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What Do You Do with 314 Pots? by Joan Lincoln
Teapot, 7 inches in height, slab-built Celadon-glazed teapot, 111/4 inches Glazed porcelain teapot, 9 inches porcelain with black terra sigillata, in height, wheel-thrown and carved in height, with handmade handle, purchased for $2600, by Edward Eberle. porcelain, $105, by Molly Cowgill. $50, by Ruth Scharf. What Do You Do with 314 Pots? by Joan Lincoln never intended to collect contempo opinions, current trends, inflated cost few people realized the potential value /, rary American ceramics. My first pur or overwhelming size. If a work cannot of a Toshiko Takaezu container; a chase, a small, red clay, matt-green- speak for itself in the rich company of shop/gallery/fair cannot afford to stay glazed bowl by Gertrud and Otto fine craft, no amount of pretentious in business on speculation. Friends Natzler, caught my eye at the New York jargon-hype will make it valid or hon also gave me ceramic objects, knowing City American Crafts Gallery. I could est. Obfuscation covers inadequacy. I had been mucking around in clay not leave without it. Now, my collec Rule three requires that the object forever (kindergarten through grad tion ranges from Laura Andreson to do well that which it was designed to school). Sometimes these gifts were Marguerite Wildenhain, from low-fire do. The mind likes a justification for quite remarkable (a 23-inch Rook- earthenware to high-fire porcelain, from the eye’s delight; e.g., my Molly Cowgill wood lamp base, probably by Shiraya- functional to purely decorative. I can celadon-glazed carved porcelain teapot madani). I also traded/bought from now read most pots easily for technique pours well, holds the heat and adds fellow M.F.A. -
Don Reitz Resume Born
Don Reitz resume Born: 1929 Sunbury, Pennsylvania Education: 1962 MFA, New York State School of Ceramics, Alfred University, Alfred, New York 1957 BS, Art Education, Kutztown State College, Kutztown, Pennsylvania Teaching Appointments: 1962-88 University of Wisconsin, Madison Wisconsin 1962-62 Alfred University, Alfred, New York 1957-60 Dover Public Schools, Dover New Jersey Honors and Awards: Named Professor Emeritus, University of Wisconsin, Madison Named Fellow, Wisconsin Academy of Science, Arts, and Letters Honored in Ceramic Monthly Reader’s Roll as “One of twelve greatest living ceramic artists worldwide” 1988 and 2001 Cited by the Maori people of New Zealand and carved on their totem pole for “Distinguished leadership in the dispensing of knowledge to peoples” Honored as Trustee Emeritus of the American Craft Council Named Fellow of the World Craft Council Past President and named Fellow of the National Council on The Education of Ceramic Arts Recipient of the National Endowment of the Arts Grant Honorary Resident and given the key to the City of Henderson, Kentucky Recipient of the Governor’s Award in the Arts, State of Wisconsin and State of Pennsylvania Recipient of the Governor’s Award , Himeji City, Japan Recipient of the first Ceramic Art Award by The American Ceramic Society Honored Guest of the Vice President of The United States in Washington, D.C. Recipient of the Aileen Osborn Webb Gold Medal, American Crafts Council’s Highest Award Recipient of the James Renwick Alliance Distinguished Educator Award Recipient of the -
Paul Soldner Artist Statement
Paul Soldner Artist Statement velutinousFilial and unreactive Shea never Roy Russianized never gnaw his westerly rampages! when Uncocked Hale inlets Griff his practice mainstream. severally. Cumuliform and Iconoclastic from my body of them up to create beauty through art statements about my dad, specializing in a statement outside, either taking on. Make fire it sounds like most wholly understood what could analyze it or because it turned to address them, unconscious evolution implicitly affects us? Oral history interview with Paul Soldner 2003 April 27-2. Artist statement. Museum curators and art historians talk do the astonishing work of. Writing to do you saw, working on numerous museums across media live forever, but thoroughly modern approach our preferred third party shipper is like a lesser art? Biography Axis i Hope Prayer Wheels. Artist's Resume LaGrange College. We are very different, paul artist as he had no longer it comes not. He proceeded to bleed with Peter Voulkos Paul Soldner and Jerry Rothman in. But rather common condition report both a statement of opinion genuinely held by Freeman's. Her artistic statements is more than as she likes to balance; and artists in as the statement by being. Ray Grimm Mid-Century Ceramics & Glass In Oregon. Centenarian ceramic artist Beatrice Wood's extraordinary statement My room is you of. Voulkos and Paul Soldner pieces but without many specific names like Patti Warashina and Katherine Choy it. In Los Angeles at rug time--Peter Voulkos Paul Soldner Jerry Rothman. The village piece of art I bought after growing to Lindsborg in 1997. -
Clay: Form, Function and Fantasy
4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73 -
Press Release
49 Geary Street, 4th Floor, San Francisco, CA 94108 t: 415 981 2661 f: 415 981 4041 fraenkelgallery.com For immediate release: 5 February – 4 April 2015 fraenkel gallery is pleased to announce our first solo exhibition of the work of Alec Soth. On view from February 5 – April 4, 2015, Alec Soth: Songbook will feature approximately 20 new and never-before-seen photographs. The artist will be present for the exhibition opening and signing of his new publication, Songbook, on Thursday, February 5, from 5:30 to 7:30 pm. Celebrated for his haunting and influential portraits and landscapes in such acclaimed books asSleeping by the Mississippi, Broken Manual, and NIAGARA, Alec Soth has recently turned his lens toward community life in the country. From 2012 to 2014 Soth traveled the United States looking for signs of social life in our era of virtual social networks. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From upstate New York to Silicon Valley, he attended hundreds of meetings, dances, festivals and family gatherings. With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny, and sad, Songbook is a lyrical depiction of the tension between American individualism and the ongoing desire to be united. Alec Soth (b. 1969) is based in Minneapolis, Minnesota. His work has been presented at numerous museums, including solo exhibitions at the Jeu de Paume, Paris; Fotomuseum Winterthur, Switzerland; and the Walker Art Center, Minneapolis. Among his many publications are Dog Days, Bogotá; The Last Days of W; Fashion Magazine; and the LBM Dispatch series, with writer Brad Zellar. -
Carroll, Eric William. “I Struggle When I Know the Words to a Place by Heart,” the Design Observer, May 19, 2014
Carroll, Eric William. “I struggle when I know the words to a place by heart,” The Design Observer, May 19, 2014. Photographs from the irregular newspaper LBM Dispatch Howard in the asparagus patch of a community garden. Detroit. [Photo by Alec Soth, from LBM Dispatch #3: Michigan] Ten years ago, photographer Alec Soth established himself as a master of the 8x10 format in his series Sleeping by the Mississippi; these days he’s known for posting “unselfies” on Instagram. Where others might see creative regression, I see an artist determined to find an effective use for photography in an era when, as Soth says, “a document is being made of just about everything all of the time.” Lately Soth has been issuing “Dispatches” in the form of an irregular newspaper created with writer (and fellow Minnesotan) Brad Zellar. Together, they take road trips to distant states and report the stories of the people and the land. The partners work on their own deadline and produce a self-published broadsheet shortly after they return. The papers are simple — black and white, flash-lit photographs of people and landscapes, presented with titles and often with a brief text. Under the title, Jack. Downtown Dallas. 50th Anniversary of the J.F.K. assassination, we see a boy wearing a fedora and raincoat in front of a nondescript wall, avoiding eye contact with the photographer. We learn that he was named after Jack Kennedy, and that his parents have taken him out of school to attend the memorial. In another photograph, titled 88-year-old Bil (“My mother said she couldn’t pronounce the other L”). -
Fotofocus Photobook Collection
FotoFocus Photobook Collection Date Additional Artist Title Publisher Published Call Number information 2041, edited by Lewis Chaplin and Ben Weaver 2041 Here Press 2014 NF655 .T97 2014 Abeles, Michele Zebra Sadie Coles HQ 2017 NF140 .G7 2016 On Abortion: And the Repercussions of Lack of Abril, Laia Access Dewy Lewis 2017 NF140.A27 2018 1974 - first published by Colorado The New West : landscapes along the Associated Adams, Robert Colorado Front Range Steidl 2015 NF140.A33 A4 2015 University Press Alfred S McEwen; Francis Rocard; Xavier Barral; Sébastien Girard; Nicolas Mangold This is Mars Aperture 2017 NF140 .M395 2013 Andenæs, Morten Skyldfolk Teknisk Industri A/S 2013 NF140 .A534 2013 Andrianjafy, Emmanuelle Nothing's in Vain MACK 2017 NF140 .A536 2017 Araki, Nobuyoshi Nobuyoshi Araki Palaeroid Oktagon Verlag 1997 N7433.4.A7 P6 Ashkin, Michael Long Branch A-Jump Books 2014 NF140 .A844 2014 Asselin, Mathieu Monsanto: a photographic investigation Verlag Kettler 2017 NF140.A87 M66 2017 Basu, Poulomi Centralia Dewi Lewis 2020 NF140 .B378 2019 Batniji, Taysir Home Away from Home Aperture 2018 NF140.B387 2018 Baum, Erica The Naked Eye Bureau / Crèvecœur 2015 NF140 .B38x 2015 Bee, Olivia Kids in Love Aperture 2016 NF140 .B44x 2016 Benabderrahmane, Yasmina La Bête A Modern Tale MACK 2020 NF140 .B463 2020 signed Bradley, Andre Dark Archive Image Text Ithaca 2015 N7433.4.B73 D37 2015 Brodie, Mike A Period of Juvenile Prosperity Twin Palms Publishers 2012 NF140.B755 P4 2012 Brown, Drew AIRGAP TBW Books 2018 NF140 .B788 2018 Bryan Schutmaat and Ashlyn Davis Islands of the Blest Silas Finch 2014 NF660.5 .I75 2014 Cabrera, C. -
Craft Horizons AUGUST 1973
craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad. -
Craft Horizons JANUARY/FEBRUARY 1969 $2.00 Potteraipiney Wheel S & CERAMIC EQUIPMENT I
craft horizons JANUARY/FEBRUARY 1969 $2.00 PotterAipiney Wheel s & CERAMIC EQUIPMENT i Operating from one of the most modern facilities of its kind, A. D. Alpine, Inc. has specialized for more than a quarter of a century in the design and manufac- ture of gas and electric kilns, pottery wheels, and a complete line of ceramic equipment. Alpine supplies professional potters, schools, and institutions, throughout the entire United States. We manufacture forty-eight different models of high fire gas and electric kilns. In pottery wheels we have designed an electronically controlled model with vari- able speed and constant torque, but we still manufacture the old "KICK WHEEL" too. ûzùzêog awziözbfe Also available free of charge is our book- let "Planning a Ceramic Studio or an In- stitutional Ceramic Arts Department." WRITE TODAY Dept. A 353 CORAL CIRCLE EL SEGUNDO, CALIF. 90245 AREA CODE (213) 322-2430 772-2SS7 772-2558 horizons crafJanuary/February 196t9 Vol. XXIX No. 1 4 The Craftsman's World 6 Letters 7 Our Contributors 8 Books 10 Three Austrians and the New Jersey Turnpike by Israel Horovitz 14 The Plastics of Architecture by William Gordy 18 The Plastics of Sculpture: Materials and Techniques by Nicholas Roukes 20 Freda Koblick by Nell Znamierowski 22 Reflections on the Machine by John Lahr 26 The New Generation of Ceramic Artists by Erik Gronborg 30 25th Ceramic National by Jean Delius 36 Exhibitions 53 Calendar 54 Where to Show The Cover: "Phenomena Phoenix Run," polyester resin window by Paul Jenkins, 84" x 36", in the "PLASTIC as Plastic" show at New York's Museum of Contemporary Crafts (November 22-Januaiy 12). -
The Wandering Spirit
Photo Booth The Wandering Spirit By Rodrigo Canedo Gattegno December 16, 2013 1 / 14 USA. Denver, Colorado. 2013. The photographer Alec Soth and the writer Brad Zellar have undertaken a long-term project, born out of simple pleasure, that captures both the humanity and banality of the American continent. Their self-described “North American ramblings” are presented in an irregularly published newspaper titled The LBM Dispatch, which recalls the documentary-style photography of days long gone. Soth describes it as “being in the style of both newspaper journalism and the Walker Evans/James Agee approach in ‘Let Us Now Praise Famous Men.’ ” The project began with Soth asking Zellar to indulge him with an imaginary newspaper assignment for his birthday. They ended up covering a story about a stray cat living under a suburban freeway interchange. “Freed from the conventions of working for a real paper, Brad and I were able to get at the poignancy behind the somewhat trivial story,” Soth told me. Exhilarated by working on their own, the friends made their adventure into a more serious undertaking. After they published projects documenting Ohio, Michigan, and upstate New York, they foresaw a more Western future. Last summer, they traveled throughout Colorado for a few weeks, meeting hundreds of people and detailing the trivial, riveting moments of their lives. The images bring us face to face with the treasures (and terrors) of the eeting moment. The photographs document more than the place where they were taken; together, they form a study of the North American soul and the wandering spirit. -
ALEC SOTH Bibliography Selected Publications
ALEC SOTH Bibliography Selected Publications 2019 Soth, Alec. I Know How Furiously Your Heart is Beating. London: MACK, 2019. 2018 Soth, Alec. Alec Soth: Niagara. London: MACK, 2018. 2015 Penhall, Michele M. Stories from the Camera: Reflections on the Photograph. Albuquerque: University of Mexico, 2015. Schuman, Aaron and Kate Bush. Gathered Leaves, London: MACK, 2015. 2014 Fraenkel, Jeffrey ed. The Plot Thickens. San Francisco: Fraenkel Gallery, 2014. Knight, Robert. In Context: The Portrait in Contemporary Photographic Practice. Clinton, New York: Ruth and Elmer Wellin Museum of Art, 2014. Soth, Alec. Songbook. Minnesota: Little Brown Mushroom, 2014. “The Secret Lives of Museum Guards,” The New Yorker, September 26, 2015. “Voyages: Visual Journeys by six photographers,” The New York Times Magazine, September 26, 2015. 2013 Dyer, Geoff and Pico Iyer. Ping Pong. St. Paul, Minnesota: Little Brown Mushroom, September 2013. Soth, Alec and Brad Zellar. Three Valleys. St. Paul, Minnesota: Little Brown Mushroom, March 2013. 2012 Soth, Alec. Looking for Love 1996. Berlin: Kominek Books, 2012. Soth, Alec and Brad Zellar. Ohio. St. Paul, Minnesota: Little Brown Mushroom, May 2012. Soth, Alec and Brad Zellar. Upstate. St. Paul, Minnesota: Little Brown Mushroom, August 2012. Soth, Alec and Brad Zellar. Michigan. St. Paul, Minnesota: Little Brown Mushroom, November 2012. 2011 Alec Soth: Mostly Women. Portland, Oregon: Nazraeli Press, 2011. Soth, Alec. Alec Soth: La Belle Dame Sans Merci. 2011. Soth, Alec. Lonley Boy Mag (No. A-1: Alec Soth’s Midwestern Exotica). St. Paul, Minnesota: Little Brown Mushroom Books, March 2011. 2010 Rodarte, Catherine Opie, Alec Soth. Zurich: JRP Ringier, 2010. Soth, Alec. -
Not So Very Bad Beginnings: What Fiction Can Teach Lawyers About Beginning a Persuasive Legal Narrative Before a Court Cathren Koehlert-Page Barry University
Barry University School of Law Digital Commons @ Barry Law Faculty Scholarship 2017 Not So Very Bad Beginnings: What Fiction Can Teach Lawyers about Beginning a Persuasive Legal Narrative before a Court Cathren Koehlert-Page Barry University Follow this and additional works at: https://lawpublications.barry.edu/facultyscholarship Part of the Legal Education Commons, and the Legal Writing and Research Commons Recommended Citation Cathren Page, Not So Very Bad Beginnings: What Fiction Can Teach Lawyers about Beginning a Persuasive Legal Narrative before a Court, 86 Miss. L.J. 315, (2017) This Article is brought to you for free and open access by Digital Commons @ Barry Law. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Barry Law. NOT SO VERY BAD BEGINNINGS: WHAT FICTION CAN TEACH LAWYERS ABOUT BEGINNING A PERSUASIVE LEGAL NARRATIVE BEFORE A COURT Cathren Page* INTRODUCTION .................................................................. 317 I. A BRIEF OVERVIEW OF APPLIED LEGAL STORYTELLING AS APPLIED TO THIS ARTICLE ............ 320 II. A FEW GREAT OPENING LINES FROM LAW AND LITERATURE ................................................................ 322 A. Fiction .................................................................... 322 B. Law ........................................................................ 323 Ill. AN EXAMINATION OF GOOD AND BAD, FICTION AND LEGAL BEGINNINGS .................................................... 324 A. Overview of the Tasks Beginnings