An Archaeology of Women's Reform Efforts and the Home, 1854-1939
Domestic Artifacts, Political Practices: An Archaeology of Women’s Reform Efforts and the Home, 1854-1939 By Kimberly Elizabeth Christensen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Laurie A. Wilkie, Chair Professor Rosemary A. Joyce Professor Margaret W. Conkey Professor Barrie Thorne Spring 2012 Domestic Artifacts, Political Practices: An Archaeology of Women’s Reform Efforts and the Home, 1854-1939 © 2012 By Kimberly Elizabeth Christensen Abstract An Archaeology of Women’s Reform Efforts and the Home, 1854-1939 by Kimberly Elizabeth Christensen Doctor of Philosophy in Anthropology Designated Emphasis in Women, Gender and Sexuality University of California, Berkeley Professor Laurie A. Wilkie, Chair This dissertation examines issues of gender, practice, and sociopolitical reform efforts through the lens of household archaeology. Archaeological and historical research undertaken at the homes of Matilda Joslyn Gage (1826-1898) and May Shepard Cheney (1862-1942) provide a means of examining how gender ideologies were lived and negotiated in practice in contexts of homes that were integrally involved in sociopolitical reform efforts. Gage, who fought for suffrage and woman’s rights during the late 19th century, and Cheney, who used her administrative position at the University of California, Berkeley during the early 20th century to advocate for women’s social, political, and economic opportunities, both brought elements of their reform work into their homes. By examining artifacts such as tea wares, children’s toys, a Japanese garden, and canning jars, I show how the Gage and Cheney households deftly navigated the gendered norms of their time while simultaneously working to reform those norms.
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