31.0 GB # Artist Title Length 01 A. Marcello Oboe Co

Total Page:16

File Type:pdf, Size:1020Kb

31.0 GB # Artist Title Length 01 A. Marcello Oboe Co Total tracks number: 3656 Total tracks length: 343:38:46 Total tracks size: 31.0 GB # Artist Title Length 01 A. Marcello Oboe Concerto In D Minor - Adagio 04:16 02 Aafje Heynis Dank Sei Dir, Herr 04:16 03 Aaron Copland Fanfare For The Common Man 03:13 Octet In E Flat, Op. 20 - Allegro Moderato, Ma Con 04 Academy Of St. Martin In The Fields 13:55 Fuoco 05 Academy Of St. Martin In The Fields Octet In E Flat, Op. 20 - Andante 07:24 06 Academy Of St. Martin In The Fields Octet In E Flat, Op. 20 - Presto 06:20 Octet In E Flat, Op. 20 - Scherzo- Allegro 07 Academy Of St. Martin In The Fields 04:24 Leggirissimo Violin Concerto In E Minor, Op. 64 - Allegretto Non 08 Academy Of St. Martin In The Fields 07:01 Troppo-Allegro Molto Vivace Violin Concerto In E Minor, Op. 64 - Allegro Molto 09 Academy Of St. Martin In The Fields 13:22 Appassionato 10 Academy Of St. Martin In The Fields Violin Concerto In E Minor, Op. 64 - Andante 08:07 01.Symphony No 26 (Overture) In E Flat, Kv 184- 11 Academy Of St. Martin In The Fields, Sir Neville Marriner 08:13 161a- 1 Molto Presto - 2 Andante - 3 Allegro 12 Academy Of St. Martin In The Fields, Sir Neville Marriner 02.Symphony No 21 In A, Kv 134- 2 Andante 06:19 13 Academy Of St. Martin In The Fields, Sir Neville Marriner 02.Symphony No 27 In G, Kv 199-161b- 1 Allegro 04:34 14 Academy Of St. Martin In The Fields, Sir Neville Marriner 03.Symphony No 21 In A, Kv 134- 3 Menuetto 03:47 03.Symphony No 27 In G, Kv 199-161b- 2 15 Academy Of St. Martin In The Fields, Sir Neville Marriner 06:07 Andantino Grazioso 16 Academy Of St. Martin In The Fields, Sir Neville Marriner 04.Symphony No 21 In A, Kv 134- 4 Allegro 04:17 17 Academy Of St. Martin In The Fields, Sir Neville Marriner 04.Symphony No 27 In G, Kv 199-161b- 3 Presto 04:37 18 Academy Of St. Martin In The Fields, Sir Neville Marriner 05.Symphony No 22 In C, Kv 162- 1 Allegro Assai 03:23 05.Symphony No 28 In C, Kv 200-189k- 1 Allegro 19 Academy Of St. Martin In The Fields, Sir Neville Marriner 05:10 Spiritoso 06.Symphony No 22 In C, Kv 162- 2 Andantino 20 Academy Of St. Martin In The Fields, Sir Neville Marriner 03:59 Grazioso 21 Academy Of St. Martin In The Fields, Sir Neville Marriner 06.Symphony No 28 In C, Kv 200-189k- 2 Andante 05:13 22 Academy Of St. Martin In The Fields, Sir Neville Marriner 07.Symphony No 22 In C, Kv 162- 3 Presto Assai 01:36 07.Symphony No 28 In C, Kv 200-189k- 3 Menuetto 23 Academy Of St. Martin In The Fields, Sir Neville Marriner 03:53 (Allegretto) 08.Symphony No 23 In D, Kv 181-162b- 1 Allegro 24 Academy Of St. Martin In The Fields, Sir Neville Marriner 10:03 Spiritoso - 2 Andantino Grazioso - 3 Presto Assai 25 Academy Of St. Martin In The Fields, Sir Neville Marriner 08.Symphony No 28 In C, Kv 200-189k- 4 Presto 03:34 09.Symphony No 24 In B Flat, Kv 182-173da- 1 26 Academy Of St. Martin In The Fields, Sir Neville Marriner 04:07 Allegro Spiritoso 09.Symphony No 29 In A, Kv 201-186a- 1 Allegro 27 Academy Of St. Martin In The Fields, Sir Neville Marriner 07:25 Moderato 10.Symphony No 24 In B Flat, Kv 182-173da- 2 28 Academy Of St. Martin In The Fields, Sir Neville Marriner 03:49 Andantino Grazioso 29 Academy Of St. Martin In The Fields, Sir Neville Marriner 10.Symphony No 29 In A, Kv 201-186a- 2 Andante 05:52 11.Symphony No 24 In B Flat, Kv 182-173da- 3 30 Academy Of St. Martin In The Fields, Sir Neville Marriner 02:59 Allegro 31 Academy Of St. Martin In The Fields, Sir Neville Marriner 11.Symphony No 29 In A, Kv 201-186a- 3 Menuetto 03:06 12.Symphony No 25 In G Minor, Kv 183-173db- 1 32 Academy Of St. Martin In The Fields, Sir Neville Marriner 07:39 Allegro Con Brio 12.Symphony No 29 In A, Kv 201-186a- 4 Allegro 33 Academy Of St. Martin In The Fields, Sir Neville Marriner 04:52 Con Spirito 13.Symphony No 25 In G Minor, Kv 183-173db- 2 34 Academy Of St. Martin In The Fields, Sir Neville Marriner 04:07 Andante 14.Symphony No 25 In G Minor, Kv 183-173db- 3 35 Academy Of St. Martin In The Fields, Sir Neville Marriner 03:38 Menuetto 36 Academy Of St. Martin In The Fields, Sir Neville Marriner 15.Symphony No 25 In G Minor, Kv 183-173db- 4 04:35 Allegro Dvořák: Slavonic Dance #2 For Orchestra In E 37 Adam Fischer; Hungarian State Symphony Orchestra 05:23 Minor, Op. 46/2, B 83/2 38 Alain Denis Symphony In D minor-2. Allegretto 10:02 39 Alain Denis Symphony In D minor-3. Allegro non troppo 11:17 40 Albeniz Asturias 05:56 41 Albeniz Tango In D (From Suite Espana) 03:04 42 Albinoni Adagio In G Minor 05:51 43 Albinoni Adagio 04:43 44 Albinoni Oboe Concerto In D Minor, Op.9, No.2 - Adagio 05:20 45 Alfven Swedish Rhapsody No.1 03:11 46 Allegri Miserere Mei Deus 05:47 47 Allegri Miserere Mei 10:10 48 Allegro (From Concerto In E Flat) Haydn 05:05 String Quartet In C, H.lll, Op.76, No.3 - 49 Amadeus Quartet 05:02 "Emperor"-1. Allegro String Quartet In C, H.lll, Op.76, No.3 - 50 Amadeus Quartet 07:33 "Emperor"-2. Poco adagio, cantabile String Quartet In C, H.lll, Op.76, No.3 - 51 Amadeus Quartet 04:35 "Emperor"-3. Menuetto (Allegro) String Quartet In C, H.lll, Op.76, No.3 - 52 Amadeus Quartet 03:54 "Emperor"-4. Finale (Presto) String Quartet In D Major, Op.64, No.5 "The Lark" 53 Amadeus Quartet 05:39 (Hob.III:63)-1. Allegro moderato String Quartet In D Major, Op.64, No.5 "The Lark" 54 Amadeus Quartet 06:14 (Hob.III:63)-2. Adagio. Cantabile String Quartet In D Major, Op.64, No.5 "The Lark" 55 Amadeus Quartet 02:06 (Hob.III:63)-4. Finale. Vivace String Quartet In G Minor, HIII No.74, Op.74 No.3 56 Amadeus Quartet 05:05 "The Horseman"-1. Allegro String Quartet In G Minor, HIII No.74, Op.74 No.3 57 Amadeus Quartet 07:10 "The Horseman"-2. Largo assai String Quartet No.7 In F, Op.59 No.1 - "Rasumovsky 58 Amadeus Quartet 09:58 No.1"-1. Allegro String Quartet No.14 In D Minor, D.810 -"Death And 59 Amadeus Quartet 11:24 The Maiden"-1. Allegro String Quartet No.14 In D Minor, D.810 -"Death And 60 Amadeus Quartet 09:13 The Maiden"-4. Presto 61 Anderson A Trumpeter's Lullaby 02:53 62 Anderson Blue Tango 02:50 63 Anderson Bugler's Holiday 02:21 64 Anderson Fiddle-Faddle 03:16 65 Anderson Forgotten Dreams 02:31 66 Anderson Sandpaper Ballet 03:00 67 Anderson Serenata 04:01 68 Anderson The Penny-Whistle Song 02:58 69 Anderson The Syncopated Clock 02:23 70 Anderson The Typewriter 01:39 71 Anderson The Waltzing Cat 02:41 72 André Previn: Vienna Philharmonic Orchestra Strauss (R): Also Sprach Zarathustra, Op. 30 01:56 Cantata "Christen, ätzet diesen Tag", BWV 63- 73 Anna Reynolds 03:48 Recitativo: o sel'ger Tag Cantata "Christen, ätzet diesen Tag", BWV 63-Ruft 74 Anna Reynolds 04:13 und fleht den Himmel an 75 Anne Sofie Von Otter Ad Un Sguardo - Orlando Paladino / Haydn 03:53 76 Anne Sofie Von Otter Batti, Batti, O Bel Masetto - Don Giovanni / Mozart 03:46 Che Farò Senza Euridice ? - Orfeo Ed Euridice / 77 Anne Sofie Von Otter 03:59 Gluck 78 Anne Sofie Von Otter Che Puro Ciel - Orfeo Ed Euridice / Gluck 05:52 79 Anne Sofie Von Otter Deh Socorri Un'infelice - La Fedeltà Premiata / 05:05 Haydn Dolce D'amor Compagna - La Finta Giardiniera / 80 Anne Sofie Von Otter 06:10 Mozart Dunque Sperar Poss'io - Il Tenero Momento - Lucio 81 Anne Sofie Von Otter 10:29 Silla / Mozart Ecco Il Punto - Non Più Di Fiori - La Clemenza Di Tito 82 Anne Sofie Von Otter 08:56 / Mozart 83 Anne Sofie Von Otter In Quali Eccessi ... Mi Tradi - Don Giovanni / Mozart 05:50 Messiah / Part 1-8. "O thou that tellest good tidings 84 Anne Sofie von Otter 05:27 to Zion" 85 Anne Sofie von Otter Messiah / Part 3-50. Air: "If God be for us" 04:40 86 Anne Sofie Von Otter Non Vi Turbate - Alceste / Gluck 04:00 87 Anne Sofie Von Otter Oh, Del Mio Dolce Ardor - Paride Ed Elena / Gluck 03:14 88 Anne Sofie Von Otter Una Donna Come Me - Il Mondo Della Luna / Haydn 04:01 89 Anne Sofie Von Otter Vedrai Carino - Don Giovanni / Mozart 03:13 90 Anne Sofie Von Otter Voi Che Sapete - Le Nozze Di Figaro / Mozart 02:47 Anne-Sophie Mutter; Herbert Von Karajan: Berlin Philharmonic Tchaikovsky: Violin Concerto In D, Op. 35 - 1. 91 19:25 Orchestra Allegro Moderato Anne-Sophie Mutter; Herbert Von Karajan: Berlin Philharmonic Tchaikovsky: Violin Concerto In D, Op.
Recommended publications
  • VAMÖ ZENTRAL-ARCHIV Zither A
    Auswahl: VAMÖ TITEL-Gesamt 7696 ZENTRAL-ARCHIV Sortierung: Nach TITEL-Name gruppiert Zither A VAMÖ-ARCHIV-ZITHER TITEL-LISTE TITEL-Buchstabe A Komponist Bearbeitung Komponist Bearbeitung Arch.-Nr. Titel Besetzung Arch.-Nr. Titel Besetzung M.David Al Hoffmann, J Bearbeiter unbek A 5649 A Dream Is A Whish Your Heart Makes Komposch, Vinzenz Krenn Grete Aus Walt Disney´s "Cinderella" 2592 A armer Woaslbua Lied Quartett Lied Solo NS-Druck: 1, 2, 3, E, P-Dir, Druck Kopie: Klaviersatz (Git-Akk-Symbole) Druck Original: 1 Gach Leo, Last, Gert 5463 A Fine Day 3878 A biss´l böhmisch Als Duo und Quartett spielbar. Polka Quartett+ Pop-Style Quartett Last, Gert NS-Druck: 1, 2, 3, E 3902 A bisserl durcheinand Szene Gach L., Last Gert Szene Quartett+ 4863 A Fine Day (Las) Fox Quartett+ Grünwald, Richard Enslein Carl F. Gach-NS-Druck: 1, 2, 3, E, Last-Manu: Akk, 5339 A bisserl resch, a bisserl fesch Synth, Git, Bass, SZ, Keyb Walzer Duo Huber, August Druck Kopie: 1, 2 1783 A g´hami G´spusi Huber, August Enthalten in: 1930 "Zwei steirische Lieder(1)" 1790 A Bitt´ans´ Dirndl Steirisches Lied Solo Enthalten in: 1941 "Zwei steirische Lieder(3)" Druck Kopie: 1 Steirisches Lied Solo Lang (H), Hans Schön Alfred Druck Kopie: 1 2146 A Gitarr´und a Jodler Fritsch, Franz Aus dem Film: "Eva erbt das Paradies" 5469 A Bleamal ausn Naßwald Enthalten im Album: 2144 Steirisches Lied Fox Duo Lied Duo Druck Original: 1 Manu Kopie: 2 Druck Kopie: 1, 2 Hoffelner, M. Kodat, August G. 4866 A Gmüatlicher Bauerntanz 1230 A Briaf ans Diandl Ländler Duo Steir.
    [Show full text]
  • Richard Strauss's Ariadne Auf Naxos
    Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails.
    [Show full text]
  • September 1914) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1914 Volume 32, Number 09 (September 1914) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 32, Number 09 (September 1914)." , (1914). https://digitalcommons.gardner-webb.edu/etude/606 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE 625 Combs Broad Street Conservatory Greatest Educational Work of the Age Standard and Modern Mathews Standard Instruction Books Graded Course of for the Pianoforte THE SELECTION OF THE RIGHT MUSIC ■r^lna; Studies™ Pianoforte SCHOOL IS THE ALL IMPORTANT STEP Compiled by W. S. B. MATHEWS Individual attention, high ideals, breadth of culture, personal care and moderate cost of education at the COMBS BROAD ST. CONSERVATORY OF MUSIC should interest you !§pnmmmmMs. Three Decades of Success Teachers of World Wide Fame Can Accommodate 2500 Day and Dormitory GILBERT RAYNOLDS COMBS, Piano. Students. HENRY SCHRAD1ECK, Violin. iEssSItsI' Chartered by State of Pennsylvania with HUGH A. CLARKE, Mus. Doc., Theory and seventy artist teachers—graduates of the power to confer degrees.
    [Show full text]
  • Akademie Für Alte Musik Berlin
    UMS PRESENTS AKADEMIE FÜR ALTE MUSIK BERLIN Sunday Afternoon, April 13, 2014 at 4:00 Hill Auditorium • Ann Arbor 66th Performance of the 135th Annual Season 135th Annual Choral Union Series Photo: Akademie für Alte Musik Berlin; photographer: Kristof Fischer. 31 UMS PROGRAM Johann Sebastian Bach Orchestral Suite No. 1 in C Major, BWV 1066 Ouverture Courante Gavotte I, II Forlane Menuett I, II Bourrée I, II Passepied I, II Johann Christian Bach (previously attributed to Wilhelm Friedmann Bach) Concerto for Harpsichord, Strings, and Basso Continuo in f minor Allegro di molto Andante Prestissimo Raphael Alpermann, Harpsichord Carl Philipp Emanuel Bach WINTER 2014 Symphony No. 5 for Strings and Basso Continuo in b minor, Wq. 182, H. 661 Allegretto Larghetto Presto INTERMISSION AKADEMIE FÜR ALTE MUSIK BERLIN AKADEMIE FÜR ALTE 32 BE PRESENT C.P.E. Bach Concerto for Oboe, Strings, and Basso Continuo in E-flat Major, Wq. 165, H. 468 Allegro Adagio ma non troppo Allegro ma non troppo Xenia Löeffler,Oboe J.C. Bach Symphony in g minor for Strings, Two Oboes, Two Horns, and Basso Continuo, Op. 6, No. 6 Allegro Andante più tosto adagio Allegro molto WINTER 2014 Media partnership provided by WGTE 91.3 FM. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of floral art for this evening’s concert. Special thanks to Kipp Cortez for coordinating the pre-concert music on the Charles Baird Carillon. This tour is made possible by the generous support of the Goethe Institut and the Auswärtige Amt (Federal Foreign Office).
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • CAMERATA PONTRESINA 2018 Konzertprogramm 17
    CAMERATA PONTRESINA 2018 Konzertprogramm 17. Juni bis 23. September © Schocher © Morgenkonzert im Taiswald Camerata Pontresina La Camerata, zu deutsch «Kammer­ gemeinschaft, Gefährten», die mit ihrer musikalischen Tätigkeit zur Freude der Zuhörer und zur eigenen Freude ihre künstlerischen Fähigkeiten als echtes Team – als «primi inter pares» – wirken lässt. Allgemeine Informationen Ort Im Taiswald, bei ungünstiger Witte rung im Kongress­ und Kultur­ zentrum Pontresina oder in der reformierten Kirche (Hinweistafeln im Dorf beachten). Dauer 1 Stunde, 11.00 bis 12.00 Uhr Eintritt Frei Impresario Dr. Jürg H. Frei Website www.pontresina.ch/camerata Camerata Pontresina 2018 03 PROGRAMM DER 99 MORGENKONZERTE vom 17. Juni bis 23. September, täglich von 11.00 bis 12.00 Uhr Grusswort 04 Das Camerata­Team 2018 06 17. Juni bis 14. Juli 07 Kammermusikensembles der Camerata Pontresina 15. Juli bis 12. August 13 Camerata Pontresina 13. August bis 23. September 19 Kammermusik ensembles der Camerata Pontresina Vesperkonzerte in der Kirche Sta. Maria 29 Führungen und Angebote in Pontresina 30 CAMERATA PONTRESINA – 99 MORGENKONZERTE 2018 Musikalischer und hochalpiner Genuss im Taiswald Pontresina bietet laufend neue Angebote an. So zu können. Für die Morgenkonzerte der Camerata zum Beispiel das Steinbock­Paradies Pontresina, Pontresina sollten Sie sich unbedingt einen sol­ das im Sommer 2017 neu eröffnet worden ist. chen Platz frei halten, um diesen in vollen Zügen Denn rund um Pontresina fühlt sich das Bündner geniessen zu können. Einen kurzen Spaziergang Wappentier besonders wohl. Nicht umsonst lebt vom Dorf entfernt, auf einer mystischen Lichtung am Piz Albris (3 166 m), gleich bei Pontresina, eine im Wald, liegt der Konzertplatz Tais.
    [Show full text]
  • LA SCALA ACADEMY of LYRIC OPERA Academic Years 2021-2023
    CALL FOR APPLICATIONS LA SCALA ACADEMY OF LYRIC OPERA academic years 2021-2023 Photo: Mario Wurzburger AT SCHOOL WITH LA SCALA LA SCALA ACADEMY he La Scala Academy provides thorough, in-depth OF LYRIC OPERA training to professional figures involved in the ounded by Riccardo Muti in 1997 under the artistic performing arts through its four departments: T direction of Leyla Gencer (and later of her successors Music, Dance, Stagecraft, Management. Its broad FMirella Freni and Renato Bruson), the La Scala Academy curriculum ranges from basic and core training courses of Lyric Opera carries forward the legacy of the “Cadetti to specialization courses and professional workshops. della Scala” school instituted in 1950 by Arturo Toscanini to The highest level of instruction is ensured by Teatro conserve and transmit the Italian operatic tradition to the alla Scala professionals, acclaimed performers, and new generations. renowned experts in the performing arts. The Academy provides young opera singers with a solid The teaching method derives from the philosophy of background in voice and music, honing their technical and learning by doing and prepares students for their future interpretive skills in a two-year program to prepare them for career through intense daily exposure to the performing a successful professional career. arts in a real world context. The teaching staff is composed of artists of the highest caliber who are able to transmit their stage experience to the students. They are led by Luciana D’Intino, head instructor, in charge of vocal and interpretive technique. Among her colleagues are the opera coaches Vincenzo Scalera, Umberto FOUNDING PARTNERS Finazzi, James Vaughan, Nelson Guido Calzi, and Michele D’Elia for role studies, and the director Marina Bianchi, who teaches stage arts.
    [Show full text]
  • Fellowship of Makers and Restorers of Historical Instruments Bulletin and Communications
    FELLOWSHIP OF MAKERS AND RESTORERS OF HISTORICAL INSTRUMENTS BULLETIN AND COMMUNICATIONS. JULY 1977 CONTENTS Page Bulletin no. 8. 2 Report on FoMRHI Seminar no. 2. 11 FoMRHI Book News no. 2. 12 List of Members, as at 23rd June 1977 14 Communications 65 On the sizes of Renaissance and baroque viols and violins. E. Segerman 18 / 66 The range of pitch with gut strings of a given length. William B. Samson 19 7 Principal instruments of fourteenth-century Italy and their structural V features. Howard Mayer Brown 20 68 Comments on technical drawings and photographs of musical instruments. R.K.Lee 28 69 On the dangers of becoming an established scholar. Ephraim Segerman 35 3^70 Profile turning of reamer blanks for use in woodwind*. Rod Cameron 38 71 Humidity cycling for stabilization of gut ?nd wood. Djilda Abbott, Ephraim Segerman and David Rolfe 45 72 Review of: The Manufacture of Musical Instruments, translated by Helen Tullberg. Jeremy Montagu 47 73 Review of: The Diagram Group, Musical Instruments of the World, an Illustrated Encyclopedia. Jeremy Montagu £TI 10a Comment on Com. 10 Attitudes to musical instrument conservation and restoration by G. Grant O'Brien. John Barnes 64 39b Comments on comments (Jan '77) on Com. 39. E.S. and D.A. 65 44c Detailed comments on "The World of Medieval and Renaissance Musical Instruments" by Jeremy Montagu, Part I. E.S. 67 58a On Prematurity of Communication. E.S. and D.A. 71 74 Medieval carvings of musical instruments in St. Mary's Church, Shrewsbury. Lawrence Wright 73 Book News.
    [Show full text]
  • Philharmonic Hall Lincoln Center F O R T H E Performing Arts
    PHILHARMONIC HALL LINCOLN CENTER F O R T H E PERFORMING ARTS 1968-1969 MARQUEE The Chamber Music Society of Lincoln Center is Formed A new PERFORMiNG-arts institution, The Chamber Music Society of Lincoln Center, will begin its first season of con­ certs next October with a subscription season of 16 concerts in eight pairs, run­ ning through early April. The estab­ lishment of a chamber music society completes the full spectrum of perform­ ing arts that was fundamental to the original concept of Lincoln Center. The Chamber Music Society of Lin­ coln Center will have as its home the Center’s new Alice Tully Hall. This intimate hall, though located within the new Juilliard building, will be managed by Lincoln Center as an independent Wadsworth Carmirelli Treger public auditorium, with its own entrance and box office on Broadway between 65th and 66th Streets. The hall, with its 1,100 capacity and paneled basswood walls, has been specifically designed for chamber music and recitals. The initial Board of Directors of the New Chamber Music Society will com­ prise Miss Alice Tully, Chairman; Frank E. Taplin, President; Edward R. Ward­ well, Vice-President; David Rockefeller, Jr., Treasurer; Sampson R. Field, Sec­ retary; Mrs. George A. Carden; Dr. Peter Goldmark; Mrs. William Rosen- wald and Dr. William Schuman. The Chamber Music Society is being organ­ ized on a non-profit basis and, like other cultural institutions, depends upon voluntary contributions for its existence. Charles Wadsworth has been ap­ pointed Artistic Director of The Cham­ ber Music Society of Lincoln Center. The Society is the outgrowth of an in­ tensive survey of the chamber music field and the New York chamber music audience, conducted by Mr.
    [Show full text]
  • 2016 Antitrust Year in Review
    2016 ANTITRUST YEAR IN REVIEW AUSTIN BEIJING BOSTON BRUSSELS HONG KONG LOS ANGELES NEW YORK PALO ALTO SAN DIEGO SAN FRANCISCO SEATTLE SHANGHAI WASHINGTON, DC WILMINGTON, DE WSGR 2016 Antitrust Year in Review Table of Contents Introduction ......................................................................................................................................... 1 Mergers ............................................................................................................................................... 2 U.S. Trends ................................................................................................................................... 2 Hart-Scott-Rodino (HSR) Act Compliance ............................................................................... 2 Lessons from the Merger Year in Review ................................................................................. 3 Merger Enforcement Under the Trump Administration .............................................................. 4 International Insights ..................................................................................................................... 5 European Union (EU) ............................................................................................................... 5 China....................................................................................................................................... 7 Agency Investigations .........................................................................................................................
    [Show full text]
  • 01-15-2019 Pelleas Eve.Indd
    CLAUDE DEBUSSY pelléas et mélisande conductor Opera in five acts Yannick Nézet-Séguin Libretto by the composer, adapted from production Sir Jonathan Miller the play by Maurice Maeterlinck set designer Tuesday, January 15, 2019 John Conklin 7:30–11:30 PM costume designer Clare Mitchell First time this season lighting designer Duane Schuler revival stage director Paula Williams The production of Pelléas et Mélisande was made possible by a generous gift from Pierre and Ailene Claeyssens general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 115th Metropolitan Opera performance of CLAUDE DEBUSSY’S pelléas et mélisande conductor Yannick Nézet-Séguin in order of vocal appearance gol aud Kyle Ketelsen mélisande Isabel Leonard geneviève Marie-Nicole Lemieux DEBUT arkel Ferruccio Furlanetto pellé as Paul Appleby* yniold This performance A. Jesse Schopflocher is being broadcast live on Metropolitan a shepherd Opera Radio on Jeremy Galyon SiriusXM channel 75 and streamed at a physician metopera.org. Paul Corona Tuesday, January 15, 2019, 7:30–11:30PM KAREN ALMOND / MET OPERA Paul Appleby and Chorus Master Donald Palumbo Isabel Leonard in Musical Preparation Derrick Inouye, Carol Isaac, the title roles of Jonathan C. Kelly, and Marie-France Lefebvre Debussy’s Pelléas et Mélisande Assistant Stage Director Robin Guarino Children’s Chorus Director Anthony Piccolo Prompter Marie-France Lefebvre Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This performance is made possible in part by public funds from the New York State Council on the Arts.
    [Show full text]
  • SB Klang-Archiv
    TONTRÄGER-Archiv St. Johannesstift ------------------------------------------------------------ SB Klang-Archiv Selbst&Bedienung Seien&Sie&Bitte&Behutsam Solide&ehrenamtliche&Betreuung gesucht! ------------------------------------------------------------ Bitte die Schreibseiten der Scheiben nie berühren, seien sie bitte behutsam - - auch mit den Hüllen! ------------------------------------------------------------ Das aufliegende Inhaltsverzeichnis können Sie bei [email protected] als Datei (.pdf, .doc, .xls) anfordern. Ihre Entnahme, bitte, in das aufliegende Leihbuch eintragen, ebenso die Rückgabe. An die Stelle einer entliehenen Hülle, bitte, einen der grünen Platz- und Abstandhalter schieben. Bitte, nicht mehr spielbare beschädigte Scheiben mit einer kurzen Notiz in die vorge- sehene Schublade legen. Auch für beschädigte Hüllen ist eine Schublade vorgesehen. Für Zustiftungen, über die sich alle sehr freuen würden, sind gleich zwei Schubladen vorgesehen. (Größere Mengen, bitte, verpackt auf den Kasten legen.) Von den Zustif- tungen, bitte, nichts ausleihen ehe sie nicht registriert sind! TONTRÄGER-Archiv St. Johannesstift Der Grundstock ist in zwölf "Blöcke" aufgeteilt: Erster Block: Nr. 1 – Nr. 240, "Komponisten alphabetisch", Zweiter Block: Nr. 241 bis Nr. 260, "Mehrere Komponisten auf einer CD", Dritter Block: Nr. 261 bis Nr. 302, "Einzelne *)'Klassik'-Titel", (*) 'Klassik' hier nur als vager Arbeitsbegriff!) Vierter Block: Nr. 303 bis Nr. 324, "Gregorianik", Fünfter Block: Nr. 325 bis Nr. 373, "Advent- und Weihnachts- musik", Sechster Block: Nr. 374 bis Nr. 383, "Volkslieder" / "Vogel- stimmen" (Nr. 382 f), Siebter Block: Nr. 384 bis Nr. 434, "Liturgie" und "Pastoral", Achter Block: Nr. 435 bis Nr. 550, "Mozart-Edition", Neunter Block: Nr. 551 bis Nr. 590, "van-Beethoven-Edition", Zehnter Block: Nr. 591 bis Nr. 880, "Mischung von A bis Z", Elfter Block: Nr. 881 bis Nr. 912, "Hörbücher", Zwölfter Block: Nr.
    [Show full text]