Kirsten and Seth Divorce
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Polite in Public Meet the Two Irregular Joes Behind the Cameras
Polite in Public Meet the two irregular Joes behind the cameras Cosima New War: von Bonin End of democracy, An artist whose start of a monarchy creations are “Roger and Out” Melrose Avenue Where to shop and what to eat 2 BUZZ 10.04.07 daily.titan daily.titan BUZZ 10.04.07 3 URBAN OUT-LOOKERS POLITE IN Two guys, some cameras PUBLIC and a badass photobooth ROGER & OUT “CHUCK’S” ZACHARY LEVI The Buzz Editor: The Daily Titan 714.278.3373 Jennifer Caddick The Buzz Editorial 714.278.5426 [email protected] LOCKED & LOADED Executive Editor: Editorial Fax 714.278.4473 Ian Hamilton The Buzz Advertising FOR MISFIRE 714.278.3373 [email protected] Director of Advertising Fax 714.278.2702 Advertising: The Buzz , a student publication, is a supplemental Stephanie Birditt insert for the Cal State Fullerton Daily Titan. It is printed every Thursday. The Daily Titan operates independently Assistant Director of of Associated Students, College of Communications, Advertising: CSUF administration and the CSU system. The Daily Titan Sarah Oak has functioned as a public forum since inception. Unless implied by the advertising party or otherwise stated, advertising in the Daily Titan is inserted by commercial Production: activities or ventures identified in the advertisements Jennifer Caddick themselves and not by the university. Such printing is not to be construed as written or implied sponsorship, Account Executives: endorsement or investigation of such commercial Nancy Sanchez enterprises. Juliet Roberts Copyright ©2006 Daily Titan /FX4VNNFS%SJOL1SJDFTr̾BOEPWFS 2 BUZZ 10.04.07 daily.titan daily.titan BUZZ 10.04.07 3 Melrose, you should keep in mind MELROSE that most store managers allow you to bargain. -
Brooklyn Boy
41st Season • 392nd Production SEGERSTROM STAGE / SEPTEMBER 3 - OCTOBER 10, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR IN ASSOCIATION WITH Manhattan Theatre Club presents the world premiere of BROOKLYN BOY BY Donald Margulies SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello Jess Goldstein Chris Parry Michael Roth DRAMATURG PRODUCTION MANAGER STAGE MANAGER Jerry Patch Tom Aberger *Scott Harrison DIRECTED BY Daniel Sullivan HONORARY PRODUCERS CORPORATE PRODUCER Elaine and Martin Weinberg The Citigroup Private Bank Brooklyn Boy was commissioned and developed by South Coast Repertory Brooklyn Boy • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Eric Weiss .................................................................................... Adam Arkin* Manny Weiss ................................................................................ Allan Miller* Ira Zimmer ...................................................................................... Arye Gross* Nina .............................................................................................. Dana Reeve* Alison .......................................................................................... Ari Graynor* Melanie Fine ................................................................................ Mimi Lieber* Tyler Shaw .................................................................................... Kevin Isola* SETTING All scenes are set in the present in Brooklyn, -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Download Program Notes
PROGRAM: SONDHEIM SONGBOOK MAY 20 / 7:30 PM BING CONCERT HALL ARTISTS PROGRAM Betsy Wolfe, vocals Love Is in the Air (Ted, Betsy, Clarke) Clarke Thorell, vocals Love I Hear (Clarke) Paul Masse, piano What More Do I Need? (Betsy) Ted Sperling, music director and piano Barcelona (Clarke, Betsy) Moments in the Woods (Betsy) What Can You Lose? (Clarke) We gratefully acknowledge the generous support The Girls of Summer (Betsy) of Bonnie and Marty Tenenbaum. Honey (Clarke, Betsy) Getting Married Today (Ted, Clarke, Betsy) Pleasant Little Kingdom/Too Many Mornings (Clarke, Betsy) INTERMISSION By the Sea (Betsy, Clarke) Not a Day Goes By (Betsy) Good Thing Going (Ted) Buddy’s Blues (Clarke) Could I Leave You? (Betsy) A Little House for Mama (Clarke) Children Will Listen (Betsy) Finishing the Hat (Clarke) There Won’t Be Trumpets (Betsy) It Takes Two (Betsy, Clarke) PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 26 STANFORD LIVE MAGAZINE MAY/JUNE 2015 He has gone from cult figure to national with the New York Philharmonic and The icon. His melodies, which have been labeled King and I at the Lincoln Center Theater. “unhummable,” get under your skin and linger for days. He is perhaps the greatest English- In the opera world, Mr. Sperling has language lyricist of any age. Every brilliant conducted The Mikado, Song of Norway, lyric and crystalline melody will be audible and Ricky Gordon’s The Grapes of Wrath in Bing Concert Hall when Ted Sperling, at Carnegie Hall; Kurt Weill’s The Firebrand one of Broadway’s most in-demand music of Florence at Alice Tully Hall; and a double directors, is joined at the piano by Betsy bill for the Houston Grand Opera and Wolfe and Clarke Thorell, two of Broadway’s Audra McDonald: La voix humaine by freshest singers. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Programming and Award-Winning Work in the Community
We l c o m e t o Welcome – it’s so good to have you What an exciting time to be at The Old here! Globe! We’re wrapping up an enormously suc- It’s “one from column A, and one cessful 2004 Winter Season, during which we from column B” for this last round of hosted the great American playwright Arthur Season 2004, and they couldn’t be Miller for his incredible production of more polar opposites, nor more beauti- Resurrection Blues, and presented William Inge’s fully yoked together. classic Bus Stop, plus Pulitzer Prize-winner Nilo In the Globe, Stephen Wadsworth Cruz’s Two Sisters and a Piano. We’re now getting returns with his celebrated Don Juan, one of the great and into gear for summer, highlighted by the much-anticipated challenging classics of Moliere, no where as farcical as the Shakespeare Festival, alongside the delightful new musical Lucky Duck, more familiar productions we’ve hosted over the years, but a directed by 2002 Tony Award®-winner John Rando, and a contempo- great, probing, and fascinating take on the life of the famous rary comedy, The Intelligent Design of Jenny Chow. reprobate that stands with Mozart’s Don Giovanni in its repu- We’ve just announced our 2004/2005 Winter Season as well, tation. Wadsworth is one of the true originals directing these continuing the Globe’s tradition of artistic excellence with an ambi- days, whose intense mastery of the works of the 17th and tious line-up of some of the most significant work being produced in 18th Centuries – whether it be Handel’s opera, Xerxes or the the theatre today. -
MGM-The Outsider-Final-16/2
S CHOLASTIC READERS A FREE RESOURCE FOR TEACHERS! THE OUTSIDER – EXTRA Level 2 This level is suitable for students who have been learning English for at least two years and up to three years. It corresponds with the Common European Framework level A2. Suitable for users of CROWN/TEAM magazine. SYNOPSIS THE BACK STORY Ryan Atwood is sixteen and comes from Chino, a poor town, in The OC was first shown on TV in August 2003 and ran for four California. His mom, Dawn, is a drunk and his older brother, series. The glamorous lifestyle and characters, compelling Trey, is often in trouble. One night, Trey talks Ryan into stealing storylines and great music made it a big hit with teenagers. a car but they both get picked up by the police. Ryan is let out The show centres round the idea of a poor kid with a on probation, thanks to his attorney, Sandy Cohen. troubled background living in a very rich town, full of rich kids. Dawn throws Ryan out of the house, and with no one to turn The storylines deal with teenage issues of love, self-esteem and to, he calls Sandy. Sandy takes him to his home in Newport peer pressure. They examine the concept of stereotyping and Beach in the O.C. There, Ryan meets Marissa, the girl next door, what happens when people start to look beneath the surface and Seth Cohen, Sandy’s son. There is an immediate attraction of the people around them. between Ryan and Marissa, and Seth and Ryan strike up an In 2007, the show came to an end. -
THE TELEVISION TEEN DRAMA AS FOLKTALE By
THE TELEVISION TEEN DRAMA AS FOLKTALE By: Denna Jones S204043395 Submitted in partial fulfilment of the requirements for the degree Magister Artium in Applied Media Studies in the Faculty of Arts at the Nelson Mandela Metropolitan University JANUARY 2011 SUPERVISOR: Mrs. Bianca Wright, HOD Department of Journalism, Media and Philosophy, Nelson Mandela Metropolitan University DECLARATION I, DENNA LOUISE JONES, in accordance with Rule G4.6.3, hereby declare that: This treatise is the result of my own original research and that this work has not previously been submitted for assessment to another university. This research contained in this treatise is being submitted in partial fulfilment of the requirements for the degree Magister Artium in Applied Media Studies in the Faculty of Arts at the Nelson Mandela Metropolitan University in Port Elizabeth, South Africa. All sources used or referred to in this treatise have been documented and recognised. I hereby give consent for my treatise, if accepted, to be made available to the Nelson Mandela Metropolitan University Library and for the title and summary to be made available to outside organisations. SIGNED: DENNA LOUISE JONES ……………………………………………….. DATE: 28 JANUARY 2011 2 CONTENTS Abstract 6 CHAPTER ONE : INTRODUCTION TO RESEARCH 1.1. From the tribal campfire to the modern lounge – the evolution of storytelling 7 1.2. Television in the home 8 1.3. Television is built into the rhythms of everyday life – a critical view 9 1.4. Television – the inheritor of popular culture 10 1.5. The teen television drama 11 1.6. Propp’s Morphology 13 1.7. Justification and Significance of Study 14 1.8. -
Hit-And-Run Suspect Released
•pp 1 - "^ ITT • l"-i' J A' *.» ,*-,' *"••*!• » -!.7' •'. I, •!« -T- . <• ip I Healthy bodies at work start with ergonomics, B4 Hc*rK$Ib\vn rtfwrwi*T>*'fl»MK»'rniy- Putting you In touch Sunday wrth your world March 22,1998 Serving the Westland Community for 33 years $ VOLUME 33 NUMBER 83 WESUAND. MICHIGAN • 68 PAGCS • http://nhscrvcr-ftccentric.com SEVENTY-FIVE CENTS O IMS BoaaTewH C<wink>H>M Network, lae«' THE WEEK Hit-and-run suspect released Charged in the hit-and-run accident on Joy tha Kosmyna, was released from Gar bond," i8th District Judge Gail McK-j AHEAD Road east of Middlebelt is 26-year-old Sergio den City Hospital two days after the night said, : * • .| 8:20 p.m. March 7 accident, but she She had set the bond after.Escobar ~| Antonio Escobar. He had been released from 1 the county jail before he appeared Thursday has since undergone surgery for a bro^ charged in a third alcohol-related ..drivy' : ken right arm, Gilliam said, ing offense - stood mute March 9 dur- : MONDAY in Westland 18th District Courti "Right noVir she can'tuse her arm, ing his arraignment on^ two charges of BY0ARflEU,CLKM continue to hope for signs that she will and she's having a difficult time emo- bperatirig uhder the influenceof • tionally," Gilliam said, ; liquor/causing a serious injury accident School board: The Wayne-: STAWWlinBR ; : > .. begin to. recover from majorvhead and two charges of leaving the scene. injuries; ,:-: ^',:--;'-/^-:'> ''':K: Charged in the hit-and-run accident Westland board of educa A Garden City man, accused of driv on Joy Road east of Middlebelt is 26: ing drunk and hitting two Livonia "She's still semi-comatose," Westland 'On a 'tether^-"v ••.•,'•; - '•' • ^¾ tion will meet dt7 pan. -
Representing Disempowerment on Teen Drama Television
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-5-2012 12:00 AM Watching High School: Representing Disempowerment on Teen Drama Television Sarah M. Baxter The University of Western Ontario Supervisor Paulette Rothbauer The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sarah M. Baxter 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Baxter, Sarah M., "Watching High School: Representing Disempowerment on Teen Drama Television" (2012). Electronic Thesis and Dissertation Repository. 644. https://ir.lib.uwo.ca/etd/644 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WATCHING HIGH SCHOOL: REPRESENTING DISEMPOWERMENT ON TEEN DRAMA TELEVISION (Spine title: Watching High School) (Thesis format: Monograph) by Sarah Mae Baxter Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarah Mae Baxter 2012 i THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Who Is Ryan Atwood? Social Mobility and the Class Chameleon in Th
Who is Ryan Atwood? Social Mobility and the Class Chameleon in Th... http://www.lib.latrobe.edu.au/ojs/index.php/tlg/article/view/45/22 The Looking Glass : New Perspectives on Children's Literature, Vol 11, No 1 (2007) HOME ABOUT LOG IN REGISTER SEARCH CURRENT ARCHIVES ANNOUNCEMENTS Home > Vol 11, No 1 (2007) > Bullen Font Size: Alice's Academy Who is Ryan Atwood? Social Mobility and the Class Chameleon in The OC Elizabeth Bullen Elizabeth Bullen lectures in Literary Studies at Deakin University's Warrnambool campus. She is currently a co-researcher on a research project on representations of social class in recent children's literature and the implications for citizenship. In the first season of the Fox television series, The OC (2003–2004), a teenager from the wrong side of the tracks finds himself in wealthy Newport Beach, Orange County — the OC of the title. Rescued from an implied future of juvenile delinquency, 16-year-old Ryan Atwood is at first perceived to be a threat to this world of luxury, ostentation and conspicuous consumption. Over the course of the season, Ryan is able to win the heart of rich girl-next-door, the troubled Marissa Cooper, and, it seems, transcend his class origins. According to Tim Goodman, the plotline of creator Josh Schwartz's series distinguishes it from earlier teen dramas like Beverley Hills 90210 and Dawson's Creek and avoids the clichés of the genre. In many respects, however, Ryan is living another cliché, the American Dream, his social ascendency suggesting that success is possible regardless of one's start in life. -
Saturday's Loss Discourages Students, Fans 30 Years," Swiderski Said
THE The Independent Newspaper Serving Notre Dame and Saint Mary's OLUME 38: ISSUE 44 MONDAY, NOVEMBER 3, 2003 NDSMCOBSERVER.COM Saturday's loss discourages students, fans 30 years," Swiderski said. "I don't By MEGHANNE DOWNES think that makes me a fair News Editor weather fan ... It's so hard to watch the team not even being Coach Tyrone Willingham said competitive." at Friday's pep rally that Notre Saturday's loss was the third Dame students do not leave a time this season Notre Dame lost game. However, at Saturday's loss by more than 30 points and to Florida ranked as the ninth-worst defeat State, several See Also in school history. gaps in the stu- "Broken record" The feeling of desperation pre dent section vailed during the third quarter in appeared. Irish Insider the student section as students Junior Joe did traditional touchdown push Swiderski said he watched the ups for first downs. Boston College game for three The overall feeling from most hours in front of a computer but students was one of disappoint he could not bear to watch the ment, but several students chas second half of the Florida State tised fans who left during the game. Disappointment eventually. game. took over and he left in the third Senior Derek Podolny said quarter. though he expected the eventual - "It is one thing to lose and play outcome he was upset by the dis- SOFIA BALLON!The Observer well and it's another thing to lose Frustrated with the shutout loss to Florida State, many students and fans emptied the by the worst margin of defeat in see FOOTBALL/page 4 stands before the end of the game, with significantly more seniors leaving than freshmen.