The BG News November 14, 2000
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Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
Viewers Recognize the Youth and Wholesomeness of Her Son Unsettle These
© 2010 KATE L. FLACH ALL RIGHTS RESERVED MAMIE TILL AND JULIA: BLACK WOMEN’S JOURNEY FROM REAL TO REALISTIC IN 1950S AND 60S TV A Thesis Presented to The Graduate Faculty of the University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts, History Kate L. Flach December, 2010 MAMIE TILL AND JULIA: BLACK WOMEN’S JOURNEY FROM REAL TO REALISTIC IN 1950S AND 60S Kate L. Flach Thesis Approved: Accepted: ________________________________ _________________________________ Advisor Dean of the College Dr. Tracey Jean Boisseau Dr. Chand Midha ________________________________ _________________________________ Co-Advisor Dean of the Graduate School Dr. Zachary Williams Dr. George R. Newkome ________________________________ _________________________________ Department Chair Date Dr. Michael Sheng ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION ......................................................................................................1 II. FROM REAL IMAGES TO REEL EXPOSURE ......................................................5 III. WATCH AND LEARN: ESTABLISHING BLACK MIDDLE CLASS-NESS THROUGH MEDIA ................................................................................................17 IV. COVERING POST-WAR MOTHERHOOD ON TELEVISION ...........................26 V. INTERUPTING I LOVE LUCY FOR THIS? The Televised Emmett Till Trial ..............34 VI. CROSSING ALL Ts AND DOTTING LOWER CASE Js ......................................41 VII. CONCLUSION:“Okay, she can be the mother…” julia, November 26, -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Selected Highlights of Women's History
Selected Highlights of Women’s History United States & Connecticut 1773 to 2015 The Permanent Commission on the Status of Women omen have made many contributions, large and Wsmall, to the history of our state and our nation. Although their accomplishments are too often left un- recorded, women deserve to take their rightful place in the annals of achievement in politics, science and inven- Our tion, medicine, the armed forces, the arts, athletics, and h philanthropy. 40t While this is by no means a complete history, this book attempts to remedy the obscurity to which too many Year women have been relegated. It presents highlights of Connecticut women’s achievements since 1773, and in- cludes entries from notable moments in women’s history nationally. With this edition, as the PCSW celebrates the 40th anniversary of its founding in 1973, we invite you to explore the many ways women have shaped, and continue to shape, our state. Edited and designed by Christine Palm, Communications Director This project was originally created under the direction of Barbara Potopowitz with assistance from Christa Allard. It was updated on the following dates by PCSW’s interns: January, 2003 by Melissa Griswold, Salem College February, 2004 by Nicole Graf, University of Connecticut February, 2005 by Sarah Hoyle, Trinity College November, 2005 by Elizabeth Silverio, St. Joseph’s College July, 2006 by Allison Bloom, Vassar College August, 2007 by Michelle Hodge, Smith College January, 2013 by Andrea Sanders, University of Connecticut Information contained in this book was culled from many sources, including (but not limited to): The Connecticut Women’s Hall of Fame, the U.S. -
RED BANK SECTION and Surroundlnf Town* T»M Mrlmflv and Without Bias RED BANK REGISTER ONE
AIX the NEWS of RED BANK SECTION and Surroundlnf Town* T»M mrlMflv and Without Bias RED BANK REGISTER ONE VOLUME LX1II, NO. 8. RED BANK, N. J., THURSDAY, AUGUST 15, 1940. PAGES 1 TO 14« Shrewsbury Hoie No Reduction In Did Sapp Sock Social Service To Spoure With Saucer?, Company Opposes Interest Rate On Mrs. Vinnle T. Sapp of M5 River Dollar Days In Red Bank street was taken to Riverview hos- Hold Annual Session Fire Ordinance Taxes At Rumson pital Monday morning with bruises on her forehead and cheek and a cut on the forehead which was Chief Says New „ Finance Committee closed with one stitch, received dur- Today, Tomorrow and Sat.; Six Student Nuriet to Receive ing an argument with her husband, Law Too Elaborate- Decides to Retain Thomas Sapp. Mrs. Sapp explained that she threw Certificates September 4 To Seek Changes Eight Per Cent Rate a saucer at her husband and In some mysterious way the saucer returned Store-Wide Bargains Galore The Monmouth. County Organiza- Members of Shrewsbury Hose com- The Interest rat* on delinquent to bruise her. Mrs. Sapp refused tion (or Social Service will hold 1U pany Tueaday night went on record taxes in Rumson will remain at to aay whether Sapp caught the annual meeting Wednesday, Septem- "Abe," Boat Porter aa unanimously opposed to the new eight per cent. Councilman Sheldon aaucer and returned it on the wing Legion Meets Warning Period For Many Merchants Co- ber 4, at Brookdale Farm, Llncroft, fire ordinance which waa introduced T. Coleman, chairman of the finance or whether the recalcitrant plate home of the president of the organ- and pawed on first reading Tueaday committee, reported to the mayor boom e ran Red to damage her face. -
DISNEYLAND Grand Opening on 7/17/1955 the Happiest Place on Earth Wasn't Anything of the Sort for 13 Months of Pandemic Closure
Monday, July 19, 2021 | No. 177 Film Flashback…DISNEYLAND Grand Opening on 7/17/1955 The Happiest Place on Earth wasn't anything of the sort for 13 months of pandemic closure. But, happily, Disneyland began coming back to life in late April and by June 15 wasn't facing any capacity restrictions. Now it's celebrating the 66th anniversary of its Grand Opening July 17, 1955. To help finance Disneyland's construction in Anaheim, Calif., which began July 16, 1954, Walt Disney struck a deal with the then fledgling ABC-TV Network to produce the legendary DISNEYLAND series. For helping Walt raise the $17M he needed -- about $135M today -- ABC also got the right to broadcast the opening day events. Originally, July 17 was just an International Press Preview and July 18 was to be the official launch. But July 17's been remembered over the years as the Big Day thanks to ABC's live coverage -- despite things not having gone well with the show hosted by Walt's Hollywood pals Art Linkletter, Bob Cummings & Ronald Reagan. Live TV was in its infancy then and the miles of camera cables it used had people tripping all over the park. In Frontierland, a camera caught Cummings kissing a dancer. Walt was reading a plaque in Tomorrowland on camera when a technician started talking to him, causing Walt to stop and start again from the beginning. Over in Fantasyland, Linkletter sent the coverage back to Cummings on a pirate ship, but Bob wasn't ready, so he sent it right back to Art, who no longer had his microphone. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
06 SM 9/21 (TV Guide)
Page 6 THE NORTON TELEGRAM Tuesday, September 21, 2004 Monday Evening September 27, 2004 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC The Benefactor Monday Night Football:Cowboys @ Redskins Jimmy K KBSH/CBS Still Stand Listen Up Raymond Two Men CSI Miami Local Late Show Late Late KSNK/NBC Fear Factor Las Vegas LAX Local Tonight Show Conan FOX North Shore Renovate My Family Local Local Local Local Local Local Cable Channels A&E Parole Squad Plots Gotti Airline Airline Crossing Jordan Parole Squad AMC The Wrecking Crew Mother, Jugs and Speed Sixteen Candles ANIM Growing Up Lynx Growing Up Rhino Miami Animal Police Growing Up Lynx Growing Up Rhino CNN Paula Zahn Now Larry King Live Newsnight Lou Dobbs Larry King DISC Monster House Monster Garage American Chopper Monster House Monster Garage Norton TV DISN Disney Movie: TBA Raven Sis Bug Juice Lizzie Boy Meets Even E! THS E!ES Dr. 90210 Howard Stern SNL ESPN Monday Night Countdown Hustle EOE Special Sportscenter ESPN2 Hustle WNBA Playoffs Shootarou Dream Job Hustle FAM The Karate Kid Whose Lin The 700 Club Funniest Funniest FX The Animal Fear Factor King of the Hill Cops HGTV Smrt Dsgn Decor Ce Organize Dsgn Chal Dsgn Dim Dsgn Dme To Go Hunters Smrt Dsgn Decor Ce HIST UFO Files Deep Sea Detectives Investigating History Tactical To Practical UFO Files LIFE Too Young to be a Dad Torn Apart How Clea Golden Nanny Nanny MTV MTV Special Road Rules The Osbo Real World Video Clash Listings: NICK SpongeBo Drake Full Hous Full Hous Threes Threes Threes Threes Threes Threes SCI Stargate -
Voices Section M
Voices section M You'll never find a sparring partner in life better than adversity. ~ Golda Meir ~ MacArthur MacDonald Magie Mahler Malamud Mandela Mao Margaret Marley Marquez Marston Martin Martineau Marx Maslow Massey Matthau Maupassant McCrae McDaniel Mckuen McLean Mead Meir Melville Mencius Mencken Meredith Millar Milne Mitchell Mitchell Monroe Montaigne Montalban Montand Montgomery Montessori Moore Morgan Morrison Morrison Morton Mozart Mukherjee Murdoch Even when opportunity knocks, a man still has to get up off his seat and open the door.* Même lorsque l'occasion se présente, un homme a encore de se lever de son siège et ouvre la porte. 即使有机会碰,一名男子仍要起床掉他的座椅上,打开了车门. Douglas MacArthur General ww 2 Jan 26, 1880 - Apr 5, 1964 Voicesvoyagethroughtime Integrity is not a conditional word. It doesn't blow in the wind or change with the weather. It is your inner image of yourself, and if you look in there and see a man who won't cheat, then you know he never will. L'intégrité n'est pas un mot de mise en liberté sous condition. Il de souffler dans le vent ou changer avec le temps. C'est votre image intérieure de vous-même, et si vous regardez en y pour voir un homme qui a gagné de tricher, alors vous savez qu'il ne le fera jamais. 誠信不是一種有條件的字詞. 它不在風吹或更改後的天氣. 這是你的內在的形象, 並在那裏看到自己如果你 看一個人誰贏得作弊, 那麼你知道他永遠也不會. John Dann MacDonald Writer Jul 24, 1916 - Dec 28, 1986 Voicesvoyagethroughtime I am thankful that I was taught how to think and not what to think. Lizzie Magie Gamer designer: Monopoly Elizabeth Magie Philips 1866 ~ 1948 Voicesvoyagethroughtime Discipline, work. -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Hillside NEIGHBORHOOD DESCRIPTION the Hillside Neighborhood Is a Residential Island Surrounded by Industry and Freeways
Approximate boundaries: N-N. Halyard St; S-W. Fond Du Lac Ave; E-N. 6th St; W-Hwy 43 NORTH SIDEHillside NEIGHBORHOOD DESCRIPTION The Hillside neighborhood is a residential island surrounded by industry and freeways. The main housing styles in Hillside are the multi-story apartment complexes and one- story homes around the parks. Interspersed are a few old industrial buildings. There are two parks in the Hillside neighborhood--James W. Beckum Park, which has an area for little league baseball, and Carver Park, a 23-acre space with playground equipment. See photos below. HISTORY The area that is today’s Hillside neighborhood is located in the center of what was once known as the city’s Bronzeville community (with borders within Juneau and North Avenues, and old 3rd and 17th Streets— the widest area given by local historians). And before there was Bronzeville, there were other communities in today’s Hillside area. Early populations The original area comprising Hillside was developed after 1850. The early population was mostly German and they lived within walking distance of jobs at tanneries, the Schlitz Brewery, shoe factories, and mills. The Hillside neighborhood specifically attracted a number of German elite. According to John Gurda in Milwaukee, City of Neighborhoods (p. 188): So many Uihleins (owners of the Schlitz Brewery) lived on or near Galena Street that the area was known as “Uihlein Hill,” conveniently overlooking the family’s Third Street brewing complex. One of their mansions, which stayed in the family until the 1940s, stood just north of what is now the Hillside Terrace Family Resource Center.