Smart Grid for Domestic Load Management

Total Page:16

File Type:pdf, Size:1020Kb

Smart Grid for Domestic Load Management NCECT'14 Department of CSE Kalasalingam Institute of Technology A Study on Empirical Evaluation of Mutation Testing for Improving the Test Quality of Safety-Critical Software S.Saranya1, M.Manikandan2, 1-Student, 2-Assistant professor M.E(Software Engineering) Mount Zion College of Engineering Technology Email: [email protected] Abstract— Testing provides a primary means for assuring evaluate their effectiveness. We conducted a major software in safety-critical systems. To demonstrate, experiment to engage 34 programming teams to particularly to a certification authority, that sufficient testing independently develop multiple software versions for an has been performed, it is necessary to achieve the test industry-scale critical flight application, and collected faults coverage levels recommended or mandated by safety detected in these program versions. To evaluate the standards and industry guidelines. Mutation testing provides effectiveness of software testing and software fault an alternative or complementary method of measuring test tolerance, mutants were created by injecting real faults sufficiency, but has not been widely adopted in the safety- occurred in the development stage. The nature, critical industry. In this study, we provide an empirical manifestation, detection, and correlation of these faults were evaluation of the application of mutation testing to airborne carefully investigated. The results show that coverage software systems which have already satisfied the coverage testing is generally an effective mean to detecting software requirements for certification. Specifically, we apply faults, but the effectiveness of testing coverage is not mutation testing to safety-critical software developed using equivalent to that of mutation coverage, which is a more high-integrity subsets ,to identify the most effective truthful indicator of testing quality. We also found that mutant types, and analyze the root causes of failures in test exact faults found among versions are very limited. This cases. Our findings show how mutation testing could be result supports software fault tolerance by design diversity effective where traditional structural coverage analysis and as a creditable approach for software reliability engineering. manual peer review have failed. They also show that several Finally we conducted domain analysis approach for test testing issues have origins beyond the test activity, and this case generation, and concluded that it is a promising suggests improvements to the requirements definition and technique for software testing purpose coding process. Our study also examines the relationship between program characteristics and mutation survival and II. MUTANT CREATION considers how program size can provide a means for RCS was required for source control for each team. Every targeting test areas most likely to have dormant faults. code change of each program file at each check-in can Industry feedback is also provided, particularly on how therefore be identified. Software faults found during each mutation testing can be integrated into a typical verification stage are also identified. These faults were then injected life cycle of airborne software. into the final program versions to create mutants, each contain one programming fault. We elected 21 program Index Terms— Mutation Testing, airborne software, safety- versions for detailed investigation, and created 426 mutants. critical systems. We disqualified the other 13 versions as their developers did not follow the development and coding standards which I. INTRODUCTION were necessary for generating meaningful mutants from Software testing and software fault tolerance are two major their projects. techniques for developing reliable software systems, yet The following rules are applied in the mutant creation limited empirical data are available in the literature to process: 1 NCECT'14 Department of CSE Kalasalingam Institute of Technology 1. Low-grade errors, for example compilation error and core dump exception, are not created. 2. Some changes were only available in middle versions. For example, the changes between 1.1 and 1.2 may not be completely identified in the final version. These changes are then ignored. 3. Code changes for debugging purposes are not included. 4. Modifications of the function prototypes are excluded. 5. As the specification does not mention about memory leaks, mutants are not created for any faults leading to memory leaks 6. The same programming error may span in many blocks of code. For example: a vector missed the division by 1000.0 may occur everywhere in a source file. It is counted as a single fault. III. MUTATION TESTING Mutation Testing is a fault-based testing technique which provides a testing criterion called the “mutation adequacy score”. The mutation adequacy score can be used to measure the effectiveness of a test set in terms of its ability to detect faults. The general principle underlying Mutation Testing work is that the faults used by Mutation Testing represent the mistakes that programmers often make. By carefully choosing the location and type of mutant, we can also simulate any test adequacy criteria. Such faults are deliberately seeded into the original program, by simple syntactic changes, to create a set of faulty programs called mutants, each containing a different syntactic change. To assess the quality of a given test set, these mutants are executed against the input test set. If the result of running a Fig. 2 Process of Data mutant is different from the result of running the original program for any test cases in the input test set, the seeded III. TESTING SAFETY-CRITICAL SOFTWARE fault denoted by the mutant is detected. One outcome of the Mutation Testing process is the mutation score, which indicates the quality of the input test set. The mutation score Test technology is crucial for successful product is the ratio of the number of detected faults over the total development. Inappropriate or late tests, underestimated number of the seeded faults. testing effort, or wrong test technology choices have often led projects to crisis and frustration. This software crisis results from neglecting the imbalance between constructive software engineering and analytic quality assurance. In this article we explain the testing concepts, the testing techniques, and the test technology approach applied to the patient monitors of the HP Omni Care family. Patient monitors are electronic medical devices for observing critically ill patients by monitoring their physiological parameters (ECG, heart rate, blood pressure, respiratory gases, oxygen saturation, and so on) in real time. A monitor can alert medical personnel when a physiological value exceeds preset limits and can report the patient’s status on a variety of external devices such as recorders, printers, and computers, or simply send the data to a network. The monitor maintains a database of the physiological values to show the trends of the patient’s status and enable a variety Fig. 1. Generic Process of Mutation Analysis of calculations of drug dosage or ventilation and 2 NCECT'14 Department of CSE Kalasalingam Institute of Technology hemodynamic parameters. Patient monitors are used in divided into three groups; the Statement analysis group, the hospitals in operating rooms, emergency rooms, and Predicate analysis group and the coincidental correctness intensive care units and can be configured for every patient group. category (adult, pediatric, or neonate). Very often the 2) Mutation Testing for Ada: Ada mutation operators patient attached to a monitor is unconscious and is were first proposed by Bowser in 1988. In 1997, based on sustained by other medical devices such as ventilators, previous work of Bowser’s Ada mutation operators, anesthesia machines, fluid and drug pumps, and so on. Agrawal et al.’s C mutation operators and the design of These life-sustaining devices are interfaced with the patient Fortran 77 mutation operators for MOTHRA , Offutt et al. monitor but not controlled from it. Safety and reliability redesigned mutation operators for Ada programs to produce requirements for medical devices are set very high by a proposed set of 65 Ada mutation operators. According to industry and regulatory authorities. There is a variety of the semantics of Ada, this set of Ada mutation operators is international and national standards setting the rules for the divided into five groups: Operand Replacement Operators development, marketing, and use of medical devices. group, Statement Operators group, Expression Operators The legal requirements for electronic medical devices are, group, Coverage Operators group and Tasking Operators as far as these concern safety, comparable to those for group. nuclear plants and aircraft. In the past, the safety requirements covered mainly the hardware aspects of a device, such as electromagnetic compatibility, radio interference, electronic parts failure, and so on. The concern for software safety, accentuated by some widely known software failures leading to patient injury or death, is increasing in the industry and the regulatory bodies. This concern is addressed in many new standards or directives such as the Medical Device Directive of the European Union or the U.S. Food and Drug Administration. These legal requirements go beyond a simple validation of the product; they require the manufacturer to provide all Fig 3.Publications of the Applications of Mutation evidence of good engineering practices during
Recommended publications
  • The Bulletin of Southwestern at Memphis/1984-85
    CORRESPONDENCE DIRECTORY For information on the topics listed below write The legal to the person indicated: Southwe1 Academic Program Gerald Duff, Vice President and Dean of the College I gix, Academic Records, Transcripts, Registration the and Matriculation as fc Glenn W. Munson, Registrar Admissions and Transfers David J. Wottle, Dean of Admissions Alumni Association In additior Jennifer Prascher, Director of Alumni Programs gifts. Sorn coming to Athletics of years, George Lapides, Director of Athletics children c Dormitories and Student Housing C. V. Scarborough, Dean of Students Business Matters Thomas R. Kepple, Jr., Dean of Administrative Services Financial Aid Ray M. Allen, Dean of Financial Aid and Government Relations General Information Loyd C. Templeton, Jr., Assistant to the President for College Relations Gifts or Bequests Donald J. Lineback, Dean of College Resources Summer Session Robert R. Llewellyn, Associate Dean of the College and Director of the Summer Session THE BULLETIN OF SOUTHWESTERN AT MEMPHIS (Pub. No. 554-280) Is Published Quarterly By Southwestern At Memphis, 2000 N. Parkway, Memphis, Tennessee 38112. Second-class postage paid at Memphis, Tennessee Volume 71 • No. 2 — April 1984 f, The Bulletin of Southwestern At Memphis/1984-85 THE COLLEGE OF LIBERAL ARTS AND SCIENCES FOUNDED IN 1848 TABLE OF CONTENTS (For more detailed references see the Index) General Information Purpose, 8 Admissions, 10 Expenses, 14 Scholarships and Student Aid, 16 Student Life, 22 Student Services, 27 Campus Regulations, 29 The Educational Program Planning a Degree, 34 Special Study Opportunities, 42 Foreign Study, 44 Academic Regulations, 46 Courses of Instruction, 50 Center for Continuing Education, 156 The Burrow Library, 157 The Computer Center, 159 Matters of Record Board of Trustees, 162 Emeriti, 164 Administration, 167 Sponsored Programs, 170 Prizes, Endowments and Memorials, 171 The Physical Plant, 179 Annual Commencement, 1983, 181 Southwestern At Memphis is a fully accred- COLLEGE CALENDAR ited four-year college of liberal arts and sciences.
    [Show full text]
  • An Introduction to Canterburied Sounds Mp3, Flac, Wma
    Various An Introduction To Canterburied Sounds mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Pop Album: An Introduction To Canterburied Sounds Country: UK Released: 1998 Style: Blues Rock, Acoustic, Folk Rock MP3 version RAR size: 1972 mb FLAC version RAR size: 1601 mb WMA version RAR size: 1144 mb Rating: 4.7 Votes: 560 Other Formats: WAV MP3 ASF MOD DXD AC3 MMF Tracklist 1 –Brian* & Hugh* That's Alright Mama 1:12 2 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 2:20 3 –Brian*, Hugh* & Robert Wyatt Tanglewood Tails 1:58 4 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 1:37 5 –The Wild Flowers* Thinking Of You 1:37 6 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 1:57 7 –Mike Ratledge, Robert*, Brian* & Hugh* Man In A Deaf Corner 1:10 8 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 0:25 9 –Mike* & Robert* Summertime 1:35 10 –Caravan Summertime 1:41 11 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 1:37 12 –Soft Machine Esther's Nose Job 2:28 13 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 0:26 14 –Caravan Feelin', Reelin', Squealin' 1:45 15 –Brian Hopper, Hugh Hopper, Pye Hastings Comments 2:13 16 –Caravan Austin Cambridge 1:21 Companies, etc. Recorded At – T.L.C.S. Studios Marketed By – Voiceprint Group Of Companies Distributed By – Voiceprint Group Of Companies Credits Coordinator – Robin Ayling Engineer – Julian Hastings*, Pye Hastings Mastered By – Chris Thorpe Painting [Cover Painting] – Leslie Hopper Producer – Brian Hopper Notes Excerpts from Canterburied Sounds Volume 1, Canterburied Sounds Volume 2, Canterburied Sounds Volume 3, Canterburied Sounds Volume 4, with comments from Brian Hopper, Hugh Hopper and Pye Hastings.
    [Show full text]
  • Canterbury Sound’ Andy Bennett UNIVERSITY of SURREY
    Music, media and urban mythscapes: a study of the ‘Canterbury Sound’ Andy Bennett UNIVERSITY OF SURREY In this article I examine how recent developments in media and technology are both re-shaping conventional notions of the term ‘music scene’ and giving rise to new perceptions among music fans of the relationship between music and place. My empirical focus throughout the article is the ‘Canterbury Sound’, a term originally coined by music journalists during the late 1960s to describe the music of Canterbury1 jazz-rock group the Wilde Flowers, and groups subsequently formed by individual members of the Wilde Flowers – the most well known examples being Caravan, Hatfield and the North and Soft Machine (see Frame, 1986: 16; Macan, 1997; Stump, 1997; Martin, 1998), and a number of other groups with alleged Canterbury connections. Over the years a range of terms, for example ‘Motown’, the ‘Philadelphia Sound’ and, more recently, the ‘Seattle Sound’, have been used as a way of linking musical styles with particular urban spaces. For the most part, however, these terms have described active centres of production for music with a distinctive ‘sound’. In contrast, however, in its original context the Canterbury Sound was a rather more loosely applied term, the majority of groups and artists linked with the Canterbury Sound being London-based and sharing little in the way of a characteristic musical style. Since the mid-1990s, however, the term ‘Canterbury Sound’ has acquired a very different currency as a new generation of fans have constructed a discourse of Canterbury music that attempts to define the latter as a distinctive ‘local’ sound with character- istics shaped by musicians’ direct experience of life in the city of Canterbury.
    [Show full text]
  • Une Discographie De Robert Wyatt
    Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.
    [Show full text]
  • 2010 Issue Four
    CouncilThe Quarterly Quarterly Newsletter of the Florida Urban Forestry Council 2010 Issue Four The Council Quarterly newsletter is published quarterly by the Florida Urban Forestry Council and is intended as an educational benefit to our members. Informa- tion may be reprinted if credit is given to the author(s) and this newsletter. All pictures, articles, advertisements, and other data are in no way to be construed as an endorsement of the author, products, services, or techniques. Likewise, the statements and opinions expressed herein are those of the individual authors and do not represent the view of the Florida Urban Forestry Council or its Executive Committee. This newsletter is made possible by the generous support of the Florida Department of Agriculture and Consumer Services, Division of Forestry, Charles H. Bronson Commissioner. WHAT IS THE SUSTAINABLE SITES INITIATIVE? Submitted by Thomas Levin, ASLA, AICP, CEP The Sustainable Sites Initiative (SITES) Projects that qualify for the program include is a program to measure sustainability parks, preserves, transportation corridors, of site development and management. In and other open uses of land as well as certain ways it is similar to the U.S. Green commercial, institutional and residential Building Council’s LEED (Leadership in development. Energy and Environmental Design) Green Building Rating System, but differs in that It all began as two separate projects by it focuses exclusively on site and landscape the Sustainable Design and Development issues. Unlike LEED, this initiative applies Professional Practice Network of the to sites both with and without buildings. American Society of Landscape Architects and the Lady Bird Johnson Wildflower Center.
    [Show full text]
  • Soft Machine-SWITZERLAND 1974-PR
    Bio information: SOFT MACHINE Title: SWITZERLAND 1974 (Cuneiform Rune 395/396) Format: CD/DVD Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: CANTERBURY / JAZZ ROCK / FUSION Cuneiform Records Release Classic 1974 Bundles-Era Soft Machine Performance Featuring Allan Holdsworth On Guitar And Filmed at One of Europe’s Most Esteemed Jazz Festivals As A Dual DVD+CD Package At the end of 1973, the British band Soft Machine embarked on a fresh start. In December 1973, it added guitarist Allan Holdsworth (recently with Jon Hiseman’s Tempest, and previously Nucleus) to its line-up, which then consisted of Soft Machine founding member and keyboardist Mike Ratledge, along with pianist and saxophonist Karl Jenkins, bass player Roy Babbington, and drummer John Marshall. Jenkins and Ratledge then composed a whole new repertoire, which the band road-tested on extensive tours of North America and continental Europe in the first half of 1974. That material eventually made up Soft Machine’s eighth recording, the first not named after its order of release: the album Bundles, widely acknowledged as a jazz-rock / fusion classic. When released by EMI’s Harvest Label in early 1975, Bundles would secure Soft Machine’s role in the transcontinental jazz-rock pantheon alongside Return To Forever and Mahavishnu Orchestra in the USA, and Nucleus, Brand X, and Isotope in the UK. Soft Machine’s status in the international jazz/rock avant-garde was widely apparent even before Bundles’ official release.
    [Show full text]
  • Soft Machine BBC Radio Mp3, Flac, Wma
    Soft Machine BBC Radio mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: BBC Radio Country: UK Style: Art Rock, Psychedelic Rock, Prog Rock, Jazz-Rock MP3 version RAR size: 1263 mb FLAC version RAR size: 1893 mb WMA version RAR size: 1859 mb Rating: 4.4 Votes: 750 Other Formats: MP3 TTA ASF DTS MPC XM AHX Tracklist Hide Credits Clarence In Wonderland 1-1 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 2:57 WyattProducer – Bernie AndrewsRemastered By – Michael King Written-By – K. Ayers* We Know What You Mean 1-2 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 3:11 WyattProducer – Bernie AndrewsRemastered By – Michael King Written-By – K. Ayers* Certain Kind 1-3 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 3:38 WyattProducer – Bernie AndrewsWritten-By – H. Hopper* Hope For Happiness 1-4 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 4:37 WyattProducer – Bernie AndrewsWritten-By – B. Hopper* Strangest Scene (Aka Lullaby Letter) 1-5 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 4:55 WyattProducer – Bernie AndrewsRemastered By – Michael King Written-By – K. Ayers* Facelift | Mousetrap | Noisette | Backwards | Mousetrap Reprise Engineer – Tony WilsonPerformer [Line-up] – Brian Hopper, Hugh Hopper, Mike 1-6 11:54 Ratledge, Robert WyattProducer – John WaltersWritten-By [Backwards] – M. Ratledge*Written-By [Facelift | Mousetrap | Noisette | Mousetrap Reprise] – H. Hopper* The Moon In June 1-7 Engineer – Tony WilsonPerformer [Line-up] – Hugh Hopper, Mike Ratledge, Robert 13:02 WyattProducer – John WaltersWritten-By – R. Wyatt* Instant Pussy 1-8 Engineer – Tony WilsonPerformer [Line-up], Written-By – Robert WyattProducer – John 3:19 Walters Slightly All The Time | Out Bloody Rageous | Eamonn Andrews 1-9 Engineer – Tony WilsonPerformer [Line-up] – Elton Dean, Hugh Hopper, Mike Ratledge, 19:12 Robert WyattProducer – John WaltersWritten-By – M.
    [Show full text]
  • Daytime Programme
    DAYTIME PROGRAMME 10:30 – 10:50 Welcome. Health and safety notices, event concept and programme for the day. 10:50 – 11:20 Coffee break and introduction to the Archive Exhibition. 11:20 – 12:50 Panel 1: “Canterbury Sound” myths and realities Talks from: Professor Andy Bennett (Griffith Univesity, Australia) Geoffrey Richardson (Caravan) Brian Hopper (Wilde Flowers, Soft Machine) Jack Hues (Wang Chung/Jack Hues and the Quartet) Professor Murray Smith (Kent/Princeton Universities) + a discussion panel 12:50 – 13:00 Comfort break 13:00 – 13:45 Performance: Jack Hues and the Quartet 13:45 – 14:30 Lunch 14:30 – 16:00 Panel 2: Archives and futures of the online and offline “Canterbury Sound” Talks from Aymeric Leroy (Author of The Sound of Canterbury) Phil Howitt (Facelift fanzine founder) Dr Asya Draganova (Birmingham City University) and Professor Shane Blackman (CCCU) Alan Payne (University of Kent) + discussion panel 16:00 – 16:10 Comfort break 16:10 – 16:50 Performance by Koloto 16:50 – 17:00 Comfort break 17:00 – 18:00 Fan forum: mapping the spaces and places of the “Canterbury Sound” with the participation of fans + a short talk by Adam Brodigan on the inter-generational context of the Canterbury Sound. Final discussion and closing remarks for this section of the day. EVENING PROGRAMME (bar opens 18:30) 19:00 – 22:00: Lapis Lazuli and SoupSongs live music performances: in dialogue within the “Canterbury Sound” The SoupSongs were originally assembled with the participation of Robert Wyatt and specialise in performing his music. Each of the artists involved with the band has had an extraordinary music career in connection to the Canterbury Sound and beyond.
    [Show full text]
  • Scuttlebutt from the Spermaceti Press 2018
    Jan 18 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 164th birthday during the long weekend from Jan. 10 to Jan. 14. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at Annie Moore's, and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morn- ing (followed by the usual lunch at McSorley's). The Baker Street Irregulars' Distinguished Speaker on Thursday evening was Martin Edwards, the award-winning mystery author and commentator on myster- ies, and then The Baker Street Babes' "Daintiest Scream on the Moor Charity Ball" featured the unveiling of a "Cake Boss" cake in the shape of a bust of Sherlock Holmes (to be featured on an upcoming episode of the TV series. Friday's William Gillette Luncheon included a performance by the Friends of Bogie's at Baker Street, plus Al Gregory's presentation of the annual Jan WHIMSEY Award (named in memory of his wife Jan Stauber), which honors the most whimsical piece in The Serpentine Muse last year, to M.E. Rich. And Otto Penzler's traditional open house at the Mysterious Bookshop provided the usual opportunities to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where Roy Pilot proposed the traditional preprandial first toast to Patricia Izban as The Woman. The annual-dinner agenda included toasts, rituals, and papers, and Mike Whelan (the BSI's "Wiggins") presented this year's Birthday Honours (Irregular Shillings and Investitures) to Shannon Carlisle ("Beacons of the Future!"), Dean Clark ("Watson's Journal"), Denny Dobry ("A Single Large Airy Sitting-Room"), Jeffrey Hatcher ("The Five Or- ange Pips"), Maria Fleischhack ("Rache"), Anastasia Klimchynskaya ("The Old Russian Woman"), Rebecca Romney ("That Gap on That Second Shelf"), Candace Lewis ("A Little Art Jargon"), Nick Martorelli ("Seventeen Steps"), and Al Shaw ("Sir Hugo Baskerville").
    [Show full text]
  • News Section
    THE DAILY ENQUIRER~DEMOCRAT FOUND AT ENQUIRERDEMOCRAT.COM Stay locally informed for Macoupin County’s Dominant Newspaper $100 Macoupin County ~ Carlinville nquirer~Democrat OUR 166TH YEAR NO. 40 E THURSDAY, FEBRUARY 7, 2019 EIGHTEEN PAGES, TWO SECTION INSIDE Carlinville to lose only jewelry store By MISTY FRITZ Enquirer-Democrat Reporter After serving the Carlinville com- munity for 31 years, Karla’s Jewelry, located on the square, will close for good as of Friday, Feb. 15. Karla Denby opened the store in October 1988 after purchasing the Ibberson named building from Dorothy and Ed Schae- fer; prior to them, the store was owned finalist in state by D. Schaefer’s family. “Her maiden pageant name was also Schaefer,” said Laura See page 2A Convery, who has been managing the store for the last few years while Denby has been in ill health. “When they took it over, everyone thought it had been his family’s because they didn’t change the name.” Karla Denby examnies a diamond. The building — which Conv- Photo provided ery said is older than the Macoupin County Courthouse — has been a and the way the community reacted, jewelry store since the late 1800s. In it chokes me up.” the early 1900s, pianos were sold up- Convery said the community has stairs, and at some point in the 1900s, been especially compassionate re- Palmyra American boxing matches were held upstairs. garding Denby’s health. “It’s so Legion Auxiliary The business has been for sale for wonderful to witness,” she said. receives award more than two years, with no luck.
    [Show full text]
  • Various Canterburied Sounds Volume 4 Mp3, Flac, Wma
    Various Canterburied Sounds Volume 4 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Pop Album: Canterburied Sounds Volume 4 Country: UK Released: 1998 Style: Free Improvisation, Experimental, Prog Rock MP3 version RAR size: 1537 mb FLAC version RAR size: 1847 mb WMA version RAR size: 1241 mb Rating: 4.4 Votes: 652 Other Formats: DMF AIFF AAC MMF VOC MOD DXD Tracklist Hide Credits Slow Walkin' Talk Drums – Bob Gillieson*Guitar, Vocals – John Larner Organ – Frank 1 –Zobe 5:43 LarnerTenor Saxophone – Brian HopperTrombone – Gordon LarnerWritten-By – Brian Hopper –Mike Ratledge, Some-Of-The-Time Brian Hopper, Drums – Robert WyattGuitar – Unknown ArtistPiano – Mike 2 14:45 Robert Wyatt & RatledgeTenor Saxophone – Brian HopperWritten-By – Brian Hopper, Unknown Artist Mike Ratledge, Robert Wyatt –Robert Wyatt, Ghosts 3 Mike Ratledge plus Drums – Robert WyattGuitar – Unknown ArtistPiano – Mike 5:23 Unknown Artist RatledgeWritten-By – Albert Ayler With An Ear To The Ground You Can Make It Bass – Richard SinclairDrums – Richard CoughlanOrgan [Hammond] – 4 –Caravan 8:48 David SinclairVocals, Guitar – Pye HastingsWritten-By – David Sinclair, Pye Hastings, Richard Coughlan, Richard Sinclair Dalmore Rode –Brian Hopper & 5 Alto Saxophone – Brian HopperCello, Piano – Robert WyattWritten-By 7:56 Robert Wyatt – Brian Hopper, Robert Wyatt Piano Standards II 6 –Mike Ratledge 3:13 Piano – Mike Ratledge Johnny B Goode 7 –Wilde Flowers Bass Guitar – Hugh HopperDrums – Robert WyattGuitar – Brian 3:10 HopperVocals – Kevin AyersWritten-By – Chuck Berry –Brian Hopper & Cecilian Hugh Hopper, Mike Alto Saxophone – Brian HopperBass – Hugh HopperDrums – Robert 8 12:00 Ratledge & Robert WyattPiano – Mike RatledgeWritten-By – Brian Hopper, Hugh Hopper, Wyatt Mike Ratledge, Robert Wyatt Austin Cambridge Bass Guitar – Stuart Evans Drums – Richard CoughlanGuitar – Pye 9 –Caravan 13:45 HastingsKeyboards – Derek AustinViola – Geoff Richardson*Written- By – Derek Austin Companies, etc.
    [Show full text]
  • Popular Music (2016) Volume 35/2
    Popular Music (2016) Volume 35/2. © Cambridge University Press 2016, pp. i–ii VOL. 35 NO. 2 May Special Issue Popular Music and Alcohol Popular Issue Editors: Keith Negus John Street Music Contents iii The Contributors KEITH NEGUS AND 161 Introduction: the mediations of music and JOHN STREET alcohol ANGELA McSHANE 166 Drink, song and politics in early modern England ANNEMARIE 191 Temperance battle songs: the musical war McALLISTER against alcohol MARCUS O’DAIR 207 ‘Pardon me, I’m very drunk’: alcohol, creativity and performance anxiety in the case of Robert Wyatt GAVIN CARFOOT 222 ‘Enough is Enough’: songs and messages about alcohol in remote Central Australia ALISON C. EALES 231 ‘One bourbon, one scotch, one beer’: alcohol sponsorship at Glasgow Jazz Festival, 1987–2001 ALASDAIR FORSYTH, 245 ‘I’m there to play music not break up fights’: JEMMA C. LENNOX AND gigging entertainers’ experiences of alcohol- MARTIN CLOONAN related misbehaviour by audiences and its impact on performance Middle Eight DAVE LAING 265 Drink, song and disorder: the sorry saga of the Licensing Act 2003 Reviews RICHARD OSBORNE 270 Vinyl: The Analogue Record in the Digital Age, by Dominik Bartmanski and Ian Woodward BOB ANDERSON 272 The Hank Williams Reader, edited by Patrick Huber, Steve Goodson and David M. Anderson i ii Contents DANIJELA 273 Turbo-Folk Music and Cultural Representations of ŠPIRIĆ-BEARD National Identity in Former Yugoslavia, by Uroš Čvoro KENNY FORBES 276 Please Allow Me to Introduce Myself: Essays on Debut Albums, edited by George Plasketes GUSTAVO BORCHERT 278 Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil, by Daniel B.
    [Show full text]