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Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
Film, Philosophy Andreligion
FILM, PHILOSOPHY AND RELIGION Edited by William H. U. Anderson Concordia University of Edmonton Alberta, Canada Series in Philosophy of Religion Copyright © 2022 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Philosophy of Religion Library of Congress Control Number: 2021942573 ISBN: 978-1-64889-292-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: "Rendered cinema fimstrip", iStock.com/gl0ck To all the students who have educated me throughout the years and are a constant source of inspiration. It’s like a splinter in your mind. ~ The Matrix Table of contents List of Contributors xi Acknowledgements xv Introduction xvii William H. -
Reality & Effect: a Cultural History of Visual Effects
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 5-3-2007 Reality & Effect: A Cultural History of Visual Effects Jae Hyung Ryu Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Part of the Communication Commons Recommended Citation Ryu, Jae Hyung, "Reality & Effect: A Cultural History of Visual Effects." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_diss/13 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. REALITY & EFFECT: A CULTURAL HISTORY OF VISUAL EFFECTS by JAE HYUNG RYU Under the Direction of Ted Friedman ABSTRACT The purpose of this dissertation is to chart how the development of visual effects has changed popular cinema’s vision of the real, producing the powerful reality effect. My investigation of the history of visual effects studies not only the industrial and economic context of visual effects, but also the aesthetic characteristics of the reality effect. In terms of methodology, this study employs a theoretical discourse which compares the parallels between visual effects and the discourse of modernity/postmodernity, utilizing close textual analysis to understand the symptomatic meanings of key texts. The transition in the techniques and meanings of creating visual effects reflects the cultural transformation from modernism to postmodernism. Visual effects have developed by adapting to the structural transformation of production systems and with the advance of technology. -
Smartphone? Ballot Inside
CATEGORY: SUB CAT February 16-29, 2012 | Vol. 22 Issue 3 | Always Free Pinterest: THE LATEST SOCIAL MEDIA CZrA e MEET THE USC ICE GIRLS CAPTAIN HOST YOUR OWN OSCAR PAt r Y ARE Recipes & Games you ADDICTED TO YOUR Fit for the Stars! SMARTPHONE? BALLOT INSIDE ©2012 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM Join at lacma.orgBecome oran 877“Active” 522-6225 member (use forcode 20% CC312). off plus 2 free tickets to In Wonderland ! In Wonderland: THE SURREALIST ADVENTURES OF WOMEN ARTISTS IN MEXICO AND THE UNITED STATES JANUARY 29–MAY 6, 2012 (detail), LACMA, 1937, purchased with funds provided by and Mr. Mrs. Robert B. Honeyman Jr., © The Feitelson / Lundeberg Art Foundation, reproduced by permission Microcosm and Macrocosm Helen Lundeberg, lacma.org |5905 wilshire blvd (at fairfax ave) TABLE OF CONTENTS February 16-29, 2012 WHAT’S INSIDE Vol. 22 Issue 3 10 Editor-in-Chief Sean Bello [email protected] Managing Editor Gabrielle Olya [email protected] 22 20 Art Director Sean Michael Beyer OSCARS Film Editor 06 WE PREDICT THE WINNERS [email protected] 08 THE OFFICIAL BALLOT Music Editor [email protected] 10 THROW YOUR OWN ACADEMY-WORTHY PARTY Calendar Editor Frederick Mintchell Editorial Intern FILM Kristina Bravo 07 RE:GENERATION Contributing Writers 08 UNDEFEATED Tamea Agle, Scott Bedno, Sean Michael Beyer, Zach Bourque, Kristina Bravo, Mary Broadbent, Erica Carter, Richard Castañeda, LIFESTYLE Nataly Chavez, Nick Day, Amanda D’Egidio, 15 PINTEREST: THE LATEST SOCIAL MEDIA CRAZE Natasha Desianto, Sola Fasehun, Gillian Ferguson, Suzi Fox, A.J. -
Productlistings
02-05 Berlin listings_lg_edit c:L02THR_Fri020510_EW 2/4/10 11:55 AM Page L-2 NuImage/Millennium Films’ “The Mechanic” ProductListi ngs On Offer: THE BOXER (U.S.A./ On Offer: THE BAIT (U.S.A./Poland; 27 FILMS PRODUCTION LISTINGS NOTE Germany; action-adventure) Director: thriller) Director: Dariusz Zawislak; cast: Phone: 49-30-847-116-60 Thomas Jahn; cast: Stacy Keach, Joshua Faye Dyaway, Sonia Bohosiewicz. (90 On Offer: FRANCUSKI (Germany/ Dallas. (90 mins.; screening; debuting) mins.; screening; debuting) Listings represent product Austria/Poland; drama) Director: Goran THE LOST SAMARITAN (U.S.A./ THE MAGIC STONE (family) Director: on offer by companies that Rebic; cast: Samuel Finzi, Lars Rudolph. Germany; action-adventure) Director: Jowita Gondek; cast: Faye Dunaway, submitted titles to (development; presales; debuting) Thomas Jahn; cast: Ian Somerhalder, Majka Jezowska. (postproduction; prod - MR. LU’S BLUES (Germany/Sweden/ THR.com/listings. Ruta Gedmintas. (90 mins.; screener uct reel/trailer; debuting) China; romance) Director: Maria Von Submissions were limited cassette/DVD; debuting) Heland (development; presales; debuting) to two of the following: AFFINITY INTL. attending executives, 6 SALES ADRIANA CHIESA Berlin Office: Ritz Carlton Suite 550 ENTERPRISES Office Phone: 49-03-033-777-56 projects and cast members Berlin Office: Marriott Hotel, 1st Floor, Berlin Office: MGB 135 Attending: Bill Lischak, COO; Brian per project. Participating Office #100 Office Phone: 49-30-22000-1127 Office Phone: 49-03-024-649-7400 O’shea, president, worldwide distribution companies may have Attending: Mar Abadin, head of sales; Attending: Adriana Chiesa Di Palma, Phone: 310-652-0999 additional films on offer. Marina Fuentes, partner president; Rossella Gori, head of interna - On Offer: FROM PRADA TO NADA Phone: -34-91-636-10-54 tional sales (U.S.A.; romance) Director: Angel Gracia; On Offer: THE DANCER & THE THIEF Phone: -39-06-808-6052 cast: Adriana Barraza, Camilla Belle. -
SHAWN-HOLLY COOKSON Costume Designer ! REEL
! SHAWN-HOLLY COOKSON Costume Designer ! REEL Television PROJECT ! DIRECTOR STUDIO / PRODUCTION CO. THE THING ABOUT PAM (limited series) ! Various NBC / Blumhouse COUNTRY COMFORT (season 1) Various Netflix WHAT/IF (season 1) Various Netflix / Warner Bros. Television BONES (season 4) Various Fox THE NANNY (series) Various CBS Cast: Fran Drescher, Daniel Davis, Charles Shaughnessy 4 Emmy Nominations: 1996 - 1999 BREATHING UNDER WATER (series) Brett Leonard Disney A PERFECT DAY (mow) Peter Levin TNT Cast: Rob Lowe, Frances Conroy LIVING WITH FRAN (series) Various The WB / Fox Television Studios Cast: Fran Drescher, Ben Feldman, Ryan McPartlin SEARCHING FOR DAVID’S HEART (mow) Paul Hoen ABC Family Cast: Danielle Panabaker, Ricky Ullman POP ROCKS (mow) Ron Lagomarsino ABC Family Cast: Sherilyn Fenn, Gary Cole, Joe Inscoe NOT LIKE EVERYONE ELSE (mow) Tom McLoughlin Lifetime / Jaffe/Braunstein Films Cast: Alia Shawkat, Illeana Douglas, Lucas Till Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. MURDER OF A CAT Gillian Greene Gravitas Ventures / Seine Pictures Cast: Frank Kranz, Blythe Danner, Greg Kinnear THE MAGIC OF BELLE ISLE Rob Reiner Magnolia Pictures Cast: Morgan Freeman, Kenan Thompson, Virginia Madsen ARENA Jonah Loop Motion Picture Corp. of America Cast: Samuel Jackson, Kellan Lutz TEKKEN Dwight Little Crystal Sky Pictures Cast: Jon Foo, Kelly Overton, Cary-Hiroyuki Tagawa HAROLD & KUMAR 2 Jon Hurwitz New Line Cinema / Warner Bros. Pictures Cast: John Cho, Kal Penn Hayden Schlossberg THE LAST TIME Michael Caleo Sony Pictures Entertainment -
Rychetnik Credits 8.18
STEVEN L. RYCHETNIK Director of Photography/Camera Operator (907) 240-1526 [email protected] www.sprocketheads.com FEATURE FILMS SANDY WEXLER (2nd Unit)* (2016) Happy Madison/Netflix THE FROZEN GROUND** (2011) Amber Entertainment/Lionsgate BIG MIRACLE** (2010) Universal Pictures/Working Title Films BEYOND* (2010) Crystal Sky Pictures BABY GENIUSES ** (2011) Crystal Sky Worldwide THE WALKING DEAD** (2018) AMC HOMICIDE: ATLANTA** (2017) ITV Creative VICE * (2017) HBO WILD ALASKA LIVE* (2017) PBS / BBC PEOPLE MAGAZINE INVESTIGATES * (2017) Finch Productions BUILDING ALASKA ** (2017) DIY Network /VIB/ CYCLE*** (2017) SprocketHeads TRAGEDY ASSISTANCE PROGRAM FOR SURVIVORS* (Short Films 2011 – Current) TAPS RUSSIAN FIGHTER INTERCEPTS* (2015) Fox News LIFE OF DOGS* (2015) Plimsoll Productions/Discovery Int’l. GREAT BIG STORY*** (2015 - Current) CNN POTUS IN ALASKA** (2015) CBS News NFL NETWORK - FOOTBALL TOWN: BARROW** (2015) Leftfield Entertainment NFL FLAG FOOTBALL* (2015) True Stories + NFL MAHINDRA AEROSPACE*** (2015) Mahindra Aerospace VERIZON** (2014) Harpoon Pictures STATE OF ALASKA TOURISM*** (2014/2015) Brilliant Media Strategies REAL ARCTIC, REAL PEOPLE* (2011 - 2015) Shell International Ltd. BREAKING THE ICE* (2014) Hot Snakes Media POLITICAL CAMPAIGNS & BALLOTT MEASURES* (2012 - Current) Greer, Margolis, Mitchell, Burns KIDZ BOP 26* (2014) Razor & Tie EARTHQUAKE*** (2014) Smithsonian Museum of Natural History POLITICAL CAMPAIGNS & BALLOTT MEASURES (AK/HI/OR)* (2013) Hamburger Gibson Creative VOLVO CARS OF NORTH AMERICA*** (2013) -
Brandon Molale MASTER Resume
BRANDON MOLALE BrandonMolale.com iSTUNT • STUNTPHONE • XCTIONBIZ • SPD (310) 493-5158 :Cell 6’5” 300 lbs Hair: Shaved Jacket: 50L Pants: 42x32-34 Shirt: 2XL-3XL Sleeve: 36 Neck: 18 Shoe: 14 TELEVISION * (Multiple Episodes) Grand Hotel * Stunt Actor / Recurring Elodie Keene / John Terlesky (ABC) Helena Barrett The Rookie Stunt Performer / Stunt Actor John Terlesky (ABC) David Rowden / Charlie Croughwell Henry Danger * Stunt Actor / Co-Star / Stunts Steve Hoefer (Nickelodeon) Vince Deadrick Arrested Development Co-Star Troy Miller ( NETFLIX) --- / Tim Davison Lethal Weapon * Stunt Performer Actor / Co-Star Antiono Negret / Maja Vrvilo (FOX) Tim Trella / Brian Machleit Scorpion * Co-Star / Stunt Double Omar Madha (CBS) Henry Kingi Grey’s Anatomy Co-Star Kevin McKidd (ABC) --- S.W.A.T. Co-Star Eagle Egilsson (CBS) Charlie Brewer Mixtape Stunt Performer Jesse Peterez (FOX) Carrick O’Quinn Sideswiped * Recurring Daniel Reisinger (YouTube Red) --- Run For Your Life (PILOT) Stunt Actor / Co-Star Patricia Riggin (BLUMHOUSE) Jeff Cadiente American Horror: Spring Fever Co-Star Rachel Goldberg (FX) --- The Last Ship * Stunt Performer Reza Tabrizi / Michael Nankin Keith Woulard / Mark Stefanich I’m Dying Up Here Stunt Double Adam Davidson (Showtime) Wade Allen Scandal Stunt Actor / Co-Star Allison Liddi Brown (ABC) Don Ruffin Rebel Stunt Actor John Singleton (BET) Larnell Stovall Granite Flats *(12 EPISODES) Recurring Guest Lead Scott Swofford / Various (NETFLIX/BYU) --- Colony Stunt Actor / Co-Star Juan Jose’ Campanella (USA) Charlie Brewer Secrets -
Pension Plan 2014 Form 5500
Annual Return/Report of Employee Benefit Plan OMB Nos. 1210-0110 Form 5500 1210-0089 This form is required to be filed for employee benefit plans under sections 104 Department of the Treasury and 4065 of the Employee Retirement Income Security Act of 1974 (ERISA) and Internal Revenue Service sections 6047(e), 6057(b), and 6058(a) of the Internal Revenue Code (the Code). Department of Labor 2014 Employee Benefits Security Complete all entries in accordance with Administration the instructions to the Form 5500. Pension Benefit Guaranty Corporation This Form is Open to Public Inspection Part I Annual Report Identification Information For calendar plan year 2014 or fiscal plan year beginning 01/01/2014 and ending 12/31/2014 X a multiemployer plan; a multiple-employer plan (Filers checking this box must attach a list of A This return/report is for: X X participating employer information in accordance with the form instructions); or X a single-employer plan; X a DFE (specify) _C_ B This return/report is: X the first return/report; X the final return/report; X an amended return/report; X a short plan year return/report (less than 12 months). C If the plan is a collectively-bargained plan, check here. X D Check box if filing under: X Form 5558; X automatic extension; X the DFVC program; X special extension (enter description) ABCDEFGHI ABCDEFGHI ABCDEFGHI ABCDE Part II Basic Plan Information—enter all requested information 1a Name of plan 1b Three-digit plan 001 ABCDEFGHIPRODUCER-WRITERS ABCDEFGHI GUILD OFABCDEFGHI AMERICA PENSION ABCDEFGHI -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ezekiel Crago June 2019 Dissertation Committee: Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson Dr. Carole-Anne Tyler Copyright by Ezekiel Crago 2019 The Dissertation of Ezekiel Crago is approved: __________________________________________ __________________________________________ Committee Co-Chairperson __________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgments I wish to thank my committee chairs, Sherryl Vint and Derek Burrill, for their constant help and encouragement. Carole-Anne Tyler helped me greatly by discussing gender and queer theory with me. Josh Pearson read drafts of chapters and gave me invaluable advice. I was able to work out chapters by presenting them at the annual conference of the Science Fiction Research Association, and I am grateful to the members of the organization for being so welcoming. I owe Erika Anderson undying gratitude for meticulously aiding me in research and proofreading the entire project. iv ABSTRACT OF THE DISSERTATION Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema by Ezekiel Crago Doctor of Philosophy, Graduate Program in English University of California, Riverside, June 2019 Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson This study investigates anxieties over the role of white masculinity in American society after World War Two articulated in speculative films of the post-apocalypse. It treats the nascent genre of films as attempts to recenter white masculinity in the national imagination while navigating the increased visibility of this subject position, one that maintains dominance in society through its invisibility as superordinate standard of manhood. -
Mr. Monster 3
ometimes I think Earth has got to be the insane asylum of the universe. and I’m here by computer error. At sixty-eight, I hope I’ve gained some wisdom in the past fourteen lustrums and it’s obligatory to speak plain and true about the conclusions I’ve come to; now that I have been educated to believe by such mentors as Wells, Stapledon, Heinlein, van Vogt, Clarke, Pohl, (S. Fowler) SWright,S Orwell, Taine, Temple, Gernsback, Campbell and other seminal influences in scientifiction, I regret the lack of any female writers but only Radclyffe Hall opened my eyes outside sci-fi. I was a secular humanist before I knew the term. I have not believed in god since childhood’s end. I believe a belief in any deity is adolescent, shameful and dangerous. How would you feel, surrounded by billions of human beings taking Santa Claus, the Easter bunny, the tooth fairy and the stork seriously and capable of shaming, maiming or murdering in their name? I am embarrassed to live in a world retaining any faith in church, prayer or celestial creator. I do not believe in Heaven, Hell or a Hereafter; in angels, demons, ghosts, goblins, the Devil, vampires, ghouls, zombies, witches, warlocks, UFOs or other delusions and in very few mundane individuals - politicians, lawyers, judges, priests, militarists, censors and just plain people. I respect the individual’s right to abortion, suicide and euthanasia. I support birth control. I wish to Good that society were rid of smoking, drinking and drugs. My hope for humanity - and I think sensible science fiction has a -
1'25"-.. Technician North Carolina State University's Student
Weather Partners! Tonight, expect a chilling bite to grab you on your way out Technician tonight. Doesn't matter, anyway, y0u probably won't feel it Newspaper Since 1920 on your way back home In 405 North Carolina State University’s Student today, 905 tonight. Volume LXVII. Number42 Friday. December6. 1985 Raleigh. North Carolina Phone 737-241 1/2412 Everette pushes for compromise of suspension decision John Price brunt of a problem that really lies Staff Writer more with the university.“ The enrollment figure which the Students may get a chance to university must reduce is calculated appeal academic suspension before assuming an average full-time stu- next fall if Student Body President dent takes 12 credit hours of courses Jay Everette succeeds in convincing each semester. the administration to compromise its Everette said a possible com- recent decision. promise that would reduce this In the past. students have been enrollment figure would~be to allow able to appeal suspension at the- suspended students to r’é-enter beginning of each semester. but school but take only six credit hours. Provost Nash Winstead announced Sen. Perry Woods agreed with this week that appeals won't be Everette and said the university heard until the fall of 1986. reacted incorrectly to UNC's man- Winstead said the change in policy date to reduce enrollment. is in response to the Board of Governors‘ order to eliminate “I‘m not so sure that when (UNC overenrollment at State. President William) Friday's office In the Student/Senate meeting mandated that enrollment levels be Wednesday night.