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This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
<I>Ensemble-Made Chicago</I>
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Ensemble-Made Chicago Ensemble-Made Chicago: A Guide To Devised Theater. Chloe Johnson and Coya Paz Brownrigg. Evanston: Northwestern University Press, 2019. Pp. 202. Chloe Johnson and Coya Paz Brownrigg’s Ensemble-Made: A Guide to Devised Theater (2019) is a valuable resource for theater educators and practitioners, particularly those who wish to deepen their knowledge of the craft variously known as devised theater, ensemble-based performance, and collective creation. Each short chapter of the book focuses on a distinct Chicago-based theater company (15 in total)—which range from large, nationally-renowned companies such as Lookingglass Theatre and The Second City to smaller, community-based collectives. Each chapter includes a brief history of the company alongside descriptions of games and exercises emblematic of their process and pedagogy. The co-written book also includes an Introduction which places the field of devising in its larger cultural and historical context, as well as a Time Line of the field and List of Exercises By Type, which function as the book’s conclusion. The authors’ methodologies are informed by their own relationship to devised theater in Chicago: Johnson is an ensemble member of the Neo-Futurists and Paz Brownrigg is the Artistic Director of Free Street Theater and cofounder of Teatro Luna—both of which are featured in the book. In this regard, they write as scholars and practitioners of devised theater but also as colleague- critics within the expansive but close-knit network of the Chicago theater community. -
Lab 2019: in the Room
Lab 2019: In the Room Sunday, August 18th Victory Gardens Biograph, 2433 N. Lincoln Avenue 10:00-10:30am REGISTRATION AND ORIENTATION 10:30-1:00pm INTRODUCTIONS, ICE BREAKERS, AND SETTING GOOD INTENTIONS LUNCH BREAK 2:00-2:45pm THROUGHLINE PROJECT INTRODUCTION BREAK 3:00-3:30pm YOUR ROOM Lavina Jadhwani, Freelance Director 3:30-5:30pm FINDING THE NEXUS OF BEST WORK/BEST ROOM Laura Fisher, Not in Our House/Chicago Theatre Standards TRAVEL BREAK 7:00-8:00pm The Infinite Wrench Created by the Neo-Futurists The Neo-Futurist Theater, 5153 N. Ashland Avenue 8:30-10:00pm DINNER Reza’s, 5255 N. Clark Street Lab 2019: In the Room Monday, August 19th The Design Museum of Chicago, 72 E. Randolph Street 10:00-10:30am CHECK-IN AND QUESTIONS 10:30-11:45am SETTING THE STAGE Hallie Rosen, Chicago Architecture Center BREAK 12:00-1:00pm DOWNTOWN THEATRE HISTORY Melanie Wang, Dept. of Cultural Affairs and Special Events Mitchell J. Ward, Free Tours by Foot LUNCH AND TRAVEL BREAK/OPTIONAL CONTINUED TOUR The Second City, 230 W. North Avenue 2:00-5:00pm SATIRE AND THE SECOND CITY Rachael Mason, The Second City BREAK 5:00-6:00pm COMEDY TODAY & THE MAINSTAGE PROCESS Anthony LeBlanc, Jesse Swanson, Mick Napier, and others TBD, The Second City FREE NIGHT Lab 2019: In the Room Tuesday, August 20th Reva and David Logan Center for the Arts, 915 E. 60th Street 10:00-10:15am CHECK-IN AND QUESTIONS 10:15-11:15am THE BEND IN THE ROAD Lydia Milman-Schmidt, Parent-Artist Advocacy League Cassie Calderone, Love, Your Doula BREAK 11:30-12:30pm DIRECTING VIRTUALLY Alice Bever, Chang Nai Wen, Monty Cole, and Evan Tsitias, Freelance Directors and International Lab Affiliates LUNCH BREAK 1:30-2:30pm ROOM FOR ART IN ACADEMIA Tiffany Trent, Logan Center for the Arts BREAK 3:00-5:00pm CREATING A TRANS AFFIRMING WORKPLACE Carolyn Leach, Chicago House TransWorks 5:00-6:00pm PEER-LED SESSION TRAVEL AND DINNER BREAK 8:00pm THE BEST OF SECOND CITY Directed by Jonald Reyes UP Comedy Club, 230 W. -
Group Outings & Events
Group Outings & Events GROUP PERKS & BENEFITS DINNER PACKAGES COCKTAIL RECEPTIONS PRIVATE EVENTS FUNDRAISERS VENUE RENTALS TESTIMONIALS CATERING Group Perks & Benefits LAUGH OUT LOUD ENTERTAINMENT For more than half a century, The Second City has been daring audiences to laugh at our world, our shared troubles, and ourselves. Bring your group to enjoy the latest performance of cutting edge sketch comedy combined with songs & improv, that’s sure to keep them laughing for weeks to come! GROUP BENEFITS: The Second City Toronto Theatre can accommodate groups of up to 300 guests. When booking your group of 15 or more, you can expect: • Highest Quality Customer Service • Lunch/Dinner Package Options • No Service Fees • Private Reception Options • Flexible Deposit Policy • Group tickets starting at $12 • Group Seating DINNER PACKAGES. COCKTAIL RECEPTIONS. 416.343.0033 EXT. 201 PRIVATE EVENTS. FUNDRAISERS. [email protected] VENUE RENTALS. CATERING. TESTIMONIALS. SECONDCITY.COM/PRIVATE-EVENTS INQUIRE NOW. Group Dinner Packages START THE NIGHT OUT RIGHT Bring your group to enjoy the latest performance of cutting edge sketch comedy combined with songs & improv that’s sure to keep them laughing for weeks to come! The Second City offers pre-show dinner options to a number of restaurant partners in the neighbourhood, sure to suit any group’s tastes or budget. Wayne Gretzky’s Restaurant is The Second City’s main restaurant partner, and offers unique access to the theatre. Showtime Show Only With Dinner Menu A Menu B Menu C Mon 8PM $12 $43 $50 $55 Tues - Thurs 8PM $22 $53 $60 $65 Fri 7:30 & 10PM $26 $57 $64 $69 Sat 7:30 & 10PM $32 $63 $70 $75 Sun 7:30PM $22 $53 $60 $65 **Prices listed are for groups of 15 or more and are subject to additional taxes and gratuities. -
CELEBRATING SIGNIFICANT CHICAGO WOMEN Park &Gardens
Chicago Women’s Chicago Women’s CELEBRATING SIGNIFICANT CHICAGO WOMEN CHICAGO SIGNIFICANT CELEBRATING Park &Gardens Park Margaret T. Burroughs Lorraine Hansberry Bertha Honoré Palmer Pearl M. Hart Frances Glessner Lee Margaret Hie Ding Lin Viola Spolin Etta Moten Barnett Maria Mangual introduction Chicago Women’s Park & Gardens honors the many local women throughout history who have made important contributions to the city, nation, and the world. This booklet contains brief introductions to 65 great Chicago women—only a fraction of the many female Chicagoans who could be added to this list. In our selection, we strived for diversity in geography, chronology, accomplishments, and ethnicity. Only women with substantial ties to the City of Chicago were considered. Many other remarkable women who are still living or who lived just outside the City are not included here but are still equally noteworthy. We encourage you to visit Chicago Women’s Park FEATURED ABOVE and Gardens, where field house exhibitry and the Maria Goeppert Mayer Helping Hands Memorial to Jane Addams honor Katherine Dunham the important legacy of Chicago women. Frances Glessner Lee Gwendolyn Brooks Maria Tallchief Paschen The Chicago star signifies women who have been honored Addie Wyatt through the naming of a public space or building. contents LEADERS & ACTIVISTS 9 Dawn Clark Netsch 20 Viola Spolin 2 Grace Abbott 10 Bertha Honoré Palmer 21 Koko Taylor 2 Jane Addams 10 Lucy Ella Gonzales Parsons 21 Lois Weisberg 2 Helen Alvarado 11 Tobey Prinz TRAILBLAZERS 3 Joan Fujisawa Arai 11 Guadalupe Reyes & INNOVATORS 3 Ida B. Wells-Barnett 12 Maria del Jesus Saucedo 3 Willie T. -
Issue 24 Spring / Summer 2016
ISSUE 24 SPRING / SUMMER 2016 DEMOThe Alumni Magazine of Columbia College Chicago YEARS OF COLUMBIA Albert “Bill” Williams (BA ’73) has made a planned gift to Columbia through his estate. Have you considered including Columbia College Chicago in your estate plans? Provide for future generations. For more information, Make a bequest to Columbia contact Development and Alumni and support tomorrow’s creative Relations at [email protected] industry leaders. or 312-369-7287. colum.edu/plannedgiving ISSUE 24 The Alumni Magazine of DEMO SPRING / SUMMER 2016 Columbia College Chicago INTRO 1890–2015: CELEBRATING 125 YEARS 7 DEPARTMENTS VISION 5 Questions for President Kwang- Wu Kim ALUMNI NEWS & NOTES 53 Featuring class news, notes and networking When the Columbia School of Oratory opened in 1890, the founders couldn’t have imagined the school’s evolution from scrappy elocution college into a powerhouse arts and media institution. FEATURES 1890–1927: 1961–1992: FOUNDING AND BEGINNINGS 8 RENEWAL AND EXPANSION 26 As Chicago prepared for the World’s With flailing enrollment and few resources, Columbian Exposition of 1893, two orators Columbia could have folded. Instead, and educators chose the Windy City as the President Mike Alexandroff decided to break home of a new public speaking college. the mold of what an arts education could be. 1927–1944: 1992–2015: 16 COLUMBIA IN TRANSITION 16 CONTINUED GROWTH 37 Columbia went through a period of great An ever-increasing focus on the student change following the deaths of its founders. experience and a permanent home in The birth of radio created a completely new the South Loop continued to transform way to communicate, and Columbia had Columbia. -
Cassie Slater Teaching Resume May 2014
CASSIE SLATER (773) 590-1358 [email protected] __________________________________________________________________________________________ OBJECTIVE As a teaching artist I want to use my skills as an actor and singer to excite young people so that they may find their own unique voice as an artist and thinking person. I want to continue to challenge my students to explore their own unique gifts as performing individuals – using theatre, music, and improvisation to advance their minds as artist citizens of the world. __________________________________________________________________________________________ EDUCATION * The Theatre School at DePaul University B.F.A. Acting June 2003 * The Neighborhood Playhouse Summer Intensive Certificate August 2002 __________________________________________________________________________________________ EXPERIENCE Stomp and Shout Chicago Chicago, IL OWNER/DIRECTOR: August 2013 – Present Stomp and Shout Chicago offers creative music and theatre classes for hip, urban kids ages 8 months - 11 years. Stomp And Shout Kids Curriculum development and creative output for an original music and creative play program for kids ages 8 months – 4 years. Our mission is to innovate inspiring and challenging ways to bring music, art, and imagination to kids and their families. Our programming encourages creative thinkers. Laying the ground work for high self esteem, strong team work, problem solving, and big beautiful imaginations. The Studio at Stomp and Shout programs thought provoking (fun!) music, theatre, & improv classes for grades K - 5. Our classes provide instruction in the fundamentals of the performing arts while offering our students opportunities to explore the world they live in through the lens of these imaginative mediums. Classes are lead by dynamic teachers who are active professionals in the Chicago theatre community. -
Improvisation for the Theater: a Handbook of Teaching and Directing Techniques Pdf, Epub, Ebook
IMPROVISATION FOR THE THEATER: A HANDBOOK OF TEACHING AND DIRECTING TECHNIQUES PDF, EPUB, EBOOK Paul Sills, Viola Spolin | 416 pages | 28 Jul 1999 | Northwestern University Press | 9780810140080 | English | Evanston, United States Improvisation for the Theater: A Handbook of Teaching and Directing Techniques PDF Book Improvisations move through fear, boredom, laziness, and distraction to a sustained awareness of creative options. It then focuses on how we can use creativity, with a particular focus on co-creativity, to pave the way for new visions of the future and innovative solutions, and explores how storytelling can be applied to teamwork and presentations. With 53 specific, usable tools this book will improve your improv coaching, directing or teaching right away. Therefore, you will see the original copyright references, library stamps as most of these works have been housed in our most important libraries around the world , and other notations in the work. Northwestern University Press , - Performing Arts - pages. My improv training has helped me more in my life and my career than most of my formal training. Improvisation acting journal, perfect to wear to acting class at school, during acting exercises and acting games. This in-depth look at the techniques, principles, theory and ideas behind what they do is both authoritative and entertaining. Max Schaefer is a distinguished full-time teacher, actor, programmer, and president of Underdog Educational Software company. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity. Sort order. This new edition of a highly acclaimed handbook, last published in and widely used by theater teachers and directors, is sure to be welcomed by members of the theater profession. -
Theater Artist
K. Brian Neel REVIEWS king (at) kbrianneel (dot) com "K BRIAN NEEL brings a dextrous, knowing innocence to his roles, something between vaudeville and Beckett." – The Stranger (Seattle) ACTING "I was rivited. Neel rocked." – National Public Radio Waiting for Godot Estragon One World Theatre Tom Miller, Jená Cane Zirkus Fantasmo Signore Zupa Teatro Zinzanni Liz Bunior "Memorable, pure, live theatre." – The Advertiser (Adelaide, Australia) 14/48 Festivals Many Roles One World/Three Card Monty Misc. 99 Layoffs Orson ACT Theatre David Gassner "A one-man panorama. Virtuoso performing." – Seattle Post-Intellingencer A Mouse Who Knows Me Romeo, Roland Annex Theatre Kristina Sutherland "Neel rules the stage. dynamic, engrossing, funny, heartbreaking, poignant, unique – all those things The Milosevics Dragoslav Ognjanovic Paradise Theatre Pattie Miles that make a night at the theater the thrillingly consuming experience that only a couple shows in a The Happy Ones Walter Wells Seattle Public Theatre David Gassner The River Why Titus, Rodney Book-It Repertory Theatre Myra Platt hundred can create." – Charleston City Paper My Body Lies Over... Person On The Boards Mike Pham "You gotta love the sweat on K. Brian Neel's face. Neel's onto something." – Washington Post True North Ensemble Ontological-Hysteric Theater R. Hynes, M. Pham Trickster Tales Coyote Book-It Repertory Theatre Annie Lareau "The star of the show is K. Brian Neel... In a production with a number of strong performances, I Feel Fine Nikola Tesla Helsinki Syndrome R. Hynes, M. Pham his stole the show and was delightful to watch. He is one of the most expressive comedic Three Sisters Rodey INTIMAN Theatre Bartlett Sher actors around with excellent comic timing and facial expressions which kept the audience Vera Wilde Oscar Wilde Bedlam Theatre, Edinburgh Kibby MacKinnon completely entertained." Noises Off Tim Algood Village Theatre M. -
Contemporary Improvisational Theater in Poland and the United States
ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 2(40) 2017 http://dx.doi.org/10.18778/1505-9057.40.05 Magdalena Szuster* “Alchemy and smoke in a bottle” – contemporary improvisational theater in Poland and the United States Part 1: (Re)defining Improvised Theater – the American and Polish Perspectives What Does Impro(v) Mean Anyway? The origins of improvisation are indistinct, and for most part untraceable. An academic endeavor to establish its beginnings would go unrewarded, as there is no one distinct inventor1 of improvisation. This technique, or method, had been used as means of expression in art long before Spolin or Johnstone, and far away from Chicago or London. The Atellan farce (1 BC), secular entertainers and court jesters in China (10 BC), or the frenzied improvisations in Ancient Greece (600 BC) had preceded the 16th century commedia dell’arte2 the Italian improvised per- formance based on scenarios and/or sketches. The renaissance of improvisation in the 20th century was largely brought about by experimental artists who used it as means of expression, communication and representation. As a tool, a vessel or foundation improvisation existed in theater (both formal and popular), painting, poetry and music. It was an important substance, and an interesting addition to avant-garde art. The early avant-garde theater welcomed improvisation as a means in the pro- cess of developing plays and productions, or as a component of actor training, yet an independent improvisational format was yet to be devised. In the mid-twentieth * Dr, University of Łódź, Faculty of Philology, Department of American Literature and Cul- ture, 91-404 Łódź, ul. -
Jeffrey Haas – the Assassination of Fred Hampton
TRUE CRIME / AFRICAN AMERICAN $26.95 (CAN $29.95) Haas The Assassination of “This is an extremely important book—and a tale well told—for America to read if it wants to become what it says it has always been—the land of the free and the t’s sometime around 7:00 A.M., on home of the brave.” —Ramsey Clark, former United States Attorney General December 4, 1969, and attorney Fred Hampton Jeff Haas is in the Monroe Street “At once journalist, lawyer and storyteller, Jeff Haas manages to sear into every I page of this book a compassion seemingly forgotten, providing a riveting police lockup in Chicago, interview- eyewitness account of the government assassination of Fred Hampton. This is “A riveting account of the ing Fred Hampton’s fiancée. Only mandatory reading for those who love and believe in freedom.” assassination, the plot behind four hours earlier, she was lying it, the attempted cover-up, Fred Hampton —Elaine Brown, author and former chairman The Assassination of the denouement, and the in bed next to Hampton when the of the Black Panther Party lessons that we should draw from this shocking tale of police burst into their apartment. She “This book is more important NOW than it was THEN. A remarkable work.” government iniquity.” is still in her nightgown, describing —Noam Chomsky, author —Studs Terkel and political activist how the police pulled her from the room as Fred lay unconscious on “A true crime story and legal thriller, this powerful account puts together all their bed. She heard one officer say, the pieces, giving us the anatomy of a despicable episode in recent American “He’s still alive.” She then heard two history. -
Worklight Improv Team
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 6-2011 Worklight Improv Team Shannon N. Hill Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Acting Commons Recommended Citation Hill, Shannon N., "Worklight Improv Team" (2011). Honors Theses. 1858. https://scholarworks.wmich.edu/honors_theses/1858 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Worklight ImprovTeam Co-Chair Shannon Hill The time has come. For you to see. The beauty of. Humor and glee. No not that wimpie. Singing show. We're talking WIT. Just so you know. So sit right back. We'll carry on. We're here today. To turn you on! Music TURN ON THE WIT! 1: Would youturnon the TV,Hoarders is about to start? 2: Sure, let me find the remote. 1: Oh, I think I leftit in mypile of oldTroll Dolls. Ormaybe inthe kitchen under the mountain of Pizza Boxes I'm saving for that collage. Oh! No! In the bedroom on the third ofthe bed I sleep on. 2: Oh! Found it, it was sandwiched between oursnow globe collection and 80sscarves. 1: These people are so pathetic. 1: Cosmo quiz time! What will turn on YOUR man this Holiday Season? Cinnamon lip balm, santakinis, and candy cane stockings, yum! 1: So wait, I turn on the abandoned road with no sign and go 20 miles into the middle of a corn field until the road stops? 2: Yes.