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Graphic Evangelism 1
Running head: GRAPHIC EVANGELISM 1 Graphic Evangelism The Mainstream Graphic Novel for Christian Evangelism Mark Cupp A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 GRAPHIC EVANGELISM 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Edward Edman, MFA Thesis Chair ______________________________ Chris Gaumer, MFA Committee Member ______________________________ Ronald Sumner, MFA Committee Member ______________________________ Brenda Ayres, Ph.D. Honors Director ______________________________ Date GRAPHIC EVANGELISM 3 Abstract This thesis explores the use of mainstream graphic novels as a means of Christian evangelism. Though not exclusively Christian, the graphic novel, The Beast Within, will educate its target audience by using attractive illustrations, relatable issues, and understandable morals in a fictional, biblically inspired story. This thesis will include character designs, artwork, chapter summaries, and a single chapter of a self-written, self- illustrated graphic novel along with a short summary of Christian references and symbols. The novel will follow six half-human, half-animal warriors on their adventure to restore the balance of their world, which has been disrupted by a powerful enemy. GRAPHIC EVANGELISM 4 Graphic Evangelism The Mainstream Graphic Novel for Christian Evangelism Introduction As recorded in Matthew 28:16-20, all Christians are commanded by Christ to spread the Gospel to all corners of the earth. Many believers almost immediately equate evangelism to Sunday morning services, church mission trips, or distribution of witty, ever-popular salvation tracts; however, Jesus utilized other methods to teach His people, such as telling simple stories and using familiar images and illustrations. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Mussolini and Rome in the Premillennial Imagination
Illinois State University ISU ReD: Research and eData Theses and Dissertations 6-24-2020 The Beast And The Revival Of Rome: Mussolini And Rome In The Premillennial Imagination Jon Stamm Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the History of Religion Commons, and the United States History Commons Recommended Citation Stamm, Jon, "The Beast And The Revival Of Rome: Mussolini And Rome In The Premillennial Imagination" (2020). Theses and Dissertations. 1312. https://ir.library.illinoisstate.edu/etd/1312 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. THE BEAST AND THE REVIVAL OF ROME: MUSSOLINI AND ROME IN THE PREMILLENNIAL IMAGINATION JON STAMM 130 Pages Premillennial dispensationalism became immensely influential among American Protestants who saw themselves as defenders of orthodoxy. As theological conflict heated up in the early 20th century, dispensationalism’s unique eschatology became one of the characteristic features of the various strands of “fundamentalists” who fought against modernism and the perceived compromises of mainline Protestantism. Their embrace of the dispensationalist view of history and Biblical prophecy had a significant effect on how they interpreted world events and how they lived out their faith. These fundamentalists established patterns of interpretation that in the second half of the 20th century would fuel the emergence of a politically influential form of Christian Zionism. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Journal of the GES – Spring 2017
Journal of the GRACE EVANGELICAL SOCIETY “Faith Alone in Christ Alone” VOLUME 30 Spring 2017 NUMBER 58 All Faith Is Good? (Titus 2:10) Editor 3-16 Does Free Grace Theology Diminish the Gospel? A Review of Wayne Grudem’s, “Free Grace” Theology: 5 Ways It Diminishes the Gospel, Part 2 Robert N. Wilkin 17-33 Revelation 3:10 and the Rapture: A New Departure John H. Niemelä 35-47 When Was Adam Created? Terry Mortenson 49-75 A Review and Application of Albert Mohler’s We Cannot Be Silent Kathryn Wright 77-89 Book Reviews 91-105 Journal of the GRACE EVANGELICAL SOCIETY Published Semiannually by GES Editor Kenneth W. Yates Associate Editors Robert N. Wilkin Shawn C. Lazar Layout Shawn C. Lazar Manuscripts, book reviews, and other communications should be addressed to GES, Director of Publications, P.O. Box 1308, Denton, TX 76202 or [email protected]. Journal subscriptions, renewals, and changes of address should be sent to the Grace Evangelical Society, P.O. Box 1308, Denton, TX 76202 or email [email protected]. Subscription Rates: single copy, $9.25 (U.S.); 1 year, $18.50; 2 years, $35.00; 3 years, $49.50; 4 years, $62.00; $13.50 per year for active full-time students. Please add $4.00 for US shipping. And $4.50 per year for shipping to Mexico and Canada and $8.50 per year for all other international shipping. New subscriptions, 1 year, $9.25; gift subscriptions, 1 year, $9.25. Purpose: Grace Evangelical Society was formed “to promote the clear proclamation of God’s free salvation through faith alone in Christ alone, which is properly correlated with and distinguished from issues related to discipleship.” Statement of Faith: “Jesus Christ, God incarnate, paid the full penalty for man’s sin when He died on the Cross of Calvary. -
The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet). -
What Superman Teaches Us About the American Dream and Changing Values Within the United States
TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. -
Superheroes and Identities: an Introduction
Superheroes and Identities: An Introduction EDITOR 1: Mel Gibson Address: CETL Hub@CLC, 1 Coach Lane, Coach Lane Campus, Benton, Newcastle upon Tyne NE7 7XA Telephone: 0191 215 6378 Email: [email protected] Biographical note: Dr. Mel Gibson is a Senior Lecturer at the University of Northumbria, UK. Her research is in Comics and Graphic Novels, Picturebooks and Children’s Literature. She runs training and promotional events about comics, manga, visual literacies and graphic novels for libraries, schools. Her website is http://www.dr-mel-comics.co.uk/. EDITOR 2: David Huxley Address: Address: Manchester Metropolitan University, 307 Chatham Building, Department of Media, Cavendish St, Manchester, M15 6BR. Telephone:01612471942 Email: [email protected] Biographical note: David Huxley is a Senior Lecturer at Manchester Metropolitan University. He is editor of Routledge's 'The Journal of Graphic Novels and Comics' (2010 - ) and has drawn and written a wide range of adult and children's comics. Academic research is in censorship and the media. EDITOR 3: Joan Ormrod (corresponding author) Address: Manchester Metropolitan University, 307 Chatham Building, Department of Media, Cavendish St, Manchester, M15 6BR. Telephone: 01612471938 Email: [email protected] Biographical note: Joan Ormrod is a senior lecturer at Manchester Metropolitan University. She is editor of Routledge's The Journal of Graphic Novels and Comics (2010-). Her research areas are in women in comics, subcultures and fantasy. 1 Superheroes and identities: an introduction The superhero represents, in many ways, the aspirations, concerns and dreams of contemporary life. Superhero films became the biggest genre in Hollywood after 9/11 and they are the focus of top selling video games. -
Castle of Wolfenbach
Eliza Parsons The Castle of Wolfenbach edited with an introduction and notes by Beatriz Sánchez Santos 2009 THE CASTLE OF WOLFENBACH BY ELIZA PARSONS ii TABLE OF CONTENTS Introduction …………………………………………………...……………………...iv Part 1: The construction of meaning in characterization 1.1. Formulaic language in The Castle of Wolfenbach ……………………... ix 1.2. “The amiable Matilda”: repetition and amplification of meaning ……xviii 1.3. “She is truth and goodness itself”: intensifiers and the stereotype....…xxix Part 2: Blurred identities, complex sensibilities 2.1. “Who, or what, am I?”: blurring boundaries…………………...…..…xxxvi 2.2. “She shed floods of tears”: formulaic language revisited and the complex expression of sensibility……………………………………………………...xliv 2.3. “Easier conceived than described”: sympathy at the boundaries with drama and fairytale…………………………………………. …………………lv Part 3: The conflicting discourses of determinism and free will 3.1. “You are no base unworthy offspring”: innate qualities in Matilda..….lxix 3.2. “Providence intervened”: the supremacy of Divine Will…………….lxxvi 3.3. “I learned resignation”: nature and nurture in the novel…………...…lxxx 3.4. “It was my own voluntary choice”: the discourse of free will………lxxxiv 3.5. “I am under a state of obligation”: the boundaries of free will…….. lxxxix 3.6. “The pride of birth”: Matilda’s social values and eighteenth-century accounts of the self………………………………………………………...…xcii Conclusion……………………………………………….……………….xcvii Note on this edition………………………………………………………xcix Bibliography……………………………...…………………………………civ The Castle of Wolfenbach Volume I ………………………………………………………………………..1 Volume II …………………………………………...…………………………71 Explanatory notes ………………………………………………….…...…… 139 iii INTRODUCTION There were six editions of The Castle of Wolfenbach since its first publication in 1793 until 1854 1; but this novel was not reprinted until 1968, as part of the Northanger Set edited by Devendra P.Varma. -
Religion, Ritual and Ritualistic Objects
Religion, Ritual and Ritualistic Objects Edited by Albertina Nugteren Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions Religion, Ritual and Ritualistic Objects Religion, Ritual and Ritualistic Objects Special Issue Editor Albertina Nugteren MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Albertina Nugteren Tilburg University The Netherlands Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Religions (ISSN 2077-1444) from 2018 to 2019 (available at: https://www.mdpi.com/journal/religions/special issues/Ritual) For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03897-752-0 (Pbk) ISBN 978-3-03897-753-7 (PDF) c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Preface to ”Religion, Ritual and Ritualistic Objects” ......................... ix Albertina Nugteren Introduction to the Special Issue ‘Religion, Ritual, and Ritualistic Objects’ Reprinted from: Religions 2019, 10, 163, doi:10.3390/rel10030163 .................. -
Welcome to the Lost Arts Media Retail Catalog, This Is Our 70 Page LARGE
Welcome to the Lost Arts Media retail catalog, EXPLORE OUR AUDIO/VIDEO/RESEARCH ARCHIVE. CALL WITH YOUR QUESTIONS. This is our 70 page LARGE PRINT edition catalog. All of these titles are now avail- able on DVD. Audio CDs are coming soon. For a regularly updated product list please visit our website at WWW.LOSTARTSMEDIA.COM or call us at 1 (800) 952-LOST for a full length catalog with hundreds of titles. To order add $4.00 shipping and handling for the first item and $1.00 for each additional item. Send your check or money order to (CA residents add 8.25% sales tax): LOST ARTS MEDIA, POST OFFICE BOX 15026, LONG BEACH, CA 90815. To order by Visa/MC call 1 (800) 952-LOST or 1 (562) 427-ARTS. DVD / VIDEO / AUDIO TAPES DVD / VIDEO / AUDIO TAPES DVD / VIDEO / AUDIO TAPES MYSTERY OF Greco-Roman, Hindu, Irish, Post-Matrix Exercises. Included as a bonus is AMERICA: BOOK 1 Mesopotamian, Minoan, a discussion and explanation of techniques in – ENIGMATIC Nordic, Pacific Islander, Remote Healing and use of Remote Viewing MYSTERIES AND Phoenician, Viking, Welsh, for everyday purposes and career choices. ANOMALOUS and West African voyages to Also covered is a live remote viewing and ARTIFACTS OF NORTH the New World. Other topics Knosomatics demonstration by Prudence and AMERICA: A include runestones and tablets her team of professional remote viewers as CONNECTION TO THE found in the East; pre-historic presented for the London Sunday Times and ANCIENT PAST, with Tédd mines near Lake Superior; HBO. This series takes the new Remote St. -
Pdf Christiansen, P., & Wroe, S
DIALOGUES@RU EDITORIAL BOARD SPRING 2015 FALL 2015 Alaa Al-Shujairi Kimberly Bosco John Alesi Courtney Garcia Lisa Avichal Lillie Mae Guarano Christi Capazzo Olivia Kalinowski Christina Colon Sarah Lee MarieClaire Graham Megan Murray Kenneth Hansen Sarah Ong Katherine Hoyt Nandini Patel Samantha Karas Dylan Vetter John Kwiatkowski Filomena Martini EDITOR Tanisha McKinnon Lynda Dexheimer Tiffany Morris Nandini Patel COVER DESIGN & Jacqueline Pelliccio TYPESETTING Anna Trobovic Mike Barbetta Janine Warner EDITORIAL ASSISTANTS Diana Heisroth Eunice Lim © 2016 by Dialogues@RU All rights reserved Printed in U.S.A. ii. CONTENTS Foreword • v Julian Barata, High-Stakes Testing: Monitoring and Improving Education or Making it Worse? • 1 Allison Bautista, Ta-“Boo”: The Stigmatization of the Paranormal • 11 Karl Capili, Insider Trading: The Importance of Market Surveillance • 24 Jose Colon, Chimpanzees in Invasive Experimentation • 36 Sara Davatelis, Damseled and Distressed: The Prevalence of Sexism in Video Games • 49 Kelly Hannavi, Postmodern Aesthetics and Female Gaze in Feminist Film • 63 Chelsea Huesing, Eating Disorders: An Exploration of the Transgressive Ideology of Beauty • 74 Bridget Rose Ismaelito, The Transformation of America through Images of Suffering on September 11th • 84 Yukyung Jung , Solution for a Shortage: Providing Financial Incentives for Kidney Donations in the U.S. • 99 Caitlyn Lagrada, Photography of the Violence of the Mexican Drug War • 110 Joanna Lampa, An Examination of Punk Fashion Through a Feminist Lens • 124 Kevin Lu, Why Isn’t My Joke Funny Everywhere? How Humor Crosses Cultural Lines • 137 iii. Matthew McLaughlin, How Does It Feel To Be One Of The Beautiful People? : Marilyn Manson’s War on Conservative American Culture • 147 Paula A.