Guiyijun and Buddhism at Dunhuang: a Year by Year Chronicle
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To Search High and Low: Liang Sicheng, Lin Huiyin, and China's
Scapegoat Architecture/Landscape/Political Economy Issue 03 Realism 30 To Search High and Low: Liang Sicheng, Lin Huiyin, and China’s Architectural Historiography, 1932–1946 by Zhu Tao MISSING COMPONENTS Living in the remote countryside of Southwest Liang and Lin’s historiographical construction China, they had to cope with the severe lack of was problematic in two respects. First, they were financial support and access to transportation. so eager to portray China’s traditional architec- Also, there were very few buildings constructed ture as one singular system, as important as the in accordance with the royal standard. Liang and Greek, Roman and Gothic were in the West, that his colleagues had no other choice but to closely they highly generalized the concept of Chinese study the humble buildings in which they resided, architecture. In their account, only one dominant or others nearby. For example, Liu Zhiping, an architectural style could best represent China’s assistant of Liang, measured the courtyard house “national style:” the official timber structure exem- he inhabited in Kunming. In 1944, he published a plified by the Northern Chinese royal palaces and thorough report in the Bulletin, which was the first Buddhist temples, especially the ones built during essay on China’s vernacular housing ever written the period from the Tang to Jin dynasties. As a by a member of the Society for Research in Chi- consequence of their idealization, the diversity of nese Architecture.6 Liu Dunzhen, director of the China’s architectural culture—the multiple con- Society’s Literature Study Department and one of struction systems and building types, and in par- Liang’s colleagues, measured his parents’ country- ticular, the vernacular buildings of different regions side home, “Liu Residence” in Hunan province, in and ethnic groups—was roundly dismissed. -
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style Liu Fengjun Keywords: late Northern Dynasties Qingzhou area Buddhist statues Qingzhou style In recent years fragmentary Buddhist statues have been Northern Qi period. (3) In the winter of 1979, 40 small frequently unearthed in large numbers in Qingzhou 青州 and large fragmentary statues and some lotus socles were and the surrounding area, including Boxing 博兴, discovered at the Xingguo Temple 兴国寺 site in Gaoqing 高青, Wudi 无棣, Linqu 临朐, Zhucheng 诸 Qingzhou, mainly produced between the end of North- 城, and Qingdao 青岛. Especially notable are the large ern Wei and Northern Qi period. There were also two quantities of statues at the site of the Longxing Temple Buddha head sculptures of the Sui and Tang periods. (4) 龙兴寺 at Qingzhou. The discovery of these statues drew In the 1970s, seven stone statues were discovered at great attention from academic circles. The significance He’an 何庵 Village, Wudi County. Four of them bear of these statues is manifold. I merely intend to under take Northern Qi dates. (5) In November 1987, one single a tentative study of the causes and date of the destruction round Bodhisattva stone sculpture of the Eastern Wei of the Buddhist statues and of the artistic features of the period and one round Buddhist stone sculpture of the Qingzhou style statues. Northern Qi period were discovered on the South Road of Qingzhou. Both works were painted colorfully and I. Fragmentary Buddhist Statues of the Late partly gilt. They were preserved intact and remained Northern Dynasties Unearthed in the Qingzhou Area colorful. -
The Spreading of Christianity and the Introduction of Modern Architecture in Shannxi, China (1840-1949)
Escuela Técnica Superior de Arquitectura de Madrid Programa de doctorado en Concervación y Restauración del Patrimonio Architectónico The Spreading of Christianity and the introduction of Modern Architecture in Shannxi, China (1840-1949) Christian churches and traditional Chinese architecture Author: Shan HUANG (Architect) Director: Antonio LOPERA (Doctor, Arquitecto) 2014 Tribunal nombrado por el Magfco. y Excmo. Sr. Rector de la Universidad Politécnica de Madrid, el día de de 20 . Presidente: Vocal: Vocal: Vocal: Secretario: Suplente: Suplente: Realizado el acto de defensa y lectura de la Tesis el día de de 20 en la Escuela Técnica Superior de Arquitectura de Madrid. Calificación:………………………………. El PRESIDENTE LOS VOCALES EL SECRETARIO Index Index Abstract Resumen Introduction General Background........................................................................................... 1 A) Definition of the Concepts ................................................................ 3 B) Research Background........................................................................ 4 C) Significance and Objects of the Study .......................................... 6 D) Research Methodology ...................................................................... 8 CHAPTER 1 Introduction to Chinese traditional architecture 1.1 The concept of traditional Chinese architecture ......................... 13 1.2 Main characteristics of the traditional Chinese architecture .... 14 1.2.1 Wood was used as the main construction materials ........ 14 1.2.2 -
Records of the Transmission of the Lamp (Jingde Chuadeng
The Hokun Trust is pleased to support the fifth volume of a complete translation of this classic of Chan (Zen) Buddhism by Randolph S. Whitfield. The Records of the Transmission of the Lamp is a religious classic of the first importance for the practice and study of Zen which it is hoped will appeal both to students of Buddhism and to a wider public interested in religion as a whole. Contents Foreword by Albert Welter Preface Acknowledgements Introduction Appendix to the Introduction Abbreviations Book Eighteen Book Nineteen Book Twenty Book Twenty-one Finding List Bibliography Index Foreword The translation of the Jingde chuandeng lu (Jingde era Record of the Transmission of the Lamp) is a major accomplishment. Many have reveled in the wonders of this text. It has inspired countless numbers of East Asians, especially in China, Japan and Korea, where Chan inspired traditions – Chan, Zen, and Son – have taken root and flourished for many centuries. Indeed, the influence has been so profound and pervasive it is hard to imagine Japanese and Korean cultures without it. In the twentieth century, Western audiences also became enthralled with stories of illustrious Zen masters, many of which are rooted in the Jingde chuandeng lu. I remember meeting Alan Ginsburg, intrepid Beat poet and inveterate Buddhist aspirant, in Shanghai in 1985. He had been invited as part of a literary cultural exchange between China and the U. S., to perform a series of lectures for students at Fudan University, where I was a visiting student. Eager to meet people who he could discuss Chinese Buddhism with, I found myself ushered into his company to converse on the subject. -
Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan
Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan Hsuan-Li Wang Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Hsuan-Li Wang All rights reserved ABSTRACT Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan Hsuan-Li Wang Taking Gushan 鼓山 Monastery in Fujian Province as a reference point, this dissertation investigates the formation of the Gushan Chan lineage in Fujian area and its later diffusion process to Taiwan. From the perspective of religion diffusion studies, this dissertation investigates the three stages of this process: 1. the displacement of Caodong 曹洞 Chan center to Fujian in the seventeenth century; 2. Chinese migration bringing Buddhism to Taiwan in the Qing dynasty (1644-1911) and 3. the expansion diffusion activities of the institutions and masters affiliated with this lineage in Taiwan during the Japanese rule (1895-1945), and the new developments of humanistic Buddhism (renjian fojiao 人間佛教) after 1949. In this spreading process of the Gushan Chan lineage, Taiwanese Buddhism has emerged as the bridge between Chinese and Japanese Buddhism because of its unique historical experiences. It is in the expansion diffusion activities of the Gushan Chan lineage in Taiwan that Taiwanese Buddhism has gradually attained autonomy during the Japanese rule, leading to post-war new developments in contemporary humanistic Buddhism. Table of Contents List of Chart, Maps and Tables iii Acknowledgements iv Chapter 1 Introduction 1 1. Research Motives and Goals 2 2. -
禅画禅语 Chan Heart, Chan
禅画禅语 Chan Heart, Chan Art by 星雲 Xing Yun (Venerable Master Hsing Yun) Translated and edited by Pey-Rong Lee and Dana Dunlap Painting by 高尔泰/高爾泰 Gao Ertai & 蒲小雨 Pu Xiaoyu CONTENTS 1. NO MERIT AT ALL 2. HUIKE’S SETTLED MIND 3. WHERE ARE YOU FROM? 4. A MODEL THROUGH THE AGES 5. LIKE AN INSECT EATING WOOD 6. WILD FOX CHAN 7. SELF-LIBERATING PERSON 8. CAN’T BE SNATCHED AWAY 9. THE BUDDHAS DO NOT LIE 10. THE WAY TO RECEIVE GUESTS 11. SPACE WINKS 12. NOT BELIEVING IS THE ULTIMATE TRUTH 13. I’M AN ATTENDANT 14. MIND AND NATURE 15. FLOWING OUT FROM THE MIND 16. NOT EVEN A THREAD 17. BETTER SILENT THAN NOISY 18. I WANT EYEBALLS 19. QUESTION AND ANSWER IN THE CHAN SCHOOL 20. ORIGINAL FACE 21. ARRIVE AT LONGTAN 22. ONE AND TEN 23. THE CHAN IN TEA AND MEALS 24. WHERE CAN WE ABIDE IN PEACE? 25. HOE THE WEEDS, CHOP THE SNAKE 26. BIG AND SMALL HAVE NO DUALITY 27. A TASTE OF CHAN 28. CLOSE THE DOOR PROPERLY 29. EVERYTHING IS CHAN 30. TRANSFERRING MERITS 31. A PLACE FOR LIVING IN SECLUSION 32. HIGH AND FAR 33. THE ROOSTER AND THE BUG 34. THE MOST CHARMING 35. A STICK OF INCENSE INCREASES MERITS 1 36. PURIFY THE MIND, PURIFY THE LAND 37. ORIGINALLY EMPTY WITHOUT EXISTENCE 38. LIKE COW DUNG 39. THE EIGHT WINDS CANNOT MOVE ME 40. THE UNIVERSE AS MY BED 41. WHAT ARE LICE MADE OF? 42. SPEAKING OF THE SUPREME DHARMA 43. -
Master Yongjue Yuanxian and the Revival of Chinese Buddhism in 17Th Century Fujian Area
Between The Mundane and Super-Mundane: Master Yongjue Yuanxian and the Revival of Chinese Buddhism in 17th Century Fujian Area Item Type text; Electronic Dissertation Authors Glaze, Shyling Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 02:44:48 Link to Item http://hdl.handle.net/10150/626639 BETWEEN THE MUNDANE AND SUPER-MUNDANE: MASTER YONGJUE YUANXIAN AND THE REVIVAL OF CHINESE BUDDHISM IN 17TH CENTURY FUJIAN AREA by Shyling Glaze _________________________ Copyright © Shyling Glaze 2017 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2017 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of the requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the library. Brief quotations from this dissertation are allowable without special permission, provided that an accurate acknowledgment of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of the scholarship. -
Open Building and the Role of Craftsmanship in Ancient China ----- a Historical Literature Interpretation of Construction
OPEN BUILDING AND THE ROLE OF CRAFTSMANSHIP IN ANCIENT CHINA ----- A HISTORICAL LITERATURE INTERPRETATION OF CONSTRUCTION JIANG YINGYING The Department of Architecture, The University of Hong Kong Room 232, The Research Bureau of the Department of Architecture The old wing of Main Library, The University of Hong Kong, Pokfulam Road Hong Kong [email protected] JIA BEISI The Department of Architecture, The University of Hong Kong 311 Knowles Building, The University of Hong Kong http://www.arch.hku.hk/~jia/ Abstract The open building, although a new term of architecture that appeared at the end of the 20th century, is not a new concept as far as traditional and has allowed changes and improvements in structure space and function through generations. This paper discusses the relationship between the main building structures, infill elements, and space through examples in ancient China. It then describes the roles of owners, users, and craftsmen via examples from historical records. In studying these examples, this paper concludes that the craftsmen in ancient China are not merely involved in the period of construction but also in the whole period of use. Thus, the relationship between craftsmen and owners or users can continue for generations in some cases. Finally, this paper suggests one possible strategy for the building industry and technology in the context of sustainable development. Keywords: traditional buildings, flexibility, roles, craftsman INTRODUCTION With today’s concern on the global environment and more demand for environmental protection, we often encounter “sustainability” and “recycling” in our daily lives. People have begun to realize the significance of the balance between developments in all respects. -
CHINESE WORKS of ART and PAINTINGS Monday March 19, 2018 New York
CHINESE WORKS OF ART AND PAINTINGS Monday March 19, 2018 New York CHINESE WORKS OF ART AND PAINTINGS Monday March 19, 2018 at 12pm New York BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Head, Asian Art Group U.S. Front cover: Lot 8028 New York, New York 10022 +1 (212) 644 9009 Fax Dessa Goddard, Director Inside front cover: Lot 8228 bonhams.com [email protected] +1 (415) 503 3333 Inside back cover: Lot 8229 [email protected] Back cover: Lot 8047 PREVIEW Bidding by telephone will only Thursday March 15 be accepted on a lot with a lower Bruce Maclaren, Senior Specialist 10am-5pm estimate in excess of $1000 +1 (917) 206 1677 Friday March 16 [email protected] 10am-5pm Please note that bids should be Saturday March 17 summited no later than 24hrs Harold Yeo, Consultant Specialist 10am-5pm prior to the sale. New Bidders +1 (917) 206 1628 Sunday March 18 must also provide proof of [email protected] 10am-5pm identity when submitting bids. Failure to do this may result in Ming Hua, Junior Specialist SALE NUMBER your bid not being processed. +1 (646) 837 8132 24819 [email protected] Live online bidding is CATALOG: $35.00 available for this sale Please email bids.us@bonhams. Please see pages 187 to 190 com with “Live bidding” in the for bidder information including subject line 48hrs before the Conditions of Sale, after-sale auction to register for this service. collection and shipment. All items marked with a W in the catalog and listed again on page 190, will be transferred to off-site storage along with all other items purchased if not removed by 5pm ET Thursday 22nd March. -
The Transmission of Buddhist
THE TRANSMISSION OF BUDDHIST ICONOGRAPHY AND ARTISTIC STYLES AROUND THE YELLOW SEA CIRCUIT IN THE SIXTH CENTURY: PENSIVE BODHISATTVA IMAGES FROM HEBEI, SHANDONG, AND KOREA Li-kuei Chien When Buddhism reached the Korean peninsula and took root there between Acknowledgements the fourth and sixth centuries, both China and the Korean peninsula were in a I am grateful to Mr Gong Dejie 宮德杰 and state of division. Regional powers competed against each other and waged wars Ms Yi Tongjuan 衣同娟, the former and pre- sent Directors of Linqu County Museum, who for dominance on both sides of the Yellow Sea, making the political and cultural welcomed research on the museum’s collec- history of this period exceptionally complex. Korean rulers sought alliances tion and granted me permission to study and with the powerful states to their west, and the transmission of Buddhist cul- photograph the sculptures discussed in this ture was accelerated along with these diplomatic exchanges.1 Despite the rapid paper. I acknowledge Kim Minku 金玟球 for his discussion on secondary scholarship and development of Buddhism on the Korean peninsula, the history of interaction for informing me of the latest archaeological between Korea and China remains a challenging topic because relevant textual discoveries in Korea. I thank Lee Yu-min 李 documents from this period are scarce.2 玉珉 for her advice on the title of this paper. The work in this paper was substantially sup- Modern archaeological and art history research compensates for the lack of ported by a grant from the Research Grants written records in this field.3 Our understanding of the development of sixth- Council of the Hong Kong Special Administra- century Korean Buddhism and Buddhist art and their relationship with the tive Region, China (Project No. -
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Advances in Social Science, Education and Humanities Research, volume 289 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018) India’s Influence on Khotan from the Perspective of Cultural Communication Liang Yan College of Liberal Arts Tibet University Lhasa, China Abstract—In the history, the compatibility of India and before the conversion of the Islamic faith. Khotan and India Khotan in the Western Region in the media and ecological have had extensive and continuous contacts in history. But environment has shaped the interpenetrating characteristics of there is a question: why in the many countries of the Western Khotan's ethnic composition, language, military trade and Region, Indian Buddhism could become such profound many other factors. Through the interactive influence with infiltration propagation in the Khotan. After it was India, it finally became a unique Buddhist culture. This paper introduced, why did it produce such a convergent cultural conducts a tentative analysis and interpretation in the meaning body in its own viscous cultural structure3, and it was highly of the Khotan's culture, and restores the true meaning of the dynamic and multi-directional 4 communication and Khotan Buddha in a historical context. communication with the surrounding. Keywords—India; Khotan; Buddhism; myth prototype; field II. INFLUENCING FACTORS OF GEOGRAPHICAL I. INTRODUCTION ENVIRONMENT AND MYTH GENERATION Buddhism began in India and was introduced to China, From the geographical point of view, Khotan's Sanskrit which had a radiological influence on the complex cultural name is Ku-stana in the Western Region. "Great Tang circle of China. The heyday of Buddhism in Tang and Sui Records on the Western Regions" records Khotan's history of dynasties was incisive, and it also infiltrated into the neo- the founding of the country, "Han Shu · Western Regions confucianism in Song and Ming dynasties and qian-jia Biography" called it for the name of the Yutian, Yudian, learning of simplicity in the Qing dynasty. -
How to Get Your Mind Liberated
Wisdom of Human Life in Meditation How to Get Your Mind Liberated Author: Chan Master Ben Xin Translator: Zhi Wei Resume of Chan Master Ben Xing 1965 Born in Xiapu County in Fujian Province of China. 1981 Graduated from Sansha Senior Middle-school in Xiapu County in Fujian Province; Afterward, became a teacher in Chengtian Central Primary School of Xiapu County in Fujian Province. 1985 Got ordination at Xingfu Temple, the national key Buddhist temple of Chinese system in Changshou City in Jiangsu Province. 1988 ① Received high-ordination at Nanhua Temple, the national key Buddhist temple of Chinese system in Shaoguan City in Guangdong Province; ② Graduated from the Mountain Xixia Buddhist College, a division of China Buddhist Institute set up in Nanjing. 1992 Graduated from China Buddhist Institute in Beijing. 1993 Studied in the Post-graduate Institute of Pali and Buddhist Studies of Kelaniya University in Sri Lanka. 1996 ① Graduated from the Post-graduate Institute of Pali and Buddhist Studies of Kelaniya University in Sri Lanka; ② Succeeded the dharma lineage from the inner pupil Minyang of Great Master Yuanyin, as the 42nd successor of Linji School、the 48th successor of Caodong School of Chinese Chan Buddhist School. 1997 ① Returned to China and served in Fujian Provincial Buddhist Association; ② Be appointed as the vice-secretary of Fujian Provincial Buddhist Association. 1998 ① Be elected as the vice-chairman and the deputy secretary of Fujian Buddhist Association; ② Become an adjunct director of Fuzhou Kaiyuan Temple which has a history of 1,500 years. 2000 Be appointed as the vice-director of the College Committee of Fujian Provincial Buddhist College.