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Numbers and Neighborhoods: Seeking and Selling the American Dream in Detroit One Bet at a Time Felicia Bridget George Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2015 Numbers And Neighborhoods: Seeking And Selling The American Dream In Detroit One Bet At A Time Felicia Bridget George Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Social and Cultural Anthropology Commons Recommended Citation George, Felicia Bridget, "Numbers And Neighborhoods: Seeking And Selling The American Dream In Detroit One Bet At A Time" (2015). Wayne State University Dissertations. Paper 1311. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. NUMBERS AND NEIGHBORHOODS: SEEKING AND SELLING THE AMERICAN DREAM IN DETROIT ONE BET AT A TIME by FELICIA GEORGE DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: ANTHROPOLOGY Approved By: Advisor Date ACKNOWLEDGMENTS This project would not have been possible without the support and guidance of a very special group of people. I would like to express my deepest gratitude to my committee chair and advisor, Dr. Todd “714” Myers. I cannot express how lucky I was the day you agreed to be my advisor. You planted the seed and it is because of you “Numbers and Neighborhoods” exists. Thank you for your guidance, support, patience, encouragement, and constructive criticism. I cannot thank my other committee members, Dr. Stephen “315” Chrisomalis, Dr. Andrew “240” Newman, and Professor Johnny “631” May enough. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, FIRST SESSION Vol. 155 WASHINGTON, MONDAY, JUNE 15, 2009 No. 89 House of Representatives The House met at 12:30 p.m. and was prices go up or when energy prices go in a cave, not to understand that we called to order by the Speaker pro tem- down, it has an immediate impact on have a terrible economic problem in pore (Ms. EDWARDS of Maryland). the economy. The strange thing is that California, a terrible problem with our f as we look at an energy policy that’s budget, terrible deficits. And one of the going to be presented to us by way of a ways that we could achieve some sort DESIGNATION OF SPEAKER PRO bill from the majority shortly, there of stability with our budget in Cali- TEMPORE appears to be a lack of appreciation for fornia, our State budget, would be to The SPEAKER pro tempore laid be- changes in energy policy and their im- allow offshore drilling and take those fore the House the following commu- pact on our economy. There seems to royalties that would come to the State nication from the Speaker: be some sort of question as to whether as a result of having that offshore drill- WASHINGTON, DC, or not we ought to exercise our respon- ing, bringing those moneys into the June 15, 2009. sibilities to utilize those energy State Treasury. I hereby appoint the Honorable DONNA F. -
Transfer Day
The following are excerpts from the original manuscript. The link below leads to the November 2012 article, which discloses the current unfolding political facts on the ground in the Virgin Islands, and the substance of the book also recounts events leading up to this article: http://dailycaller.com/2012/11/09/u-s-virgin-islands-senator-arrested-charged-with-bribery-related-crimes-in-doj-scandal/ TRANSFER DAY By Gary James Discovering my family ancestry on the Caribbean island of St. Croix and learning about the history of the American Virgin Islands, formally known as the Danish West Indies. TRANSFER DAY By Gary James FOREWARD Many factors led to the mass migration for the Virgin Islands to the United States of America. Prior to 1917, it was not uncommon for Danish West Indians to move to the United States for schooling and job opportunities. Following the U.S. acquisition of the islands in 1917, such relocation became easier. The Virgin Islands economy, though strong for a few years after World War I, quickly declined, leading many Virgin Islanders to move to Panama, Puerto Rico, and the United States in search of work. One reason for the economic decline was the U.S. prohibition of alcohol, which crippled the once-thriving rum industry of the islands. The Eighteenth Amendment (the National Prohibition Act or Volstead Act) as ratified in January 1919, outlawed the sale of alcohol to the mainland United States. The Willis-Campbell Act of November 1921 extended prohibition to the Virgin Islands and ended the legal manufacture and distribution of rum in the territory. -
From Toussaint to Tupac from Toussaint to Tupac the Black International Since the Age of Revolution
from toussaint to tupac from toussaint to tupac The Black International since the Age of Revolution edited by michael o. west, william g. martin, & fanon che wilkins The University of North Carolina Press Chapel Hill Marc D. Perry’s essay ©2009 The University of North Carolina Press appeared previously in All rights reserved different form as “Global Designed by Rebecca Evans Black Self-Fashionings: Set in Arno Pro and Seria Sans by Rebecca Evans Hip Hop as Diasporic Manufactured in the United States of America Space,” Identities 15, The paper in this book meets theguidelines for permanence no. 6 (December 2008) and durability of the Committee on Production Guidelines for (http://www.informaworld Book Longevity of the Council on Library Resources. .com), and is reprinted The University of North Carolina Press has been a member here with permission. of the Green Press Initiative since 2003. Library of Congress Cataloging-in-Publication Data From Toussaint to Tupac : the Black international since the age of revolution / edited by Michael O. West, William G. Martin, and Fanon Che Wilkins.1st ed. p. cm. Includes bibliographical references and index. ISBN 978-0-8078-3309-4 (cloth : alk. paper) ISBN 978-0-8078-5972-8 (pbk. : alk. paper) 1. African diaspora. 2. BlacksPolitics and government. 3. InternationalismHistory. 4. BlacksIntellectual life. 5. Black powerHistory. I. West, Michael O. (Michael Oliver) II. Martin, William G., 1952 – III. Wilkins, Fanon Che. DT16.5.F766 2009 320.54v6dc22 2009003100 cloth 13 12 11 10 09 5 4 3 2 1 paper131211100954321 for the next generation of students of global africa This page intentionally left blank contents Preface xi Acknowledgments xv introduction Contours of the Black International From Toussaint to Tupac 1 michael o. -
Gambling in Harlem Between the Wars (Cambridge: Harvard University Press, 2010)
Quark final draft.qxd 2/3/11 12:23 PM Page 214 214 Left History 15.1 Shane White, Stephen Garton, Stephen Robertson, and Graham White, Playing the Numbers: Gambling in Harlem Between the Wars (Cambridge: Harvard University Press, 2010). This lively book raises the question of how an industry that employed thousands of African Americans and shaped nearly all aspects of Harlem’s interwar black cul- ture could have escaped scholarly attention. We know much about the Harlem Renaissance and black reformers; but until now there has been little written of the daily life of ordinary blacks for whom numbers was a central preoccupation. “Numbers,” argue the authors, “was the black business.” (25) Headed by flamboy- ant numbers bankers, the numbers business was an elaborate network of banks, runners, and bettors who fuelled the black economy. With this book the authors have finally placed the numbers industry where it belongs—in the heart of Harlem. Gambling on numbers was not new to the United States in the 1920s. Well before the Great Migration of southern blacks to Harlem, dream books and terms such as “gig” and “saddle” were well known in policy parlors. Even in the nineteenth century blacks played a role in the industry, but mostly as players or owners of small policy shops. By the early twentieth century policy had fallen out of favor, leaving a relative vacuum for the streamlined game using Clearing House numbers that dominated jazz-age New York. The origins of Harlem’s Clearing House game are murky, but most sources point to Caribbean migrants, particular Cubans who played a numbers game known as “bolita.” Casper Holstein, an immigrant from the Danish West Indies, is often given credit for the innovation of using Clearing House numbers from the New York Stock Exchange, and allowing small bets ranging from one cent upward. -
There Were Many Forces at Play from the Beginning of the 20Th Century
The African American Intellectual of the 1920s: Some Sociological Implications of the Harlem Renaissance Robert L. Perry and Melvin T. Peters Eastern Michigan University This paper deals with some of the sociological implications of a major cultural high-water point in the African American experience, the New Negro/Harlem Renaissance. The paper concentrates on the cultural transformations brought about through the intellectual activity of po litical activists, a multi-genre group of artists, cultural brokers, and businesspersons. The driving-wheel thrust of this era was the recla mation and the invigoration of the traditions of the culture with an emphasis on both the African and the American aspects, which sig nificantly impacted American and international culture then and throughout the 20th century. This study examines the pre-1 920s background, the forms of Black activism during the Renaissance, the modern content of the writers' work, and the enthusiasm of whites for the African American art forms of the era. This essay utilizes re search from a multi-disciplinary body of sources, which includes so ciology, cultural history, creative literature and literarycriticis m, auto biography, biography, and journalism. There were many forces at play from the beginning of the 20th century through the World War, the 1920s, and into the early 1930s that assisted in the emergence of the Harlem Renaissance School of Artists and which encouraged and sustained the growth and vitality of their works, providing wider acceptance for African American cultural sub jects than previously possible. Crucial factors in the development of the New Negro era were the vicious racism that ended America's first ex periment with living on a democratic basis with African Americans and resulted in the Great Migration (which brought millions of people and their cultural tastes and artistic skills into urban centers of the North), the Ethnic Studies Review Vol. -
Harlem's Virgin Islanders
Harlem's Virgin Islanders Sara Smollett November 19, 2005 ¤ In this paper I will survey the inuence of Afro-Caribbeans (West Indians or Caribbean- born blacks) on Harlem and the Harlem Renaissance. I will focus especially on the unique position of U.S. Virgin Islanders (Danish West Indians prior to 1917) and their involvement in both black labor organization and the politics of their homeland in the early twentieth century. I will then consider the speci¯c contributions of four Virgin Islanders: Casper Holstein, Hubert Harrison, Ashley Totten, and Frank Crosswaith. From the Caribbean to Harlem Between World War I and the Great Depression, Harlem was home to a thriving community of both native and immigrant blacks, including the handful of literary, artistic, and political greats who formed the core of the Harlem Renaissance. Mass Migration Between 1900 and 1930, the foreign-born black (mostly Caribbean) population in the United States, particularly in New York City, increased at a rapid rate. According to the U.S. census, ¤First edition May 4, 1999. 1 in 1900 the foreign-born black population of the United States numbered 20,336 and accounted for 0.2% of the total black population. In 1910, the number of foreign blacks in the United States was 40,339, or 0.4% of the total black population. In 1920 there were 73,803 foreign- born blacks (0.7%), and by 1930 there were 98,620 foreign-born blacks (0.8%), about half of whom lived in Harlem, New York. (Kasinitz, Caribbean New York, 25) Additionally, by 1930 there were 17,625 blacks from Cuba, Puerto Rico, and the Virgin Islands residing on the U.S. -
The Return of the 1920S: an Examination of the Twenty First Century Revival
The Return of the 1920s: An Examination of the Twenty First Century Revival Dirk Andrew Gibb A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Cultural Studies October 2019 This research was supported by an Australian Government Research Training Program (RTP) Scholarship Statement of Originality I hereby certify that the work embodied in the thesis is my own work, conducted under normal supervision. The thesis contains no material which has been accepted, or is being examined, for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968 and any approved embargo. Dirk Gibb ii Abstract This thesis presents, frames, and analyses a corpus of films and television programs set in the 1920s, all of which have been produced in the last decade. It posits these texts as the latest in a long line of ‘returns’ to prominence of this storied decade within popular culture. It questions why such a twenty-first century resurgence of interest in the 1920s has come about, arguing that we have much to learn from these representations in seeking to grasp key origins of our ever-later modernity’s founding mass media and consumer age. In so doing, it apprehends the 1920s as a ‘protean’ decade, and this for its future-oriented energy, unfinished nature, uncontrollable generativity, diverse potential, and ongoing relevance. -
Summeiffall 1986
p. Vol. 5 Na 1 ■ SummeifFall 1986 ■ |jir jljlj D i==l < i/iiip n7 /ill ni M yil. n I 1 EDITOR: Amiri Baraka FOCUS ON MUSIC Introduction Class Struggle in Music Amiri Baraka The Afro-American Musician Messengers of a Unique Sensibility in Western Culture Playtheil G. Benjamin 11 The Blues According to Peppermint Harris An Interview by Lorenzo Thomas 35 Text and Politics in Jazz Criticism Jimmy Stewart 63 Amiri Baraka: John Coltrane, Jazz & Poetry An Interview by Joel Lewis 73 POETRY Sterling D. Plumpp 45 Charlie R. Braxton 54 Nia Damali (Pat Stegall) 57 Amiri Baraka 79 A m u s M o r 80 FRONT COVER Gregory Powell 90 Woodshedding Pencil by THE BLACK NATION (ISSN 0740-929X) is published by GT Publications. P.O. Box 29293, Oakland, OA 94604. To order send Michael Kelly Williams $3.50 plus $1.50 postage and handling to above address. (California residents add $ .21 sales tax.) INTRODUCTION ''Every tone was a testimony against slavery " he slaves selected to go to do more to impress some minds with and, on allowance-day, place himself Tthethemere Great House hearing Farm, offor thosethe the horrible songs character would of slavery, him gothan toin the Colonel deep pine Lloyd's woods, plantation,and there let monthly allowance for themselves and the reading of whole volumes of phi- him, in silence, analyze the sounds their fellow-slaves, were peculiarly en- losophy on the subject could do. that shall pass through the chambers thusiastia While on their way, th^r I ^d not, when a slave, understand of his soul, — and if he is not thus would make the dense old woods, for the deep meaning of those rude and impressed, it will only be because miles aroimd, reverberate with their apparently incoherent songs. -
CONCRETE JUNGLE.Fdx
CONCRETE JUNGLE (PILOT) Written by: DAVID MICHAEL KUSHNER Based on true events ii. Democracy will not come Today, this year Nor ever Through compromise and fear. I have as much right As the other fellow has To stand On my two feet And own the land. I tire so of hearing people say, Let things take their course. Tomorrow is another day. I do not need freedom when I’m dead. I cannot live on tomorrow’s bread. Freedom Is a strong seed Planted In a great need. I live here, too. I want freedom Just as you. ~ Langston Hughes OVER BLACK: A WOMAN SCREAMING... GLASS SHATTERING... INT. LIVING ROOM - HARLEM ROW HOME - NIGHT ...STEPHANIE ST. CLAIR a.k.a. “QUEENIE” (34, African- American, clad in a yellow net lace dress) crashes into a couch-side lamp, lands face-first on the wooden floor. SUPER: HARLEM, 1932 Queenie crawls for the front door, her forearms digging into shards of glass, trying her best to avoid dirty syringes. We see a wedding ring on her left hand. Her attacker -- husband DUKE DIXON (36, African-American, rotting away from heroin addiction) -- grabs Queenie by the back of the head, slams her nose into a floorboard. DUKE Three hundid dollas! Three hundid he woulda paid! He flips Queenie onto her stomach, whacks her across the jaw. A cracked tooth flies out of her mouth. QUEENIE This ain’t you, Duke...this is the dope talkin’... SMACK. SMACK. SMACK. QUEENIE (CONT’D) You runnin’ the numbers, you don’t need me to be no whore.. -
Finding Aid to the Historymakers ® Video Oral History with Yosef Ben-Jochannan
Finding Aid to The HistoryMakers ® Video Oral History with Yosef ben-Jochannan Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Ben-Jochannan, Yosef Title: The HistoryMakers® Video Oral History Interview with Yosef ben-Jochannan, Dates: November 5, 2006 Bulk Dates: 2006 Physical 4 Betacame SP videocasettes (1:58:13). Description: Abstract: Africana studies professor Yosef ben-Jochannan (1918 - 2015 ) served as an adjunct professor at Cornell University. He wrote over forty-nine books and papers, including 'Black Man of the Nile and His Family,' and, 'Africa: Mother of Western Civilizations.' Ben-Jochannan was interviewed by The HistoryMakers® on November 5, 2006, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2006_128 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Africana studies professor Yosef Alfredo Antonio ben-Jochannan was born on December 31, 1918 in Ethiopia to a Puerto Rican woman, Julia Matta and an Ethiopian man, Kriston ben-Jochannan. Shortly after his birth, the family moved to St. Croix, part of the United States Virgin Islands, where he grew up as an only child. ben-Jochannan attended the Christian Stead School in St. Croix, Virgin Islands. After graduation from high school in 1936, ben-Jochannan attended the University of Puerto Rico where, in 1938, he received his B.S. degree in engineering. During that summer, ben-Jochannan’s father sent him to Ethiopia to study firsthand the ancient history of African people. He returned home and received his M.A.