Arya Stark Arya Stark

Total Page：16

File Type：pdf, Size：1020Kb

What Game of Thrones Session ID: Teaches Us 11225 Large Scale Operational Change Prepared by: Management and Modern Training Dan Bergeron Amy Graves Sr. Director Digital & Training Consultant Supply Chain Services iLearnERP Arrow Electronics Remember to complete your evaluation for this session within the app! April 10, 2019 About Us Arrow Electronics guides innovation forward for over 200,000 of the world’s leading manufacturers of technology used in homes, business and daily life. • A global provider of products, services, and solutions • Aggregates electronic components and enterprise computing solutions for customers and suppliers in industrial and commercial markets • Maintains a network of more than 349 locations serving over 80 countries The People Part of the Solution Custom End User Solutions Cloud LMS and LaaS Cloud Adoption and CCT DAS University DWS Academy UPK Services Samwell Tarley Samwell Tarly • Plot – Journey to Citadel to find answers vital to victory • Conflict 1. To his dismay, he must search through thousands of books, perusing useless information to find hidden gems 2. Crucial knowledge lives in books chained to shelves or locked away in secret rooms • What Samwell Teaches 1. Provide employees with filtered, customized information and reduce time spent on treasure hunts 2. Ensure that your company doesn’t lose crucial tribal knowledge when employees leave Missandei Missandei • This slide will portray lessons on change management communication. Jon Snow Jon Snow From Jon Snow, we learn that the greatest leaders monitor training to examine a department’s expertise and deficits. Only after collecting training data can Snow make decisions about what resources are most needed and who is most equipped to provide a return on those resources. He manages teams by investing in the strengths of the individuals and showcasing how these unique strengths drive the department forward. Arya Stark Arya Stark • From Arya Stark, we learn that success often means leaving past identities and learning new skills with tenacity and purpose. Arya manages to escape catastrophe but finds herself with little defense skills or a support network. Refusing to accept defeat, she trains vigorously to learn new skills that perhaps make her the most equipped player in the game. Themes Session ID: 11225 Remember to complete your evaluation for this session within the app!.

Copy Link

Recommended publications

Hbo Premieres the Third Season of Game of Thrones
HBO PREMIERES THE THIRD SEASON OF GAME OF THRONES The new season will premiere simultaneously with the United States on March 31st Miami, FL, March 18, 2013 – The battle for the Iron Throne among the families who rule the Seven Kingdoms of Westeros continues in the third season of the HBO original series, Game of Thrones. Winner of two Emmys® 2011 and six Golden Globes® 2012, the series is based on the famous fantasy books “A Song of Ice and Fire” by George R.R. Martin. HBO Latin America will premiere the third season simultaneously with the United States on March 31st. Many of the events that occurred in the first two seasons will culminate violently, with several of the main characters confronting their destinies. But new challengers for the Iron Throne rise from the most unexpected places. Characters old and new must navigate the demands of family, honor, ambition, love and – above all – survival, as the Westeros civil war rages into autumn. The Lannisters hold absolute dominion over King’s Landing after repelling Stannis Baratheon’s forces, yet Robb Stark –King of the North– still controls much of the South, having yet to lose a battle. In the Far North, Mance Rayder (new character portrayed by Ciaran Hinds) has united the wildlings into the largest army Westeros has ever seen. Only the Night’s Watch stands between him and the Seven Kingdoms. Across the Narrow Sea, Daenerys Targaryen – reunited with her three growing dragons – ventures into Slaver’s Bay in search of ships to take her home and allies to conquer it.
[Show full text]
Archetypes in Female Characters of Game of Thrones
Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Gloria Makjanić Archetypes in Female Characters of Game of Thrones Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Archetypes in Female Characters of Game of Thrones Završni rad Student/ica: Mentor/ica: Gloria Makjanić dr. sc. Zlatko Bukač Zadar, 2018. Makjanić 1 Izjava o akademskoj čestitosti Ja, Gloria Makjanić, ovime izjavljujem da je moj završni rad pod naslovom Female Archetypes of Game of Thrones rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 13. rujna 2018. Makjanić 2 Table of Contents 1. Introduction ..................................................................................................................... 3 2. Game of Thrones ............................................................................................................. 4 3. Archetypes ......................................................................................................................
[Show full text]
“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE
[Show full text]
Game of Thrones V1
GAME OF THRONES THE OPEN WEB’S PICK FOR THE THRONE Winter is coming. The 8th and ﬁnal season of Game of Thrones is right around the corner. While we can’t predict who will be decapitated next, we can analyze who you’re reading about. 65M page views later—read by +30M readers during the 7th season—we’ve got the results. WE ANALYZED +30M +7K +65M +80M Readers Articles Page Views Mins. Reading NUMBER OF READERS YOUR PICK FOR THE THRONE With so many contenders, you found Daenerys Targaryen and Jon Snow to be your favorites. Daenerys Targaryen Jon Snow Tyrion Lannister Cersei Lannister Jaime Lannister Arya Stark Bran Stark Sansa Stark Robert Baratheon Petyr “Littleﬁnger” Baelish 5M 10M 15M Daenerys Targaryen (AKA Khaleesi) and Jon Snow The Lannister family, allegedly the bad guys, are have almost twice the readers the Lannister family has, far more read about than the Starks. coming right after. Despite the threat he imposes in the series, the Night King isn’t as popular on the open web. MOST FAN INTEREST ON THE WESTEROS MAP We pinned all the main locations on the Westeros map to see which one has the highest number of readers. Almost all of Westeros’ cities attracted many readers, regardless of their size or the number of characters that come from there. +700K The Wall +1.5M Winterfell +50K Pyke +10K +1M +100K Casterly Rock Riverrun The Eyrie +2M King’s Landing +0.5M Highgarden King’s Landing takes the readership throne, as it’s where the Iron Throne sits, with over 2M readers.
[Show full text]
Narrative Structure of a Song of Ice and Fire Creates a Fictional World
Narrative structure of A Song of Ice and Fire creates a ﬁctional world with realistic measures of social complexity Thomas Gessey-Jonesa , Colm Connaughtonb,c , Robin Dunbard , Ralph Kennae,f,1 ,Padraig´ MacCarrong,h, Cathal O’Conchobhaire , and Joseph Yosee,f aFitzwilliam College, University of Cambridge, Cambridge CB3 0DG, United Kingdom; bMathematics Institute, University of Warwick, Coventry CV4 7AL, United Kingdom; cLondon Mathematical Laboratory, London W6 8RH, United Kingdom; dDepartment of Experimental Psychology, University of Oxford, e f 4 Oxford OX2 6GG, United Kingdom; Centre for Fluid and Complex Systems, Coventry University, Coventry CV1 5FB, United Kingdom; L Collaboration, Institute for Condensed Matter Physics of the National Academy of Sciences of Ukraine, 79011 Lviv, Ukraine; gMathematics Applications Consortium for Science and Industry, Department of Mathematics & Statistics, University of Limerick, Limerick V94 T9PX, Ireland; and hCentre for Social Issues Research, University of Limerick, Limerick V94 T9PX, Ireland Edited by Kenneth W. Wachter, University of California, Berkeley, CA, and approved September 15, 2020 (received for review April 6, 2020) Network science and data analytics are used to quantify static and Schklovsky and Propp (11) and developed by Metz, Chatman, dynamic structures in George R. R. Martin’s epic novels, A Song of Genette, and others (12–14). Ice and Fire, works noted for their scale and complexity. By track- Graph theory has been used to compare character networks ing the network of character interactions as the story unfolds, it to real social networks (15) in mythological (16), Shakespearean is found that structural properties remain approximately stable (17), and ﬁctional literature (18). To investigate the success of Ice and comparable to real-world social networks.
[Show full text]
A Game of Thrones a Song of Ice and Fire by George R.R. Martin
A Game of Thrones A Song of Ice and Fire by George R.R. Martin Book One: A Game of Thrones Book Two: A Clash of Kings Book Three: A Storm of Swords Book Four: A Feast for Crows Book Five: A Dance with Dragons Book Six: The Winds of Winter (being written) Book Seven: A Dream of Spring “ Fire – Dragons, Targaryens Lord of Light Ice – Winter, Starks, the Wall White Walkers Spoilers!! Humans as meaning-makers – Jerome Bruner Humans as story-tellers – narrative theory Humans as mythopoeic–Carl G. Jung, Joseph Campbell The mythic themes in A Song of Ice and Fire are ancient Carl Jung: Archetypes are powerful & primordial images & symbols Collective unconscious Carl Jung’s archetypes Great Mother; Father; Hero; Savior… Joseph Campbell – The Power of Myth The Hero’s Journey Carole Pearson – the 12 archetypes Ego stage: Innocent; Orphan; Caretaker; Warrior Soul transformation: Seeker; Destroyer; Lover; Creator; Self: Ruler; Magician; Sage; Fool Maureen Murdock – The Heroine’s Journey The Great Mother (& Maiden, & Crone), the Great Father, the child, the Shadow, the wise old man, the trickster, the hero…. In the mystery of the cycle of seasons In ancient gods & goddesses In myth, fairy tale & fantasy & the Seven in A Game of Thrones The Gods: The Old Gods The Seven (Norse mythology): Maiden, Mother, Crone Father, Warrior, Smith Stranger (neither male or female) R’hilor (Lord of light) Others: The Drowned God, Mother Rhoyne The family sigils Stark - Direwolf Baratheon – Stag Lannister – Lion Targaryen
[Show full text]
Non-Conforming Femininity in Game of Thrones: an Analysis of Arya Stark and Brienne of Tarth
Dearcadh: Graduate Journal of Gender, Globalisation and Rights Volume 1, 2020 DOI: 10.13025/4nzq-hb04 URL: https://doi.org/10.13025/4nzq-hb04 ORIGINAL ARTICLE________________________________ Non-Conforming Femininity in Game of Thrones: An Analysis of Arya Stark and Brienne of Tarth Trejo Morales, Cristina M.A. Gender, Globalisation, and Rights National University of Ireland, Galway Abstract The male gaze is a theory that was developed by Laura Mulvey (1975), addressing the objectification of women in classic Hollywood films. While the male gaze is highly criticized, it is still applicable today and is presented in the representation of women in current media, like the television show Game of Thrones. The power of the male gaze can be seen in the female character’s nudity, the sexual violence directed towards female characters, and how women access political power through sexuality and fertility (Ferreday, 2015; Genz, 2016; Frankel, 2014). While women in Game of Thrones are not powerless, their access to power is through conforming to typical forms of femininity, which means that their access to power is restrained and controlled. However, not all female characters conform to gender ideals, like Arya Stark and Brienne of Tarth. The objective of this paper is to examine how the male gaze can account for the treatment of non-gender-conforming female characters in Game of Thrones, using feminist qualitative content analysis. Looking at non-gender- conforming characters is critical to understanding the diverse ways the male gaze is used to punish female characters, coercing them into femininity. Based on the analysis undertaken as part of a MA thesis, this paper found that although non-gender- conforming female characters were given more liberties than female characters in Game of Thrones, they were still subjected to the control, coercion, and discipline of the male gaze, even if in non-sexual ways.
[Show full text]
After Volunteering for the Night's Watch, Samwell Tarly Leaps Forward on List of Most
After Volunteering for the Night's Watch, Samwell Tarly Leaps Forward on List of Most Likely To Die Next Game of Thrones Predictions. Content warning: Spoilers ahead Washington, DC, April 25, 2019 – Samwell Tarly may have been safe after killing a White Walker and stealing books from the Citadel, but volunteering for the Night’s Watch during the upcoming Battle of Winterfell may be the nail in the coffin for this beloved character. Last week, Samwell Tarly was last in our list of mostly likely to die next, with only 3% of Game of Thrones fans thinking he is likely to die next. This week, one in ten Game of Thrones fans (10%) thinks he is likely to be killed, a seven-point increase since last episode. While Daenerys Targaryen is relatively safe this week (6%), one or both of her dragons are believed to be in danger. Sixteen percent of Game of Thrones fans think her dragons will become extinct, a 6-point increase since last episode (10%). Jaime Lannister (17%), Theon Greyjoy (15%), Jorah Mormont (14%) and The Hound (14%) continue to top the list of mostly likely to die next. The number of Game of Thrones fans who think Jaime Lannister is going to become a White Walker has doubled since the beginning of the season. During the pre-season poll, 8% of Game of Thrones fans believed that Jaimie Lannister was going to become a White Walker next. After the second episode, 16% of fans predict that The Kingslayer is going to join the army of the undead.
[Show full text]
Archetypes in Female Characters of Game of Thrones
Archetypes in Female Characters of Game of Thrones Makjanić, Gloria Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:985724 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-01 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Gloria Makjanić Archetypes in Female Characters of Game of Thrones Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Archetypes in Female Characters of Game of Thrones Završni rad Student/ica: Mentor/ica: Gloria Makjanić dr. sc. Zlatko Bukač Zadar, 2018. Makjanić 1 Izjava o akademskoj čestitosti Ja, Gloria Makjanić, ovime izjavljujem da je moj završni rad pod naslovom Female Archetypes of Game of Thrones rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti
[Show full text]
Comparing Depictions of Empowered Women Between a Game of Thrones Novel and Television Series
Journal of Student Research (2012) Volume 1, Issue 3: pp. 14-21 Research Article A Game of Genders: Comparing Depictions of Empowered Women between A Game of Thrones Novel and Television Series Rebecca Jonesa The main women in George R. R. Martin's novel Game of Thrones, first published in 1996, and the adapted television series in 2011, are empowered female figures in a world dominated by male characters. Analyzing shifts in the characters’ portrayals between the two media conveys certain standards of the cultures for which they are intended. While in the novel the characters adhere to a different set of standards for women, the television series portrays these women as more sympathetic, empowered, and realistic with respect to contemporary standards. Using literary archetypes of queen, hero, mother, child, maiden and warrior and applying them to Cersei Lannister, Catelyn Stark, Arya Stark, Sansa Stark, and Daenerys Targeryen, provides a measure for the differences in their presentations. Through the archetypical lens, the shifts in societal and cultural standards between the novel and series’ airing make apparent the changing pressures and expectations for women. By reading the novel and watching the series with these archetypes in mind, the changes in gender norms from 1996 to 2011 become clear. The resulting shift shows the story’s advances in the realm of fantasy in relation to the American society that consumes it. Keywords: English, Film Studies, Women and Gender Studies 1. Introduction The genre of fantasy has a long and sordid history in its differences in portrayal between the two media, utilizing the depictions of women.
[Show full text]
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear Delegate: I Have the Pleasure
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear delegate: I have the pleasure of welcoming you to ULSACUNMUN 2020. My name is Kaory Rios and I am honored of being the president and creator of this year´s new committee GOCASK (government Cabinet of the Seven Kingdoms) based on The Game of Thrones series. I'm eager to get to know you, and make the best out of this Model of the United Nations. First of all I would like to tell you a little bit about myself. I´m 18 years old and also a senior in highschool. I enjoy hanging out with my friends, taking pictures, learning new languages, travelling, watching movies, among many other things. My plan is to study film in Puebla and become a director. This is my 5th MUN conference and my third as part of the chair. If there is something I know for sure is that MUN has helped me grow as a person by giving me leadership skills, and the opportunity of having a word that actually matters in world wide problems in order to find the best solution. This topic is more than exciting for me, and hopefully you´ll find the same way. I expect your utmost performance and for you to give your nonpareil effort that is needed for this committee. Remember to be confident with what you say, if you prepared well there is no reason to be nervous. I wish you the best of lucks and I hope this conference to be a remarkable experience for everyone.
[Show full text]
HBO Brings GAME of THRONES Creators and Actor to CCXP 2018 in São Paulo
HBO brings GAME OF THRONES creators and actor to CCXP 2018 in São Paulo David Benioff, D.B. Weiss and John Bradley will attend HBO’s panel on Thursday, December 6 MIAMI, FL., November 27, 2018 - Unforgettable moments await GAME OF THRONES fans during CCXP - Comic Con Experience 2018. Series Creators and Executive Producers, David Benioff and D.B. Weiss, along with the actor that gives life to the beloved character Samwell Tarly, John Bradley, will form part of HBO’s panel, which will be dedicated to the series that revolutionized the history of television. On Thursday, December 6th at 6:30PM, they will share their experiences and the challenges they’ve faced over the eight seasons of GAME OF THRONES. For eight seasons, David Benioff and D.B. Weiss have served as showrunners and executive producers of GAME OF THRONES, which is based on George R.R. Martin’s series of epic novels, A Song of Ice and Fire. The eighth and final season of the series will premiere in April 2019. John Bradley gives life to Samwell Tarly, the eldest son of Lord Randyll Tarly of Mount Chifre and one of Jon Snow’s allies and most faithful friends. His character has played an important part in the series for his determination in unraveling the mysteries of Westeros. Additional HBO announcements will be made leading up to CCXP 2018’s kick-off. Follow the hashtag #GOTXP for firsthand updates throughout the week. CCXP – Comic Con Experience, the world’s largest event of its kind, takes place in São Paulo, Brazil, bringing together fans, professionals and companies from all over the world in four-day event that includes the biggest names and news in pop culture.
[Show full text]