Idiom Theater's Loaded Lineup P.15

Total Page:16

File Type:pdf, Size:1020Kb

Idiom Theater's Loaded Lineup P.15 ALAN RHODES, P.06 + PAINT OUT, P.16 + FREE WILL ASTROLOGY, P.26 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 08-15-2018* • ISSUE:*33 • V.13 BEST OF BELLINGHAM Your vote goes here! P.09 RIVER OF OIL Dwindling orcas, expanding pipelines P.08 SUMMER'S END Music and art with a mission P.18 MARIAN AND iDiOM Theater's MORE loaded lineup P.15 Fairgrounds, Lynden A brief overview of this GET OUT 30 Wild Things: 9:30-11am, Lake Padden Park Drive for the Arts: 1pm, Swinomish Golf Links FOOD week’s happenings THISWEEK Sin & Gin Tour: 7pm, downtown Bellingham FOOD 24 WEDNESDAY [08.15.18] Ferndale Market: 3-7pm, Riverwalk Park ONSTAGE VISUAL B-BOARD Vaudevillingham: 7pm and 9pm, Cirque Lab Night Market: 6-10pm, Commercial Street MUSIC SATURDAY [08.18.18] 23 Battle of the Bands: 5-7pm, Burlington Visitor Center Amphitheater ONSTAGE FILM Titus Andronicus: 7pm, Rexville Grange Amphi- COMMUNITY theater NW Washington Fair: 9am-11pm, NW Washington Marian: 7:30pm, Maritime Heritage Park 18 Fairgrounds, Lynden Hotbox: 7:30pm, Sylvia Center for the Arts Hound of the Baskervilles: 7:30pm, Anacortes MUSIC FOOD Community Theatre Wednesday Market: 3-7pm, Fairhaven Village Green Push it to the Limit: 9pm, Upfront Theatre 16 Farmers Market: 3-7pm, Hammer Heritage Square, Sedro-Woolley MUSIC ART Barkley Market: 4-6pm, Barkley Village Green Skagit Woodstock: 2-10pm, Edgewater Park, Mount Vernon 15 [08.16.18] Arete Quartet: 6-8pm, Boulevard Park THURSDAY Naughty Blokes: 6-8pm, Heart of Anacortes STAGE ONSTAGE Bard on the Beach: Through Sept. 28, Vanier Park, FILM Vancouver, BC Black Panther: Dusk, Fairhaven Village Green 14 Titus Andronicus: 7pm, Rexville Grange Amphitheater Marian: 7:30pm, Maritime Heritage Park COMMUNITY Hound of the Baskervilles: 7:30pm, Anacortes Com- NW Washington Fair: 9am-11pm, NW Washington GET OUT munity Theatre Fairgrounds, Lynden Good, Bad, Ugly: 8pm, Upfront Theatre The Project: 10pm, Upfront Theatre GET OUT 12 Nooksack River Walk: 3pm, Horseshoe Bend DANCE Trailhead WORDS Balkan Folk Dance: 7-9:30pm, Fairhaven Library FOOD MUSIC Pancake Breakfast: 8-11am, Ferndale Senior Center 8 Blues and Brews: 5-9pm, Hotel Bellwether terrace Anacortes Farmers Market: 9am-2pm, Depot Arts Jazz Jam: 5:30-8:30pm, Illuminati Brewing Center High Mountain String Band: 6-8pm, Elizabeth Park Mount Vernon Market: 9am-2pm, Riverwalk Park CURRENTS Soulfunktion: 6-8pm, Riverwalk Plaza, Mount Vernon Lummi Island Market: 10am-1pm, the Islander Lynden Farmers Market: 10am-2pm, Centennial 6 COMMUNITY Due to unprecedented attendance records, Park NW Washington Fair: 9am-11pm, NW Washington Blaine Gardeners Market: 10am-2pm, H Street VIEWS Fairgrounds, Lynden Bard on the Beach will extend its 29th Plaza Bellingham Farmers Market: 10am-3pm, Depot 4 FOOD season of Shakespearean theater with shows happening Market Square Bow Farmers Market: 1-6pm, Samish Bay Cheese Saturday Market: 1-3pm, Concrete Community Center MAIL Vino in the Village: 5:30-8:30pm, historic Fairhaven through Sat., Sept. 28 at Vancouver, BC’s Vanier Park [08. .18] SUNDAY 19 PHOTO BY DAVID COOPER DAVID BY PHOTO 2 2 FRIDAY [08.17.18] MUSIC DO IT DO IT ONSTAGE Naughty Blokes: 1-4pm, Gilkey Square, La Conner King Lear: 7pm, Rexville Grange Amphitheater International Concert Series: 2pm, Peace Arch Marian: 7:30pm, Maritime Heritage Park Park, Blaine Hotbox: 7:30pm, Sylvia Center for the Arts Deakin Hicks CD Release: 7pm, Sylvia Center 08.15.18 Hound of the Baskervilles: 7:30pm, Anacortes Com- munity Theatre COMMUNITY Push it to the Limit: 9pm, Upfront Theatre Car Show & Shine: 10am-2pm, BelleWood Acres .13 33 # DANCE FOOD Hot August Nights: 8-10pm, the Majestic Edison Farmers Market: 10am-3pm, Edison Granary Langar: 11am-2pm, Guru Nanak Gursikh Gurdwara, MUSIC Lynden Summer’s End Music + Arts: 12-10pm, Zuanich Point Park MONDAY [08.20.18] Longstride: 6-8pm, Seafarers Memorial Park, Ana- ONSTAGE CASCADIA WEEKLY cortes Farm Tunes: 6-9pm, BelleWood Acres Guffawingham: 9pm, Firefly Lounge 2 Whiskey Fever: 7-9pm, Eagle Haven Winery, Sedro- Hear classic rock for the modern age when the Naughty Woolley TUESDAY [08.21.18] Blokes perform Aug. 18 at the Heart of Anacortes, and COMMUNITY Aug. 19 at La Conner’s Gilkey Square. GET OUT NW Washington Fair: 9am-11pm, NW Washington History Sunset Cruise: 6:30pm, Bellingham Cruise Terminal THISWEEK 30 FOOD Contact Cascadia Weekly: 360.647.8200 24 mail TOC LETTERS STAFF Editorial B-BOARD Editor & Publisher: Tim Johnson ext 260 23 editor@ cascadiaweekly.com FILM Arts & Entertainment Editor: Amy Kepferle ext 204 18 Get into the groove by paying homage to the Queen of Pop, calendar@ who turns 60 this week. The iconic material girl was born cascadiaweekly.com MUSIC Aug. 16, 1958 and has spent most of her life entertaining Music & Film Editor: the masses. In addition to being the bestselling female Carey Ross 16 recording artist of all time, she’s also a dancer, actress, ext 203 mother, record producer, film director, author, and humani- ART music@ tarian. Happy birthday, Madonna! cascadiaweekly.com 15 Production Art Director: STAGE Views & News Jesse Kinsman 04: Mailbag jesse@ 14 06: Gristle & Rhodes kinsmancreative.com Design: 08: Orcas in the path Bill Kamphausen GET OUT 10: Last week’s news Advertising Design: Roman Komarov 11: Police blotter, Index roman@ 12 cascadiaweekly.com Send all advertising materials to Arts & Life [email protected] WORDS 12: A killer read FARMWORKER MARCH FOR DIGNITY members count ballots by hand. They were tally- Advertising 8 14: Panning for gold On Sun., Aug. 5, an historic Farmworker March ing partial results for a local race as contained Sales Manager: for Dignity took place along the rural farm roads in six large, randomly selected ballot batches. 15: Loaded lineup Stephanie Young from Lynden to Sumas. These were paper ballots—physical evidence of 16: Plein Air Paint Out 360-647-8200 CURRENTS advertising@ Participants walked 15 miles over 10 hours, voter choice. Verifiable and recountable. 18: Summer’s End cascadiaweekly.com and had plenty of time to reflect on the long, Washington state made the right choice back 6 20: Clubs Distribution hot, exhausting days endured by farmworkers when many other states were adopting black- day after day in order to bring food to our tables. box, hackable electronic voting devices. VIEWS 22: More than a movie Distribution Manager: The several hundred participants chose to Each ballot set was counted separately by both Erik Burge 23: Film Shorts 4 4 360-647-8200 spend their Sunday to march all day in the heat staff, supervised by County Auditor Debbie Adel- distribution@ in solidarity with some of the hardest-working stein and witnessed by volunteer observers. The MAIL MAIL cascadiaweekly.com Rear End and lowest-paid workers in our country. two hand counts for each ballot set were compared Whatcom: Erik Burge, 2 Wellness How ironic, then, that there were some mem- first to each other, then to the machine tabula- 24: Stephanie Simms bers of our local community who chose to use their tor totals for each set. The latter had been tallied 25: Crossword Skagit: Linda Brown, DO IT Barb Murdoch voices to castigate the marchers by yelling “get a previously and were unknown to the staff who did 26: Free Will Astrology job!” from the air-conditioned cabs of their shiny the hand count. All the counts of the six selected 27: Advice Goddess Letters new black pickup trucks (probably not on their own batches, totaling 1,174 ballots, matched. SEND LETTERS TO LETTERS@ way to work, on a Sunday). I wonder if they thought Why does this matter? Conducting this random 28: Comix CASCADIAWEEKLY.COM 08.15.18 to yell the same slur to the crowd recreating at the comparison of hand counts to machine tallies is 29: Slowpoke, Sudoku ALAN RHODES, P.06 + PAINT OUT, P.16 + FREE WILL ASTROLOGY, P.26 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA go-kart race track we passed along the way. a striking example of investment in election in- WHATCOM*SKAGIT*ISLAND COUNTIES .13 30: Feel the heat 08-15-2018 • ISSUE:33 • V.13 33 What irony for people who live in a farming tegrity. And the encouragement of citizens to be BEST OF BELLINGHAM # Your vote goes here! P.09 RIVER OF OIL Dwindling orcas, expanding pipelines P.08 community to yell “get a job” to a crowd of hard- part of that process. SUMMER'S END Music and art with a mission ©2018 CASCADIA WEEKLY (ISSN 1931-3292) is published each Wednesday by P.18 working farmworkers and their allies. The Whatcom Citizens Election Advisory Com- Cascadia Newspaper Company LLC. Direct all correspondence to: Cascadia Weekly PO Box 2833 Bellingham WA 98227-2833 | Phone/Fax: 360.647.8200 Thank you to all of the people who honked and mittee helped select our recently updated elec- [email protected] MARIAN AND waved and walked out of their front doors to join tion equipment. Our county was the first in Though Cascadia Weekly is distributed free, please take just one copy. Cascadia iDiOM Theater's MORE loaded lineup Weekly may be distributed only by authorized distributors. Any person removing P.15 us in solidarity. I want to challenge the handful of Washington state to adopt the above hand count papers in bulk from our distribution points risks prosecution SUBMISSIONS: Cascadia Weekly welcomes freelance submissions. Send material rude passersby to consider what they do on their as standard operating procedure in every elec- CASCADIA WEEKLY to either the News Editor or A&E Editor. Manuscripts will be returned if you COVER: Photo of Marian, own days off to help farmworkers feel appreciated, tion.
Recommended publications
  • 08-15-14 Digital.Indd
    (Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY Arts Taste of Norway « Å eg veit meg eit land langt der Like cooking Fossum’s latest oppe mot nord, med ei lysande thriller reviewed strand mellom høgfjell og fjord. » fish in a bag Read more on page 15 – Elias Blix Read more on page 8 Norwegian American Weekly Vol. 125 No. 28 August 15, 2014 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidende $2.00 per copy A DIY tour of Norway’s fjords DONALD V. MEHUS New York The fjords of Norway stand The tour begins by train in the morning cost line the route. Just be sure to make high on lists of the great natural from either Oslo (headed west) or Bergen your lodging reservations in advance. wonders of the world. Who has not (headed east) to the middle of Norway. As I have taken this particular fjord and dreamed of visiting the majestic though you have not had a wealth of beauti- mountain tour a number of times, and Sognefjord, the country’s longest ful scenery at the very start, then the won- for the most part I did not need to make and mightiest? Or the spectacular derfully scenic route winds by boat and bus transportation reservations in advance. I Geirangerfjord with its magnificent up north through the center of the country to just boarded train, boat, or bus with ticket view from Flydalsjuvet, with cruise Sognefjord, then farther on to Geirangerfjord in hand, and away we went. However, it’s ships ever plying its still waters? and Åndalsnes and so by train back to Oslo.
    [Show full text]
  • (POST)COLONIAL AFRICA by Katherine Lynn Coverdale the F
    ABSTRACT AN EXPLORATION OF IDENTITY IN CLAIRE DENIS’ AND MATI DIOP’S (POST)COLONIAL AFRICA by Katherine Lynn Coverdale The focus of this thesis is aimed at two female French directors: Claire Denis and Mati Diop. Both auteurs utilize framing to create and subsequently break down ideological boundaries of class and race. Denis’ films Chocolat and White Material show the impossibility of a distinct identity in a racialized post-colonial society for someone who is Other. With the help of Laura Mulvey and Richard Dyer, the first chapter of this work on Claire Denis offers a case study of the relationship between the camera and race seen through a deep analysis of several sequences of those two films. Both films provide an opportunity to analyze how the protagonists’ bodies are perceived on screen as a representation of a racial bias held in reality, as seen in the juxtaposition of light and dark skin tones. The second chapter analyzes themes of migration and the symbolism of the ocean in Diop’s film Atlantique. I argue that these motifs serve to demonstrate how to break out of the identity assigned by society in this more modern post-colonial temporality. All three films are an example of the lasting violence due to colonization and its seemingly inescapable ramifications, specifically as associated with identity. AN EXPLORATION OF IDENTITY IN CLAIRE DENIS’ AND MATI DIOP’S (POST)COLONIAL AFRICA A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Katherine Lynn Coverdale Miami University Oxford, Ohio 2020 Advisor: Dr.
    [Show full text]
  • Blackbourn Veronica a 20101
    The Beloved and Other Monsters: Biopolitics and the Rhetoric of Reconciliation in Post-1994 South African Literature by Veronica A. Blackbourn A thesis submitted to the Department of English Language and Literature In conformity with the requirements for the degree of Doctor of Philosophy Queen‘s University Kingston, Ontario, Canada (December, 2010) Copyright © Veronica A. Blackbourn, 2010 Abstract This dissertation examines the use of inter-racial relationships as emblems of political reconciliation in South African fiction from and about the transition from apartheid to democracy. Positive representations of the relationships that apartheid prohibited would seem to constitute a rejection of apartheid itself, but through an analysis of novels by Lewis DeSoto, Elleke Boehmer, Zoë Wicomb, Marlene van Niekerk, Ivan Vladislavić, and J.M. Coetzee, I argue that the trope of the redemptive inter-racial relationship in fact reinscribes what Foucault would designate a biopolitical obsession with race as a foundational construct of the nation. Chapter 2 examines an attempt to write against the legacy of apartheid by repurposing the quintessentially South African genre of the plaasroman, but Lewis DeSoto‘s A Blade of Grass (2003) fails to reverse the narrative effects created by the plaasroman structure, implicated as the plaasroman is and has been in a biopolitical framework. Chapter 3 examines Elleke Boehmer‘s rewriting of South African history to insist on the genealogical ―truth‖ of the racial mixing of the country and its inhabitants, but Bloodlines (2000) yet retains the obsession with racial constructs that it seeks to dispute. Zoë Wicomb‘s Playing in the Light (2006), meanwhile, invokes genealogical ―truth‖ as a corrective to apartheid constructions of race, but ultimately disallows the possibility of genealogical and historical narratives as correctives rather than continuations of apartheid.
    [Show full text]
  • Montana Kaimin, April 11, 2003 Students of the Niu Versity of Montana, Missoula
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 4-11-2003 Montana Kaimin, April 11, 2003 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, April 11, 2003" (2003). Montana Kaimin, 1898-present. 4698. https://scholarworks.umt.edu/studentnewspaper/4698 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. www.kaimin.org MONTANA KAIMIN Kaimin is a Salish word for paper Friday April 11, 2003 — Issue 89 Earth First! bridge rappeller pleads guilty U.S. says Idaho woman gets 18-month last stand deferred sentence in sight Casey Trang Montana Kaimin David Espo The Associated Press A protester who was arrested in June for rappelling off the Opposition forces crumbled in Madison Street Bridge after northern Iraq on Thursday as tying herself to a stopped logging U.S. and Kurdish troops seized truck received an 18-month oil-rich Kirkuk without a fight deferred sentence Thursday for and held a second city within her role in the incident. their grasp. U.S. commanders Earth First! member said signs pointed to a last stand Stephanie Valle pleaded guilty to by Iraqis in Saddam Hussein’s a felony charge of criminal birthplace of Tikrit.
    [Show full text]
  • View the 2021 Project Dossier
    www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133
    [Show full text]
  • Robert Glasper's In
    ’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • African Carmen Transnational Cinema As an Arena for Cultural Contradictions
    Mari Maasilta African Carmen Transnational Cinema as an Arena for Cultural Contradictions ACADEMIC DISSERTATION To be presented, with the permission of the Department of Journalism and Mass Communication of the University of Tampere, for public discussion in the auditorium A1 of the University Main Building, Kalevantie 4, Tampere on Saturday June 16th, 2007 at 12 o’clock. University of Tampere Tampere 2007 Mari Maasilta African Carmen Transnational Cinema as an Arena for Cultural Contradictions Media Studies ACADEMIC DISSERTATION University of Tampere Department of Journalism and Mass Communication FINLAND Copyright © 2007 Mari Maasilta Distribution Bookshop TAJU P.O. BOX 617 33014 University of Tampere Tel. +358 3 3551 6055 Fax +358 3 3551 7685 taju@uta.fi http://granum.uta.fi Page design Aila Helin Cover design Sakari Viista Photos Karmen. Joseph Gaï Ramaka Mari Maasilta. Sakari Viista Printed dissertation ISBN 978-951-44-6961-9 Electronic dissertation Acta Electronica Universitatis Tamperensis 626 ISBN 978-951-44-6972-5 (pdf) ISSN 1456-954X http://acta.uta.fi Tampereen Yliopistopaino Oy – Juvenes Print Tampere 2007 To all my transnational friends around the world. Contents Preface ..............................................................................11 1 Introduction .....................................................................21 Research task ...........................................................................24 Autonomy of Senegalese cultural production .....................29 Methodology ...........................................................................34
    [Show full text]
  • Festival Review 72Nd Festival De Cannes Finding Faith in Film
    Joel Mayward Festival Review 72nd Festival de Cannes Finding Faith in Film While standing in the lengthy queues at the 2019 Festival de Cannes, I would strike up conversations with fellow film critics from around the world to discuss the films we had experienced. During the dialogue, I would express my interests and background: I am both a film critic and a theologian, and thus intrigued by the rich connections between theology and cinema. To which my interlocutor would inevitably raise an eyebrow and reply, “How are those two subjects even related?” Yet every film I saw at Cannes somehow addressed the question of God, religion or spirituality. Indeed, I was struck by how the most famous and most glamorous film festival in the Western world was a God-haunted environ- ment where religion was present both on- and off-screen. As I viewed films in competition for the Palme d’Or, as well as from the Un Certain Regard, Direc- tors’ Fortnight and Critics’ Week selections, I offer brief reviews and reflections on the religious dimension of Cannes 2019.1 SUBTLE AND SUPERFLUOUS SPIRITUALITY Sometimes the presence of religion was subtle or superfluous. For example, in the perfectly bonkers Palme d’Or winner, Gisaengchung (Parasite, Bong Joon- Ho, KR 2019), characters joke about delivering pizzas to a megachurch in Seoul. Or there’s Bill Murray’s world-weary police officer crossing himself and exclaim- ing (praying?), “Holy fuck, God help us” as zombie hordes bear down on him and Adam Driver in The Dead Don’t Die (Jim Jarmusch, US 2019).
    [Show full text]
  • Mark Kermode's Best Films of 2019
    Mark Kermode’s best films of 2019 @KermodeMovie - The Guardian Sun 29 Dec 2019 06.00 GMTLast modified on Tue 31 Dec 2019 15.51 GMT 2019 was the year that Netflix movies came of age, and ageing actors were made young again. At the 91st Oscars in February, the bland Green Book beat the superior BlackKklansman to the best picture award, although Spike Leewon his first competitive Oscar in the adapted screenplay category. Rami Malik scooped best actor for his portrayal of Freddie Mercury in Bohemian Rhapsody, but best actress Olivia Colman (The Favourite) stole the evening with one of the funniest and most self- deprecating acceptance speeches ever (complete with raspberry-blowing). More significantly, Alfonso Cuarón’s Roma won for cinematography, direction and best foreign language film, despite naysayers’ complaints that Netflix-backed movies were essentially made-for-TV films. That attitude is now history: in the forthcoming awards season, the platform has several contenders, including Noah Baumbach’s Marriage Story and Martin Scorsese’s The Irishman. The Irishman marked a watershed moment for “digital de-ageing”, with innovative technology allowing Robert De Niro, Al Pacino and Joe Pesci to play characters much younger than themselves. We’ve seen de-aging elsewhere (from Captain Marvel to Gemini Man), but never this unobtrusively. Alongside the release of its first original animated feature, Sergio Pablos’s Klaus, Netflix also picked up distribution rights for I Lost My Body, which made history when it took the top prize in the Critics’ Week section at Cannes in May. More family-friendly releases – Frozen II, Toy Story 4 and a weirdly photorealist rehash of The Lion King – may have dominated the box office in 2019, but I Lost My Body was my favourite animated film of the year.
    [Show full text]
  • ONE HUNDRED YEARS of PEACE: Memory and Rhetoric on the United States/ Canadian Border, 1920-1933
    ONE HUNDRED YEARS OF PEACE: Memory and Rhetoric on the United States/ Canadian Border, 1920-1933 Paul Kuenker, Ph.D. Student, School of Historical, Philosophical and Religious Studies, Arizona State University In the fall of 2010, artists Annie Han and Daniel Mihalyo of the Seattle- based Lead Pencil Studio installed their newest sculpture adjacent to the border crossing station located at Blaine, Washington and Surrey, British Columbia on the U.S./Canadian border. Funded by the U.S. General Services Administration’s Art in Architecture program as part of its renovation of the border crossing station, Han and Mihalyo’s Non-Sign II consists of a large rectangular absence created by an intricate web of stainless steel rods (Figure 1). The sculpture evokes the many billboards that dot the highway near the border, yet this “permanent aperture between nations,” as Mihalyo refers to it, frames only empty space. According to Mihalyo, the sculpture plays on the idea of a billboard in order to “reinforce your attention back to the landscape and the atmosphere, the thing that the two nations share in common.”1 Though it may or may not have been their intention, the artists ofNon- Sign II placed the work in a location where it is easily juxtaposed with a border monument from a different era—a concrete archway situated on the boundary between the United States and Canada. Designed by prominent road-builder and Pacific Highway Association President Samuel Hill, the Peace Arch was formally dedicated at a grand ceremony held on September 6, 1921, to celebrate over one hundred years of peace between the United States, Great Britain and Canada since the 1814 Treaty of Ghent (Figure 2).
    [Show full text]
  • Order of the Executive Director May 14, 2020
    PROVINCE OF BRITISH COLUMBIA Park Act Order of the Executive Director TO: Public Notice DATE: May 14, 2020 WHEREAS: A. This Order applies to all Crown land established or continued as a park, conservancy, recreation area, or ecological reserve under the Park Act, the Protected Areas of British Columbia Act or protected areas established under provisions of the Environment and Land Use Act. B. This Order is made in the public interest in response to the COVID-19 pandemic for the purposes of the protection of human health and safety. C. This Order is in regard to all public access, facilities or uses that exist in any of the lands mentioned in Section A above, and includes but is not limited to: campgrounds, day-use areas, trails, playgrounds, shelters, visitor centers, cabins, chalets, lodges, resort areas, group campsites, and all other facilities or lands owned or operated by or on behalf of BC Parks. D. This Order is in replacement of the Order of the Executive Director dated April 8, 2020 and is subject to further amendment, revocation or repeal as necessary to respond to changing circumstances around the COVID-19 pandemic. Exemptions that were issued in relation to the previous Order, and were still in effect, are carried forward and applied to this Order in the same manner and effect. Province of British Columbia Park Act Order of the Executive Director 1 E. The protection of park visitor health, the health of all BC Parks staff, Park Operators, contractors and permittees is the primary consideration in the making of this Order.
    [Show full text]
  • Transformers Franchise, and Redefines What It Means to Be a Hero
    Paramount Pictures Presents In Association with Hasbro A Don Murphy/Tom DeSanto / di Bonaventura Pictures / Ian Bryce Production A Michael Bay Film Executive Produced by Steven Spielberg Michael Bay Brian Goldner Mark Vahradian Produced by Lorenzo di Bonaventura, p.g.a. Tom DeSanto Don Murphy Ian Bryce, p.g.a. Story by Akiva Goldsman and Art Marcum & Matt Holloway & Ken Nolan Screenplay by Art Marcum & Matt Holloway & Ken Nolan Directed by Michael Bay Cast: Mark Wahlberg, Josh Duhamel, Anthony Hopkins, Laura Haddock, Jerrod Carmichael, Isabela Moner, Santiago Cabrera Synopsis: The Last Knight shatters the core myths of the Transformers franchise, and redefines what it means to be a hero. Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager (Mark Wahlberg); Bumblebee; an English Lord (Anthony Hopkins); and an Oxford Professor (Laura Haddock). There comes a moment in everyone’s life when we are called upon to make a difference. In Transformers: The Last Knight, the hunted will become heroes. Heroes will become villains. Only one world will survive: theirs, or ours. TRANSFORMERS: THE LAST KNIGHT is in theatres [local date], 2017 TRANSFORMERS: THE LAST KNIGHT has been rated [local rating]. ABOUT THE CAST MARK WAHLBERG (“Cade Yeager”) earned both Academy Award® and Golden Globe® nominations for his standout work in the family boxing film The Fighter and Martin Scorsese’s acclaimed drama The Departed.
    [Show full text]