EIU's 'Two by Two' Could Be Subtitled 'Tevye and the Ark'

Total Page:16

File Type:pdf, Size:1020Kb

EIU's 'Two by Two' Could Be Subtitled 'Tevye and the Ark' EIU's 'Two by Two' could be subtitled 'Tevye and the Ark' astern illinois Esther, sings of her feelings originated the role, but he put the bouncy title tune, presum­ University's theater about him in "An Old Man." energy and feeling into it and ably choreographed by direc­ E department is very busy And so on. "Tevye and the got a big hand for his ebullient tor Wolski. They got a big these days. They staged Ark" could be a subtitle for the "Ninety Again" number. assist from the pit musicians "Spoon River Anthology" at show. There was a strong support­ - Jason Yarcho, piano; the end of September, just The comparison is not a ing cast: Jamie Bender, touch­ Christopher Kenilo, percus­ completed a five-performance criticism, however. "Two by ing as Esther; Jeff English, sion; and Jetry Daniels, clavi­ run of"Two by Two," and will Two" is sprightly, amusing low-key as Shem the miser, nova for the hauntingly lovely present "Candida" beginning and entertaining, and the and Jessica Mahrt, high­ "Gitka's Song." Nov. 7. What's next? A double AT THE THEATRE Rodgers score, with lyrics by pitched as his loudmouthed The attractive, pastel, car­ feature? Martin Charnin, is pleasant wife Leah; Christopher Yonke, toonish house-and-ark set was "Two by Two" is the 1970 unwilling family to their fate­ and tuneful, with songs like likable and believable as Ham by Clarence Blanchette, the musical retelling of the Bible ful voyage. "Something, Somewhere" and the loafer, and Amanda costume design by Christine story of Noah and the 40 days There are things about the tender "I Do Not Know a Alburtus, pretty and appealing Joern, the lighting by David and 40 nights of the flood, "Two by Two" that remind Day I Did Not Love You." as Rachel, the wife he doesn't Wolski, and the sound by according to Richard Rodgers. one of "Fiddler on the Roof." It was given a first-rate pro­ love; Lucas Goodrich, sweet, Patrick Ham. The book by Peter Stone, Like Tevye, for example, Noah duction on Eastern's somber and earnest as A job well done by all. based on Clifford Odets' 1954 carries on a dialogue with Mainstage under the light Japheth the philosopher; and play, "The Flowering Peach," God. Tevye has problems with touch and inventive direction Janet Essary as Goldie, the • Cart Lebovitz is a tells how Noah, a doddering his daughters, and Noah has of Jean Wolski. curvaceous cutie who goes reviewerooat-large for the senior citizen of600 years, is tsorris with his three sons, Christopher Thompson along for the ride, stopping the Journal Gazette and limes­ too old to do God's will, but Shem, Ham and Japheth. made a dandy Noah. He may show with her "The Golden Courier. Contact Lebovitz at shakes off his years to become Tevye asks his wife Golde in have been too young and Ram" number. [email protected]. a frisky pup of90 and spry song, "Do You Love Me?" and lacked the comic and dramatic They all sang well and got enough to command his Noah's wife of 121 years, range of Danny Kaye, who to do a nice bit ofdancing for .
Recommended publications
  • Mounting Crime
    VOL. 95 NO.1 UNIVERSITY OF DELAWARE, NEWARK, DELAWARE TUESDAY, SEPTEMBER 5, 1972 ~ .atrols To . Fight Mounting Crime By KEN ROBINSON 3 a.m. will discourage thieves The university security from approaching donn areas. force and the Office of Shaw said those items Residence Life are planning most frequently stolen from several new preventive students include bicycles, security measures this auto accessories, tape players, semester in an effort to crush portable TVs and radios, a mounting campus crime stereo sets, and watches and rate. jewelry. He believes only 50 Theft of students' personal per cent of such crime is property and vandalism actually reported to security. damages to ' university buildings and property OUTSIDERS account for most of the Shaw is convinced that :;.:; ··reported criminal offenses, "students are not responsible Staff photo by Burleigh Cooper for the major part of crime END OF THE ROAD according to Lt. Donald Shaw of security. on this campus." Rather, he During the 1971-72 stated that security has found academic year, the combined most thieves to be outsiders Consideration This Semester who have no legitimate .,. .. figure for student nd ...... ·. university property losses and connection with the vandalism excee-ded university. Shaw said many $121,800, Shaw said. He stolen goods have ultimatl'ly pt. De~ies Gordenstein Tenure added that most of last year's been traced to black burglaries occurred in the east markets in Wilmington and committee of the Faculty and immediately began and west campus complexes. Chester, Pa. Senate prepared a report on circulating petitions urging While security patrols are The English department's them to reconsider.
    [Show full text]
  • Awake and Sing! Study Guide/Lobby Packett Prepared by Sara Freeman, Dramaturg
    Awake and Sing! Study Guide/Lobby Packett Prepared by Sara Freeman, dramaturg Section I Clifford Odets: A Striving Life Clifford Odets was born in Philadelphia, on July 18, 1906, the son of a working-class Jewish family made good. Louis Odets, his father, had been a peddler, but also worked as a printer for a publishing company. In 1908, Louis Odets moved his family to New York City, where, after a brief return to Philadelphia, he prospered as a printer and ended up owning his own plant and an advertising agency, as well as serving as a Vice President of a boiler company. Odets grew up in the middle-class Bronx, not the Berger’s Bronx of tenements and squalor. Still Odets described himself as a “melancholy kid” who clashed often with his father. Odets quit high school after two years. When he was 17, Odets plunged into the theatre. He joined The Drawing Room Players and Harry Kemp’s Poets’ Theater. He wrote some radio plays, did summer stock, and hit the vaudeville circuit as “The Roving Reciter.” In 1929, he moved into the city because of a job understudying Spencer Tracy in Conflict on Broadway. A year later Odets joined the nascent Group Theatre, having met Harold Clurman and some of the other Group actors while playing bit parts at the Theatre Guild. The Group philosophy became the shaping force of Odets’ life as a writer. Clurman became his best friend and most perceptive critic. Odets wrote the first version of Awake and Sing!, then called I Got the Blues, in 1934.
    [Show full text]
  • Noah Aboard the Ark… 10) Strange, We Haven’T Seen Another Boat for Weeks
    THROUGH THE BIBLE STUDY GENESIS 7-10 Here are the Top 10 statements uttered by Noah aboard the Ark… 10) Strange, we haven’t seen another boat for weeks. 9) If only I had brought along more rhino litter. 8) I never want to sleep in a waterbed again. 7) Fish for supper – again? 6) Does anyone have more Dramamine? 5) What? You don’t have film to photograph the rainbow? 4) Honey, please stop saying, “Into each life a little rain must fall.” 3) How can I fish with just two worms? 2) God, are you sure I don’t need to keep the termites in a tin can? 1) And as Noah exited the Ark, he slapped the back of his neck and mumbled, “I should’ve killed those lousy mosquitoes while I had the chance!” In the first six chapters of Genesis God goes from good to grieved. After His creation “God saw everything that He had made, and indeed it was very good.” But by chapter 6, the world was so wicked God was grieved He had made man – and the only way for God to save us was to destroy the earth and start over… And a man named Noah “found grace in the eyes of the Lord.” Noah was told to build a boat – an Ark - then gather his wife, his three sons, their wives, and two of every kind of [1 animal on the earth. Noah was obedient… Which is where we pick it up tonight, chapter 7, “Then the LORD said to Noah, "Come into the ark, you and all your household, because I have seen that you are righteous before Me in this generation.” What a moving scene… When it’s time to board the Ark, God doesn’t tell Noah to go onto the ark, but to “come into the ark” – the implication is that God is onboard waiting for Noah.
    [Show full text]
  • Descriptive Inventory / Manuscript Register
    Special Collections and Archives Contact information: Duane G. Meyer Library [email protected] Missouri State University http://library.missouristate.edu/archives/ Springfield, MO 65897 417.836.5428 Descriptive Inventory / Manuscript Register Collection Title: Theatre and Dance Department Collection Collection Number: RG 4/9 Dates: 1910-Present (Bulk 1940s-Present) Volume: 29 cubic feet Provenance: The collection was acquired mainly in 2004 and in 2006. It was processed in 2006 by Shannon Western, with additional material added in 2014 and later. Copyright: This collection may be protected from unauthorized copying by the Copyright Law of the United States (Title 17, United States Code). Access: The collection is unrestricted. Single photocopies may be made for research purposes. Permission to publish material from the collection must be obtained from the Department of Special Collections and Archives. Citations should be as follows: Identification of the item, box number, Theatre and Dance Department Collection [RG 4/9], Department of Special Collections and Archives, Missouri State University. Digital Access: A selection from this collection has been digitized and is available online: http://purl.missouristate.edu/library/archives/DigitalCollections/MSUTheatreDance Biographical / Historical Sketch In the early years of the school, plays were performed at Missouri State University (then State Normal School and later Southwest Missouri State Teachers College), but not as a part of any formal department. The senior class did a play each spring, and the Coburn Players, an outside organization, performed here during the summers. It wasn’t until 1915 that the first class in theatre was offered to students, and until 1965, theatre classes were a part of the Department of English and Speech.
    [Show full text]
  • Two by Two Peter Stone
    John Carroll University Carroll Collected Theatre Productions Communication & Theatre Arts 4-19-1985 Two By Two Peter Stone Martin Charnin Richard Rodgers Follow this and additional works at: http://collected.jcu.edu/plays Recommended Citation Stone, Peter; Charnin, Martin; and Rodgers, Richard, "Two By Two" (1985). Theatre Productions. 94. http://collected.jcu.edu/plays/94 This Book is brought to you for free and open access by the Communication & Theatre Arts at Carroll Collected. It has been accepted for inclusion in Theatre Productions by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. ~vU,t JoHN CARROLL UNIV'EI\SIIY UTTl£ THEJtrE/i _ Mustc by RICHARD RODGERS Lynes by MARTIN CHARNIN Book by . PETER STONE Based on "The Flou ·ering Peach}} by CLIFFORD ODETS LIBRETTO ~ ® ~rstein ~'Ubmry 598 0\ta.dison cAve. '1\(fw '1'6rk Gity. ~-¥."10022 MARIA LIVERS Sophomore, Psychology major who is a novice to the Little Theatre. She has, however, graced other stages with her apt interpretation of Ghost #2, and Sleeping Beauty. Maria's biggest attribute is her experience with animals. She raises ducks,and does all the animal sound effects for the show. LAURA DIVINE Sophomore, Political Science major who actually enjoys debating and discussing current world problems. Laura's ambition in life is to be a wealthy lawyer, or at least marry one. Laura enjoys doing theatre in her spare time, when it does not conflict with other pressing engagements. KAREN CERANKOWSKI Senior, Economics major, who is no stranger to the theatre. She has done shows at the School of Fine Arts, and Euclid Little Theatre.
    [Show full text]
  • OLD TESTAMENT Bible Story
    OLD TESTAMENT Bible Story STORY TITLE: Noah Builds a Boat BIBLE PASSAGE: Genesis 6:9 - 8:22 KEY POINT: God protects His people COLORING PAGE: Noah's Ark (x6) ACTIVITY: Rockin' Ark; Two-by-Two; Rainbow of Promise Genesis 6:9 - 8:22 Noah Pleases God This is the genealogy of Noah. Noah was a just man, perfect in his generations. Noah walked with God. And Noah begot three sons: Shem, Ham, and Japheth. The earth also was corrupt before God, and the earth was filled with violence. So God looked upon the earth, and indeed it was corrupt; for all flesh had corrupted their way on the earth. The Ark Prepared And God said to Noah, "The end of all flesh has come before Me, for the earth is filled with violence through them; and behold, I will destroy them with the earth. Make yourself an ark of gopherwood; make rooms in the ark, and cover it inside and outside with pitch. And this is how you shall make it: The length of the ark shall be three hundred cubits, its width fifty cubits, and its height thirty cubits. You shall make a window for the ark, and you shall finish it to a cubit from above; and set the door of the ark in its side. You shall make it with lower, second, and third decks. And behold, I Myself am bringing floodwaters on the earth, to destroy from under heaven all flesh in which is the breath of life; everything that is on the earth shall die.
    [Show full text]
  • PLAYBIL.L 2001 College of Arts and Humanities EASTERN ILLINOIS UNIVERSITY THEATRE James K
    Eastern Illinois University Doudna Fine Arts Center Charleston, Illinois PLAYBIL.L 2001 College of Arts and Humanities EASTERN ILLINOIS UNIVERSITY THEATRE James K. Johnson, Dean Univers1ty T eatre Staff Recipients of ~'lesents Excellence in Fine Arts Awards Profeseors sponsored by the Clarence P. Blanchette Jerry Eisenhour John T. Oertling, Chair David W. Wolski Newton E. Tarble family Associate ProfeaBQrs Deb Althoff J ennife1· Andrews Two BY Two Karen A. Eisenhour Emily Betz Nicholas Camfield Jean K. Wolski Damm Edwards Caren Evers Bryan Grossbauer Elisabeth Hartrich Assistant Professors Robert Kalmbach Theresa Lipinski B. Christine Joern Michael Papaleo Christopher J. Mitchell Jessica Mahrt Jennifer Pepsnik MeliBBa Reczek Instructors Stacy Sche1f Jeremy Seymow· Robert E. Brooks Book and Lyrics RobertS. Petersen Kate Slavinski ~le Snyders Mary E. Yarbrough Miranda Stone Shawn Thompson by Martin Charnin Sarah Vecchio Christopher Yonke Academic Support Professional J. Sain Music by Soecialiete Richard Rodgers Joeeph L. Allison 'Ibm Hawk Secretary Edna R. Campbell A Theatre Arts Major is resident at EIU which includes concentrations in performance, design, and literature and directing A teacher certification option is available. For additional information call (217) 581-3121 or 581-3219 or visit the main office, FAT 105. EASTERN ILLINOIS UNIVERSITY THEATRE is a member of the Illinois Theatre Association, The Association for Theatre in Higher Education, 7 p.m. • October 24, 25, 26, 27 Mid- America Theatre Conference, and is a participant in Region III of the American College Theatre Festival. & 2 p.m. October 28 VIsit our website at http:/1\'Vww.etu.edu/.... theatre On the Mainstage Doudna Fine Arts Center EAITERN ILL I NOTS U N I V E R S I T y ...
    [Show full text]
  • The Spy on Noah's
    Chapter 1 The Spy on Noah’s Ark by the Dove o you know the story of Noah’s ark? Animals, two by two, Dboarded a big boat that Noah built and sailed away. The rest of the world flooded, but Noah and his family and the animals were safe. And I was there. I was one of the two doves on board. I can just hear you now. So what? you say. A bird. A boat. A flood. Big deal. Little do you know. You see, I have a secret that I’ve never told anyone until now. I was a spy, working for God as a special agent on Noah’s ark. I am, in fact, the first dove to have served in the FBI: The Federal Birds of Investigation. And my job was important. I 1 j The Spy on Noah’s Ark i was assigned to watch all of the ark’s passengers and to tell God if they needed anything. Boats are strange places, after all. How odd it feels if you have hooves and are used to soft grass underfoot, or if you have lived deep in the ground and suddenly you are on a world that rocks and moves and sloshes! God told me to comfort the animals and remind them that they were safe in his hands. God had created the world hoping that people would be kind to each other and that all living creatures would get along. But peace did not last. People started doing bad things. Bullying, killing, stealing, you name it.
    [Show full text]
  • PARADISE LOST by Clifford Odets Directed by Louis Contey
    PARADISE LOST by Clifford Odets directed by Louis Contey STUDY GUIDE prepared by Maren Robinson, Dramaturg Table of Contents Clifford Odets: Early Influences ...................................................... 3 Clifford Odets and Paradise Lost ..................................................... 4 American Utopianism ...................................................................... 5 The Group Theatre: Utopia and Its Discontents ........................... 6 The Great Depression ...................................................................... 9 The Current Middle-Class Crisis .................................................... 9 1930s Currency ............................................................................... 11 The Playwriting of Clifford Odets ................................................. 11 The Legacy of Clifford Odets ......................................................... 12 Timeline ........................................................................................... 13 Discussion Questions ..................................................................... 17 Projects for Students ...................................................................... 18 Resources ........................................................................................ 19 2 Clifford Odets: Early Influences “Dear American friend. That miserable patch of event, that mélange of nothing, while you were looking ahead for something to happen, that was it! That was life! You lived it!” — Clifford Odets, 1963 Clifford
    [Show full text]
  • John Patrick Publishing Co
    234 SǟǥǤǘǕ BǕǦ CǤǘǑ, NǕ JǕǢǣǕǩ 07928 (973) 635-0070 • F (973) 635-5518 _____________________________________________________________________________________www.corpuschristi.org Rev. Lemmuel Camacho, S.T.L., Parochial Vicar Rev. Msgr. James T. Mahoney, Pastor, Ph.D., V.G. ext.6, [email protected] ext. 5, [email protected] Sr. Margaret Dincher, SCC, Pastoral Associate, Spirituality Blog: jmahoney.typepad.com ext.714, [email protected] Chris Medeiros, Administrative Assistant Brian Duemling, Middle School Religious Education ext.711, [email protected] ext.740, [email protected] Elizabeth Nowik, Handbell and Children’s Choirs Fran Guy, Business Office, ext.713, [email protected] ext.716, l [email protected] Kay Hetherington, Pastoral Associate, Catechetical Ministry Mary Anne (Psomi) Psomas–Jackloski, Pastoral Associate, Youth ext.715, [email protected] Ministry and Formation, ext.718, [email protected] Terri Janosik, Administrative Assistant Linda Wass, Pastoral Associate, Marriage and Family Ministry ext.710, [email protected] ext.720, [email protected] Robert Long, Minister of Music, ext.716, [email protected] Maintenance Staff, ext.721, [email protected] November 12, 2017 32nd Sunday in Ordinary Time Next weekend, we introduce Flocknote, one of the best means of communicating in the Catholic Church. Bring your cellphone. You’ll like this easy tool for us to share. Frozen Turkeys/Canned Ham Collection Next Weekend Next Sunday, Nov. 19, we have our annual collection to help the economically poor celebrate Thanksgiving. Please bring frozen turkeys, canned hams, and other non-perishable items to the gym kitchen on November 19 by noon. Every year, hundreds of families are fed by our parishioners’ goodness.
    [Show full text]
  • Noah, the Ark, and the Flood in Early Christian Literature
    Scriptura 113 (2014:1), pp. 1-12 http://scriptura.journals.ac.za NOAH, THE ARK, AND THE FLOOD IN EARLY CHRISTIAN LITERATURE Mark Wilson Old and New Testament Stellenbosch University Abstract This article surveys the literary traditions related to Noah, the ark, and the flood in early Christian literature. Mention of Noah, the ark, and the flood is found in five New Testament books – Matthew, Luke, Hebrews, 1 Peter, and 2 Peter – as well as in two documents in the Apostolic Fathers – 1 Clement and 2 Clement. The relevant passages in these books will be discussed seriatim. Significant historical and grammatical issues related to the texts will also be noted. Finally, the rhetorical functions – moral, homiletic, eschatological, and ecological – will be discussed. Early Christian literature depended on the Jewish Scriptures, particularly the LXX, and Intertestamental literature for the motifs and allegorisation found its own interpretations. The traditions related to Noah, the ark, and the flood were important for Jesus and the early church, and an attempt will be made to elucidate their significance for each author. Key Words: Noah; Ark; Flood; Repentance; Judgment; Ecology Introduction The March 2014 release of the Hollywood blockbuster movie ‘Noah’ has put the subject of Noah, the ark, and the flood before a global audience once again. In Turkey the resolution of the Kurdish conflict with the PKK has allowed scholars for the first time in forty years to visit Cudi Dağı, the purported resting place of the ark in some Jewish, Muslim, and Christian traditions.1 This article builds on renewed interest in the topic by surveying the literary traditions of Noah, the ark, and the flood in early Christian literature.
    [Show full text]
  • Download 2012–2013 Catalogue of New Plays
    Cover Spread 1213.ai 7/24/2012 12:18:11 PM Inside Cover Spread 1213.ai 7/24/2012 12:14:50 PM NEW CATALOGUE 12-13.qxd 7/25/2012 10:25 AM Page 1 Catalogue of New Plays 2012–2013 © 2012 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Fall 2012 Dear Subscriber, This year we are pleased to add over 85 works to our Catalogue, including both full length and short plays, from our new and established authors. We were particularly fortunate with nominations and awards that our authors won this year. Quiara Alegría Hudes won the Pulitzer Prize with WATER BY THE SPOONFUL, and the two runners-up were John Robin Baitz’s OTHER DESERT CITIES and Stephen Karam’s SONS OF THE PROPHET. The Play Service also represents three of the four 2012 Tony nominees for Best Play, including the winner, Bruce Norris’ CLYBOURNE PARK, Jon Robin Baitz’s OTHER DESERT CITIES and David Ives’ VENUS IN FUR. All four of the Tony nominations for Best Revival are represented by the Play Service: DEATH OF A SALESMAN (the winner), THE BEST MAN, MASTER CLASS and WIT. Other new titles include Rajiv Joseph’s BENGAL TIGER AT THE BAGHDAD ZOO, David Henry Hwang’s CHINGLISH, Katori Hall’s THE MOUNTAINTOP, Nina Raines’ TRIBES and Paul Weitz’s LONELY, I’M NOT. Newcomers to our Catalogue include Simon Levy, whose masterful adaptation of THE GREAT GATSBY is the only stage version to be authorized by the Fitzgerald Estate; Erika Sheffer, with her vivid portrait of an immigrant family in RUSSIAN TRANSPORT; Sarah Treem, with her absorbing and thought-provoking THE HOW AND THE WHY; and Tarell Alvin McCraney, with the three plays of his critically acclaimed BROTHER/SISTER TRILOGY.
    [Show full text]