Farrokh K. Langdana Demystifying Monetary and Fiscal Policy Third
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Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Krishna : a Sourcebook / Edited by Edwin F
Krishna This page intentionally left blank Krishna A Sourcebook Edited by edwin f. bryant 1 2007 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright Ó 2007 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Krishna : a sourcebook / edited by Edwin F. Bryant. p. cm. Includes bibliographical references. ISBN 978-0-19-514891-6; 978-0-19-514892-3 (pbk.) 1. Krishna (Hindu deity)—Literary collections. 2. Devotional literature, Indic. I. Bryant, Edwin. BL1220.K733 2007 294.5'2113—dc22 2006019101 987654321 Printed in the United States of America on acid-free paper Contents Contributors, ix Introduction, 3 PART I Classical Source Material 1. Krishna in the Mahabharata: The Death of Karna, 23 Alf Hiltebeitel 2. Krishna in the Bhagavad Gita,77 Robert N. Minor 3. The Harivamsa: The Dynasty of Krishna, 95 Ekkehard Lorenz 4. -
An Empirical Study (Vol 4).Pmd
Guru Granth Sahib An Empirical Study (VOLUME 4) [From Raga Tukhari to Raga Jaijawanti; Pages 1107–1353 of Guru Granth Sahib] Dr. Sukhbir Singh Kapoor, OBE D.Litt. Ph.D. Vice Chancellor, World Sikh University, London Mrs. Mohinder Kaur Kapoor M.A., Department of Languages, World Sikh University, London HEMKUNT © Author First Published 2018 ISBN: 978-81-7010-420-9 Published by: Hemkunt Press 401, Ansals Imperial Tower C-Block Community Centre Naraina Vihar, New Delhi-110028 (INDIA) Tel. : 4141-2083, 2577-5349 E-mail : [email protected] www.hemkuntpublishers.com Printed and bound in India by HEMTECH INDIA Custom Printing & Publishing [email protected] Dedication To my Parents who have been my support even after many decades of separation of their going away in the unknown world. OTHER BOOKS BY THE SAME AUTHOR All books are in English; Gurbani text, where relevant, is both in Panjabi and English. Year of Publication/Book List 2017 1. An In-depth Study of Anand Sahib, A Master Composition of Guru Amardas, [ISBN 978-81-7010-417-9] 2016 1. Guru Granth Sahib: An Empirical Study Volume III [ISBN:978-81-7010-415-5] 2014 1. Guru Granth Sahib: An Empirical Study Volume II [ISBN:978-81-7010-400-1] 2013 1. Japji- A way of God Realisation (fourth edition) 2. Rehrassa & Kirtan Sohila- to torch to pass through the darkness of death, second edition [ISBN:81-207-1527-6] 2012 1. Epistle & Signets: Letters written, Signs and Seals of the Sikh Gurus [ISBN:978-81-1710-390-5] 2011 1. Guru Granth Sahib, An Empirical Study Volume I (First edition) [ISBN:978-81-1710-390-5] 2. -
Australia 4000 0423270100
AGENT NAME CONTACT PERSON EMAIL ADDRESS PHONE 2 Easy Travel Carolina Maffezzolli [email protected] 200 Mary street, BRISBANE ADELAIDE STREET, QLD, Australia 4000 0423270100 360 Degree Agency Samira [email protected] 133 Castlereagh St, Sydney, NSW, Australia 2000 02 8076 6018 4 U Australia Lobsang Caviedes [email protected] unit 25/6 White Ibis drive, GRIFFIN, QLD, Australia 4503 4Nations International Bhaskar Singh [email protected] Adwaith Marg, Baghbazar, Kathmandu, Kathamandu, Nepal 0 +977 1 4241897 51 Visas Pty Ltd Terry [email protected] Level 24, 300 Barangoo Ave, SYDNEY, NSW, Australia 2000 0404848899 ABC Education and Migration Bhupal Sitoula [email protected] Suite 1601, Level 16, 87-89 Liverpool Street, SYDNEY, NSW, Australia 2000 0433222269 ABC International Services PTY LTD Andrea Juarez [email protected] Level 9, office 46, 88 Pitt Street, SYDNEY, NSW, Australia 2000 0289582450 ABC Student Center Arthur Harris [email protected] Suite 303 / 468 George st, Sydney, NSW, Australia 2000 0450511321 ABK Consultancy Bhawani Poudel [email protected] Suite 33, Level 3, 110 Sussex Street, SYDNEY, NSW, Australia 2000 0292621434 Abroad Australia Leidy Patino [email protected] 20-22 princes highway, WOLLI CREEK, NSW, Australia 2205 0459645472 Access Student Service Centre James Zhong [email protected] 1104/370 Pitt Street, SYDNEY, NSW, Australia 2000 0292679888 Albion House Pawel Wida [email protected] 803 A/32 York St, Sydney NSW 2000, Sydney, NSW, Australia -
Heavy Metal Music and Culture in Rapidly Changing Global Markets
Heavy Metal Music and Culture in Rapidly Changing Global Markets Marko Seppi Gabriela Stoycheva Bachelor’s Thesis June 2015 Degree Programme in Music and Media Management School of Business Description Authors Type of publication Date Seppi, Marko Bachelor’s thesis 13.05.2015 Stoycheva, Gabriela Language of publication: English Number of pages Permission for web 65 publication: x Title of publication Heavy Metal Music and Culture in Rapidly Changing Global Markets Degree programme Degree Programme in Music and Media Management Tutor(s) Mikkulainen, Ilari Assigned by Modern Heavy Metal Conference 2015 Abstract Music industry has undergone major transformations widely influenced by music digitalisation and rapid popularisation of online streaming services, subscription models and social media websites. Heavy metal music, being a part of the global music industry, has also experienced the impact of such rapid changes, and it is constantly evolving and reshaping its cultural representation. The development, common practices and innate traits of the heavy metal genre have become an object growing scholarly interest in the last decade and especially with the emergence of international academic conferences and societies dedicated to heavy metal music research. The objective of this study was to illustrate the current standing of heavy metal music in terms of markets and culture and its most distinctive mechanisms of development which differentiate it from other popular music markets in 2015. The thesis was implemented in co-operation with the Modern Heavy Metal Conference, an international academic research conference, which aims at exploring the current specifics of the heavy metal genre. The research was executed in the form of a case study relying on qualitative data acquired from professional field researchers and scholars by using semi-structured interviews. -
NINE TREASURES Mongolen Folk Metal (China)
NINE TREASURES Mongolen Folk Metal (China) “The spirit transmits truly international feelings that are incarnated by an unbowed lust for life.” ---- Black Wind Metal Fünf junge Musiker, ursprünglich aus der entlegenen Steppe Hulunbuir der nord-chinesischen Inneren Mongolai stammend, haben seit Ende 2010 ange- fangen, in Beijing zusammen zu spielen. Ihren originellen Mongolen Folk Me- tal erweckte bald öffentliche Aufmerksamkeit mit ihren Festivalauftritte im Herbst 2011 in Beijing, welche zugleich auch Grundsteine für ihre Weiterent- wicklung legten. Danach tauchten sie tief ein in die lebhafte Underground- szene von Beijing. Nine Treasures veröffentlichten das Debutalbum “Arvan Ald Guulin Honshoor” im Mai 2012 über Mort Productions. Die erste Pressung in 1000 Auflage war nach 6 Monaten schon völlig ausverkauft. In 2013 nahm Nine Treasures an WOA Metal Battle teil und errang als Chi- na-Sieger im Wettbewerb mit Mitstreitern aus 28 Länder den 2. Platz auf der internationalen Finale von Metal Battle auf Wacken Open Air. Daß sie trotz höchsten Jurorenstimmen nicht gewinnen konnten, war zwar eine Enttäu- schung für die Jungs, doch unvergessliche Erlebnisse als Teil des Festivals sein zu dürfen und die Dreharbeit mit Regisseur Uli Gaulke für die Verfilmung von Wacken 3D Der Film erweiterte ihre Horizonte und spornte sie an, fest an sich zu glauben. Nach Wacken kam das zweite Album “Nine Treasures” und die erste Head- liner-Tour in China gegen Ende 2013. Zur gleichen Zeit wurden sie den Titel des Besten Newcomer des Jahres verliehen von MIDI China Rock Awards. Für 2014 und 2015 war Nine Treasures zum Großteil reichlich unterwegs. Die Headliner-Tour erstreckte sich bis zum China´s westliche Ende Xinjiang; Fes- tivalauftritte gingen nach Norden bis Ulaanbaatar in der Mongolischen Re- publik, nach Süden bis Taiwan und wieder ostwärts nach Vladivostok in Russland.