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Beat: Entertainment AWARDS by The Jury of the 69th Festival de Cannes Presided by George Miller, PARIS - CANNES, 24.05.2016, 11:15 Time USPA NEWS - The Jury of the 69th Festival de Cannes, presided by George Miller, has revealed the names of the 2016 prize- winners during the Awards Ceremony. Laurent Lafitte welcomed the prize-givers and winners onto the stage of the Grand ThéÃ¢tre Lumière,... The Jury of the 69th Festival de Cannes, presided by George Miller, has revealed the names of the 2016 prize-winners during the Awards Ceremony. Laurent Lafitte welcomed the prize-givers and winners onto the stage of the Grand ThéÃ¢tre Lumière, to the sound of music playing. The American actor, Mel Gibson, had the honour of awarding the Palme d´or to the best of the 21 films in Competition. The French actor, Jean-Pierre Léaud, received an honorary Palme d'or for his collected works from Arnaud Desplechin. 'I, DANIEL BLAKE' by Ken Loach, Palme d´or, was screened at the end of the Awards Ceremony to close this 2016 edition of the Festival. FEATURE FILMS : - Palme d'or I, DANIEL BLAKE by Ken LOACH - Grand Prix JUSTE LA FIN DU MONDE (It's Only the End of the World) by Xavier DOLAN - Award for Best Director Ex-Aequo Cristian MUNGIU for BACALAUREAT (Graduation) Olivier ASSAYAS for PERSONAL SHOPPER - Award for Best Screenplay Asghar FARHADI for FORUSHANDE (The Salesman) - Jury Prize AMERICAN HONEY by Andrea ARNOLD - Award for Best Actress Jaclyn JOSE in MA' ROSA by Brillante MENDOZA - Award for Best Actor Shahab HOSSEINI in FORUSHANDE (The Salesman) by Asghar FARHADI SHORT FILMS : - Palme d'or TIMECODE by Juanjo GIMENEZ - Special disctinction A MOÃ‡A QUE DANÃ‡OU COM O DIABO (The Girl Who Danced With the Devil) by JoÃ£o Paulo MIRANDA MARIA CAMERA D'OR : - DIVINES by Houda BENYAMINA presented during The Directors' Fortnight The Jury of the CST has awarded the VULCAN AWARD OF THE TECHNICAL ARTIST to : SEONG-HIE RYU, for the artistic direction, with great inspiration, for the film MADEMOISELLE (The Handmaiden/Agassi) by PARK Chan-Wook. Source : 69th Festival de Cannes Ruby BIRD http://www.portfolio.uspa24.com/ Yasmina BEDDOU http://www.yasmina-beddou.uspa24.com/ Article online: https://www.uspa24.com/bericht-8041/awards-by-the-jury-of-the-69th-festival-de-cannes.html Editorial office and responsibility: V.i.S.d.P. & Sect. 6 MDStV (German Interstate Media Services Agreement): Ruby BIRD & Yasmina BEDDOU (Journalists/Directors) Exemption from liability:: The publisher shall assume no liability for the accuracy or completeness of the published report and is merely providing space for the submission of and access to third-party content. Liability for the content of a report lies solely with the author of such report. Ruby BIRD & Yasmina BEDDOU (Journalists/Directors) Editorial program service of General News Agency: United Press Association, Inc. 3651 Lindell Road, Suite D168 Las Vegas, NV 89103, USA (702) 943.0321 Local (702) 943.0233 Facsimile [email protected] [email protected] www.gna24.com Powered by TCPDF (www.tcpdf.org).

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In Another Time and Place: the Handmaiden As an Adaptation
In another time and place: The Handmaiden as an adaptation SHIN, Chi Yun <http://orcid.org/0000-0002-0629-6928> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/22714/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version SHIN, Chi Yun (2018). In another time and place: The Handmaiden as an adaptation. Journal of Japanese and Korean Cinema. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Journal of Japanese and Korean Cinema ISSN: 1756-4905 (Print) 1756-4913 (Online) Journal homepage: http://www.tandfonline.com/loi/rjkc20 In another time and place: The Handmaiden as an adaptation Chi-Yun Shin To cite this article: Chi-Yun Shin (2018): In another time and place: TheHandmaiden as an adaptation, Journal of Japanese and Korean Cinema, DOI: 10.1080/17564905.2018.1520781 To link to this article: https://doi.org/10.1080/17564905.2018.1520781 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 19 Sep 2018. Submit your article to this journal Article views: 64 View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjkc20 JOURNAL OF JAPANESE AND KOREAN CINEMA https://doi.org/10.1080/17564905.2018.1520781 In another time and place: The Handmaiden as an adaptation Chi-Yun Shin Department of Humanities, Sheffield Hallam University, Sheffield, United Kingdom ABSTRACT KEYWORDS This article considers the South Korean auteur director Park Chan- The Handmaiden; wook’s latest film The Handmaiden, which is the film adaptation of transnational adaptation; British writer Sarah Waters’s third novel Fingersmith.
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The Handmaiden As an Adaptation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sheffield Hallam University Research Archive Journal of Japanese and Korean Cinema ISSN: 1756-4905 (Print) 1756-4913 (Online) Journal homepage: http://www.tandfonline.com/loi/rjkc20 In another time and place: The Handmaiden as an adaptation Chi-Yun Shin To cite this article: Chi-Yun Shin (2018): In another time and place: TheHandmaiden as an adaptation, Journal of Japanese and Korean Cinema, DOI: 10.1080/17564905.2018.1520781 To link to this article: https://doi.org/10.1080/17564905.2018.1520781 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 19 Sep 2018. Submit your article to this journal Article views: 64 View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjkc20 JOURNAL OF JAPANESE AND KOREAN CINEMA https://doi.org/10.1080/17564905.2018.1520781 In another time and place: The Handmaiden as an adaptation Chi-Yun Shin Department of Humanities, Sheffield Hallam University, Sheffield, United Kingdom ABSTRACT KEYWORDS This article considers the South Korean auteur director Park Chan- The Handmaiden; wook’s latest film The Handmaiden, which is the film adaptation of transnational adaptation; British writer Sarah Waters’s third novel Fingersmith. Transporting Park Chan-wook; Sarah the story of love and deception from Victorian England to 1930s Waters; Fingersmith Korea under Japanese colonial rule, the film offers a compelling case of transnational or cross-cultural adaptation. In the process of cultural relocation, the film gives prominence to the ethnic identities and hierarchies in colonial Korea, and in recounting the unfolding lesbian love story between a petty-thief-disguised-as- maid and a noble lady, the film provides a spectacular, visual ‘translation’ of the novel’s approach to the story of same-sex desire.
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