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Frederick Howard Dole Correspondence Maine State Library
Maine State Library Maine State Documents Maine Writers Correspondence Maine State Library Special Collections April 2016 Frederick Howard Dole Correspondence Maine State Library Frederick Howard Dole 1875- Follow this and additional works at: http://digitalmaine.com/maine_writers_correspondence Recommended Citation Maine State Library and Dole, Frederick Howard 1875-, "Frederick Howard Dole Correspondence" (2016). Maine Writers Correspondence. 792. http://digitalmaine.com/maine_writers_correspondence/792 This Text is brought to you for free and open access by the Maine State Library Special Collections at Maine State Documents. It has been accepted for inclusion in Maine Writers Correspondence by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. 73 DOLE, Frederick Howard F ecru --..r y 16 , 19 J h ilr. Frederick Howard Dels Dspt . ;f Tnglish. Eoxbury Llsajrifl High Scho >1 for £oys Roxbury, Mass. Dear iir. 'Dole: In' the Portland T=1 Ha.ine) of February 10 re noticed your por'trait end a brief paragraph, beneath c:ncoming the bo ..k which you ?xs costsrn- piating, a pictorial history of Tindh=m. v'e ar2 imnedi-at ely interested, especially since rs notice that you are a Maine-born author. For some years the Stat:.- Library has collected the works of contemporary Maine authors, and we have met with such success that this collection now numbers several hundred inscribed volumes, most of them con tributed by the authors. Of course we are extremely -D P proud of this fine/presentation of the work that Main? sons and daughters are doing, anc eoually pleased Then we discover an author who has hitherto escaped our notice. -
Casco Bay Weekly : 21 September 1989
Portland Public Library Portland Public Library Digital Commons Casco Bay Weekly (1989) Casco Bay Weekly 9-21-1989 Casco Bay Weekly : 21 September 1989 Follow this and additional works at: http://digitalcommons.portlandlibrary.com/cbw_1989 Recommended Citation "Casco Bay Weekly : 21 September 1989" (1989). Casco Bay Weekly (1989). 38. http://digitalcommons.portlandlibrary.com/cbw_1989/38 This Newspaper is brought to you for free and open access by the Casco Bay Weekly at Portland Public Library Digital Commons. It has been accepted for inclusion in Casco Bay Weekly (1989) by an authorized administrator of Portland Public Library Digital Commons. For more information, please contact [email protected]. RECE1VE SEP 22 i989 ascj •. ,'-.' \. .' ~,. .- ~ ~-" . ~ . , . , -~- .. , ~'. -.;;. Greater Portland's news and arts weekly ~i~~ '.} _ ~ - . , ~.' ",. ,I :.... __ SEPT. 21, 1989 An oil spill that never happened left a green stain on me. • On Tuesday, September 12, an imaginary 200,000 gallons of crude oil spilled into Casco Bay just off the Eastern Prom so that the Coast Guard could test the readiness of Portland's cleap.up crews. Within 'an hour, local contractors were on the scene to con- tain the peat moss used to simulate the spill; within four hours, Governor John McKernan and a pack of journal- ists were on the scene to soak up the pUblicity. I stayed ashore. I'd seen this act before. While growing up in Anchorage, Alaska, I watched similar demonstra- tions of how well-prepared the oil companies were - just in case oil ever spilled into the then-pristine waters of Prince William Sound. And, yes, the Governor of Alaska showed up ." for many of those demonstrations, too. -
Miniature Golf
Portland Public Library Portland Public Library Digital Commons Casco Bay Weekly (1989) Casco Bay Weekly 7-6-1989 Casco Bay Weekly : 6 July 1989 Follow this and additional works at: http://digitalcommons.portlandlibrary.com/cbw_1989 Recommended Citation "Casco Bay Weekly : 6 July 1989" (1989). Casco Bay Weekly (1989). 27. http://digitalcommons.portlandlibrary.com/cbw_1989/27 This Newspaper is brought to you for free and open access by the Casco Bay Weekly at Portland Public Library Digital Commons. It has been accepted for inclusion in Casco Bay Weekly (1989) by an authorized administrator of Portland Public Library Digital Commons. For more information, please contact [email protected]. Greater Portland's news and arts weekly JULY 6, 1989 AND THE ART OF In a pre-game warm-up ritual, Kevin transfers his spiritual energy Into his golf ball. STORY by Mike Quinn of life. And there's no question that PHOTOS by Tonee Harbert How to find it's a discipline directed toward a Stranded on the back nine of life higher meaning. But what's really as I am, it's hard to find the true important is that unlike most paths to enlightenment meaning of things. But, humbling enlightenment, putt-putt requires myself before the unforgiving sun of virtually no talent. summer, I followed my children into That's why it's such a popular on the a labyrinth of confusing symbols and family pursuit. Kids are natural~ at challenges - and I have emerged a losing themselves. We adults need the better person for it. practice. Astroturf I took the family to play putt "It's not whether you win or putt. -
Neighborhood Overviews
NEIGHBORHOOD OVERVIEWS (Sources: The following text is largely quoted from Leslie Donovan and Kim Withers Brengle, “A Preservation Plan for the City of Gloucester, Massachusetts,” 1990. Supplemental information was added from the Gloucester Development Team’s Land Marks; Architecture and Preservation in Gloucester, 1979; an unpublished manuscript, “Artists’ Communities in Gloucester, 1750-1948,” by Wendy Frontiero, 1998; and comments from the Gloucester Archives Committee.) CENTRAL GLOUCESTER Central Gloucester is roughly bounded by the Inner Harbor, the Annisquam River, and Route 128. This commercial and civic center of the City of Gloucester, located west of the inner harbor, is the nucleus of the Central Gloucester neighborhood and the City. The central business district runs along Main and Rogers Streets and is characterized by two- to four-story masonry structures. Immediately to the west is the civic center, which is composed of the City’s public buildings, by far the largest group of substantial buildings in Gloucester. The greatest concentration of industrial buildings is also found in Central Gloucester, located along the waterfront, near the commercial areas, and along Maplewood Avenue. Central Gloucester is extremely densely developed compared to the rest of Gloucester. Residential buildings are typically single-family and multi-family structures of wood-frame construction. A fishing colony established by the Dorchester Company at Stage Fort lasted only from 1623- 1626. It was not until the late 1630s that Cape Ann attracted a large enough number of permanent settlers to warrant incorporation as a town in 1642 under the Massachusetts Bay Colony. The name of the new town may have come from the recent birth of a new Duke of Gloucester. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Apologizes Inning, Not an End Late Night Assaults Take Place on YSU Campus
POW! BIFF! Batman Summertime sun isn't movie a smash hit always fun PAGE 6 PAGE 4 THURSDAY, JUNE 29, 1989 YOUNGSTOWN STATE UNIVERSITY VOL. 69, NO. 58 apologizes By RICK GEORGE Jambar Editor 46 u One step has been taken to solve the pro• I just blems within the YSU Police Department. want to get it According to a published report from the behind us and Tuesday, June 27 edition of The Vindicator, get on with our the police officers have accepted the apology Taking of Police Chief Robert T. Robinson even duties." it easy though they are still going through with a R. ROBINSON grievance. YSU Police Chief YSU's Ron Robinson wrote a letter to the Northern Thomas, a Ohio Patrolmen's Benevolent Association's senior, A&S, (NOPBA) local chairman, Frank McGuire, have 10 days to give a response back. spents apologizing for his remarks in the May 14 Hopefully I can get it done sooner." some time edition of The Vindicator. If needed, Miller said he might have to at the Water ... In.the article, Robinson said''Members of ask for an extension because he wants to end- fountain the force should quit their jobs if they can• the grievance before it lingers on. yesterday not keep their prejudices off campus." The grievance process is first heard by the afternoon Robinson said he did not mean to offend head of the department (Robinson). If studying his anyone by the article. nothing is accomplished, the executive direc• french. "I had no intention of offending anyone," tor hears the grievance. -
Present and Future Urban Spaces Cinematically Considered
Exploding Spaces Present and Future Urban Spaces Cinematically Considered University of Cape Town lan-Malcolm Rijsdijk The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town [Abstract] Urban visions in contemporary film considered to be science fiction are, in fundamental ways, not extrapolations from (or even analogies with) the present, but rather derive their extrapolative impetus from the confluence of urban utopianism and the development of the film medium in the first three decades of the twentieth century. This study seeks to understand the visual dynamics of contemporary science fiction cities in film by exploring a number of diverse architectural and cinematic influences. The argument is initiated through a consideration of utopianism and science fiction, before moving onto specific architectural analysis focused on utopian plans from the modernist period, and the growth of New York during the 1920s. Through a brief reading of German Expressionist Cinema in Chapter 3, the spatial and architectural groundwork is laid for the analysis of several films in Chapters 4-6: Disclosure, Blade Runner, Selen, The Devil's Advocate, 12 Monkeys and The Fifth Element. (While not all the films would be considered as science fiction, those non-science fiction films offer provocative readings of the city as a whole). -
Istanbul Technical University Institute of Science And
İSTANBUL TECHNICAL UNIVERSITY INSTITUTE OF SCIENCE AND TECHNOLOGY HOW DO OBJECTS COMMUNİCATE: SET DESIGN ANALYSIS OF STANLEY KUBRICK’S “A CLOCKWORK ORANGE” M.Sc. Thesis by Zeynep GÜNGÖR, B.I.D. 502041978 Date of submission : 15 September 2008 Date of defence examination: 24 September 2008 Supervisor (Chairman) : Prof. Dr. Nigan Bayazıt (ITU) Members of the Examining Committee : Assoc. Prof. Dr. Belkıs ULUOĞLU(ITU) Assis. Prof. Sebnem Timur ÖĞÜT (ITU) SEPTEMBER 2008 İSTANBUL TEKNİK ÜNİVERSİTESİ FEN BİLİMLERİ ENSTİTÜSÜ OBJELERİN İLETİŞİM KURMA YOLLARI: STANLEY KUBRİCK’İN “OTOMATİK PORTAKAL” FİLMİNİN SET ANALİZİ YÜKSEK LİSANS TEZİ Zeynep Güngör 502041978 Tezin Enstitüye Verildiği Tarih : 15 Eylül 2008 Tezin Savunulduğu Tarih : 24 Eylül 2008 Tez Danışmanı : Prof. Dr. Nigan Bayazıt (ITU) Diğer Jüri Üyeleri : Doç. Dr. Belkıs ULUOĞLU(ITU) Yrd. Doç. Dr. Şebnem Timur ÖĞÜT (ITU EYLÜL 2008 FOREWORD I dedicate this thesis to my mother who has been a patient assistant, a moral supporter and a magnificent role model; to my dear husband Hakan who supported me for always and for all; to my sister who always listens from the heart; to Hacer and Mehmet Çopur to whom I owe my beloved; to Ayla who always believed in me; to my friends who are the greatest people in the world; to Siganka who never quit cheering me and distracting me; to Prof. Dr. Nigan Bayazıt who enjoyed my topic of study even more than I do and enlightened my way. October, 2008 Zeynep Güngör ii TABLE OF CONTENTS Page LIST OF TABLES ıv LIST OF FIGURES v SUMMARY vııı ÖZET ıx 1. INTRODUCTION 1 2. -
Deconstructing Los Angeles Or a Secret Fax from Magritte Regarding Postliterate Legal Reasoning: a Critique of Legal Education
University of Michigan Journal of Law Reform Volume 26 1992 Deconstructing Los Angeles or a Secret Fax from Magritte Regarding Postliterate Legal Reasoning: A Critique of Legal Education C. Garrison Lepow Loyola University School of Law Follow this and additional works at: https://repository.law.umich.edu/mjlr Part of the Legal Education Commons, and the Legal Profession Commons Recommended Citation C. G. Lepow, Deconstructing Los Angeles or a Secret Fax from Magritte Regarding Postliterate Legal Reasoning: A Critique of Legal Education, 26 U. MICH. J. L. REFORM 69 (1992). Available at: https://repository.law.umich.edu/mjlr/vol26/iss1/3 This Article is brought to you for free and open access by the University of Michigan Journal of Law Reform at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in University of Michigan Journal of Law Reform by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. DECONSTRUCTING LOS ANGELES OR A SECRET FAX FROM MAGRITTE REGARDING POSTLITERATE LEGAL REASONING: A CRITIQUE OF LEGAL EDUCATION C. Garrison Lepow* Not only is it clear that most law students become impatient at some point during their three years of formal education, but it is clear also that how students learn the law is more the cause of their impatience than what they learn.' Moreover, others besides law students may be entitled to challenge the style of education that manufactures a lawyer-culture. If one assumes for the sake of argument that the intellectual processes of lawyers, and consequently their values, differ from those of their society, this fact does not explain the difference between legal thinking and regular thinking, or explain why there should not be harmony between the two. -
Historic House Museums
HISTORIC HOUSE MUSEUMS Alabama • Arlington Antebellum Home & Gardens (Birmingham; www.birminghamal.gov/arlington/index.htm) • Bellingrath Gardens and Home (Theodore; www.bellingrath.org) • Gaineswood (Gaineswood; www.preserveala.org/gaineswood.aspx?sm=g_i) • Oakleigh Historic Complex (Mobile; http://hmps.publishpath.com) • Sturdivant Hall (Selma; https://sturdivanthall.com) Alaska • House of Wickersham House (Fairbanks; http://dnr.alaska.gov/parks/units/wickrshm.htm) • Oscar Anderson House Museum (Anchorage; www.anchorage.net/museums-culture-heritage-centers/oscar-anderson-house-museum) Arizona • Douglas Family House Museum (Jerome; http://azstateparks.com/parks/jero/index.html) • Muheim Heritage House Museum (Bisbee; www.bisbeemuseum.org/bmmuheim.html) • Rosson House Museum (Phoenix; www.rossonhousemuseum.org/visit/the-rosson-house) • Sanguinetti House Museum (Yuma; www.arizonahistoricalsociety.org/museums/welcome-to-sanguinetti-house-museum-yuma/) • Sharlot Hall Museum (Prescott; www.sharlot.org) • Sosa-Carrillo-Fremont House Museum (Tucson; www.arizonahistoricalsociety.org/welcome-to-the-arizona-history-museum-tucson) • Taliesin West (Scottsdale; www.franklloydwright.org/about/taliesinwesttours.html) Arkansas • Allen House (Monticello; http://allenhousetours.com) • Clayton House (Fort Smith; www.claytonhouse.org) • Historic Arkansas Museum - Conway House, Hinderliter House, Noland House, and Woodruff House (Little Rock; www.historicarkansas.org) • McCollum-Chidester House (Camden; www.ouachitacountyhistoricalsociety.org) • Miss Laura’s -
Wie Wohnt Eigentlich James Bond? Oder Was
Skript zur Einführung in das Szenenbild Wie wohnt eigentlich James Bond? oder Was Architektur im Film erzählen kann Teil 1 Fragen zum Szenenbild Teil 2 Recherchematerial Szenenbildentwurf zum Projekt „Monitors“ Korbinian Greiner und Kai Bagsik 1 Teil 1 Fragen zum Szenenbild Studio Babelsberg 2017 Was ist eigentlich ein Szenenbildner? Das Szenenbild (engl. Production Design) ist neben der Drehbuch- /Projektentwicklung, der Regie, der Kamera und der Produktion eine der Säulen der Filmkunst. Der Szenenbildner, Szenograf, Produktionsdesigner oder Filmarchitekt - die Berufsbezeichnungen sind so vielfältig, wie die verschiedenen Aufgabengebiete - erarbeitet mit den anderen „Heads of Department“ eine bildnerische Umsetzung der Drehbuchvorgaben. Im Idealfall wird der Szenenbildner frühzeitig in die Projektentwicklung eingebunden, so dass nach seinen Umsetzungsvorschlägen und der Kalkulation das Drehbuch entsprechend modifiziert werden kann. Sein Tätigkeitsgebiet umfasst neben dem Kinofilm auch den Fernsehfilm, die Fernseh- bzw. Web-Serie, die Werbung, Musikvideos und den Eventbereich. 2 Szenenbild 2007 Innen/Nacht Szenenbild Kai Bagsik Was unterscheidet die Filmarchitektur von der Hochbauarchitektur? Der zweifache Oscar Preisträger Ken Adam faste in etwa zusammen: „Der Entwurf eines Szenenbildes ist, der Entwurf von Schatten und Licht.“ Das ist natürlich eine Vereinfachung bzw. Zuspitzung, aber eine, die veranschaulicht. Das Szenenbild ist eine Vertiefung der Architektur unter Einbeziehung der bildenden Kunst, des Designs und der Innenarchitektur. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.