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Polite in Public Meet the Two Irregular Joes Behind the Cameras
Polite in Public Meet the two irregular Joes behind the cameras Cosima New War: von Bonin End of democracy, An artist whose start of a monarchy creations are “Roger and Out” Melrose Avenue Where to shop and what to eat 2 BUZZ 10.04.07 daily.titan daily.titan BUZZ 10.04.07 3 URBAN OUT-LOOKERS POLITE IN Two guys, some cameras PUBLIC and a badass photobooth ROGER & OUT “CHUCK’S” ZACHARY LEVI The Buzz Editor: The Daily Titan 714.278.3373 Jennifer Caddick The Buzz Editorial 714.278.5426 [email protected] LOCKED & LOADED Executive Editor: Editorial Fax 714.278.4473 Ian Hamilton The Buzz Advertising FOR MISFIRE 714.278.3373 [email protected] Director of Advertising Fax 714.278.2702 Advertising: The Buzz , a student publication, is a supplemental Stephanie Birditt insert for the Cal State Fullerton Daily Titan. It is printed every Thursday. The Daily Titan operates independently Assistant Director of of Associated Students, College of Communications, Advertising: CSUF administration and the CSU system. The Daily Titan Sarah Oak has functioned as a public forum since inception. Unless implied by the advertising party or otherwise stated, advertising in the Daily Titan is inserted by commercial Production: activities or ventures identified in the advertisements Jennifer Caddick themselves and not by the university. Such printing is not to be construed as written or implied sponsorship, Account Executives: endorsement or investigation of such commercial Nancy Sanchez enterprises. Juliet Roberts Copyright ©2006 Daily Titan /FX4VNNFS%SJOL1SJDFTr̾BOEPWFS 2 BUZZ 10.04.07 daily.titan daily.titan BUZZ 10.04.07 3 Melrose, you should keep in mind MELROSE that most store managers allow you to bargain. -
Orienting Fandom: the Discursive Production of Sports and Speculative Media Fandom in the Internet Era
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ORIENTING FANDOM: THE DISCURSIVE PRODUCTION OF SPORTS AND SPECULATIVE MEDIA FANDOM IN THE INTERNET ERA BY MEL STANFILL DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications with minors in Gender and Women’s Studies and Queer Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor CL Cole, Co-Chair Associate Professor Siobhan Somerville, Co-Chair Professor Cameron McCarthy Assistant Professor Anita Chan ABSTRACT This project inquires into the constitution and consequences of the changing relationship between media industry and audiences after the Internet. Because fans have traditionally been associated with an especially participatory relationship to the object of fandom, the shift to a norm of media interactivity would seem to position the fan as the new ideal consumer; thus, I examine the extent to which fans are actually rendered ideal and in what ways in order to assess emerging norms of media reception in the Internet era. Drawing on a large archive consisting of websites for sports and speculative media companies; interviews with industry workers who produce content for fans; and film, television, web series, and news representations from 1994-2009 in a form of qualitative big data research—drawing broadly on large bodies of data but with attention to depth and texture—I look critically at how two media industries, speculative media and sports, have understood and constructed a normative idea of audiencing. -
Hit-And-Run Suspect Released
•pp 1 - "^ ITT • l"-i' J A' *.» ,*-,' *"••*!• » -!.7' •'. I, •!« -T- . <• ip I Healthy bodies at work start with ergonomics, B4 Hc*rK$Ib\vn rtfwrwi*T>*'fl»MK»'rniy- Putting you In touch Sunday wrth your world March 22,1998 Serving the Westland Community for 33 years $ VOLUME 33 NUMBER 83 WESUAND. MICHIGAN • 68 PAGCS • http://nhscrvcr-ftccentric.com SEVENTY-FIVE CENTS O IMS BoaaTewH C<wink>H>M Network, lae«' THE WEEK Hit-and-run suspect released Charged in the hit-and-run accident on Joy tha Kosmyna, was released from Gar bond," i8th District Judge Gail McK-j AHEAD Road east of Middlebelt is 26-year-old Sergio den City Hospital two days after the night said, : * • .| 8:20 p.m. March 7 accident, but she She had set the bond after.Escobar ~| Antonio Escobar. He had been released from 1 the county jail before he appeared Thursday has since undergone surgery for a bro^ charged in a third alcohol-related ..drivy' : ken right arm, Gilliam said, ing offense - stood mute March 9 dur- : MONDAY in Westland 18th District Courti "Right noVir she can'tuse her arm, ing his arraignment on^ two charges of BY0ARflEU,CLKM continue to hope for signs that she will and she's having a difficult time emo- bperatirig uhder the influenceof • tionally," Gilliam said, ; liquor/causing a serious injury accident School board: The Wayne-: STAWWlinBR ; : > .. begin to. recover from majorvhead and two charges of leaving the scene. injuries; ,:-: ^',:--;'-/^-:'> ''':K: Charged in the hit-and-run accident Westland board of educa A Garden City man, accused of driv on Joy Road east of Middlebelt is 26: ing drunk and hitting two Livonia "She's still semi-comatose," Westland 'On a 'tether^-"v ••.•,'•; - '•' • ^¾ tion will meet dt7 pan. -
Who Is Ryan Atwood? Social Mobility and the Class Chameleon in Th
Who is Ryan Atwood? Social Mobility and the Class Chameleon in Th... http://www.lib.latrobe.edu.au/ojs/index.php/tlg/article/view/45/22 The Looking Glass : New Perspectives on Children's Literature, Vol 11, No 1 (2007) HOME ABOUT LOG IN REGISTER SEARCH CURRENT ARCHIVES ANNOUNCEMENTS Home > Vol 11, No 1 (2007) > Bullen Font Size: Alice's Academy Who is Ryan Atwood? Social Mobility and the Class Chameleon in The OC Elizabeth Bullen Elizabeth Bullen lectures in Literary Studies at Deakin University's Warrnambool campus. She is currently a co-researcher on a research project on representations of social class in recent children's literature and the implications for citizenship. In the first season of the Fox television series, The OC (2003–2004), a teenager from the wrong side of the tracks finds himself in wealthy Newport Beach, Orange County — the OC of the title. Rescued from an implied future of juvenile delinquency, 16-year-old Ryan Atwood is at first perceived to be a threat to this world of luxury, ostentation and conspicuous consumption. Over the course of the season, Ryan is able to win the heart of rich girl-next-door, the troubled Marissa Cooper, and, it seems, transcend his class origins. According to Tim Goodman, the plotline of creator Josh Schwartz's series distinguishes it from earlier teen dramas like Beverley Hills 90210 and Dawson's Creek and avoids the clichés of the genre. In many respects, however, Ryan is living another cliché, the American Dream, his social ascendency suggesting that success is possible regardless of one's start in life. -
Saturday's Loss Discourages Students, Fans 30 Years," Swiderski Said
THE The Independent Newspaper Serving Notre Dame and Saint Mary's OLUME 38: ISSUE 44 MONDAY, NOVEMBER 3, 2003 NDSMCOBSERVER.COM Saturday's loss discourages students, fans 30 years," Swiderski said. "I don't By MEGHANNE DOWNES think that makes me a fair News Editor weather fan ... It's so hard to watch the team not even being Coach Tyrone Willingham said competitive." at Friday's pep rally that Notre Saturday's loss was the third Dame students do not leave a time this season Notre Dame lost game. However, at Saturday's loss by more than 30 points and to Florida ranked as the ninth-worst defeat State, several See Also in school history. gaps in the stu- "Broken record" The feeling of desperation pre dent section vailed during the third quarter in appeared. Irish Insider the student section as students Junior Joe did traditional touchdown push Swiderski said he watched the ups for first downs. Boston College game for three The overall feeling from most hours in front of a computer but students was one of disappoint he could not bear to watch the ment, but several students chas second half of the Florida State tised fans who left during the game. Disappointment eventually. game. took over and he left in the third Senior Derek Podolny said quarter. though he expected the eventual - "It is one thing to lose and play outcome he was upset by the dis- SOFIA BALLON!The Observer well and it's another thing to lose Frustrated with the shutout loss to Florida State, many students and fans emptied the by the worst margin of defeat in see FOOTBALL/page 4 stands before the end of the game, with significantly more seniors leaving than freshmen. -
The Oc Episode Music Guide
The Oc Episode Music Guide Indecorous Silvano still frizzes: shrubbiest and correlatable Michele range quite unlimitedly but enough,alphabetise is Olin her megalithic?foreseeability Masochistic prevailingly. and When nice BlakeJohan retimes never depersonalizing his stitchers grides his stupid!not feeble-mindedly South Orange County delving into development, housing, transportation, county government and social issues. Best Musical Moments, in chronological order. Fuhrmann said the music also worked hand in hand with the vibrant visuals of the show. She said in honor of Halloween, she will perform a spookier version of her show. Marissa is worried about closet space and taking out the trash after moving in with Alex and Sandy takes a damn bus to get home to Kirsten. Sandy accepts a case at his new job, a case that will test his relationship with Kirsten, and her father. These two were obviously MADE for each other, and they will forever be one of our fave TV couples. Wanderlust not satisfied yet? Sorry, your blog cannot share posts by email. Kirsten does something that could cost her more than just her job. Does anybody know the song they used when Ryan and his brother are stealing the car. Alexandra Pastavas, seemed to pay respect to the original while adding a new contemporary layer that served to fit the new song into the musical landscape of its time. Perhaps the Cohen house is full? But first, we need you to sign in to PBS using one of the services below. This show rocks my socks! The first time I met him it was like speaking to an old friend. -
Copyright by Nicole Lynn Murphy 2014
Copyright by Nicole Lynn Murphy 2014 The Thesis Committee for Nicole Lynn Murphy Certifies that this is the approved version of the following thesis: Class Negotiations: Poverty, Welfare Policy, and American Television APPROVED BY SUPERVISING COMMITTEE: Mary Beltran Mary Celeste Kearney Class Negotiations: Poverty, Welfare Policy, and American Television by Nicole Lynn Murphy, BA Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August 2014 Acknowledgements I owe thanks to the many people who have supported me throughout this project and incredibly hard year. First, to my thesis committee both Mary Beltran for her understanding and support, and Mary Kearney, for her honesty. Also, to my colleagues: Alana, for her co-mothering and Austin, for his critical eye. You have both kept me sane for the last two years with perfectly crafted drinks and pretty girl wit. A special thank you to my mother, who keeps me grounded. Mom, it is because of your love and constant real talk that I can speak my truth. Finally, this project is in memory of my grandmother. She infused my life with laughter and showed me how to move through the world as an uncompromisingly intelligent woman. iv Abstract Class Negotiations: Poverty, Welfare Policy, and American Television Nicole Lynn Murphy, MA The University of Texas at Austin, 2014 Supervisor: Mary Beltran Television impacts the shape of our common culture by depicting our societal fears, myths and hopes in a constantly shifting and negotiated manner. -
Web Magazine Approaches to Christmas
Page 1 of 3 Print entire issue Web Magazine Approaches to Christmas Issue 198: December 19, 2006 FEATURED ARTICLES The Spouse Who Stole Christmas By Sue Eisenfeld Her non-Jewish husband decided not to do Christmas, but now she misses it. Read More Bringing Christmas Back By Gina Hagler If you convert, can you still have a tree? Read More Don't Bring Christmas Back By Dawn C. Kepler An outreach professional responds to Bringing Christmas Back. http://www.interfaithfamily.com/site/pp.aspx?c=ekLSK5MLIrG&b=1711661&printmode... 12/19/2006 Page 2 of 3 Read More Learning to Let Go of Christmas By Alice Hale Now that she's converted, she's ready to stop celebrating Christmas. But her kids aren't. Read More ALSO IN THIS ISSUE More Articles on Approaches to Christmas What Will We Do About Christmas? (After the Grandparents Are Gone) By Suzanne Koven Hanukkah at home, Christmas at the in-laws. But what happens when the in-laws die? Planning "Far Enough" By Rosanne Levitt An outreach professional responds to What Will We Do About Christmas? (After the Grandparents Are Gone). The Greatest Game: Playing Dreidel in Iowa By Susan Freudenheim A self-avowed East Coast liberal introduces her husband's devout Catholic family to gelt and latkes. "In the Mix": (Out of the) Home for Christmas By Julie Wiener A Jewish woman struggles to keep Christmas at arm's length from her interfaith family. News Survey: Interfaith Families Raising Jewish Kids Can Negotiate Christmas By Sue Fishkoff http://www.interfaithfamily.com/site/pp.aspx?c=ekLSK5MLIrG&b=1711661&printmode.. -
Perche the OC Non Ha Funzionato?
110 111 PERCHÉ THE OC NON HA FUNZIONATO? PERCHÉ THE OC NON HA FUNZIONATO? Trionfi e cadute della fiction per adolescenti Giovanna Cosenza Ho cominciato a riflettere sulla fiction per adolescenti nell’ottobre 2006, quando la se- rie televisiva The OC (dal 2004 su Italia 1 in prima serata) fu interrotta – a metà della terza stagione – a favore di altre trasmissioni, per essere poi recuperata nella primavera del 2007, ma solo in seconda serata. La ragione ufficiale era il crollo degli ascolti, anche se molti giovani affezionati alla serie, discutendo in vari forum su Internet1, tuttora ri- conducono quel crollo un po’ a errori di programmazione, un po’ alla decisione di Me- diaset di trasmettere in anteprima le puntate della terza stagione sul digitale terrestre. L’irritazione dei fan si è accentuata quando hanno scoperto, nel settembre 2007, che la serie era stata sospesa definitivamente, e la quarta e ultima stagione, già trasmessa sul digitale terrestre, non sarebbe mai stata trasmessa via etere. Indipendentemente dalle spiegazioni più o meno rabbiose dei fan, la caduta degli indici di ascolto è stata non so- lo reale, ma considerevole2. L’andamento della serie in Italia ha del resto rispecchiato quello negli Stati Uniti, dove la crisi ha indotto la produzione a fermarsi alla quarta sta- gione, conclusasi poco trionfalmente su Fox il 22 febbraio 2007. Volevo capire, un anno fa, come mai una serie in apparenza simile a Beverly Hills 90210 negli anni novanta e a Dawson’s Creek fra il 1998 e il 2003, avesse fatto – do- po il successo delle prime due stagioni – questo clamoroso fiasco, mentre le prece- denti avevano ottenuto consensi di pubblico ben più durevoli. -
Geek Cultures: Media and Identity in the Digital Age
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2009 Geek Cultures: Media and Identity in the Digital Age Jason Tocci University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Other Communication Commons, Social and Cultural Anthropology Commons, and the Sociology Commons Recommended Citation Tocci, Jason, "Geek Cultures: Media and Identity in the Digital Age" (2009). Publicly Accessible Penn Dissertations. 953. https://repository.upenn.edu/edissertations/953 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/953 For more information, please contact [email protected]. Geek Cultures: Media and Identity in the Digital Age Abstract This study explores the cultural and technological developments behind the transition of labels like 'geek' and 'nerd' from schoolyard insults to sincere terms identity. Though such terms maintain negative connotations to some extent, recent years have seen a growing understanding that "geek is chic" as computers become essential to daily life and business, retailers hawk nerd apparel, and Hollywood makes billions on sci-fi, hobbits, and superheroes. Geek Cultures identifies the experiences, concepts, and symbols around which people construct this personal and collective identity. This ethnographic study considers geek culture through multiple sites and through multiple methods, including participant observation at conventions and local events promoted as "geeky" or "nerdy"; interviews with fans, gamers, techies, and self-proclaimed outcasts; textual analysis of products produced by and for geeks; and analysis and interaction online through blogs, forums, and email. -
OC: the Outsider, 2004, Melissa Rosenberg, Warner Bros Us Staff, Warner Bros
OC: The Outsider, 2004, Melissa Rosenberg, Warner Bros Us Staff, Warner Bros. Entertainment Staff, Cory Martin, Josh Schwartz, 0141319070, 9780141319070, Puffin, 2004 DOWNLOAD http://bit.ly/1EUdn81 http://goo.gl/R0CEU http://www.alibris.co.uk/booksearch?browse=0&keyword=OC%3A+The+Outsider&mtype=B&hs.x=19&hs.y=26&hs=Submit The Outsider tells the story of Ryan Atwood, the boy from the wrong side of the tracks, who, through a twist of fate, finds himself living in luxury in the salubrious Newport Beach. This is the first novelization of the series. DOWNLOAD http://wp.me/2zpda http://www.2shared.com/document/XHAZ2GQo/OC-The-Outsider.html http://bit.ly/1CZSusl The Outsider , Jacquie Bloese, Josh Schwartz, Jan 1, 2007, Teenagers, 56 pages. Extensive reading improves fluency and there is a real need in the ELT classroom for motivating, contemporary graded material that will instantly appeal to students. The OC. The Way Back, Book 3 , Warner Bros. Entertainment Staff, Cory Martin, 2004, Orange County (Calif.), 189 pages. Welcome to The OC Orange County, California, where the sun always shines, the beaches are white and sandy, and the residents are extremely rich. On the surface, it's a perfect. Commie Girl in the OC , Rebecca Schoenkopf, 2008, Biography & Autobiography, 193 pages. From her operational-base-cum-family-home, Commie Girl brings you this brave and brilliant journal of daily life in a land where no liberal-humanist sentiment has been detected. Mamma I'm in Love with a Gangster , Joy, 2006, Fiction, 283 pages. Baby Girl McCoy, a product of rape, searches for a "daddy" figure in her life, while Harlem Lee Jones, even though she's found God, and a new man named Jazzy, cannot escape the. -
Popular Representations of Jewish Identity on Primetime Television: the Ac Se of the .OC
Macalester College DigitalCommons@Macalester College Media and Cultural Studies Honors Projects Media and Cultural Studies 5-1-2006 Popular Representations of Jewish Identity on Primetime Television: The aC se of The .OC. Tamara Olson Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/hmcs_honors Part of the Broadcast and Video Studies Commons Recommended Citation Olson, Tamara, "Popular Representations of Jewish Identity on Primetime Television: The asC e of The .OC." (2006). Media and Cultural Studies Honors Projects. Paper 1. http://digitalcommons.macalester.edu/hmcs_honors/1 This Honors Project is brought to you for free and open access by the Media and Cultural Studies at DigitalCommons@Macalester College. It has been accepted for inclusion in Media and Cultural Studies Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Popular Representations of Jewish Identity on Primetime Television: The Case of The O.C. Tamara Jill Olson Senior Honors Thesis Department: Humanities and Media and Cultural Studies Advisor: Leola Johnson Readers: Vincent Doyle and J. Andrew Overman Date Submitted: May 1, 2006 Table of Contents Introduction 3 Chapter 1: A History of Jewish Identity and Representations in Mass Media 13 Chapter 2: Jews on Television 42 Chapter 3: Methods: Reading The O.C. as a Cultural Text 60 Chapter 4: Television and the Construction of a White, Post-Jewish Identity: A Close Reading of The O.C. 69 Conclusion: Exploring the Postmodern, Secular Jewish Identity as a Brand of Whiteness 104 Works Cited 109 2 Introduction The O.C.