Noah and the Ark Free
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020 7226 1787
Go Noah Go! Education Pack littleangeltheatre.com | 020 7226 1787 John Wright, the founder of Little Angel Theatre, was born in South Africa in 1906. He travelled to England in 1935 and worked as an assistant stage manager for the Ballet Rambert while studying at the Central School of Art and Design. During this time he saw a puppet performance by Podrecca’s Piccoli and became hooked. John made his very first puppet in 1938. In 1961 John and his troupe found a derelict temperance hall in Islington and transformed it into a theatre, designed for the presentation of marionette shows. It opened on Saturday 24th November 1961. This was to be the first purpose built puppet theatre the country had seen for many years and the only one with a permanent long string marionette bridge constructed backstage. The bridge was designed for puppeteers to stand on while they manipulate long stringed puppets who perform on the stage below leaving the audience unable to see the puppeteers. The original bridge is used to this day. The theatre has a traditional ‘proscenium arch’ and seats 100 audience members. John Wright died in 1991 but the work of the theatre continued apace with family, friends and supporters working tirelessly to continue in his footsteps to make sure John’s legacy would delight generations to come. How did Little Angel Theatre start? Angel Theatre start? How did Little “Over the next 30 years, the Little Angel team created and performed over 30 full-scale shows” A Great Flood is coming and Mr and Mrs Noah have been set the most impossible task: to take two of each animal and build them a home! A magical ark that is built on stage, over 50 carved animals and a host of songs to sing along with make this production one of Little Angel Theatre’s most successful and impressive shows. -
Mounting Crime
VOL. 95 NO.1 UNIVERSITY OF DELAWARE, NEWARK, DELAWARE TUESDAY, SEPTEMBER 5, 1972 ~ .atrols To . Fight Mounting Crime By KEN ROBINSON 3 a.m. will discourage thieves The university security from approaching donn areas. force and the Office of Shaw said those items Residence Life are planning most frequently stolen from several new preventive students include bicycles, security measures this auto accessories, tape players, semester in an effort to crush portable TVs and radios, a mounting campus crime stereo sets, and watches and rate. jewelry. He believes only 50 Theft of students' personal per cent of such crime is property and vandalism actually reported to security. damages to ' university buildings and property OUTSIDERS account for most of the Shaw is convinced that :;.:; ··reported criminal offenses, "students are not responsible Staff photo by Burleigh Cooper for the major part of crime END OF THE ROAD according to Lt. Donald Shaw of security. on this campus." Rather, he During the 1971-72 stated that security has found academic year, the combined most thieves to be outsiders Consideration This Semester who have no legitimate .,. .. figure for student nd ...... ·. university property losses and connection with the vandalism excee-ded university. Shaw said many $121,800, Shaw said. He stolen goods have ultimatl'ly pt. De~ies Gordenstein Tenure added that most of last year's been traced to black burglaries occurred in the east markets in Wilmington and committee of the Faculty and immediately began and west campus complexes. Chester, Pa. Senate prepared a report on circulating petitions urging While security patrols are The English department's them to reconsider. -
Awake and Sing! Study Guide/Lobby Packett Prepared by Sara Freeman, Dramaturg
Awake and Sing! Study Guide/Lobby Packett Prepared by Sara Freeman, dramaturg Section I Clifford Odets: A Striving Life Clifford Odets was born in Philadelphia, on July 18, 1906, the son of a working-class Jewish family made good. Louis Odets, his father, had been a peddler, but also worked as a printer for a publishing company. In 1908, Louis Odets moved his family to New York City, where, after a brief return to Philadelphia, he prospered as a printer and ended up owning his own plant and an advertising agency, as well as serving as a Vice President of a boiler company. Odets grew up in the middle-class Bronx, not the Berger’s Bronx of tenements and squalor. Still Odets described himself as a “melancholy kid” who clashed often with his father. Odets quit high school after two years. When he was 17, Odets plunged into the theatre. He joined The Drawing Room Players and Harry Kemp’s Poets’ Theater. He wrote some radio plays, did summer stock, and hit the vaudeville circuit as “The Roving Reciter.” In 1929, he moved into the city because of a job understudying Spencer Tracy in Conflict on Broadway. A year later Odets joined the nascent Group Theatre, having met Harold Clurman and some of the other Group actors while playing bit parts at the Theatre Guild. The Group philosophy became the shaping force of Odets’ life as a writer. Clurman became his best friend and most perceptive critic. Odets wrote the first version of Awake and Sing!, then called I Got the Blues, in 1934. -
(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” By
“(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” By Jennifer M. Abercrombie Foster @ Copyright 2016 Submitted to the graduate degree program in Spanish and Portuguese and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Co-Chairperson, Yajaira Padilla ________________________________ Co-Chairperson, Verónica Garibotto ________________________________ Jorge Pérez ________________________________ Vicky Unruh ________________________________ Hannah Britton ________________________________ Magalí Rabasa Date Defended: May 3, 2016 ii The Dissertation Committee for Jennifer M. Abercrombie Foster certifies that this is the approved version of the following dissertation: “(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” ________________________________ Co-Chairperson, Yajaira Padilla ________________________________ Co-Chairperson, Verónica Garibotto Date approved: May 9, 2016 iii Abstract Since the turn of the 20th century many writers, playwrights, and poets in Central America and the Hispanic Caribbean have published fantastic, gritty, and oftentimes unsettling stories of ghosts, anthropomorphic animals, zoomorphic humans, and uncanny spaces. These unexpected encounters and strange entities are an embodiment of muddled boundaries and -
Descriptive Inventory / Manuscript Register
Special Collections and Archives Contact information: Duane G. Meyer Library [email protected] Missouri State University http://library.missouristate.edu/archives/ Springfield, MO 65897 417.836.5428 Descriptive Inventory / Manuscript Register Collection Title: Theatre and Dance Department Collection Collection Number: RG 4/9 Dates: 1910-Present (Bulk 1940s-Present) Volume: 29 cubic feet Provenance: The collection was acquired mainly in 2004 and in 2006. It was processed in 2006 by Shannon Western, with additional material added in 2014 and later. Copyright: This collection may be protected from unauthorized copying by the Copyright Law of the United States (Title 17, United States Code). Access: The collection is unrestricted. Single photocopies may be made for research purposes. Permission to publish material from the collection must be obtained from the Department of Special Collections and Archives. Citations should be as follows: Identification of the item, box number, Theatre and Dance Department Collection [RG 4/9], Department of Special Collections and Archives, Missouri State University. Digital Access: A selection from this collection has been digitized and is available online: http://purl.missouristate.edu/library/archives/DigitalCollections/MSUTheatreDance Biographical / Historical Sketch In the early years of the school, plays were performed at Missouri State University (then State Normal School and later Southwest Missouri State Teachers College), but not as a part of any formal department. The senior class did a play each spring, and the Coburn Players, an outside organization, performed here during the summers. It wasn’t until 1915 that the first class in theatre was offered to students, and until 1965, theatre classes were a part of the Department of English and Speech. -
The History of the Redaction of the Genesis Flood Narrative Reconsidered by Joseph Guy Normand Cholette (2001)
The History of the Redaction of the Genesis Flood Narrative Reconsidered by Joseph Guy Normand Cholette (2001) During the last century the history of the redaction of the Genesis Flood narrative has been predominantly interpreted in the perspective of the documentary hypothesis. According to this view the present Flood narrative was formed by a final redactor (R) who has amalgamated two different flood versions. These two flood versions are interpreted as the J source (the Yahwist), which comes from the Davidic or Solomonic period around the 10th or 9th century BC, and the source P (the Priestly writer), which comes from the exilic period around 6th or 5th century BC. During the last decades the documentary hypothesis has been seriously challenged by scholarship. Today some scholars proposed to understand the history of redaction of the Flood narrative in the perspective of the supplementary hypothesis. In the light of this proposal the narrative was gradually formed throughout the centuries by the successive work of the different redactors. During the last decades, several scholars have also questioned the chronology and the dating of the two sources J and P. Some proposed to interpret the source J in the light of the exilic period and other the source P before the exile. Consequently these alterations on the J and P sources have a major impact on the history of the redaction of the Genesis Flood narrative. The current study proposes to reconsider the history of the redaction of the Genesis Flood narrative in light of these new interpretations of the sources J and P. -
The Tales of the Grimm Brothers in Colombia: Introduction, Dissemination, and Reception
Wayne State University Wayne State University Dissertations 1-1-2012 The alest of the grimm brothers in colombia: introduction, dissemination, and reception Alexandra Michaelis-Vultorius Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the German Literature Commons, and the Modern Languages Commons Recommended Citation Michaelis-Vultorius, Alexandra, "The alet s of the grimm brothers in colombia: introduction, dissemination, and reception" (2012). Wayne State University Dissertations. Paper 386. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE TALES OF THE GRIMM BROTHERS IN COLOMBIA: INTRODUCTION, DISSEMINATION, AND RECEPTION by ALEXANDRA MICHAELIS-VULTORIUS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: MODERN LANGUAGES (German Studies) Approved by: __________________________________ Advisor Date __________________________________ __________________________________ __________________________________ __________________________________ © COPYRIGHT BY ALEXANDRA MICHAELIS-VULTORIUS 2011 All Rights Reserved DEDICATION To my parents, Lucio and Clemencia, for your unconditional love and support, for instilling in me the joy of learning, and for believing in happy endings. ii ACKNOWLEDGEMENTS This journey with the Brothers Grimm was made possible through the valuable help, expertise, and kindness of a great number of people. First and foremost I want to thank my advisor and mentor, Professor Don Haase. You have been a wonderful teacher and a great inspiration for me over the past years. I am deeply grateful for your insight, guidance, dedication, and infinite patience throughout the writing of this dissertation. -
Young-Earth Creationism: a Literal Mistake
Article Young-Earth Creationism: A Literal Mistake Young-Earth Creationism: A Literal Mistake Dick Fischer “Biblical literalism” often is blamed when conservative Christians find themselves unable to cope with certain realities of this world and its encompassing universe, specifically, in respect to the great age of our surroundings—around 15 billion years for the universe and about 4.6 billion years for our global habitat. This article endeavors to shift the blame away from the written Scriptures, and place it squarely on the shoulders of those who to this point have been unable to comprehend them. Scribal errors and translation mistakes have led to flawed interpretations, and some of the problem can be traced to those who wrote Bible commentary centuries ago. But the Bible itself can rise above these difficulties. All we have to do is read it, and except in obvious instances, take it literally! Dick Fischer “ little learning is a dangerous thing” 24-hour day. The earth on that sixth 24-hour A is a time-honored expression my day would be filled with trilobites, brachio- high school geometry teacher would pods, dinosaurs, wooly mammoths, and all use when one of us misapplied an axiom, of the forms of animals that ever lived, postulate, or corollary in an attempt to prove dwelling in peaceful cohabitation with Adam “Young-earth a particular geometric theorem. “Biblical lit- and Eve, the first human beings. eralism” is a term to describe a movement creationism” among conservative Christians who demon- There are no biological links between spe- strate a certain lack of acumen in the basic cies in young-earth doctrine, and no death of attempts to tenets of earth science. -
Theology of Judgment in Genesis 6-9
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 2005 Theology of Judgment in Genesis 6-9 Chun Sik Park Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/dissertations Part of the Biblical Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Park, Chun Sik, "Theology of Judgment in Genesis 6-9" (2005). Dissertations. 121. https://digitalcommons.andrews.edu/dissertations/121 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Thank you for your interest in the Andrews University Digital Library of Dissertations and Theses. Please honor the copyright of this document by not duplicating or distributing additional copies in any form without the author’s express written permission. Thanks for your cooperation. Andrews University Seventh-day Adventist Theological Seminary THEOLOGY OF JUDGMENT IN GENESIS 6-9 A Disseration Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Chun Sik Park July 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3182013 Copyright 2005 by Park, Chun Sik All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
EIU's 'Two by Two' Could Be Subtitled 'Tevye and the Ark'
EIU's 'Two by Two' could be subtitled 'Tevye and the Ark' astern illinois Esther, sings of her feelings originated the role, but he put the bouncy title tune, presum University's theater about him in "An Old Man." energy and feeling into it and ably choreographed by direc E department is very busy And so on. "Tevye and the got a big hand for his ebullient tor Wolski. They got a big these days. They staged Ark" could be a subtitle for the "Ninety Again" number. assist from the pit musicians "Spoon River Anthology" at show. There was a strong support - Jason Yarcho, piano; the end of September, just The comparison is not a ing cast: Jamie Bender, touch Christopher Kenilo, percus completed a five-performance criticism, however. "Two by ing as Esther; Jeff English, sion; and Jetry Daniels, clavi run of"Two by Two," and will Two" is sprightly, amusing low-key as Shem the miser, nova for the hauntingly lovely present "Candida" beginning and entertaining, and the and Jessica Mahrt, high "Gitka's Song." Nov. 7. What's next? A double AT THE THEATRE Rodgers score, with lyrics by pitched as his loudmouthed The attractive, pastel, car feature? Martin Charnin, is pleasant wife Leah; Christopher Yonke, toonish house-and-ark set was "Two by Two" is the 1970 unwilling family to their fate and tuneful, with songs like likable and believable as Ham by Clarence Blanchette, the musical retelling of the Bible ful voyage. "Something, Somewhere" and the loafer, and Amanda costume design by Christine story of Noah and the 40 days There are things about the tender "I Do Not Know a Alburtus, pretty and appealing Joern, the lighting by David and 40 nights of the flood, "Two by Two" that remind Day I Did Not Love You." as Rachel, the wife he doesn't Wolski, and the sound by according to Richard Rodgers. -
PARADISE LOST by Clifford Odets Directed by Louis Contey
PARADISE LOST by Clifford Odets directed by Louis Contey STUDY GUIDE prepared by Maren Robinson, Dramaturg Table of Contents Clifford Odets: Early Influences ...................................................... 3 Clifford Odets and Paradise Lost ..................................................... 4 American Utopianism ...................................................................... 5 The Group Theatre: Utopia and Its Discontents ........................... 6 The Great Depression ...................................................................... 9 The Current Middle-Class Crisis .................................................... 9 1930s Currency ............................................................................... 11 The Playwriting of Clifford Odets ................................................. 11 The Legacy of Clifford Odets ......................................................... 12 Timeline ........................................................................................... 13 Discussion Questions ..................................................................... 17 Projects for Students ...................................................................... 18 Resources ........................................................................................ 19 2 Clifford Odets: Early Influences “Dear American friend. That miserable patch of event, that mélange of nothing, while you were looking ahead for something to happen, that was it! That was life! You lived it!” — Clifford Odets, 1963 Clifford -
Reading,Writing & Religion II
Reading,Writing & Religion II Texas Public School Bible Courses in 2011 – 12 By Mark A. Chancey Professor of Religious Studies, Southern Methodist University About the Author r. Mark A. Chancey is a Professor of raised by religion courses in public schools. His two Religious Studies in Dedman College of earlier reports on Bible courses for the Austin-based Humanities and Sciences at Southern watchdog group Texas Freedom Network Education DMethodist University in Dallas. Chancey attended Fund led to the drastic revision of a nationally used the University of Georgia, where he earned a B.A. Bible curriculum and helped draw attention to the in Political Science with a minor in Religion (1990) ways in which Bible courses are often used for the and a M.A. in Religion (1992), and Duke University, unconstitutional promotion of certain religious where he earned a Ph.D. in New Testament and views over others in public school classrooms. Those Early Judaism (1999). His research interests range reports also served as the basis of articles published in from the historical Jesus, archaeology and the Bible, the journals Religion & Education, Journal of Church and the political and social history of Roman-period and State, Religion and American Culture, and Journal Palestine to church-state issues and religion and of the American Academy of Religion. Chancey now contemporary public education. He is the author serves as a member of the editorial boards of Religion of two books with Cambridge University Press, The & Education and Teaching the Bible. An Altshuler Myth of a Gentile Galilee (2002) and Greco-Roman Distinguished Teaching Professor, Chancey has Culture and the Galilee of Jesus (2005), and the co- been recognized by SMU with the Golden Mustang author of Alexander to Constantine: Archaeology of the Teaching Award, the Rotunda Outstanding Professor Land of the Bible with Yale University Press (2012).