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Eber García García IMPARTE: EBER GARCÍA GARCÍA veracruzanadecine.com | #Estudia- Cine IMPARTE: EBER GARCÍA GARCÍA INICIA: 14 DE NOVIEMBRE DE 2020 | DURACIÓN : 4 SEMANAS INICIO: 14 de Noviembre de 2020 DIRIGIDO A: FIN: 5 de Diciembre de 2020 Estudiantes y/o profesionistas de medios DURACIÓN: 16 horas totales audiovisuales, cine, comunicación y artes en 4 sesiones de 4 horas visuales, como de cualquier área de HORARIO: Cada sábado de 9 a 13 hrs. humanidades, gestión cultural e interesados en el COSTO: $500 pesos análisis del cine de terror. FECHA LÍMITE DE INSCRIPCIÓN: 13 de noviembre, 15 hrs. REQUISITOS: Carta de motivos enviada a: El miedo es uno de los recursos más utilizados [email protected] en el cine, pero provocarlo es un gran reto. Actualmente, el género de terror atraviesa por IMPARTE: EBER GARCÍA GARCÍA (Xalapa, 1982). circunstancias difíciles, ya que el espectador Maestro en Arte Cinematográfico por el Instituto de Cultura Casa Lamm (2014-2016) y Licenciado tiene altas expectativas que la mayoría de las en Ciencias y Técnicas de la Comunicación por la veces lo llevan a decepcionarse. Universidad de Xalapa (2001-2005). Fue Director del Ágora de la Ciudad (2018) y Director General de De este modo, el curso-taller “Apreciación Cinematografía del Estado donde formó parte de cinematográfica aplicada al terror” buscará la Red Latinoamericana de Comisiones Fílmicas y que los asistentes desarrollen un sentido crítico de la Red Nacional de Festivales Cinematográficos (2010-2013). Asimismo fue becario del Programa que les permita establecer una opinión sobre de Estímulo a la Creación al Desarrollo Artístico del las causas que llevan al espectador a aceptar o Instituto Veracruzano de Cultura (2008), productor rechazar una película de este género. asociado del filme Tlamatinimes. Los Hijos del Rayo (2018) de André Andrade y de The Man. At The Gates Entender las razones que los villanos tienen of the Rising Sun (2018) de Gabriel Doramé, con quien para agredir a sus víctimas en el cine clásico y actualmente también participa en la producción del largometraje en proceso Saving My Imaginary Friend comprender de dónde proviene la amenaza que (2021), cuya propuesta creativa y audiovisual formó acecha al personaje en la narrativa moderna, son parte del MICA Meetings de IMCINE y Premios Fénix sólo algunas de las temáticas que se tocarán por obteniendo el Premio al desarrollo 2017 en la Cineteca medio del análisis que estético o intelectual, se Nacional. traduce en el placer del espectador a vivir una experiencia irrepetible. ¿CÓMO ME INSCRIBO? Haz tu pago con los siguientes datos bancarios: El curso-taller propone una revisión cronológica BANAMEX a nombre de Escuela Veracruzana que comprende su origen en la literatura, la de Cine Luis Buñuel SC, No. de cuenta: plástica y el teatro expresionista, sus álgidos 1670420, Sucursal 7010, Clabe interbancaria: momentos sonoros, el cine de serie B y los 002180701016704203 diferentes tratamientos como género. Una vez realizado el pago es importante que BIBLIOGRAFÍA nos envíes a [email protected], una • Altman, Rick. Los géneros cinematográficos. Barcelona, Editorial Paidós Ibérica, 1999. foto de tu comprobante con buena resolución, tu • Aviña, Rafael. El cine oscuro. México, Times editores, nombre completo, teléfono y nombre del curso 1998. • Eisner, Lotte H. La Pantalla Demoniaca. Las influencias al que ingresas. de Max Reinhardt. Trad. Isabel Bonet, 2da.ed. Madrid, Cátedra, 1996, (Signo e Imagen). TEMARIO INTERNET Movie Database. http://www.us.imdb.com. SESIÓN 1 • Kracauer, Siegrfried. De Caligari a Hitler. Una historia El terror como género psicológica del cine alemán. Trad. Héctor • Grossi, 2da.ed. • ¿Horror o terror? antecedentes literarios. Barcelona, Paidós, 1985, (Paidós Comunicación Cine; 73). • Micheli, Mario, De. Las vanguardias artísticas del siglo • Subgéneros e híbridos fantásticos. XX. Trad. Ángel Sánchez Gijón, 2da.ed. Madrid, Alianza • Perspectivas estéticas del cine mudo. Editorial, 2000, (Arte y Música). • Truffaut, François. El cine según Hitchcock. Barcelona, • La idea narrativa, dramática y temática. Paidós, 1998. • Arquetipos y personajes. • Valencia, Manuel y Eduardo Guillot. Sangre, sudor y • Tipos de miedo. vísceras. Historia del cine gore. Madrid, Valdemar, 1996. • Zavala, Lauro. Semiótica preliminar. Ensayos y SESIÓN 2 conjeturas. Estado de México, Fondo Editorial Estado de El terror como razón México, 2014. • Diferencias con el horror, suspenso y thriller. • Zavala, Lauro. Sobre la evolución de los géneros cinematográficos. México, La Colmena 80, 2013. • Las tendencias paradigmáticas: clásico, moderno y posmoderno. FILMOGRAFÍA • El gabinete del Dr. Caligari. Alemania: Decla-Bioskop, • El cine expresionista alemán 1919. Erich Pommer. Robert Wiene. DVD, 78 min. • El cine mudo en Norteamérica. • El Golem. República Checa/Alemania: Projektions- A.G. SESIÓN 3 Union (PAGU), 1920. Paul Wegener. Paul Wegener, Carl Boesse. DVD, 67 min. El terror como romance • Nosferatu. Alemania: Prana Films Gmbh, 1923. Albin • El terror clásico y la Universal. Grau, Enrico Diesckman. Friederick W. Murnau. DVD, 106 El terror como placer min. • Metrópolis. Alemania: Universum Film A.G. (Ufa), 1927. • El terror gótico y la Hammer. Erich Pommer. Fritz Lang. DVD, 148 min. SESIÓN 4 • Waxworks. Alemania: Neptune-Film A.G., 1924. Alexander Kwartiroff. Paul Leni. DVD, 65 min. El Teatro del Grand-Guignol • Frankenstein. EEUU: Universal Pictures, 1932. • Del Isabelino al Victoriano. Carl Laemmle Jr. James Whale. DVD, 70 min. Espectáculo de terror. • Creature from the black lagoon. EEUU: Universal Studios, 1954. William Alland. Jack Arnold. DVD, 79 min. • La reminiscencia romántica, realista y • Drácula. EEUU: Universal, 1931. Carl Laemmle Jr. Tod naturalista del horror. Browning. DVD, 75 min. • Art Nouveau, nuevo estilo, nueva sangre. • The bride of Frankenstein. EEUU: Universal Studios, 1935. Carl Laemmle Jr. James Whale. DVD, 75 min. SESIÓN 5 • The Mummy. EEUU: Universal Pictures, 1932. Carl El Gore, sangre sin coagular Laemmle Jr. Karl Freund. DVD, 73 min. • Del cine porno al gore. • The invisible man. EEUU: Universal Studios, 1933. Carl Laemmle Jr. James Whale. DVD, 71 min. • Zombies, caníbales y mutantes. • The wolf man. EEUU: Universal Studios, 1941. George • Mondos y giallos. Waggner. George Waggner. DVD, 70 min. Freaks, EEUU: Metro-Goldwyn-Meyer, 1932. Tod • Ultragore alemán. Browning. Tod Browning. DVD, 60 min. • ¿Y la nueva carne? • Drácula de Bram Stalker. EEUU: Columbia Pictures, 1992. F.Ford Coppola. F.Ford Coppola. DVD, 123 min. • Frankenstein. EEUU: American Zoetrope, 1994. F.Ford ACTIVIDADES Coppola. Kenneth Branagh. DVD, 123 min. • Análisis de trailers, escenas • The Mummy. EEUU: Alphaville, 1999. Sean Daniel. y filmes representativos. Stephen Summers. DVD, 124 min. • The wolf man. EEUU/UK: Universal Studios, 2010. • Análisis de filmes con base en Benicio del Toro. Joe Jhonston. DVD, 102 min. el discurso del director. • Blood feast. EEUU: Friedman-Lewis Production, 1963. David F.Friedman. Herschell Gordon Lewis. DVD, 70 min. • Análisis de personajes de terror y gore. Two thousand maniacs!. EEUU: Friedman-Lewis Production y Jaqueline Kay Inc., 1964. David F.Friedman. Barker. DVD, 94 min. Herschell Gordon Lewis. DVD, 87 min. • American Psycho, EEUU: Am Psycho Productions, • Gore, gore girls. EEUU: Lewis Motion Picture Enterprises, Edward R. Pressman Film, Lions Gate Films, 2000. 1972. Herschell Gordon Lewis. Herschell Gordon Lewis. Christian Halset Solomon, Chris Hanley. Mary Harron. DVD, DVD, 95 min. 102 min. • The Wizard of gore. EEUU: Mayflower Pictures, 1970. • The exorcist, EEUU: Warner Bros., Joya Productions, Herschell Gordon Lewis. Herschell Gordon Lewis. DVD, 1973. William Peter Blatty, Loyd Kaufman. William Friedkin. 95 min. DVD, 132 min. • Night of the living dead, EEUU: Image Ten, Laurel Group, • Rosemary’s baby, EEUU: William Castle Production, Joya 1968. Karl Hardman, Russell Streiner. George Romero. DVD, Productions, 1968. William Castle. Roman Polanski. DVD, 96 min. 137 min. • Dawn of dead, EEUU: Dawn Associates, Laurel Group, • Deep red, Italia: Rizzoli Film, Seda Spettacoli, 1975. 1978. Richard Rubinstein. George Romero. DVD, 126 min. Claudio Argento, Salvatore Argento. Dario Argento. DVD, • Day of the dead, EEUU: Image Ten, Laurel Group, 1985. 126 min. Richard Rubinstein. George Romero. DVD, 102 min. • Suspiria, Italia: Seda Spettacoli, 1977. Claudio Argento, • The Evil Dead, EEUU: Reinassance Pictures, 1981. Robert Salvatore Argento. Dario Argento. DVD, 98 min. Taper. Sam Raimi. DVD, 85 min. • Tenebre, Italia: Sigma Cinematografica Roma, 1982. • The Evil Dead II, EEUU: De Laurentis Entertainment Claudio Argento, Salvatore Argento. Dario Argento. DVD, Group, Reinassance Pictures, 1987. Robert Taper, Bruce 101 min. Campbell. Sam Raimi. DVD, 85 min. • Cannibal Holocaust, Italia: F.D. Cinematográfica, 1980. • Texas Chainsaw Massacre, EEUU: Bryanston Pictures, Franco Palaggi, Franco Di Nunzio. Ruggero Deodato. DVD, 1974. Kim Henker, Tobe Hooper. Tobe Hooper. DVD, 83 95 min. min. • Mondo Cane, Italia: Cineriz, 1962. Hideshi Hino. Gualtiero • Texas Chainsaw Massacre 2, EEUU: The Cannon Group, Giacopetti, Angelo Rizzoli. Paolo Cavara, Gualtiero 1986. Yoram Globus, Menahem Golan. Tobe Hooper. DVD, Giacopetti, Franco Prosperi. DVD, 108 min. 89 min. • Faces of death I, EEUU: F.O.D. Productions, 1978. William • Dead Alive, Nueva Zelanda: Wingnut films, 1992. Jim B. James. John Alan Schwartz. DVD, 105 min. Booth, Jaime Selkirk. Peter Jackson. DVD, 104 min. Nekromantik, Alemania:
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