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Flying Man and Falling Man: Remembering and Forgetting 9/11 Graley Herren Xavier University - Cincinnati
Xavier University Exhibit Faculty Scholarship English 2014 Flying Man and Falling Man: Remembering and Forgetting 9/11 Graley Herren Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/english_faculty Part of the English Language and Literature Commons Recommended Citation Herren, Graley, "Flying Man and Falling Man: Remembering and Forgetting 9/11" (2014). Faculty Scholarship. Paper 3. http://www.exhibit.xavier.edu/english_faculty/3 This Book Chapter/Essay is brought to you for free and open access by the English at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. 9 Flying Man and Falling Man Remembering and Forgetting 9 /11 Graley Herren More than a decade after the September 11 attacks, Ame~cans continue struggling to assimilate what happened on that day. This chapter consi ders how key icons, performances, and spectacles have intersected with narrative reconstructions to mediate collective memories of 9/11, within New York City, throughout the United States, and around the globe. In Cloning Tenvr: The War of Images, 9/11 to the Present, W. J. T. Mitchell starts from this sound historiographical premise: "Every history is really two histories. There is the history of what actually happened, and there is the history of the perception of what happened. The first kind of history focuses on the facts and figures; the second concentrates on the images and words that define the framework within which those facts and figures make sense" (xi). What follows is an examination of that second kind of history: the perceptual frameworks for making sense of 9/11, frameworks forged by New Yorkers at Ground Zero, Americans removed from the attacks, and cultural creators and commentators from abroad. -
Don Delillo and 9/11: a Question of Response
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 5-2010 Don DeLillo and 9/11: A Question of Response Michael Jamieson University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jamieson, Michael, "Don DeLillo and 9/11: A Question of Response" (2010). Dissertations, Theses, and Student Research: Department of English. 28. https://digitalcommons.unl.edu/englishdiss/28 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. DON DELILLO AND 9/11: A QUESTION OF RESPONSE by Michael A. Jamieson A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: English Under the Supervision of Professor Marco Abel Lincoln, Nebraska May, 2010 DON DELILLO AND 9/11: A QUESTION OF RESPONSE Michael Jamieson, M.A. University of Nebraska, 2010 Advisor: Marco Abel In the wake of the attacks of September 11th, many artists struggled with how to respond to the horror. In literature, Don DeLillo was one of the first authors to pose a significant, fictionalized investigation of the day. In this thesis, Michael Jamieson argues that DeLillo’s post-9/11 work constitutes a new form of response to the tragedy. -
Newsletter Is Published by the College
Trinity Hall cover 2013_Trinity Hall cover 07/10/2013 08:51 Page 1 3 1 / 2 1 0 2 R A E Y C I M E D A C A R E T T E L S W E N L L A H Y T I N I R T The Trinity Hall Newsletter is published by the College. Newsletter Thanks are extended to all the contributors. ACADEMIC YEAR 2012/13 The Development and Alumni Office Trinity Hall, Cambridge CB2 1TJ Tel: +44 (0)1223 332562 Fax: +44 (0)1223 765157 Email: [email protected] www.trinhall.cam.ac.uk Return to contents www.trinhall.cam.ac.uk 1 Trinity Hall Newsletter ACADEMIC YEAR 2012/13 College Reports ............................................................................. 3 Trinity Hall Lectures .................................................................. 49 Student Activities, Societies & Sports ....................................... 89 Trinity Hall Association .......................................................... 109 The Gazette ...............................................................................115 Keeping in Touch ...................................................................... 129 Section One College Reports Return to contents www.trinhall.cam.ac.uk 3 From the Master The academic year 2012/13 closed with a sense of achievement and pride. The performance in the examinations was yet again outstanding: we finished third in the table of results, consolidating our position as one of the high achieving colleges in the College Reports University. This gratifying success was not the result of forcing the students into the libraries, laboratories and lecture theatres at the expense of other elements of life in College. Quite the contrary: one of the most pleasurable aspects of life in College at the moment is that students enjoy their academic work and find it a source of endless interest. -
Journal of the GES – Spring 2017
Journal of the GRACE EVANGELICAL SOCIETY “Faith Alone in Christ Alone” VOLUME 30 Spring 2017 NUMBER 58 All Faith Is Good? (Titus 2:10) Editor 3-16 Does Free Grace Theology Diminish the Gospel? A Review of Wayne Grudem’s, “Free Grace” Theology: 5 Ways It Diminishes the Gospel, Part 2 Robert N. Wilkin 17-33 Revelation 3:10 and the Rapture: A New Departure John H. Niemelä 35-47 When Was Adam Created? Terry Mortenson 49-75 A Review and Application of Albert Mohler’s We Cannot Be Silent Kathryn Wright 77-89 Book Reviews 91-105 Journal of the GRACE EVANGELICAL SOCIETY Published Semiannually by GES Editor Kenneth W. Yates Associate Editors Robert N. Wilkin Shawn C. Lazar Layout Shawn C. Lazar Manuscripts, book reviews, and other communications should be addressed to GES, Director of Publications, P.O. Box 1308, Denton, TX 76202 or [email protected]. Journal subscriptions, renewals, and changes of address should be sent to the Grace Evangelical Society, P.O. Box 1308, Denton, TX 76202 or email [email protected]. Subscription Rates: single copy, $9.25 (U.S.); 1 year, $18.50; 2 years, $35.00; 3 years, $49.50; 4 years, $62.00; $13.50 per year for active full-time students. Please add $4.00 for US shipping. And $4.50 per year for shipping to Mexico and Canada and $8.50 per year for all other international shipping. New subscriptions, 1 year, $9.25; gift subscriptions, 1 year, $9.25. Purpose: Grace Evangelical Society was formed “to promote the clear proclamation of God’s free salvation through faith alone in Christ alone, which is properly correlated with and distinguished from issues related to discipleship.” Statement of Faith: “Jesus Christ, God incarnate, paid the full penalty for man’s sin when He died on the Cross of Calvary. -
11 July 2006 Mumbai Train Bombings
11 July 2006 Mumbai train bombings July 2006 Mumbai train bombings One of the bomb-damaged coaches Location Mumbai, India Target(s) Mumbai Suburban Railway Date 11 July 2006 18:24 – 18:35 (UTC+5.5) Attack Type Bombings Fatalities 209 Injuries 714 Perpetrator(s) Terrorist outfits—Student Islamic Movement of India (SIMI), Lashkar-e-Toiba (LeT; These are alleged perperators as legal proceedings have not yet taken place.) Map showing the 'Western line' and blast locations. The 11 July 2006 Mumbai train bombings were a series of seven bomb blasts that took place over a period of 11 minutes on the Suburban Railway in Mumbai (formerly known as Bombay), capital city of the Indian state of Maharashtra and India's financial capital. 209 people lost their lives and over 700 were injured in the attacks. Details The bombs were placed on trains plying on the western line of the suburban ("local") train network, which forms the backbone of the city's transport network. The first blast reportedly took place at 18:24 IST (12:54 UTC), and the explosions continued for approximately eleven minutes, until 18:35, during the after-work rush hour. All the bombs had been placed in the first-class "general" compartments (some compartments are reserved for women, called "ladies" compartments) of several trains running from Churchgate, the city-centre end of the western railway line, to the western suburbs of the city. They exploded at or in the near vicinity of the suburban railway stations of Matunga Road, Mahim, Bandra, Khar Road, Jogeshwari, Bhayandar and Borivali. -
3.1 Anti-Colonial Terrorism: the Algerian Struggle
1 EMMANOUIL ARETOULAKIS National and Kapodistrian University of Athens, Greece Terrorism and Literariness: The terrorist event in the 20th and 21st centuries 2 Terrorism and Literariness: The terrorist event in the 20th and 21st centuries Author Emmanouil Aretoulakis NATIONAL AND KAPODISTRIAN UNIVERSITY OF ATHENS, GREECE Critical Reader William Schultz Editor Anastasia Tsiadimou ISBN: 978-960-603-462-6 Copyright © ΣΔΑΒ, 2015 Το παρόν έργο αδειοδοηείηαι σπό ηοσς όροσς ηης άδειας Creative Commons. Αναθορά Γημιοσργού - Μη Δμπορική Χρήζη - Παρόμοια Γιανομή 3.0. Για να δείηε ένα ανηίγραθο ηης άδειας ασηής επιζκεθηείηε ηον ιζηόηοπο https://creativecommons.org/licenses/by-nc-sa/3.0/gr/ HELLENIC ACADEMIC LIBRARIES Δθνικό Μεηζόβιο Πολσηετνείο Ζρώων Πολσηετνείοσ 9, 15780 Εωγράθοσ www.kallipos.gr 3 Front cover picture Baricades set up during the Algerian War of Independence. January 1960. Street of Algier. Photo by Michel Marcheux, CC-BY-SA-2.5,wikipedia http://fr.wikipedia.org/wiki/Image 4 Table of Contents Abbreviation List ........................................................................................................... 7 INTRODUCTION ......................................................................................................... 8 The end of History, the Clash of Civilizations and the question of the Real: Historico-Political Peregrinations ............................................................................ 12 Revolutionary Art, Theory, and Literature as Violence ........................................... 18 Notes........................................................................................................................ -
Hope by the River
MAY 15, 2017 • Vol. 28 • No. 20 • $2 SERVING BERKS, LEHIGH, NORTHAMPTON & SURROUNDING COUNTIES www.LVB.com Do mergers HOPE BY THE RIVER of hospitals boost costs, inefficiency? By WENDY SOLOMON [email protected] The national and regional trend for hospital mergers continues unabated, but at least one expert who studies health care man- agement says larger hospital systems are inefficient and lead to higher costs and lower quality. Lawton Burns, professor of health ‘In each care management hospital that at the Wharton PHOTO/CHRISTOPHER HOLLAND School, University Developer Jerry McAward broke ground last month on a new outdoor recreation center at 123 Lehigh Drive along Sgt. Stanley Hoffman has joined Boulevard in Lehighton. of Pennsylvania, our network, told a gathering at Commerce could flow when massive outdoor center opens in Lehighton the Lehigh Valley we have Business Coalition been able to By CHRISTOPHER HOLLAND Drive, will replace biking excursions, river rafting, a kayak on Healthcare’s [email protected] the developer’s exist- school and eventually cross country ski recent annual con- significantly A new era in outdoor recreation is ing business in Jim rentals. Plus, for the first time, he will ference there is no reduce the about to begin in Lehighton, an era that Thorpe, at the same add a retail shop. academic evidence some say will draw thousands of people time dramatically “The addition of the outdoor center that hospital con- operating per week, trigger more commerce for expanding opera- will make the town an outdoor activity solidation improves expenses.’ other borough businesses and jump- tions and offerings magnet – in addition to Jim Thorpe and cost, efficiency or — Bob Martin, St. -
The Story So Far
1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band. -
The Falling Man by Tom Junod
The Falling Man By Tom Junod Do you remember this photograph? In the United States, people have taken pains to banish it from the record of September 11, 2001. The story behind it, though, and the search for the man pictured in it, are our most intimate connection to the horror of that day. http://www.esquire.com/features/ESQ0903-SEP_FALLINGMAN Originally appeared in the September 2003 issue of ESQUIRE magazine. In the picture, he departs from this earth like an arrow. Although he has not chosen his fate, he appears to have, in his last instants of life, embraced it. If he were not falling, he might very well be flying. He appears relaxed, hurtling through the air. He appears comfortable in the grip of unimaginable motion. He does not appear intimidated by gravity's divine suction or by what awaits him. His arms are by his side, only slightly outriggered. His left leg is bent at the knee, almost casually. His white shirt, or jacket, or frock, is billowing free of his black pants. His black high-tops are still on his feet. In all the other pictures, the people who did what he did -- who jumped -- appear to be struggling against horrific discrepancies of scale. They are made puny by the backdrop of the towers, which loom like colossi, and then by the event itself. Some of them are shirtless; their shoes fly off as they flail and fall; they look confused, as though trying to swim down the side of a mountain. The man in the picture, by contrast, is perfectly vertical, and so is in accord with the lines of the buildings behind him. -
Photographs of Falling Bodies and the Ethics of Vulnerability in Jonathan Safran Foer’S Extremely Loud and Incredibly Close Chris Vanderwees
Photographs of Falling Bodies and the Ethics of Vulnerability in Jonathan Safran Foer’s Extremely Loud and Incredibly Close Chris Vanderwees Abstract: The article explores the ethical and political relationship between Jonathan Safran Foer’s Extremely Loud and Incredibly Close and the photographs of those who fell (or leapt) from the World Trade Center on 11 September 2001. Drawing on Judith Butler’s theorization of the ethics of vulnerability, the article briefly outlines ongoing debates around the photography of atrocity in order to suggest that rather than reaffirm tropes of American exceptionalism and victory culture in the wake of the 9/11 attacks, Foer’s novel and its engagement with the falling body may prompt readers to consider ethical recognition and responsibility to others. Keywords: Jonathan Safran Foer, Judith Butler, September 11 terrorist at- tacks, photography, visual culture, ethics, trauma Re´sume´ : Cet article explore la relation e´thique et politique entre le roman Extreˆmement fort et incroyablement pre`s de Jonathan Safran Foer et les photo- graphies des personnes qui sont tombe´es (ou se sont jete´es) du World Trade Center, le 11 septembre 2001. S’inspirant de l’e´thique de la vulne´r- abilite´ telle qu’elle est the´orise´e par Judith Butler, l’article e´voque brie`ve- ment le de´bat re´current sur la photographie de l’atroce pour sugge´rer que le roman de Foer, dans son rapport e´troit au corps qui chute, ne renforcer- ait pas ne´cessairement, dans le sillage des attentats du 11 septembre, les lieux communs sur l’exceptionnalisme e´tatsunien et la culture de la vic- toire, mais inciterait plutoˆt les lecteurs a` re´fle´chir a` une e´thique de la reconnaissance et a` la responsabilite´ envers autrui. -
From “The Falling Man” to Girly Man: American Poetry After 9/ 11 and the Logic of Mourning
【연구논문】 From “The Falling Man” to Girly Man: American Poetry after 9/ 11 and the Logic of Mourning Eun-Gwi Chung (Inha University) 1. “The Falling Man”: Impossibility of 9/11 Representation In October 2001, Lawrence Ferlinghetti, an American poet, painter, and liberal activist, predicted that “poetry from now on would be divided into two categories: B.S. and A.S., Before September 11 and After September 11.”1) His reckoning, reminding me of Adorno’s famous remarks about the impossibility of poetry after Auschwitz,2) goes with the general response to 9/11, which locates 9/11 as a 1) Jeffrey Gray, “Precocious Testimony: Poetry and the Uncommemorable,” in Literature after 9/11, ed. Ann Keniston and Jenne Follansbee Quinn (New York: Routledge, 2008). 2) Lines such as Adorno’s “to write poetry after Auschwitz is barbaric” and “all post-Auschwitz culture, including its critique, is garbage” have been quoted as examples of the limit of representation. Theodor W. Adorno, “Cultural Criticism and Society,” in Can One Live after Auschwitz? A Philosophical Reader, ed. Rolf Tiedemann (Stanford: Stanford UP, 2003), 162; idem, Negative Dialectics, trans. E. B. Ashton (New York: Continuum, 1973), 367. 64 Eun-Gwi Chung watershed moment for American society, culture, and literature. In fact, in so many kinds of literary representations of 9/11, a lingering emotion of loss or a mood of mourning has coexisted with, or ended in, the evocation of the impossibility of representation. For example, Wislawa Szymborska’s 2005 poem, “Photograph from September 11,” begins by describing the stark reality of that day in a controlled, ‘so called, poetic’ mode and ends with the evocation of the impossibility of poetic representation: “They jumped from the burning floors- / one, two, a few more, / higher, lower. -
ATTACHMENT 3 Bello, Michael
ATTACHMENT 3 Bello, Michael From: Jen Legge <[email protected]> Sent: Thursday, October 29, 2015 11:53 PM To: Bello, Michael Subject: Johnson Property Dear Mr. Bello: I am a member of the Potomac Chase / Fox Hills community near Jones Lane Elementary. My children attend Jones Lane Elementary School, but will be attending Quince Orchard High School in just a few years. After reading about the proposal for the annexation of the Johnson's property by the City of Gaithersburg and plans to create a residential development of 180 new homes (condos, townhouses, single family), I am writing to say I am against this proposal for the following reasons: 1. It is my understanding that since 1971, municipalities are precluded from offering zoning as an incentive to annexation. The proposal for the Johnson property is at a substantially higher density than authorized by existing county zoning. 2. The public schools in the area including Quince Orchard High School are overcrowded and the community has been dealing with capacity issues for years. 3. Congestion at the intersection of Route 28 and Quince Orchard Road is already dangerous - there are traffic issues and safety concerns as our children cross the street. Addressing traffic concerns would be the County’s responsibility as Route 28 is not in the City’s jurisdiction. 4. The proposal had very little green space and was rejected by the County for traffic and school capacity reasons and the County recommended park area instead. Thank you for your time and consideration in not approving this proposal. Sincerely, Jennifer Legge 12733 Triple Crown Road 1 ATTACHMENT 3 Bello, Michael From: [email protected] Sent: Thursday, October 29, 2015 11:53 PM To: Bello, Michael Cc: [email protected] Subject: Development at Quince Orchard and Darnestown Roads Dear Mr.