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European Culture
EUROPEAN CULTURE SIMEON IGNATOV - 9-TH GRADE FOREIGN LANGUAGE SCHOOL PLEVEN, BULGARIA DEFINITION • The culture of Europe is rooted in the art, architecture, film, different types of music, economic, literature, and philosophy that originated from the continent of Europe. European culture is largely rooted in what is often referred to as its "common cultural heritage”. • Because of the great number of perspectives which can be taken on the subject, it is impossible to form a single, all-embracing conception of European culture. Nonetheless, there are core elements which are generally agreed upon as forming the cultural foundation of modern Europe. One list of these elements given by K. Bochmann includes:] PREHISTORIC ART • Surviving European prehistoric art mainly comprises sculpture and rock art. It includes the oldest known representation of the human body, the Venus of Hohle Fel, dating from 40,000-35,000 BC, found in Schelklingen, Germany and the Löwenmensch figurine, from about 30,000 BC, the oldest undisputed piece of figurative art. The Swimming Reindeer of about 11,000 BCE is among the finest Magdalenian carvings in bone or antler of animals in the art of the Upper Paleolithic. At the beginning of the Mesolithic in Europe figurative sculpture greatly reduced, and remained a less common element in art than relief decoration of practical objects until the Roman period, despite some works such as the Gundestrup cauldron from the European Iron Age and the Bronze Age Trundholm sun chariot. MEDIEVAL ART • Medieval art can be broadly categorised into the Byzantine art of the Eastern Roman Empire, and the Gothic art that emerged in Western Europe over the same period.Byzantine art was strongly influenced by its classical heritage, but distinguished itself by the development of a new, abstract, aesthetic, marked by anti-naturalism and a favour for symbolism. -
Brief Analysis of the Medieval and Modern European Cultures
www.ccsenet.org/ass Asian Social Science Vol. 7, No. 3; March 2011 Brief Analysis of the Medieval and Modern European Cultures Hongli Shi Teaching Affairs Office, Department of Secondary School, South Campus, Dezhou University No. 67 Youth League Road, Dezhou 253000, Shandong, China E-mail: [email protected] Abstract Irrationality of the medieval culture in the Dark Ages gave birth to the bright modern European culture and the modern European culture had more rational, scientific, secular and individualist characteristics. The progress in the culture meanwhile promoted the progresses in other aspects of politics, economy and social life, etc. Keywords: Middle Ages, Christianity, Promote In the history of the European civilization, modern European civilization is undoubtedly one of the most magnificent stages. If we want to uncover the veil of modern culture, it might be well to compare the modern European culture and the medieval European culture. And we will easily find that they are essentially the collision of rational cognition and irrational cognition. 1. The medieval culture with irrational cognition "Irrationalism" means that the medieval Europe was controlled by the backward and unplanned cultural tradition, resulting in unclear boundaries between man and god, reality and otherworldliness. Examining the medieval culture, we may find that it emphasized too much the religious orison, heroism, romanticism and scholastic philosophy. All these show that the medieval European culture is lack of rational spirit. 1.1 Religion was indispensable to human life and Christianity was undoubtedly in a dominant place in the Middle Ages. The religion of Christianity has two sources. One is that the ancient Greek philosophical heritage, especially the new Platonism and Stoicism, is its ideological root. -
Annex 1A Proposals for New Pilot Projects
Ref. Ares(2017)3358018 - 04/07/2017 Annex 1a Proposals for New Pilot Projects A = PP/PA could be implemented as suggested by the Parliament; B = PP/PA might under certain conditions be fully or partially implementable but the project would need to be re-designed (it could be the case if part of the suggested action is already covered by a legal base); or more information might be needed before the Commission can assess the proposed project; C = PP/PA is fully covered by a legal base or the ideas are otherwise being addressed; D = PP/PA cannot be implemented or similar actions have already been carried out in the past. N° EP Proposal DG Commission Assessment Category Heading 1a 1 European Fund for FISMA The project might be partially implementable if changes are implemented to its scope and proposed timing B Crowfunded due, inter alia, to avoid of overlaps with a proposal on Crowdfunding to be launched in the course of 2018. Investments Proposed by Maria However, as a new related commitment was adopted (on 08/06/2017) in the CMU Mid-Term Review, the Spyraki project could be used to identify best practices in supply chain finance (e.g. invoice trading). Many start-ups and innovative SMEs are under-collateralised and fail due to short-term cash flow problems, while having a sustainable business model in the long-term. The amount needed for such a project should be reduced down to 500.000€ (250.000€). Given the clear commonalities between n°1 and n°107, the EC will consider the possibility of a joint implementation by giving a specific focus on SMEs' access to finance, should more that one of those PP be finally adopted by the EP. -
Europe (In Theory)
EUROPE (IN THEORY) ∫ 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by C. H. Westmoreland Typeset in Minion with Univers display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. There is a damaging and self-defeating assumption that theory is necessarily the elite language of the socially and culturally privileged. It is said that the place of the academic critic is inevitably within the Eurocentric archives of an imperialist or neo-colonial West. —HOMI K. BHABHA, The Location of Culture Contents Acknowledgments ix Introduction: A pigs Eye View of Europe 1 1 The Discovery of Europe: Some Critical Points 11 2 Montesquieu’s North and South: History as a Theory of Europe 52 3 Republics of Letters: What Is European Literature? 87 4 Mme de Staël to Hegel: The End of French Europe 134 5 Orientalism, Mediterranean Style: The Limits of History at the Margins of Europe 172 Notes 219 Works Cited 239 Index 267 Acknowledgments I want to thank for their suggestions, time, and support all the people who have heard, read, and commented on parts of this book: Albert Ascoli, David Bell, Joe Buttigieg, miriam cooke, Sergio Ferrarese, Ro- berto Ferrera, Mia Fuller, Edna Goldstaub, Margaret Greer, Michele Longino, Walter Mignolo, Marc Scachter, Helen Solterer, Barbara Spack- man, Philip Stewart, Carlotta Surini, Eric Zakim, and Robert Zimmer- man. Also invaluable has been the help o√ered by the Ethical Cosmopol- itanism group and the Franklin Humanities Seminar at Duke University; by the Program in Comparative Literature at Notre Dame; by the Khan Institute Colloquium at Smith College; by the Mediterranean Studies groups of both Duke and New York University; and by European studies and the Italian studies program at the University of North Carolina at Chapel Hill. -
Mcmafia: Seriously Organised Crime PDF Book
MCMAFIA: SERIOUSLY ORGANISED CRIME PDF, EPUB, EBOOK Misha Glenny | 432 pages | 01 Aug 2009 | Vintage Publishing | 9780099481256 | English | London, United Kingdom McMafia: Seriously Organised Crime PDF Book I read this book for research on a future project and it did not disappoint. I would have added a story into it to make it more interesting Interview with Misha Glenny. And blow may be on its way out, not because of good policing, but amphetaimnes and synthetic drugs is on the up and up. Now, Western listeners can explore the fascinating history of the vory v zakone , a group that has survived and thrived amid the changes brought on by Stalinism, the Cold War, the Afghan War, and the end of the Soviet experiment. There are a lot of brothels in Tel Aviv. View all 4 comments. The BBC announced the series in October By: Elaine Shannon. Realising how intertwined their ecno I'm generally sceptical of books that purport to change one's view of the world, but when one of them does come along, its a welcome surprise. Please follow the detailed Help center instructions to transfer the files to supported eReaders. Criminal enterprise is what propped up the USSR at the tale end of communism. Other editions. From an IR perspective, it really drives home how important the role this 'shadow economy' plays in global finance and economics, and the pernicious and overwhelming influence organised crime plays in the international economy. Nemesis is the story of an ordinary man who became the king of the largest slum in Rio, the head of a drug cartel, and perhaps Brazil's most wanted criminal. -
Michigan State Journal of History
Michigan State Journal of History Volume 6, 2014 1 2 Table of Contents Letter from Editor 4 The Mexican Problem 5 Daniel Sherwood A War Between the Pages: A Historic Look at the Influence of Vogue on 15 Women During World War II Caroline Voisine Armenian Nationalism: Emergent Political Organizations and Revolutionary 27 Activity Surrounding the First World War Connor Yeck Bandits and Heroes: The Partisan Struggle in the Soviet Union 42 Greg Spenchian Influences of Socialism and the Socialist Workers Party on the Detroit Gay 58 Community During the 1970’s Sean Wolski Development of Episcopal Elections in the Early Twelfth Century 70 Trevor Mattis II The Folly of Manifest Destiny: Filibustering in Antebellum America 80 Kevin M Cunningham A Note on our Review Process 90 Essay Submission Policy 91 3 4 Staff of the Michigan State Journal of History Editor-in-Chief Mikhail Filipovitch Board of Editors Renee Brewster Kevin Cunningham Trevor Mattis II Nathaniel Medd Design Editor Kolt Ewing Website Manager Elyse Hansen Faculty Advisor Dr. Vanessa Holden 5 LETTER FROM THE EDITOR My first experience with the academic journal was purchasing Volume 5 as a freshman history major. When I look back, as a young, aspiring historian, the works within the journal established a realistic standard for academic excellence in my mind. Publishing a work in The MSU Undergraduate Historian was from then on a goal of my collegiate career. The journal, unfortunately, did not continue after the publication of Volume 5 in Spring 2010. And while I may never have had the opportunity to join the ranks of the great undergraduate academics that have authored works in these journals, I believe the spirit of that dream has been realized. -
Readings in Modern East Central Europe
Readings in Modern East Central Europe Readings in Modern East Central European History Professor T. Mills Kelly Office Hours: MWF 10-11 or by appointment Holden Hall 139 742-3744 (o) or 799-7652 (h) e-mail: [email protected] web: www2.tltc.ttu.edu/kelly Overview This seminar is designed to give you the opportunity to develop a working knowledge of the historiography of modern East Central Europe. Because we meet only a dozen times during the semester, there is a limit to what we can cover from the rich bibliography on nationalism. As a result, I have selected what amounts to a greatest hits list for us to work our way through. However, I am fairly flexible about what we will cover, so if there is a particular topic or author that you would like to see us address in more detail, let me know before the third week of the semester and we can negotiate a revision in the topic list. My objectives for this seminar, over and above introducing you to the historiography, are to work with you on the skills you need to be successful in the study of modern European history at the graduate level, for all of us to develop new insights into the material we will be discussing, and to have you leave the course with the sorts of bibliographical materials you will be able to use in your further study of European history. Readings We will read four books in common this semester, all of which have been ordered through the University Bookstore: Robert Bideleux and Ian Jeffries, A History of Eastern Europe: Crisis and Change Ivan T. -
LSE IDEAS China-EU Relations and the Future of European Soft Power
CHINA-EU RELATIONS AND THE FUTURE OF EUROPEAN SOFT POWER A STRATEGY FOR A EUROPEAN CULTURAL DIPLOMACY KARINE LISBONNE DE VERGERON STRATEGIC UPDATE 15.4 JULY 2015 THE AUTHOR Karine Lisbonne de Vergeron is Senior Fellow and Head of Europe at the Global Policy Institute. She has written widely on international and European politics and the emerging Asian giants, as well as on culture and defence issues. Her publications include Contemporary Chinese views of Europe (Chatham House & Robert Schuman Foundation), Chinese and Indian views of Europe since the crisis (Konrad Adenauer Stiftung) and L’Art avec Pertes ou Profit (Flammarion). She was awarded a special Prize by the French Minister for Culture for her work on art and business in 2005. She graduated from the LSE, HEC and Bocconi University. Lisbonne 1 ACKNOWLEDGMENTS This report arises out of a wide range of conversations held under the Chatham House Rule between February 2014 and March 2015, principally with policymakers, academics, cultural institutions, foreign affairs and business executives across Europe and China. For this reason, the opinions expressed which have been directly quoted in the text, and which derive from these discussions, are not specifically referenced. I am especially grateful to John Stevens, Arne Westad, Stephen Haseler and Chris Dixon for their support and ever enlightening ideas on these matters. I am also particularly obliged to: Ambassador Wu Jianmin (China Institute for Innovation and Development Strategy), Kasper Holten (Royal Opera House), Dominique Meyer -
Mapping the EU-China Cultural and Creative Landscape
MAPPING THE EU‐CHINA CULTURAL AND CREATIVE LANDSCAPE A joint mapping study prepared for the Ministry of Culture (MoC) of the People's Republic of China and DG Education and Culture (EAC) of the European Commission September 2015 1 CO-AUTHORS: Chapters I to III: Cui Qiao - Senior Expert, BMW Foundation China Representative, Founder China Contemporary Art Foundation Huang Shan - Junior Expert, Founder Artspy.cn Chapter IV: Katja Hellkötter - Senior Expert, Founder & Director, CONSTELLATIONS International Léa Ayoub - Junior Expert, Project Manager, CONSTELLATIONS International http://www.constellations-international.com Disclaimer This mapping study has been produced in the context and with the support of the EU-China Policy Dialogues Support Facility (PDSF II), a project financed jointly by the European Union and the Government of the People's Republic of China, implemented by a consortium led by Grontmij A/S. This consolidated version is based on the contributions of the two expert teams mentioned above and has been finalised by the European Commission (DG EAC). The content does not necessarily reflect the opinion of Directorate General Education and Culture (DG EAC) or the Ministry of Culture (MoC) of the People’s Republic of China. DG EAC and MoC are not responsible for any use that may be made of the information contained herein. The authors have produced this study to the best of their ability and knowledge; nevertheless they assume no liability for any damages, material or immaterial, that may arise from the use of this study or its content. 2 Contents I. General Introduction ....................................................................................................... 5 1. Background .............................................................................................................................. 5 2. Project Description ................................................................................................................. -
Page 1 a C T a U N I V E R S I T a T I S
ACTA UNIVERSITATIS LODZIENSIS FULU ARCHAEOLOGICA 13, 1990 Cią Avaliahvili ТНК ELEMENTS OF THE KÜLKHIDA-KOBAN ART IN THE SCYTHIAN "ANIMAL STYLE" The problem of interrelation between the two styles, such as the Scythian "animal style" and the Caucasian Art, especially, that of Kolkhida-Koban, had not been the subject of special ex- ploration up to the present times. But in spite of this situa- tion there were a number of interesting considerations about these problems and all of them came up to two opposite points of view. According to one of them, the Scythian "animal style" is originated from the Caucasian Art, especially from that of Kol- khida-Xoban , and according to the others, this very style has nothing to do with the south Caucasian Art'. As to us, the Scythian "animal style" is not originated from the Kolkhida-Koban bronze culture, but at the same time, in the process of cultivation of some of its definite features, there are felt the elemente of the above mentioned art. First of all in these forms there are included the feature? of different animals and all of them are given in one wholb full plastic composition. In Scythian "animal style" there 1 a special manner of stylizing the animal shape which is show mainly in the bow-shaped, circle-shaped and s-sbaped setting о the animal figures. Analogical, but more early facts had als F. H A a с a s, Kaukueus-luviatan, ESA, IX, Helsinki 1934, p. 291. S, A s n i r a u a s b v 1 1 i, The History of Georgian Art, Tbilisi 1961 p. -
Representations of Eastern Europe in NATO and EU Expansion Jason N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 European Re-Union: Representations of Eastern Europe in NATO and EU Expansion Jason N. Dittmer Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES EUROPEAN RE-UNION: REPRESENTATIONS OF EASTERN EUROPE IN NATO AND EU EXPANSION By JASON N. DITTMER A Dissertation submitted to the Department of Geography In partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2003 The members of the Committee approve the dissertation of Jason N. Dittmer defended on March 25, 2003 ______________________________ Patrick O’Sullivan Professor Directing Dissertation Jonathan Grant Outside Committee Member ______________________________ Jonathan Leib Committee Member ______________________________ Jan Kodras Committee Member Approved: _____________________________ Barney Warf, Chair, Department of Geography The Office of Graduate Studies has verified and approved the above committee members. ii This dissertation is dedicated to my mother, who always made her children’s education a priority and gave up many of her own personal satisfactions to make sure that we were in the best schools with the best teachers. Thanks Mom… This dissertation is also dedicated to Karl Fiebelkorn, who would be mortified to know that something so academic as this dissertation was dedicated to him. But think of it this way Karl – this is just to tide you over until I can dedicate to you my magnum opus: “I See How It Is”: Reflections on Brotherhood. You are missed, Karl. iii ACKNOWLEDGEMENTS This dissertation would not have been possible without the assistance of a great many of my colleagues and friends, who have all influenced my thoughts on these matters (and many others). -
The Balkans Beyond the Imagination Misha Glenny I Must Explain
The Balkans beyond the Imagination Misha Glenny Versió original en anglès Especialista britànic en l'antiga Iugoslàvia. Versión original en inglés Especialista británico en la antigua Yugoslavia. Original version english I must explain immediately that although my first name, Misha, is a generic Slav diminutive for the Christian name Michael, I am three-quarters Anglo-Celtic and a quarter Jewish. The one thing I am not is Slav. I was called Misha by my parents in order to differentiate me from my father, Michael, who was a translator of Russian literature, ergo Misha. Nonetheless, as a young boy, I was unusually aware of Russia as our home in West London creaked under the weight of many tomes written in Cyrillic, while prints of Tsarist and Bolshevik Russia stared at us from walls with their unmistakable "dare to survive the cauldron of history" quality. Of course for the Russians, or indeed for people like my father, who devoted a large part of his life to the Russians, other Slavic nations were generally regarded as either irritating individualists who deviated from Muscovy's great spirit of Slavdom, or as rather enchanting domesticated animals that loved their master unquestioningly. Actually, most commonly of all, they were not regarded at all. So as eight-year-old Londoners go, I knew a great deal about Russia and the Slavic soul but assumed them to be synonymous. Imagine my surprise, then, when I began to read about the ancient history of "Syldavia, a State in the Balkan Peninsula, which was conquered by the Bordurians in the 12th century." At the time, I had no idea where or what the Balkan Peninsula was, but I did know the Cyrillic script when I saw it.