Hey! Say! JUMP: Exploring the Cultural Phenomenon of Language in Japanese Band Names
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24(###)-27(###) 2021.1 1(FRI)-3(SUN) 2021.1 24 SUN. 25 MON. 26 TUE. 27 WED. 1 FRI. 2 SAT. 3 SUN. PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA 2:05 Siberia(2018)*1 2:15 La Liga 20-21 Season*2 2:50 Beruseruku Ougon Jidai Hen 2:15 La Liga 20-21 Season*2 2:30 Tokyo Jihen 00 The Big Shot 2:00 Eternal Love of 2:40 La Liga 20-21 Season*2 3:00 The Vow from Hiroshima*1 15 Eiga Kobo*5 25 Songland*5 3:15 K-20 Kaijin 20 3:00 X-Men*1 2:45 La Liga 20-21 Season*2 15 Enter the 0:00 MOZU Season 1...*4 2:45 La Liga 20-21 Season*2 3:45 Creed II*1 0:00 MOZU Season 1...*4 2:15 La Liga 20-21 Season*2 20 Hanbun no Sekai*1 45 La Liga 20-21 50 Ford v Ferrari*1 45 La Liga 20-21 2020.7.24 Uruu (2019)*1 4 Dream*4 45 Tenisugurandosuramu 30 Little Monsters 35 Inside Man*1 Menso Den*1 58 La Liga 20-21 Dragon(1973)*1 4 55 Night at the 45 La Liga 20-21 30 Spider-Man: 45 La Liga 20-21 45 Han Ochi*1 Season*2 Season*2 vision Tokuban Mei Shobu Sen*2 (2018)*1 Season*2 Museum*1 Season*2 Homecoming*1 Season*2 News Flash*3 20 Level Up*1 15 CONTACT ART ~ Harada 00 X-Men United 5 50 ~~~ ~ Kyukyoku 45 Don't Sleep*1 (X2)*1 5 00 The 15 The Great Kakutougi ~ UFC 00 Parallel World 00 Kumo no Su Jo 257*2 Flintstones*1 6 45 Kimu~ Namuju× War*1 45 Kimu~ Namuju× Love Story*1 6 45 Night at the *1 45 Spider-Man: Far 05 CONTACT ART ~ Harada 25 Shuto 05 Kimu~ Namuju× Chi~jini~ Chi~jini~ Misutei Chi~jini~ Misutei 15 X-Men: The Last 00 UEFA EUROTM Museum: Battle 05 Excite Match from Home*1 05 Hajimete no Danshi 00 -
WHAT SOILS ARE 17 Ries Within Itself a Record of Its History for Those Who Learn to Read It
WHAT SOILS ARE 17 ries within itself a record of its history for those who learn to read it. A SOIL PROFILE consists of two or What Soils more layers lying one below the other and parallel to the land surface. The layers are known as horizons. The Are horizons dififer in one or more prop- erties such as color, texture, structure, Roy W. SImonson consistence, porosity, and reaction. Soil horizons may be thick or thin. Soil is continuous over the land Some are no more than a fraction of an inch. Others are several feet thick. surface of the earth, except for Few horizons are at either extreme. the steep and rugged mountain Generally they merge with one an- other and lack sharp boundaries. peaks and the lands of per- Horizons in a profile are like the petual ice and snow. parts of a layer cake without the clear bands of frosting between them. Soil is related to the earth much as Most soil profiles include three mas- the rind is related to an orange. But ter horizons, identified by the letters this rind of the earth is far less uniform A, B, and G. Some soils lack a B hori- than the rind of an orange. It is deep zon and are said to have AG profiles. in some places and shallow in others. When a soil is used without proper It may be red, as soils are in Hawaii, care, the A horizon and even the B or it may be black, as they are in North horizon may be eroded away. -
Accounting Report for the Third Quarter of Fiscal Year Ending March 2012 (April 1, 2011 - December 31, 2011)
TRANSLATION - FOR REFERENCE ONLY - February 1, 2012 Company: JVC KENWOOD Corporation Representative: Hisayoshi Fuwa, President and CEO (Code: 6632; First Section of the Tokyo Stock Exchange) Contact: Satoshi Fujita, Executive Officer and CFO (Tel: +81-45-444-5232) (E-mail: [email protected]) Accounting Report for the Third Quarter of Fiscal Year Ending March 2012 (April 1, 2011 - December 31, 2011) Consolidated Financial Highlights for the Third Quarter of Fiscal Year Ending March 2012 (April 1, 2011 - December 31, 2011) Operating Results (Millions of yen) 1st Quarter to 3rd Quarter (For reference) April 1, 2011 YoY April 1, 2010 to Dec.31, 2011 to Dec.31, 2010 (%) Net sales 236,542 267,182 89 Operating profit (loss) 8,791 9,416 - Ordinary income (loss) 6,511 6,530 - Net income (loss) 4,409 2,193 - Sales by Segments (Millions of yen) 1st Quarter to 3rd Quarter (For reference) YoY April 1, 2011 April 1, 2010 to Dec.31, 2011 to Dec.31, 2010 (%) Car Electronics 77,707 80,558 96 Professional Systems 67,142 67,210 100 Home & Mobile Electronics 59,274 79,167 75 Entertainment 28,139 33,742 83 Others 4,279 6,502 66 Total 236,542 267,182 89 Major Products in Each Segment Car Electronics Car Audio, Car AV Systems and Car Navigation Systems Land Mobile Radio Equipment, Video Surveillance Equipment, Professional Systems Commercial Audio, Video and Display Equipment Home & Mobile Electronics Video Cameras, LCD TVs, Projectors, Pure Audio and AV Accessories Entertainment Music and video software, such as CDs and DVDs Radio Frequency ID Systems, Weather Satellite Data Reception Systems, Other Other projects Electronic Devices, Recording Media, Interior Furniture, etc. -
Uverorld Albums Download Uverorld Albums Download
uverorld albums download Uverorld albums download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c488fadf5bf14e • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Uverorld albums download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c488fb5b6b15f4 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. -
RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
Popmusik Musikgruppe & Musisk Kunstner Listen
Popmusik Musikgruppe & Musisk kunstner Listen Stacy https://da.listvote.com/lists/music/artists/stacy-3503566/albums The Idan Raichel Project https://da.listvote.com/lists/music/artists/the-idan-raichel-project-12406906/albums Mig 21 https://da.listvote.com/lists/music/artists/mig-21-3062747/albums Donna Weiss https://da.listvote.com/lists/music/artists/donna-weiss-17385849/albums Ben Perowsky https://da.listvote.com/lists/music/artists/ben-perowsky-4886285/albums Ainbusk https://da.listvote.com/lists/music/artists/ainbusk-4356543/albums Ratata https://da.listvote.com/lists/music/artists/ratata-3930459/albums Labvēlīgais Tips https://da.listvote.com/lists/music/artists/labv%C4%93l%C4%ABgais-tips-16360974/albums Deane Waretini https://da.listvote.com/lists/music/artists/deane-waretini-5246719/albums Johnny Ruffo https://da.listvote.com/lists/music/artists/johnny-ruffo-23942/albums Tony Scherr https://da.listvote.com/lists/music/artists/tony-scherr-7823360/albums Camille Camille https://da.listvote.com/lists/music/artists/camille-camille-509887/albums Idolerna https://da.listvote.com/lists/music/artists/idolerna-3358323/albums Place on Earth https://da.listvote.com/lists/music/artists/place-on-earth-51568818/albums In-Joy https://da.listvote.com/lists/music/artists/in-joy-6008580/albums Gary Chester https://da.listvote.com/lists/music/artists/gary-chester-5524837/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
番号 曲名 Name インデックス 作曲者 Composer 編曲者 Arranger作詞
番号 曲名 Name インデックス作曲者 Composer編曲者 Arranger作詞 Words出版社 備考 備考2 備考3 備考4 595 1 2 3 ~恋がはじまる~ 123Koigahajimaru水野 良樹 Yoshiki鄕間 幹男 Mizuno Mikio Gouma ウィンズスコアWSJ-13-020「カルピスウォーター」CMソングいきものがかり 1030 17世紀の古いハンガリー舞曲(クラリネット4重奏)Early Hungarian 17thDances フェレンク・ファルカシュcentury from EarlytheFerenc 17th Hungarian century Farkas Dances from the Musica 取次店:HalBudapest/ミュージカ・ブダペスト Leonard/ハル・レナード編成:E♭Cl./B♭Cl.×2/B.Cl HL50510565 1181 24のプレリュードより第4番、第17番24Preludes Op.28-4,1724Preludesフレデリック・フランソワ・ショパン Op.28-4,17Frédéric福田 洋介 François YousukeChopin Fukuda 音楽之友社バンドジャーナル2019年2月スコアは4番と17番分けてあります 840 スリー・ラテン・ダンス(サックス4重奏)3 Latin Dances 3 Latinパトリック・ヒケティック Dances Patric 尾形Hiketick 誠 Makoto Ogata ブレーンECW-0010Sax SATB1.Charanga di Xiomara Reyes 2.Merengue Sempre di Aychem sunal 3.Dansa Lationo di Maria del Real 997 3☆3ダンス ソロトライアングルと吹奏楽のための 3☆3Dance福島 弘和 Hirokazu Fukushima 音楽之友社バンドジャーナル2017年6月号サンサンダンス(日本語) スリースリーダンス(英語) トレトレダンス(イタリア語) トゥワトゥワダンス(フランス語) 973 360°(miwa) 360domiwa、NAOKI-Tmiwa、NAOKI-T西條 太貴 Taiki Saijyo ウィンズスコアWSJ-15-012劇場版アニメ「映画ドラえもん のび太の宇宙英雄記(スペースヒーローズ)」主題歌 856 365日の紙飛行機 365NichinoKamihikouki角野 寿和 / 青葉 紘季Toshikazu本澤なおゆき Kadono / HirokiNaoyuki Honzawa Aoba M8 QH1557 歌:AKB48 NHK連続テレビ小説『あさが来た』主題歌 685 3月9日 3Gatu9ka藤巻 亮太 Ryouta原田 大雪 Fujimaki Hiroyuki Harada ウィンズスコアWSL-07-0052005年秋に放送されたフジテレビ系ドラマ「1リットルの涙」の挿入歌レミオロメン歌 1164 6つのカノン風ソナタ オーボエ2重奏Six Canonic Sonatas6 Canonicゲオルク・フィリップ・テレマン SonatasGeorg ウィリアム・シュミットPhilipp TELEMANNWilliam Schmidt Western International Music 470 吹奏楽のための第2組曲 1楽章 行進曲Ⅰ.March from Ⅰ.March2nd Suiteグスタフ・ホルスト infrom F for 2ndGustav Military Suite Holst -
The Recording Industry in Japan 2005
RIAJ Yearbook 2005 The Recording Industry in Japan English Edition 2005 Statistics Analysis Trends CONTENTS Overview of Production of Recordings in 2004 ..................................1 Production Statistics by Format (Unit Basis•Value Basis) ............2 1. Total Recorded Music — Unit Basis......................................................................2 2. Total Audio Recordings — Unit Basis ..................................................................2 3. Total CDs — Unit Basis ........................................................................................2 4. Total Recorded Music — Value Basis....................................................................3 5. Total Audio Recordings — Value Basis ................................................................3 6. Total CDs — Value Basis......................................................................................3 7. CD Singles — Unit Basis ......................................................................................4 8. 5" CD Albums — Unit Basis ................................................................................4 0. Reference 1. Video Recordings — Unit Basis ................................................................4 9. CD Singles — Value Basis....................................................................................5 10. 5" CD Albums — Value Basis ..............................................................................5 0. Reference 2. Video Recordings — Value Basis ..............................................................5 -
El Colegio De México EL MERCADO DE IDOL VARONES EN JAPÓN
El Colegio de México EL MERCADO DE IDOL VARONES EN JAPÓN (1999 – 2008): CARACTERIZACIÓN DE LA OFERTA A TRAVÉS DEL ESTUDIO DE UN CASO REPRESENTATIVO Tesis presentada por YUNUEN YSELA MANDUJANO SALAZAR en conformidad con los requisitos establecidos para recibir el grado de MAESTRÍA EN ESTUDIOS DE ASIA Y ÁFRICA ESPECIALIDAD JAPÓN Centro de Estudios de Asia y África 2009 ÍNDICE INTRODUCCIÓN……………………………………………………………………. 3 I. FENÓMENO IDOL EN JAPÓN Y OBJETO DE ESTUDIO………………... 14 1. Desarrollo general de la industria idol……………………………………. 14 2. Definición de idol………………………………………………………… 18 3. La compañía Johnny’s Jimusho………………………………………….. 22 4. Arashi…………………………………………………………………….. 31 II. ESTRATEGIAS DE DESARROLLO DEL MERCADO IDOL…………….. 36 1. Primera etapa: Base junior, reclutamiento y formación…………………. 37 2. Segunda etapa: Lanzamiento y consolidación de mercado………………. 46 3. Tercera etapa: Diversificación y expansión de mercado…………………. 58 III. SITUACIÓN ACTUAL DEL MERCADO DE IDOL VARONES………….. 68 1. El dominio idol dentro de la industria musical en Japón…………………. 69 2. Fin del monopolio y cambio de estrategias en el mercado de idol varones en Japón……………………………………………………………………… 75 CONCLUSIONES……………………………………………………………………. 84 REFERENCIAS………………………………………………………………………. 88 ANEXOS……………………………………………………………………………… 98 1 NOTA SOBRE EL SISTEMA DE ROMANIZACIÓN UTILIZADO En el presente estudio se utilizará, para los términos generales y los nombres de ciudades, el sistema de romanización usado en el Kenkyusha’s New Japanese – English Dictionary (3ra y ediciones posteriores). En el caso de nombres propios de origen japonés, se presentará primero el nombre y luego el apellido y se utilizará la romanización utilizada en las fuentes originales. Asimismo, es común que los autores no utilicen el macron (¯ ) cuando existe una vocal larga en este tipo de denominaciones. -
Songs of the 3.11 Triple Disaster in Japan's Tohoku Region
Songs of the 3.11 Triple Disaster in Japan’s Tohoku Region NANA KANEKO Abstract: The earthquake, tsunami, and nuclear accident that struck Northeast Japan on March 11, 2011 (3.11) prompted an array of local, national, and global musical responses. Based on ethnographic fieldwork, this article examines three songs that were newly composed in response to 3.11. I argue that these songs serve as means of optimistic attachments that simultaneously emphasize currently unachievable fantasies of the good life (Berlant 2011), and also foster the Japanese sociocultural aesthetic of gambaru (to persevere, to endure). I demonstrate how these songs serve as catalysts to inspire movements toward recovery and revival for 3.11 survivors. 46 (1): 106-127. Résumé : Le tremblement de terre, le tsunami et la catastrophe nucléaire qui ont frappé le nord-est du Japon le 11 mars 2011 ont suscité tout un ensemble de réactions musicales, aux niveaux local, national et mondial. À partir d’un travail de terrain ethnographique, MUSICultures cet article examine trois chansons qui ont été composées dans la foulée des évènements du 11 Mars. J’avance que ces chansons servent de points d’ancrage à un optimisme qui, simultanément, souligne le fantasme actuellement inaccessible de la bonne vie (Berlant 2011) tout en alimentant l’esthétique socioculturelle japonaise du gambaru (persévérance, capacité d’endurer). Je montre de quelle façon ces chansons ont joué un rôle de catalyseurs pour inspirer des mouvements de rétablissement et de renouveau chez les survivants du 11 Mars. t 2:46 pm on March 11, 2011, the most powerful earthquake in Japanese A seismographic history, a 9.0 magnitude quake, occurred off the Pacific coast of Eastern Japan (Adams et al. -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3].