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A Sociological Analysis of Christian Contemporary Music and Aural Piety
“FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Courtney Sorrell Tepera August 2017 Examining Committee Members: Lucy Bregman, Advisory Chair, TU Department of Religion Terry Rey, TU Department of Religion David Harrington Watt, TU Department of History Dustin Kidd, External Member, TU Department of Sociology © Copyright 2017 by Courtney Suzanne Sorrell Tepera ____________________________ All rights reserved iii ABSTRACT Over the past fifty years, Christian contemporary music has joined hymnody and psalmody as a major form of evangelical liturgical and devotional song. While the production and content of this genre have been explored by scholars, few studies have attended to the devotional use of the genre and its role in shaping the religious lives of American evangelicals. This project draws from several sets of data to address this matter: analysis of church-created worship music albums, listener testimonials on Christian radio websites, and focus group interviews of laity and clergy at four South Carolina churches. The data revealed that music is significant to their religious lives outside of church as a means of encountering God, managing emotions, and displaying spiritual capital. Inside churches, the music is used to create a sense of corporate identity that reinforces social bonds within the community and attracts newcomers. Drawing on the methodological framework of Pierre Bourdieu’s theory of practice and his work on social distinction, I argue that American evangelicals who listen to Christian contemporary music are engaged in aural piety, a set of practices, attitudes, and ideas invested in music that structure and evoke the experience of the sacred. -
Not Representing Jesus: Fictional Approximations of Jesus in Contemporary Literature
Not Representing Jesus: Fictional Approximations of Jesus in Contemporary Literature John Mark Derbyshire Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English August 2015 ii The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of LeeDs anD John Mark Derbyshire The right of John Mark Derbyshire to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 iii AcknowleDgements A project like this thesis depends on the support, input, patience and encouragement of a large group of people, and because the subject matter involves knowledge acquired since childhood, and from many different sources and locations, the best place to start to acknowledge my debts is right at the beginning. My thanks firstly to my parents, who taught me to read, love and respect the Bible, and who encouraged me to ask questions. Secondly to Don Gillman, who started to tease out more questions by challenging everything I thought I knew, and taught me to read and re-read and keep on reading; the sudden loss of his life during the early stages of this thesis robbed me of a close friend, important conversation partner and Bible teacher extraordinaire, but his dedication to searching the scriptures continues to inspire my own unending re-reading. -
Varieties of Jesus Christ Narratives in Commercial Cinema Master´S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Martina Hejčová The Unusual Christ: Varieties of Jesus Christ Narratives in Commercial Cinema Master´s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph.D. 2018 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Acknowledgement I would like to thank my supervisor doc. PhDr. Tomáš Pospíšil, Ph.D. for his valuable advice, sincere guidance and encouragement. Also, I would like to thank my partner and my family for their support. Table of Contents 1. Introduction and Methodology ..................................................................................... 1 2. Religion in the Movies .................................................................................................. 4 3. Historical vs. Biblical Figure of Jesus .......................................................................... 9 4. The Last Temptation of Christ ..................................................................................... 15 5. The Passion of the Christ ............................................................................................ 22 6. Monty Python´s Life of Brian ...................................................................................... 26 7. Jesus of Montreal ........................................................................................................ 30 8. Jesus Christ Superstar -
Episode #19 - Bad Religion Exposé
Episode #19 - Bad Religion Exposé Intro Welcome to Point Radio Cast. Who am I, why I'm doing this. Support Click through the site! pointradiocast.com/music.html Contact Info [email protected] Show intro - Theme Bad Religion: Through the Decades Exposé. They've been at it since 1979. Formed in LA in November or December, 1979. Greg Graffin and Brett Gurewitz have been there the whole time. They went from garage punk rock, to the punk/hardcore combo sound of today. Still at it, and still making great music! They're sort of nerd punk, and they've always had a left political angle. 1982 How Could Hell Be Any Worse? 6 Latch Key Kids Voice of God is Government Fu*k Armageddon… This is Hell, In the Night, Damned to be Free, White Trash 1983 Into the Unknown 4 Chasing the Wild Goose Losing Generation 1988 Suffer 6 Best for You Do What You Want You Are (The Government), Give You Nothing, Suffer 1989 No Control 8 Change of Ideas You No Control, I Want to Conquer the World, Anxiety, Automatic Man 1990 Against the Grain 9 Flat Earth Society Walk Away Modern Man, The Positive Aspect of Negative Thinking, Anesthesia, Faith Alone, Against the Grain, 21st Century (Digital Boy), Unacceptable 1992 Generator 8 Generator Too Much To Ask Heaven is Falling, Atomic Garden, The Answer, Fertile Cresent, Chimaera 1993 Recipe for Hate 7 American Jesus Don't Pray on Me Struck a Nerve, My Poor Friend Me, Skyscraper 1994 Stranger Than Fiction 7 Stranger Than Fiction Hooray for Me… Incomplete, Better Off Dead 1996 The Gray Race 9 Punk Rock Song Drunk Sincerity -
Ghosts and Promises Kodiak Island
Ghosts and Promises: When the American Abortion War ended, the Lifers relinquished the territory they gained. 2 The Secrets of Kodiak Island The Lifer Army’s defeated, battered veterans limped back to the few fortified city-states the An Otherverse America Sourcebook Treaty of Boston allowed them to retain: Boston and Pensacola, as well as smaller fortresses in dozens of smaller cities all across purple-state Written by Chris A. Field America. Hundreds of Lifer soldiers, human and post-human alike were imprisoned, and many were Cover Illustration by: Vic Shane executed for war crimes. Interior Illustrations by: Vic Shane, Amanda Webb, But hundreds more of the Lifer nation’s Bradley K. McDevitt, Golden Cobra Games, best and most committed soldiers simply Eastern Raider Games, Scott Young, Shaman’s disappeared. Into the underground, into the Stockart (Anthony Cournoyer), Enclaves. Eventually the APEX and Choice Squad Wooden Vampire Games, LPJD Image Portfolio. Four found some, dragging War-era horrors like Kodiak Island Map provided the terrorist mentat Franklin “Emir” Wasiheed into by Wikimedia Commons. the light of day. Others turned up dead without All images copyright their respective creators, explanation: the eighth and worst Ghost of Babies and are used with permission. Past, Preston Oakley, was found with his head blown apart by a rail gun in a Northern Mexican salvage yard. But other Lifers just went off the www.otherversegames.blogspot.com grid, fell off the world. Purple XVI, Holly and Trisha Martinez are To this day, the Choicer intel community copyright 2012 Tim Stewart and his gaming speculates what happened to the missing. -
Practical Christologies in Two Boston American Baptist Churches
Boston University OpenBU http://open.bu.edu Theses & Dissertations STH Theses and Dissertations 2011-01-14T17:07:19Z Living with Jesus: Practical Christologies in Two Boston American Baptist Churches https://hdl.handle.net/2144/1396 Boston University BOSTON UNIVERSITY SCHOOL OF THEOLOGY Dissertation LIVING WITH JESUS: PRACTICAL CHRISTOLOGIES IN TWO BOSTON AMERICAN BAPTIST CHURCHES by Julian R. Gotobed (B.A. University of Oxford, 1987; S.T.M. Boston University, 2003) Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy 2010 Copyright 2010 by Julian R. Gotobed CONTENTS TABLES..………………………………………………………………………………..vii ACKNOWLEDGEMENTS…………………………………………………………….viii ABSTRACT……………………………………………………………………………..xii CHAPTER I. THE STORY OF JESUS CHRIST AND OUR STORIES…………………………...1 Statement of the Problem………………………………………………………….1 Significance of the Study………………………………………………………….6 The Nature and Purpose of Christian Theology…………………………………15 Method…………………………………………………………………………...28 Methodological Note…………………………………………………………….32 Intended Audience……………………………………………………………….33 Location of the Researcher………………………………………………………35 II. THE VISIBLE CHURCH, EVERYDAY RELIGION, & CHRISTIAN DOCTRINE……..37 Overview……………………………………………………..………………….37 (1) The Sociological and Theological Significance of the Visible Church….......41 (2) Theoretical Perspectives.………......………………………………...………46 (3) Scholarship and Christology…………………………………………………77 Summary. ..……….…………………………………………………………….122 iv ! III. JESUS CHRIST IN THE THEOLOGY OF JAMES MCCLENDON…………...123 -
IMIGHT Most Requested), Was the Judgment Night Monious Vocals and Sweeping Lyrical Passages
rrior Soul, "Shock Um Down", DGC/Geffen There's been a lot of uncertainty and speculation surrounding Warrior Soul's sta- tus with Geffen of late but, as you can see and hear, the band are on the verge of releasing their fourth album, ("Chill Pill")for the label. As it is, the band has been going through some changes internally, resulting in a new line-up, which boasts two new guitarists (replacing long time member John Ricco) and Mark Evans returning to the drum rostrum (Pete McClanahan continues his role as bassist). Anyone remotely familiar with Warrior Soul's psychedelic/punk rock latitudes can surely envision how totally kicking their material will sound WARRIOR S with two guitars blasting through now. Realize, however, that the album was recorded with the former line-up intact, and so we'll have to wait k until the band hits the road to check out the new, yet to be named. front line. As for Warrior Soul's newly shorn, (yes gals,rock's best locks have given way to a very cool & wild new doo) guiding spirit, Kory Clarke... he's handed down a record that is much less politically motivatedand noticeably more introspective (the title kind of says it all).It is a decidedly different record than the belligerent "Salutations", the radical "Drugs, God..." or the social rally- ing of "Last Decade...".You'll understand exactly what I mean when you hear it - it's quite cool (and very upbeat) and songs like "High Road" are rather unexpected. Back to the present The album is preceded by the punk fueled "Shock Um Down".It provides a great link between the full -on grind of past singles like "Wasteland" or "Blown" and Soul's new stance on life. -
And Starring Jesus As Himself: Cultural Context and the Images of Christ in North American Film
AND STARRING JESUS AS HIMSELF: CULTURAL CONTEXT AND THE IMAGES OF CHRIST IN NORTH AMERICAN FILM Rebecca Dawson A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2007 Committee: Angela Nelson, Advisor Jeffrey Brown Madeline Duntley ii ABSTRACT Angela Nelson, Advisor Jesus Christ may appear to be an unlikely candidate for movie stardom, yet few other figures have managed to both captivate and outrage its audience. From early appearances in silent epics to modern kung-fu action-comedies, depictions of Christ have done more than show his life and his message. The directors of these films, by using Christ’s image, have added a new interpretative dimension to the social issues and debate at the heart of each era of filmmaking. Post-Vietnam cynicism, feminism, gay rights, and the Christian Right have all found a champion in the character of Jesus. Jesus becomes malleable in a sense, as his image is changed and reconstituted to express the issues and beliefs closest to the filmmaker. This thesis will examine the evolution of the “Jesus film” in North American cinema, focusing on the varying depictions of Christ within four films; Jesus Christ Superstar (1973), The Last Temptation of Christ (1988), Jesus Christ Vampire Hunter (2001), and The Passion of the Christ (2004). These films may vary in their approach and depictions of Christ, ranging from a feminized neo-hippie to a very masculine and practically indestructible savior, yet they all present an evolution in how Jesus is presented and used in popular culture. -
"What Would Jesus Do?": Modern Revival in the Marketplace, 1896-2000S
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2016 "What Would Jesus Do?": Modern Revival in the Marketplace, 1896-2000s. Jennifer L. Hancock College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Hancock, Jennifer L., ""What Would Jesus Do?": Modern Revival in the Marketplace, 1896-2000s." (2016). Dissertations, Theses, and Masters Projects. Paper 1593092110. https://dx.doi.org/doi:10.21220/m2-7d0m-9b37 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “What Would Jesus Do?”: Modem Revival in the Marketplace, 1896-2000s Jennifer L. Hancock Dallas, Texas Master of Arts in Religion, Yale Divinity School, Yale University, 2000 Bachelor of Arts in English, Abilene Christian University, 1996 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program The College of William and Mary January, 2016 APPROVAL PAGE This Dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy fi [SkaJJJ£ULA— Jennifer L. Hancock Approved by the mmittee, November 2015 A Committee Co-Chair Associate\professor -
Bad Religion Recipe for Hate Mp3, Flac, Wma
Bad Religion Recipe For Hate mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Recipe For Hate Country: US Released: 1993 Style: Punk MP3 version RAR size: 1862 mb FLAC version RAR size: 1559 mb WMA version RAR size: 1734 mb Rating: 4.2 Votes: 662 Other Formats: MMF MP4 ASF APE VOC MP3 MP2 Tracklist Hide Credits Recipe For Hate 1 2:02 Lyrics By [Words], Music By – Greg Graffin Kerosene 2 2:41 Lead Guitar – Chris Bagarozzi, Jon WahlLyrics By [Words], Music By – Mr. Brett* American Jesus 3 Featuring [Uncredited] – Eddie VedderLyrics By [Words], Music By – Mr. Brett*, Greg 3:17 Graffin Portrait Of Authority 4 2:44 Lyrics By [Words], Music By – Greg Graffin Man With A Mission 5 3:11 Lyrics By [Words], Music By – Mr. Brett*Slide Guitar – Greg Leisz All Good Soldiers 6 3:07 Lead Guitar – Joe Pecerillo*Lyrics By [Words], Music By – Mr. Brett* Watch It Die 7 2:34 Backing Vocals [Uncredited] – Eddie VedderLyrics By [Words], Music By – Greg Graffin Struck A Nerve 8 Backing Vocals [Uncredited] – Johnette NapolitanoLyrics By [Words], Music By – Greg 3:47 Graffin My Poor Friend Me 9 2:42 Lyrics By [Words], Music By – Greg Graffin Lookin' In 10 2:03 Lyrics By [Words], Music By – Greg Graffin Don't Pray On Me 11 2:42 Lyrics By [Words], Music By – Mr. Brett* Modern Day Catastrophists 12 2:46 Lyrics By [Words], Music By – Greg Graffin Skyscraper 13 3:15 Lyrics By [Words], Music By – Mr. Brett* 14 Stealth 0:42 Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Distributed By – WEA Manufacturing Inc.