Humanistic Concerns in John Galsworthy's Justice
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Study of John Galsworthy's Justice As a Realistic Exposure of the English
==================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 19:5 May 2019 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ==================================================================== Study of John Galsworthy’s Justice as a Realistic Exposure of the English Society Kailas Vijayrao Karnewar, M.A., NET College Road, Snehnagar, Vasmath Dist.- Hingoli. Pin- 431512 [email protected] ================================================================== Abstract John Galsworthy was an English playwright of 20th century. Alike G. B. Shaw he used drama as a vehicle for assigning communal criticism in each of his plays, he uncovered some social illness or other. John Galsworthy’s conception of drama is grounded on realism and general sense of morals. He supposed that drama is a noteworthy art form and capable of inspiring the attention and conveying consciousness of honorable ideologies in human life. Being a law graduate he was conscious of the severe restriction of a legalistic approach to men and matters. Galsworthy also becomes victim of rigid law and rigid society, since he was not married to his lover, Ada. In Justice he exposes all evil of the society like rigid divorce law, rigidity of society, solitary confinement and injustice done to prisoner. Galsworthy presented it by using naturalistic technique. Therefore, basic aim of this paper is to study the ills of English society which caused the demise of the main character Falder. Keywords: John Galsworthy, Justice, Realistic, English society, naturalistic technique, rigid law Introduction John Galsworthy is the best eminent problem writer and novelist in the 20th century. Like Bernard Shaw and his forerunner Ibsen, Galsworthy also presented some boiling problems or other in all his plays. -
The Social Implications in the Drama of John Galsworthy
Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 1-1-1941 The oS cial Implications in the Drama of John Galsworthy Dorothy Ann Springer Butler University Follow this and additional works at: http://digitalcommons.butler.edu/grtheses Part of the English Language and Literature Commons Recommended Citation Springer, Dorothy Ann, "The ocS ial Implications in the Drama of John Galsworthy" (1941). Graduate Thesis Collection. Paper 391. This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. THE SOCIAL IMPLICATIONS IN THE DRAMAS OF JOHN GALSVVORTHY by DOROTHY ANN SPRINGER A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts English Department College of Liberal Arts and Soiences Division of Graduate Instruction Butler University Indianapolis 1941 LU r! () i I I e~~''/h (l)- PREFACE I~orpurposes of closer study" I have limited my subjeot to the dr-amas of John Galsworthy. However" it is well known that his novels are also filled with many social implications" some of which are closely correlated to those in his plays. In order that I might more fully cover my subject" I have eliminated the novels from my study. I wish to acknowledge here my appreciation to Dr. John S. Harrison" head of the English department at Butler Univ"ersity" for his help and guidance in my work, and to Dr. -
The Dramatic Works of John Galsworthy
THE DRAMATIC WORKS OF JOHN GALSWORTHY BY THOMAS CARLTON UPHAM B. S. Massachusetts Agricultural College, 1916. THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ENGLISH IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1918 ^3 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL -±±J. 19liT I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION RY T^/u^m C^^^ l^M^ 7> ENTITLED -- ^<^A : ^jnjk^ ^7 C/dJa*iA/h BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF ^7 £>L^L In vharge of The Head of Department Recommendation concurred in* Committee on Final Examination* Required for doctor'6 degree but not for master's UiUC CONTENTS CHAPTERS PAGE I. Introduction; Life and Development as an Author 1 II. Synopses and Production of the Plays 9 III. Galsworthy's Philosophy of Life 56 IV. Literary Art of the Dramas 84 V. Dramatic Technique of the Dramas 112 VI. Relationships and Conclusion 141 BIBLIOGRAPHY Part I. Chronological List of John Galsworthy's Works 150 Part II. Books of Criticism in which Galsworthy is Considered 152 Part III. Critical Matter of Importance in Periodicals 154 Part IV. Other Periodical Criticism and Articles by Galsworthy 156 Digitized by the Internet Archive in 2013 http://archive.org/details/dramaticworksofjOOupha . 1 CHAPTER I INTRODUCTION; LIFE AND DEVELOPMENT AS AN AUTHOR The object in the present study of the dramatic works of John Galsworthy has been to see as clearly and as fairly as Mr. Galsworthy himself, who weighs everything and tries to be sensitive in impres- sion and expression. -
The Progressive Realism of Premchand, Manto and Chughtai A
Magic, Madness and Mud: The Progressive Realism of Premchand, Manto and Chughtai A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Emily A. Durham IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Simona Sawhney December, 2018 © Emily A. Durham 2018 i Acknowledgements There is an almost innumerable list of people and institutions without whom this dissertation never would have existed, and I’m afraid I can only begin to list them here. However, first among them has to be the American Institute of Indian Studies for their generous support through the Urdu Language Fellowship in Lucknow, India, which played a huge part in introducing me to the joys and complexities of Premchand, Manto and Chughtai. In particular, I would like to thank just a few of the amazing instructors who helped to open for me many of the works discussed here: Ahtesham Khan, Zeba Parveen, Sheba Iftikhar and Shehnaz Ahmed. I still remember many of the lively discussions I was privileged to have in their classrooms along with the brilliant scholars who continue to influence and inspire me, among them Francesca Chubb-Confer, Christine Marrewa-Karwoski, Charlotte Giles, Elizabeth Thelen and Megan Robb. I also must acknowledge the profound impact from that year in Lucknow of the reading group organized by Maheen Zaman and Aaisha Shaikh and the discussions we had over steaming cups of chai and scattered pistachio shells with Christopher Taylor, Mohsin Malik Ali, Iris Yellum and Raphael Susewind. I must also thank the steadfast support of the Department of Asian Languages and Literatures at the University of Minnesota. -
Khazar University Institutional Repository
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Khazar University Institutional Repository KHAZAR UNIVERSITY Faculty: School of Humanities and Social Sciences Department: English Language and Literature Specialty: English Language and Literature (British Literature) MA THESIS THEME: Socio-literary analysis of “The desire for property” in “The Man of Property” by J.Galsworthy. Master Student: Farida Shirinova Supervisor: Ph.D. Eldar Shahgaldiyev Baku-2013 KHAZAR UNIVERSITY SCHOOL OF HUMANITIES AND SOCIAL SCIENCES ENGLISH LANGUAGE AND LITERATURE DEPARTMENT ABSTRACT OF DISSERTATION FOR MASTER’S DEGREE THEME Socio-literary analysis of “The desire for property in “The Man of Property” by J.Galsworthy”. Master student: Farida Shirinova Supervisor: Ph.D. Eldar Shahgaldiyev 2 Abstract Object of research: The dissertation tries to describe the socio-literary analysis of the desire for property in “The man of property” by John Galsworthy. The whole chronicle of the Forsyte‟s family is looked through. Also other works by J.Galsworthy are analyzed. The purpose of the research work is to answer the question about the desire for property of the participants of this novel, the right and wrong sides of their desires, dif- ferences and similarities of desires of the people belonging to the same root, the impact of the time of living to the people, who greatly differ from each other making two poles with their way of life. Also to show the inner world of the Forsytes, who seem glamorous from distance. The aims of the work are the followings: 1. To investigate the specific features of J.Galsworthy‟s creative activity. -
International Journal of English Language, Literature and Translation Studies (Ijelr)
Int. J. Eng. INTERNATIONALLang. Lit & Trans. Studies JOURNAL (ISSN:2349 OF ENGLISH-9451/2395 LANGUAGE,-2628) Vol. 4.LITERATURE Issue.1., 2017 (Jan-Mar.) AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE Vol. 4. Issue.1., 2017 (Jan-Mar.) GALSWORTHY'S DRAMATIC CRAFTSMANSHIP AS SEEN IN THE SILVER BOX, STRIFE AND JUSTICE — A BASIC STUDY ARUN DAVES. A1, Dr. A. SELVARAJ2 1Ph.D. Scholar, Department of English, Annamalai University 2Research Supervisor, Associate Professor, Department of English, Annamalai University ABSTRACT This article is intended to clarify the emotional specialty of John Galsworthy with respect to his plays The Silver Box, Strife and Justice. John Galsworthy as a celebrated Edwardian author has been known for his diverse identities. Galsworthy built up himself as one of the conspicuous and powerful writers ever. He needed to reveal new insight into the dim parts of his contemporary society in order to achieve a huge change in the obsolete social structure of the day. To satisfy the longing of his soul, he needed to concentrate on the specialty of portrayal inside the ring wall of the predominant musings and ideas by creating social, financial, residential, or individual issues: the dissimilarity between the rich and poor people, the conflict between the work and the capital, social and lawful bad form, local oppression, the class struggle and despondent marriage. He needed to concentrate on the sensibility of mindfulness concerning the shades of malice of the general population through the smouldering social issues of his contemporary England.