Sale, an auction of over 30 works by iconic Street artists such as Keith Haring, Futura 2000, Lee, Rammellzee, and CRASH. All works have estimates ranging from US$1,500 to US$95,000. The sale features one of Keith Haring’s iconic subway drawings, a set of works the artist created from 1980 to 1985. Haring executed these works in chalk on unused subway advertising panels covered in black matte paper. Untitled (Robots, Figures, and Angels), estimated at US$75,000 to US$95,000, was taken from New York City’s 59th Street Station; the piece demonstrates the fusion of Haring’s unique style with the larger Street Art movement of the 1980s. Another highlight of the sale is a mixed media on museum board work by notorious Graffiti artist Rammellzee. Untitled, estimated at US$50,000 to US$70,000, is based off of the artist’s theory of Gothic Futurism. This theory is detailed in Rammellzee’s treatise, Iconic Panzerisms, which describes the symbolic warfare of rules prescribed by the alphabet and the revision of language in society at large. The sale also includes an early Futura 2000 spray paint on canvas from 1985 entitled Cerise Clock.
    [Show full text]
  • KEITH HARING: the World of Keith Haring Featuring Fab 5 Freddy, the Jonzun Crew, Yoko Ono, Class Action, Johnny Dynell, Art Zoyd and More
    Soul Jazz Records Presents KEITH HARING: The World of Keith Haring Featuring Fab 5 Freddy, The Jonzun Crew, Yoko Ono, Class Action, Johnny Dynell, Art Zoyd and more 28th June 2019 In collaboration with Tate Liverpool, Soul Jazz Records are releasing this stunning new collection Tracklist entitled The World of Keith Haring featuring music influential to the artist Keith Haring including 1. B Beat Girls – For The Same Man Fab 5 Freddy, Yoko Ono, Gray (Jean-Michel Basquiat’s group), The Jonzun Crew, Larry Levan, Pylon, 2. Damon Harris – It’s Music Johnny Dynell and many others. 3. Pylon – Danger 4. The Jonzun Crew – Pak Man (Look Out For The World of Keith Haring is released to coincide with the presentation of the first major exhibition The OVC) in the UK of Keith Haring’s work opening at Tate Liverpool on 14 June 2019 and runs for the next 5. Funk Masters – Love Money five months. 6. John Sex – Bump And Grind It The album comes in deluxe artwork and three formats: Double CD + 48-page book; a deluxe 3xLP + 7. Sylvester – Over And Over (12" Disco Mix) bonus 7” + download code vinyl version; and a standard 3xLP + download standard vinyl version. All 8. The Girls – Jeffrey I Hear You** formats of the album feature original photography, extensive sleevenotes and interviews. 9. Johnny Dynell and New York 88 – Jam Hot (Rhumba Rock) Haring’s many friends and collaborators included Jean-Michel Basquiat, Andy Warhol, Madonna, Fab 5 10. Talking Heads – I Zimbra* Freddy, William Burroughs, Jenny Holzer, Yoko Ono, Bill T Jones, Larry Levan, Timothy Leary, Futura 11.
    [Show full text]