Gilbert and Sullivan Ruddigore Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Gilbert And Sullivan Ruddigore mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical / Stage & Screen Album: Ruddigore Country: UK Released: 1999 MP3 version RAR size: 1196 mb FLAC version RAR size: 1833 mb WMA version RAR size: 1820 mb Rating: 4.9 Votes: 293 Other Formats: FLAC MP4 VOC WMA VOX MPC APE Tracklist Ruddigore Or, The Witch's Curse 1-1 Overture 6:30 Act I 1-2 Fair Is Rose As Bright As May Day 2:49 1-3 Sir Rupert Murgatroyd 3:15 1-4 If Somebody There Chanced To Be 3:17 1-5 I Know A Youth Who Loves A Little Maid 3:29 1-6 From The Briny Sea 0:58 1-7 I Shipped, D'Ye See, In A Revenue Sloop 3:15 1-8 My Boy, You May Take It From Me 1:42 1-9 The Battle's Roar Is Over 2:46 1-10 In Sailing O'er Life's Ocean Wide 1:45 1-11 Cheerily Carols The Lark 2:26 1-12 To A Garden Full Of Posies 2:51 1-13 Welcome Gentry For Your Entry 2:24 1-14 Oh, Why Am I Moody And Sad? 2:41 1-15 You Understand? 1:21 1-16 Hail The Bride Of Seventeen Summers 1:36 1-17 When The Buds Are Blossoming 4:13 1-18 Hold, Bride And Bridegroom 5:44 1-19 Oh, Happy The Lilly 2:30 Act II 2-1 I Once Was As Meek As A New-Born Lamb 2:38 2-2 Happily Coupled Are We 2:22 2-3 In Bygone Days I Had Thy Love 1:46 2-4 Painted Emblems Of A Race 4:21 2-5 When The Night Wind Howls 2:20 2-6 He Yields! He Yields! 2:31 2-7 I Was Once A Very Abandoned Person 3:23 2-8 My Eyes Are Fully Open 1:48 2-9 There Grew A Little Flower 4:41 2-10 Oh, Happy The Lilly 0:52 Sullivan - The Merchant Of Venice Suite 2-11 Introduction 2:24 2-12 Bourrée 3:40 2-13 À La Valse 4:59 2-14 Finale 3:15 Companies, etc. Manufactured By – EMI Swindon Phonographic Copyright (p) – EMI Records Ltd. Copyright (c) – EMI Records Ltd. Credits Baritone Vocals – George Baker (tracks: 1-1 to 2-10) Bass Vocals – Harold Blackburn (tracks: 1-1 to 2-10), Joseph Rouleau (tracks: 1-1 to 2-10), Owen Brannigan (tracks: 1-1 to 2-10) Chorus – Glyndebourne Festival Chorus (tracks: 1-1 to 2-10) Conductor – Sir Malcolm Sargent (tracks: 1-1 to 2-10), Sir Vivian Dunn* (tracks: 2-11 to 2-14) Contralto Vocals – Monica Sinclair (tracks: 1-1 to 2-10), Pamela Bowden (tracks: 1-1 to 2-10) Orchestra – City Of Birmingham Symphony Orchestra (tracks: 2-11 to 2-14), Pro Arte Orchestra* (tracks: 1-1 to 2-10) Soprano Vocals – Elizabeth Harwood (tracks: 1-1 to 2-10), Elsie Morison (tracks: 1-1 to 2-10) Tenor Vocals – Richard Lewis (tracks: 1-1 to 2-10) Related Music albums to Ruddigore by Gilbert And Sullivan Gilbert & Sullivan, The Glyndebourne Festival Chorus, Pro Arte Orchestra Conducted By Sir Malcolm Sargent - The Pirates Of Penzance Gilbert & Sullivan - The English National Opera Orchestra - The D'Oyly Carte Opera Orchestra - New Sadler's Wells Opera Orchestra - The Best Of Gilbert & Sullivan. Arias & Duets Gilbert & Sullivan - Sir Malcolm Sargent, Pro Arte Orchestra - Overtures W. S. Gilbert & A. Sullivan - The World Of W. S. Gilbert & A. Sullivan - Vol.3 G & S, Principals Of The D'Oyly Carte Opera Company, The Royal Philharmonic Orchestra Conducted By James Walker - Songs And Snatches Gilbert & Sullivan, Pro Arte Orchestra, Sir Malcolm Sargent - Overtures Gilbert & Sullivan, The Chorus Of The D'Oyly Carte Opera Company - Gilbert & Sullivan Choruses Gilbert & Sullivan, Sir Malcolm Sargent - Patience.

Copy Link

Recommended publications

"Aristocrats of High Fidelity"
l'inno and Violin DAME MYRA HESS plays Schumann and 'Request Program' The Great Lady of Music, in her first Angel Record... Schumann Etudes Symphonique and a delightful 'Request Pro- gram' on the 2nd side incl. two Scarlatti sonatas. Granados' Ln lIeja r eel Ruisevuer, Mendelssohn Song without Words, Waltz and Intermezzo of Brahms and her own famous arrangement of Jesu, Joy of Man's Desiring. Angel 35591 Opera Arias. Choral Work. Operetta CALLAS AT LA SCALA: Her Great Revivals MOURA LYMPANY ploys Here Maria Meneghini Callas sings arias from forgotten opera Rachmaninoff Piano Concerto No. 1 in F sharp minor masterpieces which have been revived as vehicles for her great art l'rokofiev Piano Concerto No. 1 in D flat and unique voice: Cherubini. MEDEA; Spontini. LA VES- Conductors: Nicolai Malko I RachmaninoffI ; Walter Su -kind TALE; Bellini. I PURITANI and LA SONNAMBULA. (Prokofiev). Philbannonia Orchestra. Angel 35568 Orchestra and Chorus of La Scala. Conductors: Tullio Serafin and Antonino Vogo. (booklet with texts) Angel 35304 CZIFFRA plays LISZT Hungarian Rhapsodies Nos. 2, 6, 12, 15 brilliant by THE MIKADO (Gilbert and Sullivan) Another Liszt recording the sensational Hungarian pianist. Gyorgy Cziffra. Angel 35429 2nd in the delightful new series of Gilbert and Sullivan operettas conducted by Sir Malcolm Sargent with an all -star east of Note: Cziffra plays Liszt Piano Concerto No. I and Hungarian leading British singers incl. Owen Brannigan I Mikado I. Richard Fantasia (35136) ; Liszt Recital (35528). Lewis (Nanki -Poo). Geraint Evans 1Ko.K.). Elsie Morison (Yum -Yum), Monica Sinclair IKatisha) . Glyndebourne Festival Chorus. Pro Arte Orchestra.
[Show full text]
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
[Show full text]
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman.
[Show full text]
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG
[Show full text]
ARSC Journal
HISTORICAL VOCAL RECORDINGS ROSSINI: Le Comte Ory. Michel Roux, basso (Robert); Jeannette Sinclair, soprano (Alice); Juan Oncina, tenor (Count Ory); Monica Sinclair, con tralto (Ragonde); Ian Wallace, baritone (The Governor); Cora Canne Meijer, mezzo-soprano (Isolier); Sari Barabas, soprano (Countess Adele); Dermot Troy, tenor (A Young Nobleman); The Glyndebourne Festival Or chestra and Chorus; Vittorio Gui, conductor. EMI RLS 744. "The delicious Comte Ory," wrote Chorley in 1854, "has, with all the beauty of its music, never been a favorite anywhere. Even in the theater for which it was written, the Grand Oplra of Paris, where it still keeps its place - when Cinti-Damoreau was the heroine - giving to the music all the playfulness, finish, and sweetness which could possibly be given - the work was heard with but a tranquil pleasure ••• " He goes on to blame the libretto (by Scribe and Delaistre-Poirson) which in its day was indeed rather shocking, with Count Ory's "gang" gaining admission, disguised as nuns, to the castle of the Countess he is pursuing - male voices and all! The opera was rediscovered in the 1950's and enjoyed a real success at Glyndebourne in 1954. The recording was made two years later. The New York City Opera finally got around to Le Comte Ory a year or so ago. There are several obvious reasons for the neglect of this gem of an opera. Though the score is full of delights there is no Largo al facto tum or Una voce poco fa. The arias are brilliant but not sure fire. It is not a vehicle; the soprano and tenor roles call for virtuosity of a high order, but this is an ensemble opera and no one can take over the spotlight.
[Show full text]
Sir John in Love
REAM.2122 MONO ADD RALPH VAUGHAN WILLIAMS Sir John in Love (1924-28) An Opera in Four Acts Libretto by the composer, based on Shakespeare’s (in order of appearance) Shallow, a country Justice Heddle Nash Sir Hugh Evans, a Welsh Parson Parry Jones Slender, a foolish young gentleman, Shallow’s cousin Gerald Davies Peter Simple, his servant Andrew Gold, Page, a citizen of Windsor Denis Dowling, Sir John Falstaff Roderick Jones Bardolph John Kentish Nym Sharpers attending on Falstaff Denis Catlin Pistol } Forbes Robinson Anne Page, Page’s daughter April Cantelo Mrs Page, Page’s wife Laelia Finneberg Mrs Ford, Ford’s wife Marion Lowe Sir John in Love Fenton, a young gentleman of the Court at Windsor James Johnston Dr. Caius, a French physician Francis Loring Rugby, his servant Ronald Lewis Mrs Quickly, his housekeeper Pamela Bowden The Host of the ‘Garter Inn’ Owen Brannigan Ford, a citizen of Windsor John Cameron The BBC wordmark and the BBC logo are trade marks of the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996 c © Of all the musical forms essayed by Ralph Vaughan Williams (1872-1958), his operas have received the least recognition or respect. His propensity to write without commissions and to encourage amateur or student groups to premiere his stage pieces 3 EVANS As we sat down in Papylon 4’36” has perhaps played a part in this neglect. Yet he was incontestably a man of the theatre. 4 HOST Peace, I say! 3’04” He produced an extensive, quasi-operatic score of incidental music for Aristophanes’ , for the Cambridge Greek Play production in 1909.
[Show full text]
PARLOPHON Matrix Numbers — 2-9000 to 2-9999: British Discography Compiled by Christian Zwarg for GHT Wien Diese Diskographie Dient Ausschließlich Forschungszwecken
PARLOPHON Matrix Numbers — 2-9000 to 2-9999: British Discography compiled by Christian Zwarg for GHT Wien Diese Diskographie dient ausschließlich Forschungszwecken. Die beschriebenen Tonträger stehen nicht zum Verkauf und sind auch nicht im Archiv des Autors oder der GHT vorhanden. Anfragen nach Kopien der hier verzeichneten Tonaufnahmen können daher nicht bearbeitet werden. Sollten Sie Fehler oder Auslassungen in diesem Dokument bemerken, freuen wir uns über eine Mitteilung, um zukünftige Updates noch weiter verbessern und ergänzen zu können. Bitte senden Sie Ihre Ergänzungs- und Korrekturvorschläge an: [email protected] This discography is provided for research purposes only. The media described herein are neither for sale, nor are they part of the author's or the GHT's archive. Requests for copies of the listed recordings therefore cannot be fulfilled. Should you notice errors or omissions in this document, we appreciate your notifying us, to help us improve future updates. Please send your addenda and corrigenda to: [email protected] master 2-9000 master 2-9001 master 2-9002 master 2-9003 1911.08. D30 AN GBR: London, Beka Record Co. Head Office, 77 City Road, E.C. Where My Caravan Has Rested — Song (Hermann Löhr / Edward Teschemacher) Julian Jones (MD). — (orchestra). Giuseppe Lenghi-Cellini (tenor). master 2-9004 1911.08. D30 AN GBR: London, Beka Record Co. Head Office, 77 City Road, E.C. RIGOLETTO (Giuseppe Verdi / Francesco M. Piave) I/ 1: Questa o quella — Ballata {Duca} Questa o quella Julian Jones (MD). — (orchestra). Giuseppe Lenghi-Cellini (tenor). master 2-9005 1911.08. D30 AN GBR: London, Beka Record Co.
[Show full text]
825646277346.Pdf
Maria Callas in Il pirata at La Scala, May 1958 Photo: Erio Piccagliani Ꭿ Teatro alla Scala The Callas Rarities 1953–61 THE 1953 TEST Wolfgang Amadeus Mozart 1756–1791 Don Giovanni (Da Ponte) 1 Non mi dir (Act II) (Take 1) ൿ 1997 MONO 5.23 2 Non mi dir (Act II) (Take 2) ൿ 1985 MONO 5.02 Orchestra del Maggio Musicale Fiorentino / Tullio Serafin Recorded: 27.I.1953, Teatro Comunale, Florence Producer: Dino Olivieri · Balance engineer: Osvaldo Varesco THE MONO VERSION OF THE SLEEPWALKING SCENE FROM MACBETH Giuseppe Verdi 1813–1901 Macbeth (Piave) 3 Una macchia è qui tuttora (Act IV) MONO 11.12 Philharmonia Orchestra / Nicola Rescigno Recorded: 19, 21, 24.IX.1958, No.1 Studio, Abbey Road, London Producer: Walter Legge · Balance engineer: Neville Boyling THE 1960 AND 1961 TONINI SESSIONS Gioachino Rossini 1792–1868 Semiramide (Rossi) 4 Bel raggio lusinghier (Act I) ൿ 1987 5.35 Giuseppe Verdi I vespri siciliani (Caimi) 5 Arrigo! ah parli a un core (Act IV) ൿ 1997 4.05 Philharmonia Orchestra / Antonio Tonini Recorded: 13 –15.VII.1960, Watford Town Hall Producer: Walter Legge · Balance engineer: Harold Davidson 3 Gaetano Donizetti 1797–1848 Lucrezia Borgia (Romani) 6 Tranquillo ei posa…Com’è bello (Prologue) ൿ 1997 8.03 Gioachino Rossini Guglielmo Tell (De Jous & Ris) 7 S’allontanano alfine…Selva opaca (Act II) ൿ 1987 8.27 Semiramide (Rossi) 8 Bel raggio lusinghier (Act I) ൿ 1987 5.23 Vincenzo Bellini 1801–1835 Il pirata (Romani) 9 Sorgete…Lo sognai ferito, esangue (Act I)* ൿ 1972 9.25 *Monica Sinclair contralto · Alexander Young tenor Philharmonia Orchestra & Chorus / Antonio Tonini Recorded: 14 –16.XI.1961, Kingsway Hall, London Producer: Walter Legge · Balance engineer: Douglas Larter 4 The Callas Rarities 1962–9 THE 1962 TONINI SESSIONS Giuseppe Verdi 1813–1901 Don Carlo (Méry, Du Locle, De Lauzières & Zanardini) 10 O don fatale (Act IV) ൿ 1992 4.30 Gioachino Rossini 1792–1868 La Cenerentola (Ferretti) 11 Nacqui all’affanno…Non più mesta (Act II) ൿ 1987 6.10 Carl Maria von Weber 1786–1826 Oberon (Planché ed.
[Show full text]
111053-54 Bk Bhmissa
8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 12 Johann Also available STRAUSS II The Gypsy Baron SCH TH WA E RZ AB K S O I P L F E 8.111254 8.111257 1 g 954 Recordin Elisabeth Schwarzkopf • Nicolai Gedda Erich Kunz • Erika Köth • Hermann Prey Philharmonia Chorus and Orchestra 8.111016-17 8.111036-37 Otto Ackermann 8.111329-30 12 8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 2 Great Operetta Recordings Act 3 ) They are congratulated by Homonay on their success, with Barinkay and Ottokar promoted to the & [The army has been victorious and there is general nobility as a reward for their bravery. Johann rejoicing, with Arsena singing of the difficulties of ¡ This removes any possible objections to the love and courting.] Zsupán, returning from battle, marriage of Saffi and Barinkay and of Arsena and STRAUSS II greets the company. Ottokar, so that all ends in general rejoicing. * He goes on to boast of his martial and other (1825-1899) exploits in Spain. Keith Anderson ( The victorious soldiers sing of their triumphs. The Gypsy Baron (Der Zigeunerbaron) Operetta in Three Acts • Libretto by Ignatz Schnitzer (1839-1921) Barinkay . Nicolai Gedda (tenor) Saffi . Elisabeth Schwarzkopf (soprano) Zsupán . Erich Kunz (baritone) Arsena . Erika Köth (soprano) Czipra . Gertrude Burgsthaler-Schuster (contralto) Carnero . Willy Ferenz (bass) • Karel Stepanek (speaking rôle) Mirabella . Monica Sinclair (contralto) • Lea Seidl (speaking rôle) Ottokar . Josef Schmidinger (bass) Count Homonay . Hermann Prey (baritone) Pali . Erich Paulik (bass) Philharmonia Chorus and Orchestra Otto Ackermann Recorded 18th-21st, 26th, 28th and 31st May, and 25th September, 1954 in Kingsway Hall, London First issued on Columbia 33CX 1329 and 1330 Reissue Producer and Audio Restoration Engineer: Mark Obert-Thorn 8.111329-30 211 8.111329-30 8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 10 increasing indignation.
[Show full text]
The Best of Gilbert & Sullivan
The Best of Gilbert & Sullivan Beecham Choral Society and Royal Philharmonic Orchestra conducted by James Walker The Mikado If You Want To Know Who We Are A Wand'ring Minstrel I [Nanki-poo] – Edgar Fleet Behold the Lord High Executioner [Ko-ko] – Donald Adams I've Got a Little List [Ko-ko] – Donald Adams Comes a Train of Little Ladies Three Little Maids from School are we [Peep-bo] – Cynthia Glover [Pitti-sing] – Jean Allister [Yum-yum] – Patricia Clarke The Moon and I [Yum-yum] – Patricia Clarke Mi-ya Sa-ma, Mi-ya Sa-ma [Katisha] – Jean Allister [Mikado] – Anthony Raffell My Object All Sublime [Mikado] – Anthony Raffell For He's Gone and Married Yum-Yum The Pirates of Penzance Pour, Oh Pour the Pirate Sherry [Samuel] – Neil Howlett Oh Better Far to Live And Die [Pirate King] – Kenneth Sandford Climbing Over Rocky Mountain Oh, Is There Not One Maiden Breast [Frederic] – Edgar Fleet [Mabel] – Cynthia Glover Poor Wand'ring One [Mabel] – Cynthia Glover I Am the Very Model of a Modern Major-General [Major-general] – John Cartier When the Foeman Bares His Steel [Mabel] – Cynthia Glover [Samuel] – Neil Howlett [Sergeant] – Donald Adams A Policeman's Lot Is not a Happy One [Sergeant] – Donald Adams With Cat-Like Tread [Samuel] – Neil Howlett H. M. S. Pinafore We Sail the Ocean Blue I'm Called Little Buttercup [Mrs. Cripps (Buttercup)] – Jean Allister The Nightingale [Ralph] – Edgar Fleet A Maiden Fair to See [Ralph] – Edgar Fleet I am the Captain of the Pinafore [Captain Corcoran] – Neil Howlett Over the Bright Blue Sea Sir Joseph's Barge is Seen I Am the Monarch of the Sea [Captain Corcoran] – Neil Howlett [Cousin Hebe] – Jean Allister [Sir Joseph Porter] – Stanley Riley When I Was a Lad [Sir Joseph Porter] – Stanley Riley Things Are Seldom What They Seem [Captain Corcoran] – Neil Howlett [Mrs.
[Show full text]
Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska,
[Show full text]
The Complete EMI Audio Tape Guide Audio Tape Guide
The Complete EMI Audio Tape Guide By David Winter Version of 23 FEBRUARY 2014 This list contains all known EMI (His Master’s Voice and Columbia) tapes released between 1952 and the early 1960s. Any new version will contain minor fixes or updates, or unreleased titles. If you wish to contribute, please email me at [email protected] with good quality pictures showing what should be updated or added. Thank you. Change log: - New format, hopefully for better reading. Tape catalog prefixes, tape types and misc details: EMI issued their "tape records" under two brands: His Master's Voice (HMV) and Columbia (COL). They were all recorded in 2 channel format, either in mono (twin sided) or stereo (Stereosonic, single sided). They are always 7-inch reels playing at 7.5ips (or 19 centimeters per second). Only a few recordings have been made available both in mono and stereo. However, many titles have been recorded in either format by different performers. Some titles were eventually imported in America by RCA when the company was licenced to produce the equivalent LPs. The table below shows the four catalog codes used for each type of tape and by each brand. Later 4-track stereo tapes and 2-track "Twin Packs" are not included in this list. This guide is based on EMI's catalog of 1958 and may be missing titles released shortly after. Mono Stereo CAT BTA CBT BTB COL CCT BTC CDT BTD HTA SAT HTB SBT HMV HTC SCT HTD SDT Other wordings: / between orchestra and conductor means "conducted by".
[Show full text]