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Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
The Impact of Matriarchal Traditions on the Advancement of Ashanti Women in Ghana Karen Mcgee
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Listening to the Voices: Multi-ethnic Women in School of Education Education 2015 The mpI act of Matriarchal Traditions on the Advancement of Ashanti Women in Ghana Karen McGee Follow this and additional works at: http://repository.usfca.edu/listening_to_the_voices Part of the Education Commons Recommended Citation McGee, Karen (2015). The mpI act of Matriarchal Traditions on the Advancement of Ashanti Women in Ghana. In Betty Taylor (Eds.), Listening to the Voices: Multi-ethnic Women in Education (p. 1-10). San Francisco, CA: University of San Francisco. This Book is brought to you for free and open access by the School of Education at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Listening to the Voices: Multi-ethnic Women in Education by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The Impact of Matriarchal Traditions on the Advancement of Ashanti Women in Ghana Karen McGee What is the impact of a matriarchal tradition and the tradition of an African queenmothership on the ability of African women to advance in political, educational, and economic spheres in their countries? The Ashanti tribe of the Man people is the largest tribe in Ghana; it is a matrilineal society. A description of the precolonial matriarchal tradition among the Ashanti people of Ghana, an analysis of how the matriarchal concept has evolved in more contemporary governments and political situations in Ghana, and an analysis of the status of women in modern Ghana may provide some insight into the impact of the queenmothership concept. -
The Last Chapter of the Vietnam War: Normalization, Nongovernmental Actors and the Politics of Human Rights, 1975-1995
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2017 The Last Chapter of the Vietnam War: Normalization, Nongovernmental Actors and the Politics of Human Rights, 1975-1995 Amanda C. Demmer University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Demmer, Amanda C., "The Last Chapter of the Vietnam War: Normalization, Nongovernmental Actors and the Politics of Human Rights, 1975-1995" (2017). Doctoral Dissertations. 153. https://scholars.unh.edu/dissertation/153 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. THE LAST CHAPTER OF THE VIETNAM WAR: NORMALIZATION, NONGOVERNMENTAL ACTORS AND THE POLITICS OF HUMAN RIGHTS, 1975-1995 BY AMANDA C. DEMMER B.A., State University of New York at Fredonia, 2010 M.A., University of New Hampshire, 2012 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History May, 2017 ALL RIGHTS RESERVED © 2017 Amanda C. Demmer ii This dissertation has been examined and approved in partial fulfillment of the requirements for the degree of Ph.D. in History by: Dissertation Director, Kurkpatrick Dorsey, Professor of History and History Graduate Program Director Lucy E. Salyer, Associate Professor of History Jessica M. Lepler, Associate Professor of History Lien-Hang T. -
Guerrilla Grindhouse World Tour 02 Asukaru Satte, Saitama 18 Oct 2013
DEFIANCE Wrestling: Guerrilla Grindhouse World Tour 02 Asukaru Satte, Saitama 18 Oct 2013 The DARK Knight Returns *Mascara De Muerta IV vs Diego de Leon Diego and Mascara start their match with a handshake and nods of respect in the middle of the ring. The two luchadors started the bout with a contest of speeds that saw Mascara edging Diego with experience and an advantage. Mascara took control immediately and started laying into Diego with slaps and chops. Mascara threw Diego to the ropes and ran in with a knee to the stomach that stunned Diego. Mascara took advantage of his momentum and brought Diego down with a single leg takedown and when Diego sat upright, Mascara is already on his feet and kicks him square in his chest to lay him back down. Mascara follows up with a standing moonsault into a pin and the Japanese audience erupts into applause. 1… 2... Kick out. Mascara drags Diego to his feet and starts to hit Diego with a barrage of slaps and chops to the chest. Diego counters a slap with one of his own and starts adding low kicks to the lower thigh of Mascara. Diego unleashes a combination of kicks to the thigh with a spinning backfist that draws an “Ahhhhww” reaction from the Japanese crowd while throwing off the ropes. The two meet, per say in the ring with Diego attempting a baseball slide and Mascara effortlessly front flipping over him. The Japanese audience reacts with applause as the two stare and give approving nods of respect to one another. -
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from the 33rd Annual Camden Conference The Media Revolution: Changing the World Nicco Mele , Nic Newman , Joshua Tucker , Jeff Jarvis , Courtney Radsch , Maria Ressa , Lydia Cacho Ribeiro , Jason Rezaian, Yeganeh Rezaian, Kathleen Hall Jamieson, David Brancaccio 2020 BOARD OF DIRECTORS Matthew Storin, President Karin Look, Vice President Don Abbott, Treasurer Wayne Hobson, Secretary John Doughty Peter Fitzgerald James Hengerer Peter Imber Elaine Keyes Eric Lebson Emily Lusher Merlin Miller Jane Nyce Sandra Ruch Charlotte Singleton Ward Wickwire About the Camden Conference ow in its 33rd year, this midwinter event in Midcoast Maine is routinely cited ADVISORY COUNCIL as an outstanding example of civic engagement, as it brings in experts from Richard Anderson Naround the world to discuss and debate issues of international import. This David Babski past February, speaker Kathleen Hall Jamieson of the University of Pennsylvania Ann Beaudry hailed the Camden Conference as “democratic engagement in action.” John Bird The three-day event plays out before a capacity audience in the beautiful Camden Bruce Cole Opera House and is live-streamed to locations in Portland, Belfast, and Rockland, as John Davidson well as Hanover, N.H. Each of the Maine locations includes a contingent of students Thomas M. Deford from high schools and colleges throughout the state, who study the topic as part of Leslie Fillnow their curriculum in the months prior. Additional social and substantive activities are Will Galloway planned for those students in the various locations over the course of the weekend. Charlie Graham The Camden Conference is primarily a volunteer organization with just two paid Kathleen Hirsch staff members. -
Title Call # Category
Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
Graphic Evangelism 1
Running head: GRAPHIC EVANGELISM 1 Graphic Evangelism The Mainstream Graphic Novel for Christian Evangelism Mark Cupp A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 GRAPHIC EVANGELISM 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Edward Edman, MFA Thesis Chair ______________________________ Chris Gaumer, MFA Committee Member ______________________________ Ronald Sumner, MFA Committee Member ______________________________ Brenda Ayres, Ph.D. Honors Director ______________________________ Date GRAPHIC EVANGELISM 3 Abstract This thesis explores the use of mainstream graphic novels as a means of Christian evangelism. Though not exclusively Christian, the graphic novel, The Beast Within, will educate its target audience by using attractive illustrations, relatable issues, and understandable morals in a fictional, biblically inspired story. This thesis will include character designs, artwork, chapter summaries, and a single chapter of a self-written, self- illustrated graphic novel along with a short summary of Christian references and symbols. The novel will follow six half-human, half-animal warriors on their adventure to restore the balance of their world, which has been disrupted by a powerful enemy. GRAPHIC EVANGELISM 4 Graphic Evangelism The Mainstream Graphic Novel for Christian Evangelism Introduction As recorded in Matthew 28:16-20, all Christians are commanded by Christ to spread the Gospel to all corners of the earth. Many believers almost immediately equate evangelism to Sunday morning services, church mission trips, or distribution of witty, ever-popular salvation tracts; however, Jesus utilized other methods to teach His people, such as telling simple stories and using familiar images and illustrations. -
A Study of Distortion of Akan Cultures in Kumawood Movies in Ghana
International Journal of Research in Humanities and Social Studies Volume 4, Issue 5, 2017, PP 8-16 ISSN 2394-6288 (Print) & ISSN 2394-6296 (Online) http://dx.doi.org/10.22259/ijrhss.0405002 Aberration of Cultures: A Study of Distortion of Akan Cultures in Kumawood Movies in Ghana Kquofi, Steve (PhD) Department of General Art Studies, Faculty of Art Kwame Nkrumah University of Science and Technology, Kumasi, Ghana Croffie, Godfred Kojo (PhD) Department of General Art Studies, Faculty of Art Kwame Nkrumah University of Science and Technology, Kumasi, Ghana *Corresponding Author: Kquofi, Steve (PhD), Department of General Art Studies, Faculty of Art Kwame Nkrumah University of Science and Technology, Kumasi, Ghana Received Date: 14-06-2017 Accepted Date: 23-06-2017 Published Date: 28-06-2017 ABSTRACT Kumawood movies are very popular in Ghana now with the decline of films produced in the English language, which patrons have tagged ‘Glamour’ films, to show contrast to those produced in Kumasi to satisfy the ‘film taste’ of the masses, which mostly are disconnected from the ‘Glamour’ films. Despite their popularity because of their production in the local language, Akan Twi, these movies aberrate Ghanaian cultures, especially the arts, customs, lifestyles, background, and habits that characterize the traditional Akan society, which the movies largely portray. Based on qualitative research approach, six Kumawood movies were selected for critical review. The study sought to ascertain how Kumawood movies presented the cultural values of the people. The results indicated that Kumawood movies showcased diverse Akan cultural elements such as proverbs used for ensuring positive moral conducts, welfare, and acquisition of wisdom; rich traditional body adornments; Akan traditional festivals, folksongs, drumming and dancing, games; as well as sense of communal welfare, hospitality and traditional courtesies. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Mussolini and Rome in the Premillennial Imagination
Illinois State University ISU ReD: Research and eData Theses and Dissertations 6-24-2020 The Beast And The Revival Of Rome: Mussolini And Rome In The Premillennial Imagination Jon Stamm Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the History of Religion Commons, and the United States History Commons Recommended Citation Stamm, Jon, "The Beast And The Revival Of Rome: Mussolini And Rome In The Premillennial Imagination" (2020). Theses and Dissertations. 1312. https://ir.library.illinoisstate.edu/etd/1312 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. THE BEAST AND THE REVIVAL OF ROME: MUSSOLINI AND ROME IN THE PREMILLENNIAL IMAGINATION JON STAMM 130 Pages Premillennial dispensationalism became immensely influential among American Protestants who saw themselves as defenders of orthodoxy. As theological conflict heated up in the early 20th century, dispensationalism’s unique eschatology became one of the characteristic features of the various strands of “fundamentalists” who fought against modernism and the perceived compromises of mainline Protestantism. Their embrace of the dispensationalist view of history and Biblical prophecy had a significant effect on how they interpreted world events and how they lived out their faith. These fundamentalists established patterns of interpretation that in the second half of the 20th century would fuel the emergence of a politically influential form of Christian Zionism. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Fall 2019 Pegasus Books
PEGASUS BOOKS FALL 2019 PEGASUS BOOKS FALL 2019 NEW HARDCOVERS THE KING’S WAR The Friendship of George VI and Lionel Logue During World War II Peter Conradi and Mark Logue Following the New York Times bestselling The King’s Speech, this eagerly anticipated sequel takes King George VI and his speech therapist Lionel Logue into the darkest days of World War II. The broadcast that George VI made to the British nation on the outbreak of war in September 1939—which formed the climax of the multi-Oscar-winning film The King’s Speech—was the product of years of hard work with Lionel Logue, his iconoclastic, Australian- born speech therapist. Yet the relationship between the two men did not end there. Far from it: in the years that followed, Logue was to play an even more important role at the monarch’s side. The King’s War follows that relationship through the dangerous days of Dunkirk and the drama of D-Day to eventual victory in 1945—and beyond. Like the first book, it is written by Peter Con- radi, a London Sunday Times journalist, and Mark Logue, Lionel’s grandson, and again draws on exclusive material from the Logue Archive—the collection of diaries, letters, and other documents left by Lionel and his feisty wife, Myrtle. This gripping narrative provides a fascinating portrait of two men and their respective families—the Windsors and the Logues—as they together face the greatest chal- lenge in Britain’s history. PETER CONRADI is an journalist with the London Sunday Times.