Component Analysis Part I: Why We Need to Look at Licenses?
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Intellectual Property Law Week Helpful Diversity Or Hopeless Confusion?
Intellectual Property Law Week Open Source License Proliferation: Helpful Diversity or Hopeless Confusion? Featuring Professor Robert Gomulkiewicz University of Washington School of Law Thursday, March 18, 2010 12:30-2:00 PM Moot Courtroom Abstract: One prominent issue among free and open source software (FOSS) developers (but little noticed by legal scholars) has been "license proliferation." "Proliferation" refers to the scores of FOSS licenses that are now in use with more being created all the time. The Open Source Initiative ("OSI") has certified over seventy licenses as conforming to the Open Source Definition, a key measure of whether a license embodies FOSS principles. Many believe that license proliferation encumbers and retards the success of FOSS. Why does proliferation occur? What are the pros and cons of multiple licenses? Does the growing number of FOSS licenses represent hopeless confusion (as many assume) or (instead) helpful diversity? To provide context and color, these issues are examined using the story of his creation of the Simple Public License (SimPL) and submission of the SimPL to the OSI for certification. Professor Robert Gomulkiewicz joined the UW law school faculty in 2002 to direct the graduate program in Intellectual Property Law and Policy. Prior to joining the faculty, he was Associate General Counsel at Microsoft where he led the group of lawyers providing legal counsel for development of Microsoft's major systems software, desktop applications, and developer tools software (including Windows and Office). Before joining Microsoft, Professor Gomulkiewicz practiced law at Preston, Gates & Ellis where he worked on the Apple v. Microsoft case. Professor Gomulkiewicz has published books and law review articles on open source software, mass market licensing, the UCITA, and legal protection for software. -
Circular 1 Copyright Basics
CIRCULAR 1 Copyright Basics Copyright is a form of protection Copyright is a form of protection provided by the laws of the provided by U.S. law to authors of United States to the authors of “original works of authorship” that are fixed in a tangible form of expression. An original “original works of authorship” from work of authorship is a work that is independently created by the time the works are created in a a human author and possesses at least some minimal degree of creativity. A work is “fixed” when it is captured (either fixed form. This circular provides an by or under the authority of an author) in a sufficiently overview of basic facts about copyright permanent medium such that the work can be perceived, and copyright registration with the reproduced, or communicated for more than a short time. Copyright protection in the United States exists automatically U.S. Copyright Office. It covers from the moment the original work of authorship is fixed.1 • Works eligible for protection • Rights of copyright owners What Works Are Protected? • Who can claim copyright • Duration of copyright Examples of copyrightable works include • Literary works • Musical works, including any accompanying words • Dramatic works, including any accompanying music • Pantomimes and choreographic works • Pictorial, graphic, and sculptural works • Motion pictures and other audiovisual works • Sound recordings, which are works that result from the fixation of a series of musical, spoken, or other sounds • Architectural works These categories should be viewed broadly for the purpose of registering your work. For example, computer programs and certain “compilations” can be registered as “literary works”; maps and technical drawings can be registered as “pictorial, graphic, and sculptural works.” w copyright.gov note: Before 1978, federal copyright was generally secured by publishing a work with an appro- priate copyright notice. -
Orphan Works and Mass Digitization Report
united states copyright office Orphan Works and Mass Digitization a report of the register of copyrights june 2015 united states copyright office Orphan Works and Mass Digitization a report of the register of copyrights june 2015 U.S. Copyright Office Orphan Works and Mass Digitization ACKNOWLEDGMENTS This Report reflects the dedication and expertise of the Office of Policy and International Affairs at the U.S. Copyright Office. Karyn Temple Claggett, Associate Register of Copyrights and Director of Policy and International Affairs, managed the overall study process, including coordination of the public comments and roundtable hearings, analysis, drafting, and recommendations. I am also extremely grateful to Senior Counsel Kevin Amer and Attorney- Advisor Chris Weston (Office of the General Counsel), who served as the principal authors of the Report and made numerous important contributions throughout the study process. Senior Advisor to the Register Catie Rowland and Attorney-Advisor Frank Muller played a significant role during the early stages of the study, providing research, drafting, and coordination of the public roundtable discussions. In addition, Ms. Rowland and Maria Strong, Deputy Director of Policy and International Affairs, reviewed a draft of the Report and provided important insights. Barbara A. Ringer Fellows Michelle Choe and Donald Stevens provided helpful research and analysis for several sections of the Report. Senior Counsel Kimberley Isbell, Counsels Brad Greenberg and Aurelia Schultz, Attorney-Advisors Katie Alvarez and Aaron Watson, and Law Clerk Konstantia Katsouli contributed valuable research and citation assistance. Finally, I would like to thank the many interested parties who participated in the public roundtables and submitted written comments to the Office. -
Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
Copyright Online Education
Roadmap Copyright online education April 2018 Education and Student Affairs 1 | Roadmap for Copyright April 2018 Table of content Table of content ....................................................................................2 Introduction .........................................................................................3 Open Education and Licenses ...................................................................4 What you further have to know about Creative Commons .............................6 What is… .............................................................................................7 Flow chart for the use of footage in ..........................................................9 Searching for images, audio or video via CC Search ................................... 10 More websites with new CC footage ........................................................ 11 Attributing works ................................................................................. 12 Copyright and Brightspace .................................................................... 14 Contact .............................................................................................. 16 2 | Roadmap for Copyright April 2018 1. Introduction Education is based on a foundation of sharing. In our education we share knowledge with our students and our fellow teachers. Sharing educational resources openly and offering open and online courses gives others a chance to benefit from the knowledge we teach. In return others can contribute back -
Crowdsourcing: Today and Tomorrow
Crowdsourcing: Today and Tomorrow An Interactive Qualifying Project Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by Fangwen Yuan Jun Liang Zhaokun Xue Approved Professor Sonia Chernova Advisor 1 Abstract This project focuses on crowdsourcing, the practice of outsourcing activities that are traditionally performed by a small group of professionals to an unknown, large community of individuals. Our study examines how crowdsourcing has become an important form of labor organization, what major forms of crowdsourcing exist currently, and which trends of crowdsourcing will have potential impacts on the society in the future. The study is conducted through literature study on the derivation and development of crowdsourcing, through examination on current major crowdsourcing platforms, and through surveys and interviews with crowdsourcing participants on their experiences and motivations. 2 Table of Contents Chapter 1 Introduction ................................................................................................................................. 8 1.1 Definition of Crowdsourcing ............................................................................................................... 8 1.2 Research Motivation ........................................................................................................................... 8 1.3 Research Objectives ........................................................................................................................... -
Building Online Content and Community with Drupal
Collaborative Librarianship Volume 1 Issue 4 Article 10 2009 Building Online Content and Community with Drupal Gabrielle Wiersma University of Colorado at Boulder, [email protected] Follow this and additional works at: https://digitalcommons.du.edu/collaborativelibrarianship Part of the Collection Development and Management Commons Recommended Citation Wiersma, Gabrielle (2009) "Building Online Content and Community with Drupal," Collaborative Librarianship: Vol. 1 : Iss. 4 , Article 10. DOI: https://doi.org/10.29087/2009.1.4.10 Available at: https://digitalcommons.du.edu/collaborativelibrarianship/vol1/iss4/10 This Review is brought to you for free and open access by Digital Commons @ DU. It has been accepted for inclusion in Collaborative Librarianship by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Wiersma: Building Online Content and Community with Drupal Building Online Content and Community with Drupal Gabrielle Wiersma ([email protected]) Engineering Research and Instruction Librarian, University of Colorado at Boulder Libraries use content management systems Additionally, all users are allowed to post in order to create, manage, edit, and publish content without using code, which enables content on the Web more efficiently. Drupal less tech savvy users to contribute content (drupal.org), one such Web-based content just as easily as their more proficient coun- management system, is unique because it terparts. For example, a library could use employs a bottom-up strategy for Web de- Drupal to allow library staff to view and sign that separates the content of the site edit the library Web site, blog, and staff from the formatting which means that “you intranet. -
Open Innovation in the Proprietary World
Round Table Open Innovation in the Proprietary World 19 March 2015 DiploFoundation, WMO Building, 7bis, Avenue de la Paix, Geneva, Switzerland Agenda 8:45 – 9:15 Registration 9:15– 9:30 Welcome & Introductions Joe Cannataci (Project Coordinator; University of Groningen), Oleksandr Pastukhov (Head of IPR project work package; University of Malta), Jovan Kurbalija (DiploFoundation) 9:30 – 10:30 Key-note address on Open Innovation v. ‘property logic’ Darren Todd (Author, “Pirate Nation”; Editor, Evolved Publishing) 10:30 – 10:45 Coffee break 10:45 – 11:30 Session 1: IP policies today – failing to understand innovation? Moderator: Bogdan Manolea (ApTI) Principal discussants: Rihards Gulbis (Ministry of Culture, Latvia), Jim Killock (Open Rights Group), Philippe Laurent (Marx, Van Ranst, Vermeersch & Partners) Special intervention on F/OSS in developing countries by Nnenna Nwakanma (World Wide Web Foundation) 11:30 – 12:45 Session 2: Business models for the Free/Open Source movement Moderator: Pedro Gomez (Hoplite Software) Principal discussants: Mario Pena (Safe Creative), Georg Greve (Free Software Foundation Europe), Giuseppe Mazziotti (Trinity College Dublin) 12:45 – 13:30 Lunch 13:30 – 14:30 Second key-note address on Creative Commons and Open Access initiatives George Greve (Free Software Foundation Europe) 14:30 – 15:15 Session 3: Open Data, Open Access and Open Education resources – key to Open Innovation Moderator: Oleksandr Pastukhov (Head of IPR project work package; University of Malta) Principal discussants: Claire Gallon (Libertic), -
Orphan Works, Mass Rights Clearance, and Online Libraries
Ringnalda.qxd 1 Orphan Works, Mass Rights Clearance, and Allard Ringnalda Online Libraries: The Flaws of the Draft Orphan Works Directive and Extended Collective Licensing as a Solution 1. Introduction European lawmakers have recently shown a profound interest in copyright law as an obstacle to the creation of Allard Ringnalda, Project researcher, Centre for online digital libraries. Unfortunately, a new directive that is Intellectual Property Law, Molengraaff Institute soon to be proposed to remove these obstacles suggests for Private Law, Utrecht University; PhD resear- that they have focused on the wrong problem. It provides a cher, Willem Pompe Institute for Criminal Law solution for the problem of orphan works: the many copy- and Criminology and the Department of legal righted works whose rightsholders are unknown or unloca- theory, Utrecht University. table. These orphan works cannot be used in a manner that The author would like to thank Rebecka Zinser and requires the rightsholder’s consent.1) With a new Orphan Willem Grosheide for their comments on earlier drafts. Works Directive, the Commission aims to facilitate the ex- The usual disclaimer applies. pansion of Europeana, the non-profit online library that should disseminate the digitised collections of all European national libraries. The problem of orphan works obviously stands in the way of a successful online library: if copyrights cannot be cleared, copyrighted works cannot be digitised and made available online. However, in this article, I shall propose and defend two claims. First, that the issue of orphan works is not the main hurdle on the way to a successful Europeana. Instead, the orphan works problem is only a symptom of a much larger issue: the inability to clear copyrights for the mass digitization and online dissemination of entire library collections. -
Understanding Code Forking in Open Source Software
EKONOMI OCH SAMHÄLLE ECONOMICS AND SOCIETY LINUS NYMAN – UNDERSTANDING CODE FORKING IN OPEN SOURCE SOFTWARE SOURCE OPEN IN FORKING CODE UNDERSTANDING – NYMAN LINUS UNDERSTANDING CODE FORKING IN OPEN SOURCE SOFTWARE AN EXAMINATION OF CODE FORKING, ITS EFFECT ON OPEN SOURCE SOFTWARE, AND HOW IT IS VIEWED AND PRACTICED BY DEVELOPERS LINUS NYMAN Ekonomi och samhälle Economics and Society Skrifter utgivna vid Svenska handelshögskolan Publications of the Hanken School of Economics Nr 287 Linus Nyman Understanding Code Forking in Open Source Software An examination of code forking, its effect on open source software, and how it is viewed and practiced by developers Helsinki 2015 < Understanding Code Forking in Open Source Software: An examination of code forking, its effect on open source software, and how it is viewed and practiced by developers Key words: Code forking, fork, open source software, free software © Hanken School of Economics & Linus Nyman, 2015 Linus Nyman Hanken School of Economics Information Systems Science, Department of Management and Organisation P.O.Box 479, 00101 Helsinki, Finland Hanken School of Economics ISBN 978-952-232-274-6 (printed) ISBN 978-952-232-275-3 (PDF) ISSN-L 0424-7256 ISSN 0424-7256 (printed) ISSN 2242-699X (PDF) Edita Prima Ltd, Helsinki 2015 i ACKNOWLEDGEMENTS There are many people who either helped make this book possible, or at the very least much more enjoyable to write. Firstly I would like to thank my pre-examiners Imed Hammouda and Björn Lundell for their insightful suggestions and remarks. Furthermore, I am grateful to Imed for also serving as my opponent. I would also like to express my sincere gratitude to Liikesivistysrahasto, the Hanken Foundation, the Wallenberg Foundation, and the Finnish Unix User Group. -
Computer Software Derivative Works: the Calm Before the Storm
COMPUTER SOFTWARE DERIVATIVE WORKS: THE CALM BEFORE THE STORM Natalie Heineman* Cite as 8 J. HIGH TECH. L. 235 (2008) I. Introduction Every generation believes they live in the most exciting times of continued social and technological advancement. Since the advent of computers and the internet, however, the present is a time in which progress seems unrivaled. While the law races to catch up with technology, the area of law requiring the fastest runners may be that of computer software derivative works under current copyright law. An author’s exclusive right to prepare derivative works is particularly challenged in the software environment where innovation often involves references to and incorporation of other preexisting works. Without definitive cases on point or specifically tailored legislation to guide the analysis, however, the scope of this note is simply to help define the issues presented, thereby drawing attention to what looks to be the calm before the impending storm. This note considers the challenge posed by computer software derivative works. The note first discusses the definition of derivative works under the current Copyright Act, and analyzes how the courts have interpreted derivative works in analogous contexts. Because defining a derivative work necessarily considers whether it has infringed the underlying work, the note then discusses how the courts make infringement analyses. The infringement analysis focuses primarily on the abstraction-filtration method as it has developed in computer software cases. Finally, the note considers trends in cases and legislation that suggest an increasingly broad interpretation of derivative rights. This section emphasizes the Open Source movement which will no doubt have a significant impact on the future of computer software derivative works. -
Open-Source Practices for Music Signal Processing Research Recommendations for Transparent, Sustainable, and Reproducible Audio Research
MUSIC SIGNAL PROCESSING Brian McFee, Jong Wook Kim, Mark Cartwright, Justin Salamon, Rachel Bittner, and Juan Pablo Bello Open-Source Practices for Music Signal Processing Research Recommendations for transparent, sustainable, and reproducible audio research n the early years of music information retrieval (MIR), research problems were often centered around conceptually simple Itasks, and methods were evaluated on small, idealized data sets. A canonical example of this is genre recognition—i.e., Which one of n genres describes this song?—which was often evaluated on the GTZAN data set (1,000 musical excerpts balanced across ten genres) [1]. As task definitions were simple, so too were signal analysis pipelines, which often derived from methods for speech processing and recognition and typically consisted of simple methods for feature extraction, statistical modeling, and evalua- tion. When describing a research system, the expected level of detail was superficial: it was sufficient to state, e.g., the number of mel-frequency cepstral coefficients used, the statistical model (e.g., a Gaussian mixture model), the choice of data set, and the evaluation criteria, without stating the underlying software depen- dencies or implementation details. Because of an increased abun- dance of methods, the proliferation of software toolkits, the explo- sion of machine learning, and a focus shift toward more realistic problem settings, modern research systems are substantially more complex than their predecessors. Modern MIR researchers must pay careful attention to detail when processing metadata, imple- menting evaluation criteria, and disseminating results. Reproducibility and Complexity in MIR The common practice in MIR research has been to publish find- ©ISTOCKPHOTO.COM/TRAFFIC_ANALYZER ings when a novel variation of some system component (such as the feature representation or statistical model) led to an increase in performance.