The Story of Chanel – Extra Level 3 This Level Is Suitable for Students Who Have Been Learning English for at Least Three Years and up to Four Years
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Let the Holidays Begin! Big,Bold Jewels Your Own Shopping the World
D D NOVEMBER/DECEMBER 2013 NOVEMBER/DECEMBER Big, Bold Your Own Shopping ...Let the Jewels Private Caribbean the World Holidays Begin! p236 p66 p148 PERSONALBEST the business of scent A Whiff of Something Real As mass-produced perfumes become the new normal, the origin of a fragrance is more important than ever. TINA GAUDOIN reports from Grasse, the ancient home of perfume and the jasmine fields of Chanel No 5. oseph Mul drives his battered pickup into the dusty, rutted field of Jasminum gran- diflorum shrubs. It is 9 A.M. on a warm, slightly overcast September morning in Pégomas in southern France, about four miles from Grasse, the ancient home of Jperfume. In front of Mul’s truck, which is making easy work of the tough ter- rain, a small army of colorfully dressed pickers, most hailing from Eastern Europe, fans out, backs bent in pursuit of the elusive jasmine bloom that flowers over- night and must be harvested from the three-foot-high bushes before noon. By lunchtime, the petals will have been weighed by Mul, the numbers noted in the ledger (bonuses are paid by the kilo), and the pickers, who have been working since before dawn, will retire for a meal and a nap. Not so for Mul, who will oversee the beginnings of the lengthy distillation technique of turning the blooms into jasmine absolute, the essential oil and vital in- gredient in the world’s most famous and best- selling fragrance: Chanel No 5. All told, it’s a labor-intensive process. One picker takes roughly an hour to harvest one pound of jasmine; 772 pounds are required to make two pounds of concrete—the solution ARCHIVE ! WICKHAM/TRUNK ! MICHAEL !"! LTD ! NAST ! The post–World War II era marked the beginning of mass fragrance, when women wore perfume for more than just special occasions. -
New Launches News
the scent post A MONTHLY UPDATE ON THE LATEST FRAGRANCE NEWS new launches top new videos poison girl roller pearl | DIOR les merveilleuses ladurée arizona coco mademoiselle intense english fields LADURÉE PROENZA SCHOULER CHANEL JO MALONE NEW FRAGRANCE NEW FRAGRANCE RANGE EXTENSION LIMITED EDITION news arizona | PROENZA SCHOULER elevator music hermè s creates a sense of miller harris’ concept meta cacti the fragrance created by ritual around its scents store heightens the by chiaozza byredo and off-white senses in canary wharf x régime des fleurs x | brrch floral coco mademoiselle edp intense CHANEL FRAGRANCE NEWS hermessence Hermès creates a sense of ritual around its scents Fashion house Hermès is expanding its perfume offering with a new range consisting of eaux de toilette and essences de parfum scents. Part of its Hermessence collection, the oil-based essences de parfum mark a departure for the brand, which has until now only created the lighter eaux de toilette. Intended to be worn either as a base for other fragrances or on their own, the fragrances add an additional layer to the ritual of putting on perfume, an idea explored in the Multisensory Beauty microtrend. The musk-based scent profiles, Cardamusc and Musc Pallida, draw on cardamom and iris oils, both of which are known for their wellness properties, including use as a decongestant. In line with Psychoactive Scents, as the wellness and beauty sectors become increasingly entwined, brands are exploring new ways to combine the properties of essential oils with high-end scents. FRAGRANCE NEWS miller harris’ concept store heightens the senses A very vibrant force has landed in Cabot Place, Canary Wharf. -
Land of Horses 2020
LAND OF HORSES 2020 « Far back, far back in our dark soul the horse prances… The horse, the horse! The symbol of surging potency and power of movement, of action in man! D.H. Lawrence EDITORIAL With its rich equine heritage, Normandy is the very definition of an area of equine excellence. From the Norman cavalry that enabled William the Conqueror to accede to the throne of England to the current champions who are winning equestrian sports events and races throughout the world, this historical and living heritage is closely connected to the distinctive features of Normandy, to its history, its culture and to its specific way of life. Whether you are attending emblematic events, visiting historical sites or heading through the gates of a stud farm, discovering the world of Horses in « Normandy is an opportunity to explore an authentic, dynamic and passionate region! Laurence MEUNIER Normandy Horse Council President SOMMAIRE > HORSE IN NORMANDY P. 5-13 • normandy the world’s stables • légendary horses • horse vocabulary INSPIRATIONS P. 14-21 • the fantastic five • athletes in action • les chevaux font le show IIDEAS FOR STAYS P. 22-29 • 24h in deauville • in the heart of the stud farm • from the meadow to the tracks, 100% racing • hooves and manes in le perche • seashells and equines DESTINATIONS P. 30-55 • deauville • cabourg and pays d’auge • le pin stud farm • le perche • saint-lô and cotentin • mont-saint-michel’s bay • rouen SADDLE UP ! < P. 56-60 CABOURG AND LE PIN PAYS D’AUGE STUD P. 36-39 FARM DEAUVILLE P. -
The Reves Collection
The Reves Collection Camille Pissarro, Self-Portrait, 1897-1898; Oil on canvas; 20 7/8 x 12 in. (53 x 31 cm); Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.44 AT THE DALLAS MUSEUM OF ART Teaching Materials prepared by Ken Kelsey, Gail Davitt, Carolyn Johnson, Cecilia Leach, Diane McClure, and Catherine Proctor Major underwriting of the exhibition is provided by Merrill Lynch and The Dallas Morning News. American Airlines is the official carrier for the exhibition. © 1995 Dallas Museum of Art. All rights reserved. Use with permission. Page 1 of 36 DEAR TEACHER: The Reves Collection is a resource guide for viewing art at the elementary and secondary student level. The materials are written in the form of dialogues, and are planned to aid both teacher and student as they explore individual objects and build a more personal connection to the decorative and fine artworks in the Reves Collection at the Dallas Museum of Art. This packet includes: 1. 13 ARTWORKS 2. A BIOGRAPHY of the Collectors, Wendy and Emery Reves 3. An INTRODUCTION 4. 13 OBJECT SHEETS (1 for each ARTWORK) 5. ACTIVITIES for Art, Language Arts, Social Studies, & Math/Science 6. A GLOSSARY 7. A BIBLIOGRAPHY 8. List of TEKS Addressed in these Teaching Materials 9. Two EVALUATION SHEETS (1 for this Teaching Packet & 1 for the Tour). _________________________________________________________ The printing in these materials has been manipulated in several ways. • The titles of individual artworks are italicized and bolded. For example, the title of the first artwork/object sheet is set of casters. -
Coco Chanel's Comeback Fashions Reflect
CRITICS SCOFFED BUT WOMEN BOUGHT: COCO CHANEL’S COMEBACK FASHIONS REFLECT THE DESIRES OF THE 1950S AMERICAN WOMAN By Christina George The date was February 5, 1954. The time—l2:00 P.M.1 The place—Paris, France. The event—world renowned fashion designer Gabriel “Coco” Cha- nel’s comeback fashion show. Fashion editors, designers, and journalists from England, America and France waited anxiously to document the event.2 With such high anticipation, tickets to her show were hard to come by. Some mem- bers of the audience even sat on the floor.3 Life magazine reported, “Tickets were ripped off reserved seats, and overwhelmingly important fashion maga- zine editors were sent to sit on the stairs.”4 The first to walk out on the runway was a brunette model wearing “a plain navy suit with a box jacket and white blouse with a little bow tie.”5 This first design, and those that followed, disap- 1 Axel Madsen, Chanel: A Woman of her Own(New York: Henry Holt and Company, 1990), 287. 2 Madsen, Chanel: A Woman of her Own, 287; Edmonde Charles-Roux, Chanel: Her Life, her world-and the women behind the legend she herself created, trans. Nancy Amphoux, (New York: Alfred A. Knopf, Inc., 1975), 365. 3 “Chanel a La Page? ‘But No!’” Los Angeles Times, February 6, 1954. 4 “What Chanel Storm is About: She Takes a Chance on a Comeback,” Life, March 1, 1954, 49. 5 “Chanel a La Page? ‘But No!’” 79 the forum pointed onlookers. The next day, newspapers called her fashions outdated. -
Representations of the Olfactory Concept in Advertising: a Case Study
Argumentum. Journal of the Seminar of Discursive Logic, Argumentation Theory and Rhetoric 16 (1): 80-93, 2018 Brînduşa-Mariana AMALANCEI “Vasile Alecsandri” University of Bacău (Romania) Representations of the Olfactory Concept in Advertising: A Case Study Abstract: The analysis of a perfume advertising image can be done from multiple perspectives, the endeavors to provide possible reading paths and interpretations being among the most diverse in the literature. Whether it is to meet the consumers’ psychological desires, to relate to fashion trends, or to create a rare scent, perfume advertising is a real challenge, which often needs to be answered just by juxtaposing an image and the product name. Our paper highlights the way in which the correlation between the visual and olfactory forms of perfumes is attempted, through product name, vial, characters, context and text (Julien 1997). Because in many advertisements the perfume is replacing the character, we chose as a case study an advertising image that we consider illustrating in this respect, that of the new olfactory creation of Chanel, Gabrielle, which appeared in September 2017. We have to mention that the launch of this product has been marked by the appearance of homage articles in glossy magazines, which contributes, through the information provided, to a better understanding of the message the advertisement transmits. Keywords: image, visual identity, olfactory concept, olfactory memory, brand name, perfume name, perfume bottle, advertising context 1. Fragrances ‒ Vectors of Communication Considered a privileged way of communication, perfumes are an identity mark (Vettraino-Soulard 1992, 106). We can often hear in advertisements about perfumes for strong women, perfumes that suit active women, perfumes for romantic women, etc. -
Trade Mark Decisions (O/223/17)
O-223-17 TRADE MARKS ACT 1994 IN THE MATTER OF APPLICATION NO. 3139335 BY COCO’S LIBERTY LTD TO REGISTER THE TRADE MARK Coco’s Liberty IN CLASS 14 AND IN THE MATTER OF OPPOSITION THERETO UNDER NO. 406269 BY CHANEL LIMITED Background and pleadings 1) Coco’s Liberty Ltd (“the applicant”) applied to register under no 3139335 the mark “Coco’s Liberty” in the UK on 5 December 2015. It was accepted and published in the Trade Marks Journal on 18 December 2015 in respect of the following list of goods: Class 14: Jewellery, precious stones; Jewellery being articles of precious metals; Jewellery being articles of precious stones; Jewellery chain of precious metal for anklets; Jewellery chain of precious metal for necklaces; Jewellery coated with precious metal alloys; Jewellery coated with precious metals; Jewellery containing gold; Jewellery fashioned from bronze; Jewellery fashioned from non-precious metals; Jewellery fashioned of precious metals; Jewellery fashioned of semi-precious stones; Jewellery for personal adornment; Jewellery for personal wear; Jewellery in non-precious metals; Jewellery in semi-precious metals; Jewellery incorporating diamonds; Jewellery incorporating precious stones; Jewellery made from gold; Jewellery made from silver; Jewellery made of bronze; Jewellery made of non-precious metal; Jewellery made of precious metals; Jewellery made of precious stones; Jewellery made of semi-precious materials; Jewellery products; Jewellery rope chain for anklets; Jewellery rope chain for bracelets; Jewellery rope chain for necklaces; Jewellery plated with precious metals; Jewellery; Jewellery in precious metals; Jewellery of precious metals; Jewellery boxes. 2) Chanel Limited (“the opponent”) opposes the mark on the basis of section 5(2)(b), of the Trade Marks Act 1994 (“the Act”). -
Product Placement in Movie Industry
www.pwc.com/it 2012 Product Placement in Movie Industry Strategic Insights & Fashion Apparel Case Studies Agenda Page 1 Product Placement Overview in the Movie Industry 1 2 Product Placement in Movie Industry – Fashion Apparel 10 Case studies Section 1 Product Placement Overview in the Movie Industry PwC 1 Section 1 – Product Placement Overview in the Movie Industry PwC Strategy advises fashion clients in defining their marketing strategies There is a multiplicity of channels/means from which consumers can receive messages • Fashion shows Brand Awareness Seasonal • Media (TV, magazine, etc.) Exhibitions Instruments • • Catalogues • Sponsorships • … Customer Fidelisation • Showrooms • Corporate Magazines Institutional • Testimonials Instruments • … Product Sales increase Placement • Product Placements Emotional • Star Endorsements Lifestyle activities instruments • Global Reach • Shopping experience • … • Web site, social network, blog • Trunk Shows Stimulate a Relational • Word of mouth (co-marketing) Reaction instruments • Events • … PwC 2 Section 1 – Product Placement Overview in the Movie Industry How to reach a captive and involved audience? Product placement is a way of promoting a company or a product by using movies and other types of media to advertise the product or company. Product placements are often established by an agreement between a product manufacturer and the media company, in which the media company receives economic benefit. The Product Visual Placement - the (Placed product or brand) product, service, or logo can -
Teacher's Notes
For readers aged 4+ | 9781847807717 | Hardback | £9.99 Lots of the activities and discussion topics in these teacher’s notes are deliberately left open to encourage pupils to develop independent thinking around the book. This will help pupils build confidence in their ability to problem solve as individuals and also as part of a group. Little People, BIG DREAMS | teacher’s notes notes BIG DREAMS | teacher’s Little People, 1 Little People, BIG DREAMS Teachers’ Notes © 2018 Frances Lincoln Children’s Books. All Rights Reserved. Written by Eva John. www.quartoknows.com The Front Cover What do you think Coco Chanel’s big dream might have been? Do you know anything about Coco Chanel? The Blurb Does the blurb suggest that your idea about Coco’s big dream was correct? Check your understanding of the following words and phrases: • orphanage • cabaret singer • seamstress • fashion designer • style icon If you are not quite sure, you could consult with friends, use a dictionary, or read the book to see if you can work it out for yourself. The Endpapers What effect does looking at the end papers have on you? Why do you think the illustrator decided on this design? This is the story of a young girl called Gabrielle. When she was little, Gabrielle lived in an orphanage. What is an orphanage? Who do you think ran the orphanage? What sort of childhood do you imagine Gabrielle had there? Little People, BIG DREAMS | teacher’s notes notes BIG DREAMS | teacher’s Little People, notes BIG DREAMS | teacher’s Little People, 2 Little People, BIG DREAMS Teachers’ Notes © 2018 Frances Lincoln Children’s Books. -
Industry Report Of
The Brands Introduction ➢ Chanel S.A. is a French privately held company owned by Alain Wertheimer and Gérard Wertheimer, grandsons of Pierre Wertheimer, who was an early business partner of the couturière Gabrielle Bonheur Chanel ➢ Chanel S.A. is a high fashion house that specializes only in women's haute couture and ready-to-wear clothes, luxury goods, and fashion accessories ➢ The Chanel product brands have been personified by fashion models and actresses, including Inès de La Fressange, Catherine Deneuve, Carole Bouquet, Vanessa Paradis, Nicole Kidman, Anna Mouglalis, Audrey Tautou, Keira Knightley, Kristen Stewart and Marilyn Monroe ➢ Coco Chanel expanded perfume sales beyond France and Europe and developed other perfumes — for which she required investment capital, business acumen, and access to the North American market ➢ The business deal established the Parfums Chanel company, a parfumerie of which Wertheimer owned 70 per cent, Bader owned 20 per cent, and Chanel owned 10 per cent; commercial success of the joint enterprise was assured by the Chanel name, and by the cachet of la "Maison Chanel", which remained the sole business province of Coco Chanel ➢ In July 2002, a jewelry and watch outlet opened on Madison Avenue. Within months, a 1,000-square-foot (90 m2) shoe/handbag boutique opened next door. Chanel continued to expand in the United States and by December 2002, operated 25 U.S. boutiques ➢ Chanel introduced Coco Mademoiselle and an "In-Between Wear" in 2003, targeting younger women, opened a second shop on Rue Cambon, opened a 2,400 square feet (220 m2) boutique in Hong Kong and paid nearly $50 million USD for a building in Ginza, Tokyo ➢ In 2007, Maureen Chiquet was appointed CEO. -
Wendy & Emery Reves Collection Inventory
The Emery and Wendy Reves Memorial Collection Winston Churchill Memorial and Library in the United States Contact: Winston Churchill Memorial and Library in the United States Westminster College 501 Westminster Ave. Fulton, MO 65251 Processor: Philip Mohr Archival Intern Access Restrictions: RESTRICTED (Application must be made in writing to the Executive Director before using this collection.) Location: Clementine Reading Room Preferred Citation: [Identification of item] Reves Collection, Winston Churchill Memorial and Library in the United States, Westminster College. Container Contents 2ox 1: Emery Reves, Note of WSC‘s stays at La Pausa: 1956-9 Itinerary for return trip to London: 31 Mar 1958 Ltr. WSC to Emery Reves: 29 Jan 1949 Ltr. WSC to Emery Reves: 1 Sep 1949 Ltr. WSC to Emery Reves: 20 Sep 1949 Ltr. WSC to Emery Reves: 25 Nov 1949 Ltr. WSC to Emery Reves: 2 Apr 1950 Ltr. WSC to Emery Reves: 3 Apr 1950 Ltr. WSC to Emery Reves: 20 Jun 1950 Ltr. WSC to Emery Reves: 8 Apr 1954 Ltr. WSC to Emery Reves: 18 Apr 1954 Ltr. WSC to Emery Reves: 31 Aug 1955 Ltr. WSC to Emery Reves: 24 Aug 1956 Ltr. WSC to Emery Reves: 27 Mar 1957 Ltr. WSC to Emery Reves: 22 Jan 1971 Ltr. WSC to Wendy Reves: 4 Sep 1956 Ltr. WSC to Wendy Reves: 30 Oct 1956 Ltr. WSC to Wendy Reves: 21 Nov 1956 Ltr. WSC to Wendy Reves: 29 Nov 1956 Attached: Ltr. Doreen Pugh to Emery Reves: 29 Nov 1956 Ltr. WSC to Wendy Reves: 12 Apr 1957 Ltr. WSC to Wendy Reves: ?? Apr 1957 Ltr. -
Les Métiers D'art, D'excellence Et Du Luxe Et Les Savoir-Faire Traditionnels : L'avenir Entre Nos Mains
Les métiers d'art, d'excellence et du luxe et les savoir-faire traditionnels : L'avenir entre nos mains Rapport à Monsieur le Premier ministre de Madame Catherine DUMAS, Sénatrice de Paris Septembre 2009 Sommaire Introduction ______________________________________________________________ 1 20 propositions pour une nouvelle dynamique en faveur des métiers d’art __________ 3 I. Dans leur diversité, les métiers d’art constituent un atout certain pour la France ______________________________________________________________ 5 A. Une hétérogénéité à maîtriser pour plus de visibilité________________________ 5 1. Les définitions existantes, un point de départ très utile ______________________ 5 a) Les trois critères des métiers d’art_____________________________________ 5 b) La nomenclature officielle___________________________________________ 5 2. Une diversité qui rend leur délimitation complexe __________________________ 5 a) Description n’est pas définition_______________________________________ 5 b) Les trois grandes familles d’activités __________________________________ 6 (1) Les métiers de tradition_________________________________________ 6 (2) Les métiers de restauration ______________________________________ 6 (3) Les métiers de création _________________________________________ 7 3. Une définition plus précise et plus complète pour mieux saisir le réel___________ 8 a) Préciser les critères ________________________________________________ 8 b) Compléter la liste des activités _______________________________________ 9 B. Une place toute