Barthat Wasn't

Total Page:16

File Type:pdf, Size:1020Kb

Barthat Wasn't THE BAR THAT WASN’T JOURNEY OF A SOUL IN LONG-TERM RECOVERY JIM W. Praise For The Bar That Wasn’t Jim W. tells a very compelling story of his own journey from addic- tion to alcohol followed by more than five decades of recovery in Alcoholics Anonymous. Woven quite masterfully within his story are stories of others he met along the way – some who also found the help they needed and some who didn’t. Jim offers great insight and hope to anyone who dares to wonder, “Could my problem be alcoholism?” This book is truly a great read, educational and extremely hopeful. —Karen Casey, PhD, retired vice president of publications, Hazelden Foundation, and author of Each Day a New Beginning (published in 1982), the seminal recovery book for women. www.womens-spirituality.com I have thoroughly enjoyed reading The Bar That Wasn’t by Jim W. A powerful anti-stigma tool, it is an eloquent story that captures the core of the A.A. experience, the mechanisms of change within A.A., and fulfillment of the A.A. promises. Much has been written about A.A.’s Twelve Steps, but I don’t think I have ever read a more detailed account of the meaning of “Step Work” on a day-to-day basis and across the stages of long-term recovery. That in itself will make it a valuable resource for those seeking recovery and a worthy contribution to the literature on addiction. It will draw many appreciative readers. —William L. White, author of Slaying the Dragon: A History of Addiction Treatment and Recovery in America, and Recovery Rising. [email protected] After a few pages, The Bar That Wasn’t had me hooked. I found it to be a truly great story. Jim W. strikes a unique balance between the very personal and the scientific. His personal lived experiences in dealing with alcohol are engaging and enlightening. What is different with this book is blending in the science to make it more than the typical personal narrative to educate the reader to broader issues and facts about addictions. This makes the book suitable not only for those who might be dealing with their own struggles, but also for students and aspiring clinicians to understand addictions and recovery from the perspective of one affected by the conditions. —Norman G. Hoffmann, PhD, has been an internationally acclaimed expert on the design of assessment tools and the evalua- tion of treatment services for over forty years. He is the founder of Evince Diagnostics, an online clinical assessment service. [email protected] The Bar That Wasn’t has been written with the help of thousands who have gone before. Jim W.’s story lays out an approach to the Twelve Steps that is at once complex, yet practical. And while no two people are exactly alike, these basic fundamentals will apply to both the newly sober and those with years of sobriety. In the end, this book is about helping people live happier, more satisfying lives by providing them with the tools to establish and maintain long-term sobriety. —George Watkins, founder of Performance Resource Press and founder of The Employee Assistance Society of North America The Bar That Wasn’t: Journey Of A Soul In Long-Term Recovery Published by Jim W. Publications, LLC Madison, WI Copyright ©2021 by Jim W. All rights reserved. No part of this book may be reproduced in any form or by any mechanical means, including information storage and retrieval systems without To my sponsors and my wife. permission in writing from the publisher/author, except by a reviewer who may quote passages in a review. All images, logos, quotes, and trademarks included in this book are subject to use according to trademark and copyright laws of the United States of America. ISBN: 978-0-578-80135-3 SELF-HELP / Substance Abuse & Addictions / Alcohol Cover and Interior design by Victoria Wolf, wolfdesignandmarketing.com QUANTITY PURCHASES: Professional groups, clubs, and other organizations may qualify for special terms when ordering quantities of this title. For information, email [email protected]. All rights reserved by Jim W. and Jim W. Publications, LLC Printed in the United States of America. The brief excerpts from The Big Book, Alcoholics Anonymous and Twelve Steps and Twelve Traditions are reprinted with permission of Alcoholics Anonymous World Services, Inc. (“A.A.W.S.”) Permission to reprint these excerpts does not mean that A.A.W.S. has reviewed or approved the contents of this publication, or that A.A.W.S. necessarily agrees with the views expressed herein. A.A. is a program of recovery from alcoholism only — use of these excerpts in connection with programs and activities which are patterned after A.A., but which address other problems, or in any other non A.A. context, does not imply otherwise. Contents FORWARD ix INTRODUCTION 1 DEPRESSION 3 LOOKING FOR SOMETHING THAT WASN’T THERE 9 HOLDING ON 35 RECOVERING IMPERFECTLY 61 STEP ZERO: TRADITION THREE 67 STEP ONE 75 STEP TWO 95 STEP THREE 103 STEP FOUR 129 STEP FIVE 153 STEP SIX 161 STEP SEVEN 189 STEP EIGHT 203 STEP NINE 211 STEP TEN 225 STEP ELEVEN 253 STEP TWELVE 267 PURPOSE 283 Acknowledgments 303 About the author 305 Notes 307 FORWARD im W’s The Bar That Wasn’t is a beautifully written memoir that Jchronicles in such amazing detail one man’s journey into a life of recovery. This book follows his pain and quiet desperation with heartfelt honesty. In particular, he captures the destructive power and emotional turmoil caused by his alcoholism. This is a story of recovery from seemingly hopeless addiction to a life in balance, and a wonderfully detailed and grace-filled journey home to a full, meaningful and productive life. Jim beautifully illus- trates the important relationships in his life that carried him through an amazing transformation to wellness, peace and serenity. He makes the 12-step program come alive as the foundation of a life well lived. His message is one of hope and healing that will touch anyone who has suffered from alcoholism or drug dependency and is seeking the grace of a whole life in recovery. Whether you’re new to recovery or an old timer, or seeking recov- ery for yourself or someone you love, this book is a reminder that we x • The Bar That Wasn’t are not alone, and that our stories are not so unique after-all. Jim walks the reader through the process of taking the Steps that ultimately lead to a deep spiritual connection to self, family, community and the God of our understanding. It is a journey from acceptance to surrender, self examination to willingness to change, from reconciliation to forgive- ness, from daily inventory to the power of prayer and meditation and it culminates with a heartfelt commitment to practice principles and carry the message of hope and recovery to others who still suffer. INTRODUCTION Jim describes that moment that all of us who eventually found our way into the rooms of Alcoholics Anonymous has experienced: when we knew we belonged. That move from isolation to connection, from self-centeredness to other-centeredness, from “me” to “we.” We were no longer alone on this journey. This book provides its reader with a fascinating view of what the ometime in 2012 while sitting at my computer, I started writing world of AA and treatment looked like in Minnesota in the 1960s and Sabout a night in the dead of winter in Minnesota that had changed 70s. For those of us who found our sobriety during these times, it is a my life forty-six years earlier. I had no intention of writing a book. I nostalgic look at the simplicity and hope filled excitement of those times. just wanted to see what that night might look like on paper. Once I As a pioneer of Employee Assistance Programs (EAP’s) in the got started, I kept writing off and on, sometimes leaving it for months. United States and one of the principle architects of the Minnesota Then the mood would strike, and I’d write some more. Department of Human Services’ Chemical Health Division, it’s difficult It grew. The first several pages ended up being about how I got to calculate the lives that have been saved by one man’s journey into to my first A.A. meeting. Then how I took the steps. Nearly eight recovery. Thank you Jim for being such a fine example of a life well- years passed before I finished Step 12. My sponsor, Mac, read it. He lived in our community of Twelve Step recovery. liked it and suggested I send a copy to a mutual friend, Bill White, a great researcher and author of several books on addiction and recov- John H. Curtiss, M.A. ery. I also sent it to Karen Casey, who had served for several years as President/CEO and co-founder of The Retreat, a chemical vice president of publications at Hazelden, and George Watkins, a dependency recovery center in Wayzata, Minnesota and former friend and EAP colleague of many years and a former publisher. Norm Hazelden Foundation executive for 20 years. Hoffman, PhD, one of the great researchers and designers of addiction diagnostic tools, also looked it over. They and others encouraged me to talk to publishers. 2 • The Bar That Wasn’t It had no target audience when I started writing; it was just a personal memoir. But those who have read it believe it could fill a gap in the current literature and be of interest to those already in recovery as well as those starting out.
Recommended publications
  • Top Songwriter Chart
    TOP SONGWRITER CHART Sunday, June 7, 2020 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Craig Wiseman Chasin' You Morgan Wallen Here And Now Kenny Chesney 2 2 Shane McAnally Champagne Night Lady Antebellum Cheatin' Songs Midland Hard To Forget Sam Hunt Nobody But You Blake Shelton And Gwen Stefani One Night Standards Ashley McBryde Second Guessing Florida Georgia Line Some People Do Old Dominion The Other Girl Kelsea Ballerini x Halsey 3 3 Luke Combs Does To Me Luke Combs (feat. Eric Church) I Hope You're Happy Now Carly Pearce and Lee Brice Six Feet Apart Luke Combs 4 4 Jonathan Singleton Die From A Broken Heart Maddie & Tae I Hope You're Happy Now Carly Pearce and Lee Brice In Between Scotty McCreery 5 5 Josh Thompson Ain't Always The Cowboy Jon Pardi Be A Light Thomas Rhett Featuring Reba McEntire, Hillary Scott, Chris Tomlin & Keith Urban One Margarita Luke Bryan 6 6 Michael Hardy More Than My Hometown Morgan Wallen One Beer HARDY Feat. Lauren Alaina and Devin Dawson One Big Country Song LOCASH Single Saturday Night Cole Swindell Some Girls Jameson Rodgers 7 7 Morgan Wallen Chasin' You Morgan Wallen More Than My Hometown Morgan Wallen 8 8 David Garcia Drinking Alone Carrie Underwood Here And Now Kenny Chesney 9 10 Ashley Gorley Hard To Forget Sam Hunt One Big Country Song LOCASH One Of Them Girls Lee Brice Single Saturday Night Cole Swindell 10 9 Thomas Rhett Be A Light Thomas Rhett Featuring Reba McEntire, Beer Can't Fix Hillary Scott, Chris Tomlin & Keith Urban Thomas Rhett (feat.
    [Show full text]
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Vårt Lille Land
    Vårt lille land Musikk etter 22. juli Ragnhild Toldnes Masteroppgave i medievitenskap Institutt for medier og kommunikasjon UNIVERSITETET I OSLO 14.02.2013 © Ragnhild Toldnes 2013 Vårt lille land - Musikk etter 22. juli Ragnhild Toldnes http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo II Sammendrag Angrepene i Regjeringskvartalet og på Utøya den 22. juli 2011 førte til nasjonal sorg, men i de etterfølgende ukene skapte hendelsene også en følelse av samhold i den norske befolkningen. Flere konserter og minneseremonier ble arrangert, hvor musikken fikk en samlende rolle. Det er nettopp musikken etter 22. juli som er temaet for denne oppgaven, og ved hjelp av ulike metoder og detaljerte beskrivelser er formålet å få frem rikdommen av musikk etter terrorangrepet. Den røde tråden er hvordan media brukte musikk, og studien viser at musikk ble en del av den seremonielle fasen av mediebegivenheten 22. juli. Det eksisterte et mediesamspill i denne fasen hvor media (TV, avis, radio og sosiale medier) brukte musikk på ulike måter. Gjennom en analyse av tre av de mest spilte og omtalte låtene etter terrorangrepet (Mitt lille land, Til ungdommen og Tusen tegninger), viser oppgaven at de tre låtene innehar felles karakteristikker som førte til at de ble musikalske minneobjekter. Studien undersøker også hvordan musikk kan brukes ved sorgarbeid, spesielt etter en katastrofe som 22. juli. Oppgaven viser at musikkens funksjon i samfunnet forandret seg i tiden etter terrorangrepet. Fra å fremstå mest som en underholdningsfaktor, viste musikken hvilken viktig betydning og samlende effekt den kan ha. Abstract The attacks on the Norwegian government buildings and Utøya on the 22nd of July 2011 led to national mourning.
    [Show full text]
  • BILLBOARD COUNTRY UPDATE [email protected]
    Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 25, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Lady A’s Country Artists As Emotionally Torn Ocean Sails >page 4 By Impeachment As Their Fan Base “Old Town” Rode November Lee Greenwood might need to rewrite “God Bless the U.S.A.” in the current climate, and it’s particularly discouraging that Awards Nearly three years into a divisive presidency, the 53rd annual they have a difficult time even settling on reality. >page 10 Country Music Association Awards coincided with the start of “It’s he said/she said,” said LOCASH’s Chris Lucas. “I don’t impeachment hearings on Nov. 13. Judging from the reaction know who to believe or what to believe. There’s two sides, and of the genre’s artists, the opening line in Greenwood’s chorus — the two sides have figured out how to work [the media].” “I’m proud to be an Cash’s father, The Word From American” — is still Johnny Cash, was Garth Brooks a prominent belief. an outspoken sup- >page 11 But “I’m frustrated porter of inclusive to be an American” values, challeng- is hard on its heels as ing the ruling class Still In The Swing: a replacement. in his 1970 single An unscientific “What Is Truth.” Asleep At 50 LOCASH RAY CASH red-carpet poll of Just two years later, >page 11 the creative com- Rosanne cam- munity about the hearings found a wide range of awareness, paigned as a teenager for Democrat George McGovern in his from Rosanne Cash, who said she was “passionate” about bid to unseat Richard Nixon in the White House, and she has Makin’ Tracks: watching them, to a slew of artists who barely knew they were consistently stood up for progressive policies and politicians Tenpenny, Seaforth happening.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations.
    [Show full text]
  • Additional Karaoke Listings Updated February 2021! 1
    Artist Song Title 1975 Chocolate 1975, The Sincerity is Scary 5 Seconds of Summer Want you back 5 Seconds of Summer Easier ACDC Big Balls Adele All I Ask Adele Cold Shoulder Adele Melt My Heart to Stone Adele Million Years Ago Adele Sweetest Devotion Adele Hello Adele I Can't Make You Love Me Adele Love in The Dark Adele One and Only Adele Send My Love to Your New Lover Adele Take It All Adele When We Were Young Adele Remedy Adele Love Song Afroman Colt 45 AJR Burn the House Down Alabama Angels Among us Alabama Forty Hour Week Alabama Roll on Eighteen Wheeler Alabama Lady down on love Alaina, Lauren Road Less Traveled Alaina, Lauren Wings of an Angel Alaina, Lauren Ladies in the 90s Alaina, Lauren Getting Good Alaina, Lauren Other Side, The Aldean, Jason Tattoos on this town ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 1 Aldean, Jason Just Getting Started Aldean, Jason Lights Come On Aldean, Jason Little More Summertime, A Aldean, Jason This Plane Don't Go There Aldean, Jason Tonight Looks Good On You Aldean, Jason Gettin Warmed up Aldean, Jason Truth, The Aldean, Jason You make it easy Aldean, Jason Girl Like you Aldean, Jason Camouflage Hat Aldean, Jason We Back Aldean, Jason Rearview Town Aldean, Jason & Miranda Lambert Drowns The Whiskey Alice in Chains Man In The Box Alice in Chains No Excuses Alice in Chains Your Decision Alice in Chains Nutshell Alice in Chains Rooster Allan, Gary Every Storm (Runs Out of Rain) Allan, Gary Runaway Allen, Jimmie Best shot Anderson, John Swingin' Andress, Ingrid Lady Like Andress, Ingrid More Hearts Than Mine Angels and Airwaves Kiss & Tell Angston, Jon When it comes to loving you Animals, The Bring It On Home To Me Arctic Monkeys Do I Wanna Know Ariana Grande Breathin Arthur, James Say You Won't Let Go Arthur, James Naked Arthur, James Empty Space ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 2 Arthur, James Falling like the stars Arthur, James & Anne Marie Rewrite the Stars Arthur, James & Anne Marie Rewrite The Stars Ashanti Happy Ashanti Helpless (ft.
    [Show full text]
  • Tiger Stripes
    HURON HIGH SCHOOL TIGER STRIPES Volume 17 Issue 6 18th and Arizona Huron, South Dakota 57350 February 22, 2019 Turning it off, (not) on again BY JASMINE SNOW What’s Inside? HHS has fnally met the said Mr. Radke. “The that everything is blocked, I end of times: YouTube (and majority of the students who spend so much more time on Pg. 2 ~ Dear seniors... Stick with other streaming services) had access to websites like my phone at school because has been blocked from the YouTube for their on-line I can’t do anything on my it internet network accessible classes were not using the computer.” to students who take dual less restricted access for their Evers’ complaints are credits. classes and were instead echoed by many other Pg. 3 ~ Cherry Prom dates: Is it a With recent restrictions watching movies and playing members of his class who go or no? added to the network, all games.” have been left wondering if technology handled by The new restrictions are this is a permanent change. students has been rendered mostly a hinderance for “Probably,” Mr Radke Pg. 4 ~ Tiger Briefs: hockey, swim equal — personal computers students taking dual credit said. “Our students taking team, gymnastics, and and school-issued dual credit courses, but specifcally dual credit classes provide computers now have the for seniors, who, since the an example for the rest of the wrestling same access as iPads. beginning of this year, have school . I want them in the Students may feel that been required to remain building to be role models Pg.
    [Show full text]
  • The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
    Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3.
    [Show full text]
  • December 13, 2020
    Sunday, December 13, 2020 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Josh Osborne Happy Anywhere Blake Shelton and Gwen Stefani Beers And Sunshine Darius Rucker How They Remember You Rascal Flatts 7 Summers Morgan Wallen Breaking Up Was Easy In The 90’s Sam Hunt Next Girl Carly Pearce Never Be Sorry Old Dominion 2 4 Randy Montana Pretty Heart Parker McCollum Better Together Luke Combs We Didn't Have Much Justin Moore 3 5 Ernest Keith Smith Somebody's Problem Morgan Wallen Big, Big Plans Chris Lane More Than My Hometown Morgan Wallen Breaking Up Was Easy In The 90’s Sam Hunt 4 6 Hillary Lindsey Favorite Time of Year Carrie Underwood One Beer HARDY Feat. Lauren Alaina and Devin Dawson Hole In The Bottle Kelsea Ballerini Almost Maybes Jordan Davis 5 2 Michael Hardy Livin’ The Dream Morgan Wallen Still Goin Down Morgan Wallen More Than My Hometown Morgan Wallen One Beer HARDY Feat. Lauren Alaina and Devin Dawson Single Saturday Night Cole Swindell 6 3 Morgan Wallen Livin’ The Dream Morgan Wallen Still Goin Down Morgan Wallen Somebody's Problem Morgan Wallen More Than My Hometown Morgan Wallen 7 Summers Morgan Wallen 7 7 Ross Copperman Happy Anywhere Blake Shelton and Gwen Stefani Beers And Sunshine Darius Rucker Lady Brett Young We Were Rich Runaway June 8 8 Ashley Gorley One Of Them Girls Lee Brice Hole In The Bottle Kelsea Ballerini What's Your Country Song Thomas Rhett We Were Rich Runaway June Single Saturday Night Cole Swindell 9 10 Parker McCollum Pretty Heart Parker McCollum 10 9 Jacob Durrett Livin’ The Dream Morgan
    [Show full text]
  • Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
    BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma­ triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON­ Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli­ 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old­ KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi­ ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang­ Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop­ ~ Dear Beryl: .
    [Show full text]
  • • a Collection of Review Quotes • Music Connection: (9/10) “Tiles up the Ante by Giving the Listener a Double Disc with An
    Version: August 2016 • A Collection of Review Quotes • Music Connection: (9/10) “Tiles up the ante by giving the listener a double disc with an engaging storyline, meticulously arranged string and choral pieces, sweet vocal harmonies and tuneful jam-based hard rock, fusion and world beat sounds.” iO Pages: “Tiles is still at the top of the progressive rock world. ‘Pretending 2 Run’ will finish high in many year-end lists.” The Midlands Rocks (UK): (9/10) “The patient, the inquisitive and the eager will discover an abundance of Progressive Rock riches here. Every track is a pocket prog symphony… (the songs) all soon become sublimely exhilarating. Episodes in a story, compellingly and adroitly told.” Keys and Chords: “…this is by far the best album from Tiles – both the music & the story make lasting impressions…” PROG Magazine: “…the Detroiters really turn up the heat. (Pretending 2 Run) … is more imaginative, expansive, colorful, diverse and – most crucially of all – satisfying than ever.” Musicreviews.de: (14/15) “’Pretending 2 Run’ is a great double album that should properly set the progressive rock scene buzzing.” Progression Magazine: (4/5) “This album clearly sounds as if it took years to make. ‘Shelter in Place’… ranks as one of the strongest, most memorable tunes in the band’s catalog.” Headbanger’s Lifestyle: “Tiles has delivered a real masterpiece extraordinaire. Listening to ‘Pretending 2 Run” is like taking a boat ride on a wild and storming sea - you are thrown all over the place with inventive songs, big choirs, instrumental tracks and long and epic musical battles.
    [Show full text]
  • Joey Landwehr
    .....,. aN31~=I J.S38 ~OJ.~V J.V3~E) lnOS J.V3~E) J.~V3H J.V3~E) )tNI=I 3~N3~MVl ·~a OJ. a3J.voioso SIMPLY DANNY Created by Joey Landwehr Table of Contents Con~~t ~taterrlent ()~ TRUE COLOR~ ()6 ~IMPLY DANNY 28 Process ~5 Post Evaluation 55 Research 58 Bibliogra~hy 9() Advertising 95 Production Proqram 99 Production Photographs 1()2 Reviews 1()~ .l.... October 07, 1996 Concept Statement TRUE COLORS (working title) is a biographical story of part of the life of a young man who is stricken with the disease AIDS. This young man, Danny Keel, has one last dream, to die in the theatre. The theatre is where he has always found his hopes and dreams, his friends and family, and most importantly the love of his life. This is partially a memory play and partially a present-time lounge act. For his final bow he must tell his story, instead of using other people's words. The audience is made up partially of friends and family and partially strangers. Danny simply wants to bring some happiness into people's lives while giving them some thing to think about at the same time. This also allows him to bring some closure to his life by getting some things off his chest that have been haunting him for years. In many ways, just as Torn Wingfield, not to mention Tennessee Williams, does in THE GLASS MENAGERIE. He speaks about the loss of his mother when he was young, the meeting and then loss of his lover as he got older.
    [Show full text]