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User Manual, So That It Appears As the First "Page" of the Book

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User Manual, So That It Appears As the First This file provides two versions of the cover art. The first version contains live fonts and the second version contains fonts converted to paths to be used in the event of font problems. For Reference Only - Do NOT PRINT Use full size document as master. Score and Fold Back Cover with Red side out as shown. Art shown on this assembly illustration does FBV SERIES REFERENCE SIGNAL FLOW & EFFECTS ROUTING OPTIONS 11 9 3 FBV SHORTBOARD FX LOOP 1 WAH VOLUME not exactly match actual art for printing. 4 6 7 45 STOMP MODULATION DELAY REVERB 10 CHANNEL A CHANNEL B CHANNEL C CHANNEL D TAP GATE HOLD FOR TUNER 2 8 VOLUME WAH 3 4 9 WAH PEDAL 1 VOLUME PEDAL 2 WHAT ARE YOU CONNECTED TO? STOMP FX LOOP STOMP BOX 1 STOMP BOX 2 STOMP BOX 3 CUSTOM FOOT CONTROLLER DIRECT (STUDIO/PA) MODULATION 5 6 7 8 AMP 1 AMP 2 REVERB TREMOLO MODULATION DELAY TAP TEMPO 12 DELAY HOLD FOR TUNER COMP BANK DOWN BANK UP CHANNEL A CHANNEL B CHANNEL C CHANNEL D FAVORITE CHANNEL MODULATION FACTORY/USER Use your A.I.R. settings to get the right mic sound AMP/CAB + A.I.R. II you’re looking for! Choose from: 1 2 MIC 1 MIC 2 ......................................................... MIC 3 POWER AMP WITH CABS ....................................................... DELAY MIC 4 ..................................................... ................................................... All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound model development. 57 ON AXIS REVERB 57 OFF AXIS 421 DYNAMIC 67 CONDENSER VOLUME FRONT OF COMBO Bind Registration Card (part #40-03-2000) after cover FBV SERIES REFERENCE 1 3 FX LOOP FBV SHORTBOARD 11 9 + Page 1 of 4 A First release for manufacturing. Release Date: FebRevisions 17, 2004. B Corrected photo resolution problem. Use a black spiral bind Release Date: Feb 17, 2004. = Black Side voice (818) 575-3733 fax (818) 575-3601 [email protected] 29901 Agoura Road • Agoura Hills, CA 91301 • USA 8" Part Name/Number Prepared by approx.7.25"7" specifications Line 6 Manual User Bass PODxt Live P2-1 40-00-0083 Patrick O'Connor Crop Manual Cover pages to 8" tall x 7" wide 100# Cover (Use No. 1 Sheet or High Quality No. 2 Sheet) Varnish BOTH SIDES of Cover with a satin/flat texture coating. See artwork for Pantone color specs. Revision B HOW TO INSERT THE Line 6 Universal Registration Research Card Build the registration card into the binding of the user manual, so that it appears as the first "page" of the book. Insure that the perforation, and the explanatory text, is exposed (not in binding) as shown at right, so the customer will be able to tear the card out at the perforation. Center card (height-wise) in book when binding. Page 2 of 4 FRONT COVER: Bass PODxt Live Pilot’s Handbook – Print 2 Colors Pantone Black #6c and Pantone Coated #877c Silver Metallic (silver underprints black, fully covering page) BASS XT PODLIVE PRO BASS TONE ON THE FLOOR Pilot’s Handbook Cut at crop marks. Cover should measure 8x7 inches when cut. Pantone Black 6c should bleed on all edges when cut. Page 3 of 4 FOLDING BACK COVER: Use Pantone Coated #6c Black Inside CONTROLS REFERENCE NAVIGATION REFERENCE SERVICE PERSONNEL. THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION. UNDESIRED CAUSE MAY THAT INTERFERENCE INCLUDING RECEIVED, INTERFERENCE ANY ACCEPT MUST DEVICE THIS (2) AND INTERFERENCE, HARMFUL CAUSE NOT MAY DEVICE THIS (1) CONDITIONS: TWO FOLLOWING THE TO SUBJECT IS OPERATION RULES. FCC THE OF 15 PART WITH COMPLIES DEVICE THIS PERSONNEL. SERVICE 9v AC 2000 mA minimum mA 2000 AC 9v OPEN NOT DO SHOCK ELECTRIC OF RISK SHOCK HAZARD – DO NOT OPEN. RISQUE DE CHOC ÉLECTRIQUE – NE PAS OUVRIR. TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED TO SERVICING REFER INSIDE. PARTS SERVICEABLE USER NO COVER. REMOVE NOT DO SHOCK ELECTRIC OF RISK THE REDUCE TO MOISTURE. OR RAIN TO EQUIPMENT THIS EXPOSE NOT DO SHOCK ELECTRIC OR FIRE OF RISK THE REDUCE TO OUVRIR. PAS NE – ÉLECTRIQUE CHOC DE RISQUE OPEN. NOT DO – HAZARD SHOCK POWER REQUIREMENTS POWER CAUTION SERIAL NUMBER STICKER NUMBER SERIAL WARNING/AVIS: OFF OUT/THRU IN D.I. MODEL LEVEL NORM/PAD • When EDIT, SAVE or TUNER is lit, “SELECT” N222 U.S. Patent No. 5,789,689 No. Patent U.S. selects from the pages listed below ON LINE/AMP POWER USB VARIAX MIDI PHONES PHONES AMP/LINE TO OUTPUT INPUT AUX INPUT 2 PEDAL USB VARIAX MIDI • Otherwise, “SELECT” chooses Channel Memories 1 2 3 4 5 6 7 8 9 POWER USB VARIAX OUT/THRU MIDI IN PHONES D.I. OUTPUT MODEL LEVEL AUX INPUT INPUT PAD PEDAL 2 Pro Modeled Vintage & Modern FX 10 11 12 13 14 Custom Tone Recording Outputs EDIT • Amp Settings AMP TONE CONTROLS EDIT PAGES • A.I.R. Settings DRIVE BASS LO MID HI MID TREBLE CHAN VOL BASS • Compressor and Gate Settings • EQ Settings XT • Stomp Select and Settings PODLIVE • Stomp Settings (page 2 for some models) PRO BASS TONE ON THE FLOOR • Modulation Select and Settings • Modulation Settings (page 2) OUTPUT SAVE EDIT MODE • Delay Select and Settings SYSTEM • Delay Settings (page 2) 15 16 17 18 • Reverb Select and Settings • Reverb Settings (page 2) WAH • Wah and Volume Settings BANK AMP STOMP MOD DLY/VRB • Pedal, Effect Tweak and Tempo Settings TWEAK SAVE • Save Sound to Channel Memory SAVE PAGES • Custom Save Amp Model • Custom Save Effects Setup VOLUME • MIDI Dump 23 19 20 OUTPUT 22 MODE 21 SYSTEM • Tuner TUNER PAGES • What are you connecting to? • Display contrast BANK A B C D TAP HOLD/TUNER • MIDI/Variax • Bass PODXT Live Software Version 6.875" 6.75" 7" Score and fold here See diagram for details. Outside AMP MODELS SIGNAL FLOW & EFFECTS ROUTING OPTIONS # AMP MODEL MODEL BASED ON # AMP MODEL MODEL BASED ON 0 ......BYPASS ..........................(Bypasses the Amp Model) 15 ....TWEED B-MAN .................FENDER® BASSMAN® COMBO 1 ......TUBE PREAMP..................LINE 6 ORIGINAL 16 ....SILVERFACE BASS.............FENDER® BASSMAN® HEAD 2 ......L6 CLASSIC JAZZ ..............LINE 6 ORIGINAL 17......DOUBLE SHOW......................FENDER® DUAL SHOWMAN® Unprocessed Bass can be sent to/from Computer via USB 3 ......L6 BRIT INVADER..............LINE 6 ORIGINAL 18 ....EIGHTIES.........................GK 800 RB USB SEND/RETURN: 4 ......L6 SUPER THOR ...............LINE 6 ORIGINAL 19 ....HIWAY 100 .....................HIWATT® DR-103 5 ......L6 FRANKENSTEIN............LINE 6 ORIGINAL 20 ....HIWAY 200 .....................HIWATT® 200DR 6 ......L6 EBONY LUX.................LINE 6 ORIGINAL 21 ....BRITISH MAJOR................MARSHALL® MAJOR 7 ......L6 DOPPELGANGER...........LINE 6 ORIGINAL 22 ....BRITISH BASS..................MARSHALL® SUPER BASS 8 ......SUB DUB ........................LINE 6 ORIGINAL 23 ....CALIFORNIA.....................MESA/BOOGIE® BASS 400+ LIVE 9 ......AMP 360........................ACOUSTIC 360 24......JAZZ TONE ..............................POLYTONE MINI-BRUTE® Mod and Delay/Verb X-OVER: MODE 10 ....JAGUAR...........................AGUILAR® DB750 25 ....STADIUM.........................SUNN® COLISEUM Hi Pass filters available in wet paths of these FX 11 ....ALCHEMIST......................ALEMBIC F-2B 26 ....STUDIO TONE ..................SWR® SM-500 to prevent muddy tone 12......ROCK CLASSIC .......................AMPEG® SVT® 27 ....MOTOR CITY....................VERSATONE PAN-O-FLEX MODEL Wah & Volume can be CAB MODEL 13 ....FLIP TOP .........................AMPEG® B-15 28 ....BRIT CLASS A100.............VOX® AC-100 controlled by FBV or MIDI 14 ....ADAM AND EVE................EDEN TRAVELLER CABINET MODELS AMP STUDIO # CAB MODEL MODEL BASED ON # AMP MODEL MODEL BASED ON # AMP MODEL MODEL BASED ON MODE 0 ......NO CAB...........................N/A 8 ......1X18+12 STADIUM..........SUNN® COLISEUM 16 ....4X10 SILVERCONE ...........HARTKE 410 1 ......1X12 BOUTIQUE..............EUPHONICS CXL-112L 9 ......2X10 MODERN UK...........ASHDOWN ABM 210T 17 ....4X10 SESSION................+HORN SWR® GOLIATH GATE VOLUME WAH STOMP EQ MOD DELAY/VERB CAB MODEL + A.I.R. II VIRTUAL MIC/ROOM 2 ......1X12 MOTOR CITY...........VERSATONE PAN-O-FLEX 10 ....2X15 DOUBLESHOW ........FENDER® DUAL SHOWMAN® D130F 18 ....4X12 HIWAY ...................HIWATT® BASS CAB 3 ......1X15 FLIP TOP ................AMPEG B-15 11......2X15 CALIFORNIA ................MESA/BOOGIE® 19 ....4X12 GREEN 20'S ...........'67 MARSHALL® BASKETWEAVE 4 ......1X15 JAZZ TONE..............POLYTONE MINIBRUTE 12 ....2X15 CLASS A.................VOX® AC-100 20 ....4X12 GREEN 25'S ...........'68 MARSHALL® BASKETWEAVE 5 ......1X18 SESSION................SWR BIG BEN 13 ....4X10 LINE 6 ...................LINE 6 ORIGINAL 21 ....4X15 BIG BOY.................MARSHALL® MAJOR D.I. 6 ......1X18 AMP 360 ...............ACOUSTIC 360 14 ....4X10 TWEED...................FENDER® BASSMAN® COMBO 22......8X10 CLASSIC.......................AMPEG® SVT® PRE/POST: Volume, EQ, Mod and Delay/Verb can run Pre or Post 7 ......1X18 CALIFORNIA............MESA BOOGIE 15 ....4X10 ADAM EVE..............DAVID EDEN EFFECT MODELS STOMPS MODEL BASED ON MODULATIONS MODEL BASED ON DELAYS MODEL BASED ON BASS OVERDRIVE ................LINE 6 ORIGINAL
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