Rehearsal Mon March 16

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The Classics of Rodgers & Hammerstein MONDAY, MARCH 16 STIEFEL THEATRE P Thompson & Amy Rosine ABSENT March 16 They will rehearse March 2. Still rehearse their choruses. Order Time Title CONCERT ORDER Vocal Designation Singer Chorus 1 7:00 Do-Re-Mi SATB Chorus Salina South HS South HS 2 You'll Never Walk Alone Mezzo Solo Patricia Thompson South HS 3 7:15 It's A Grand Night For Singing (Concert Version) Baritone Solo ,SATB Chorus Reg Pittman, chorus KWU 4 I Whistle A Happy Tune SATB Chorus Chorus KWU 5 Out Of My Dreams Mezzo Solo ,SATB Chorus Patricia Thompson, chorus KWU 6 7:35 June Is Bustin' Out All Over Mezzo Solo ,SATB Chorus Patricia Thompson, chorus Sal Chorale 7 There Is Nothin' Like A Dame Men's Chorus Men's Chorus S Chor MEN 8 Oklahoma! Everyone on stage. Baritone Solo ,SATB Chorus Drew Horton Sal Chorale 9 8:00 Soliloquy Baritone Solo Drew Horton 10 Oh, What A Beautiful Mornin' Tenor Solo Drew Horton 11 8:15 Younger Than Springtime (F Major) Tenor Solo Bryan Pinkall 12 Surrey with the Fringe on Top Baritone Solo Bryan Pinkall 13 8:30 If I Loved You (Db Major) Tenor Solo Reg Pittman 14 Some Enchanted Evening (Concert Version) Baritone Solo Reg Pittman 15 8:45 I'm in Love with a Wonderful Guy Soprano Solo Janie Brokenicky 16 We Kiss In A Shadow Soprano ,Tenor Duet Janie Brokenicky, Bryan Pinkall 17 People Will Say We're In Love (A/D Major) Soprano ,Tenor Duo Janie Brokenicky, Bryan Pinkall 18 9:00 The Carousel Waltz (Concert Version) Orchestra Only orchestra orch only 19 R&H Orchestra Interlude - Overture Orchestra Only orchestra orch only BELOW REHEARSED MARCH 2 Hello, Young Lovers Soprano Solo Amy Rosine When I Marry Mister Snow soprano Amy Rosine Climb Ev'ry Mountain (Tenor Version) Soprano Amy Rosine The Sound Of Music (F Major) Soprano Solo Amy Rosine My Favorite Things Mezzo Solo Patricia Thompson I Have Dreamed Mezzo ,Baritone Duet Patricia Thompson, Drew Horton.

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King and I Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-9-1999 King and I Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "King and I" (1999). Center for Performing Arts Memorabilia. Book 158. http://opus.govst.edu/cpa_memorabilia/158 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. «Jpntftl fOR PEfifORHIHCite Governors State University Present Rodgers & Hammerstein's fChe S $• Limousine courtesy of-Worth Limousine - Worth, IL &• Brunch courtesy of- Holiday Inn - Matteson, IL Bracelet courtesy of Bess Friedheim Jewelry,0rland Park, IL MATTESON The STAR University Park, IL May 9th* 1999 Governors State University KKPERfORMIIWflRTS and ACE ROYAL PAINTS present A Big League Theatricals Production Rodgers and Hammerstein's THE KING and I Music by Book and lyrics by Richard Rodgers Oscar Hammerstein II Based upon the novel Anna and the King ofSiam by Margaret Landon Original Choreography by Jerome Robbins with Lego Louis Susannah Kenton and (In alphabetical order) Luis Avila, Amanda Cheng, Elizabeth Chiang, Korina Crvelin, Isabelle Decauwert, Alexandra Dimeco, Derek Dymek,
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COSTUME PLOT "A Grand Night for Singing" Various Productions Of
. - .. ~... ., , COSTUME PLOT "A GrandNight For Singing" Various productionsof this musicalrevue have used either eveningclothes or costumes for the actors. This particular plot sufficesfor a stagingthat supportsthe use of costumes andprops in telling the story of a fantasyabout the seasonsof love. Setin post World War II, a time of rebirth andhope for the U.S., Act I represents Springtimewith five youths experiencingthe dawningof new love and the awakeningsof infatuationand romance. Summeris aboutmaking commitmentsand backing away from them. Autumn representsmaturing love, relationshipsand responsibilities. Winter is a time of reposeand remembrance,five soliloquiesof what was or what might havebeen. To that end,this plot includesthe breakdownof songsby "season". Spring The CarouselWaltz Carousel Company So Far Allegro Leading Lady It's A GrandNight For Singing StateFair Company The SurreyWith The Fringe On Top Oklahoma! Comicjuvenile Stepsisters'Lament Cinderella Comic ingenue & leading lady We Kiss In A Shadow The King and I Leadingman ! Hello, Young Lovers The King and I Company A Wonderful Guy SouthPacific Comic ingenue I Cain't SayNo Oklahoma! Soubrette Maria The Soundof Music Comicjuvenile Do I Love You BecauseYou're Beautiful? Cinderella Leading lady Summer Honey Bun SouthPacific Leading man, company The GentlemanIs A Dope Allegro Soubrette Don't Marry Me Flower Drum Song Leading man,comic juvenile, comic ingenue& leading lady Many A New Day/I'm GonnaWash SouthPacific Soubrette,leading lady, That Man Right Out-a My Hair comic ingenue If I Loved You Carousel Comic ingenue - . J- - That's The Way It Happens Me & Juliet Soubrette,comic juvenile "A GrandNight For Singing" Page2 Summer (cont'd) All At OnceYou Love Her Pipe Dream Leading man, comic juvenile SomeEnchanted Evening SouthPacific Company Autumn Oh, What A Beautiful Morning Oklahoma! Leadingman It Might As Well Be Spring StateFair Leading lady To Have And To Hold/Wish Them Well Allegro Company KansasCity Oklahoma! Comic ingenue, soubrette, .
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SMTA Catalog Complete
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We Kiss in a Shadow Sheet Music
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120792bk King&I 4/2/06 9:36 PM Page 2 Original Broadway Cast, 1951 Studio Recording, 1951 22. March of the Siamese Children 3:37 Music: Richard Rodgers New York Philharmonic Orchestra Lyrics: Oscar Hammerstein II 1. Overture 3:22 13. Overture 3:46 conducted by Richard Rodgers Transfers & Production: David Lennick Orchestra Al Goodman & His Orchestra Columbia CL 810, mx XLP 34520 Digital Restoration: Graham Newton 2. I Whistle A Happy Tune 2:40 14. My Lord And Master 2:36 Recorded 27 December 1954, New York Special thanks to Joe Cascone and Gertrude Lawrence Patrice Munsel with Al Goodman’s Orchestra Anthony Middleton 3. My Lord And Master 2:05 15. A Puzzlement 3:47 Doretta Morrow Robert Merrill with Henri René’s Orchestra Also available in the Naxos Broadway Musicals series … 4. Hello,Young Lovers 3:07 16. I Have Dreamed 3:32 Gertrude Lawrence Tony Martin & Patrice Munsel with 5. March Of The Siamese Children 3:14 Al Goodman’s Orchestra Orchestra 17. Shall We Dance 2:43 6. A Puzzlement 3:30 Robert Merrill & Dinah Shore with Yul Brynner Henri René’s Orchestra 7. Getting To Know You 3:26 RCA Victor LK 1022, mx E1-LVC-45/46 Gertrude Lawrence & Chorus Recorded March 1951, New York (tracks 8. We Kiss In A Shadow 3:26 13, 14, 16) & Los Angeles (tracks 15, 17) Larry Douglas & Doretta Morrow Original London Cast, 1954 9. Shall I Tell You What I Think Of You? 18. Getting To Know You 3:27 3:24 Valerie Hobson, King’s Wives & Children 8.120780 8.120787 8.120788 Gertrude Lawrence Philips PB 194, mz AA 26063 2H6 10.
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Teacher Resource Guide Table of Contents
“I DOUBT I’LL SEE A BETTER PRODUCTION IN MY LIFETIME” THE WALL STREET JOURNAL Photo by Jeremy Daniel TEACHER RESOURCE GUIDE TABLE OF CONTENTS INTRODUCTION . 1 THE PLAY . 3 Overview . 3 The Story . 4 The Characters . 7 The Writers . 9 Classroom Activities . 10 THE BACKDROP: DRAMATIZING HISTORY . 12 The Setting: Siam in the 1860s . 12 Beyond Siam . 15 The People: Anna and the King . 17 Classroom Activities . 20 THE STYLE: AMERICAN MUSICAL THEATER . 22 The Evolution of the American Musical . 22 The Book Musical . 23 The Building Blocks . 24 Classroom Activities . 27 BEHIND THE SCENES: REVIVING A CLASSIC . 29 Insights from the Creative Team . 29 Classroom Activities . 33 EXPLORING THE ISSUES . 35 Thematic Elements . 35 Classroom Activities . 37 RESOURCES/BIBLIOGRAPHY . 40 INTRODUCTION Almost from the beginning of his career, Oscar “ Hammerstein had been dedicated to the idea of bringing seriousness to the musical stage . He was impassioned by finding something which was neither operetta nor escapism, something which had purpose and coherence, something that was unmistakably American, rather than European in tradition ”. FREDERICK NOLAN, RODGERS AND HAMMERSTEIN BIOGRAPHER Welcome to the teacher resource guide for The King and ,I Richard Rodgers and Oscar Hammerstein’s poi- gnant musical portrait of two fascinating historical figures, Anna Leonowens and King Mongkut of Siam. The King and I chronicles a turning point in Siam’s history. It is the early 1860s and the threat of western imperial- ism casts a shadow upon the country. King Mongkut must find a way for Siam to embrace modernity and take its place among the nations of the world while still honoring its traditions and maintaining its independence.
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TEACHER RESOURCE GUIDE Rodgers & Hammerstein's The King and I Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS BU!UIF!WJWJBO!CFBVNPOU André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Ambassador Theatre Group presents RODGERS & HAMMERSTEIN’S Music Book and Lyrics Richard Rodgers Oscar Hammerstein II Based on the novel Anna and the King of Siam by Margaret Landon with Kelli O’Hara Ken Watanabe Ruthie Ann Miles Ashley Park Conrad Ricamora Edward Baker-Duly Jon Viktor Corpuz Murphy Guyer Jake Lucas Paul Nakauchi Marc Oka and Aaron J. Albano Adriana Braganza Amaya Braganza Billy Bustamante LaMae Caparas Hsin-Ping Chang Andrew Cheng Lynn Masako Cheng Olivia Chun Ali Ewoldt Ethan Halford Holder Cole Horibe MaryAnn Hu James Ignacio Misa Iwama Christie Kim Kelvin Moon Loh Sumie Maeda Paul HeeSang Miller Rommel Pierre O’Choa Kristen Faith Oei Autumn Ogawa Yuki Ozeki Stephanie Jae Park Diane Phelan Sam Poon William Poon Brian Rivera Bennyroyce Royon Lainie Sakakura Ann Sanders Ian Saraceni Atsuhisa Shinomiya Michiko Takemasa Kei Tsuruharatani Christopher Vo Rocco Wu XiaoChuan Xie Timothy Yang Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Scott Lehrer Orchestrations Dance & Incidental Music Arranged by Casting Robert Russell Bennett Trude Rittmann Telsey + Company Abbie Brady-Dalton, CSA Mindich Chair Production Stage Manager Musical Theater Associate Producer General Press Agent Jennifer Rae Moore Ira Weitzman Philip Rinaldi General Manager Production Manager Director of Marketing Jessica Niebanck Paul Smithyman Linda Mason Ross Music Direction Ted Sperling Based on the Choreography Original Choreography by Christopher Gattelli Jerome Robbins Directed by Bartlett Sher Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production and the Musical Theater Associate Producer’s Chair.
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NATIONAL ALLIANCE Illinois hlrrA-iitlon for MUSICAL THEATRE Leonard A. Anderson M. Seth Re~nes Execut~veD~rector Art~st~cD~rector I I This program is partially supported by a grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. " ""c. c. I Kari Cataldo, M.D. DECATUR MEMORIAL HOSPITAL I Volney 1. Willett Ill, M.D. Family Practitioner Treating- Babies Children Teens Adults Seniors Call 728-2042 for an appointment. Sullivan Medical Center 1220 West Jackson Sullivan, Illinois MASTERING MODERN -- - Artistic Director Seth Reines, Musical Director Jason Yarcho, Education Director Marie Jagger Taylor and I have recently conducted actor auditions and technical personnel interviews for the 2007 summer season company. We attended the Midwest Theatre Auditions at Wehster University in St. Louis where 55 different theatres auditioned over 400 young actors and actresses and interviewed about 100 theatre technicians. 84 children auditioned here in Sullivan for the children's roles in THE SOUND OF MUSIC and over 65 adults attended our Sullivan auditions. And ... we saw another 87 people at our Actors' Equity Association audition call in Chicago. (In addition, Seth Reines attends other auditions in his role as Artistic Producer for the Prather Family Dinner Theatres and has seen over 700 people.) From all of this, we will assemble a company of approximately 100 people including only 30-35 different actors. I am sure that we have found talented performers who will produce the quality productions that you have become accustomed to here at The Little Theatre On The Square. We are glad you are here and we know you will enjoy the show.
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