237 © the Author(S) 2019 M. Brown, Modernism and Scottish Theatre

Home , After Miss Julie, Black Watch (play), Glasgow Unity Theatre, Theatre of Scotland

Index1

NUMBERS AND SYMBOLS Aeschylus 7:84 Scotland, 12, 16, 27, 37–40, The Oresteia, 79, 130, 132, 140 88–89, 91, 92, 93n7, 95, 105, The Suppliant Women, 117 109, 120, 121, 123, 125, 126, Aikenhead, Thomas, 111 147, 153, 161–164, 171, 188, Albee, Edward, 24, 78 198, 206–208, 207n6, 219–221, The Goat, or Who Is Sylvia?, 43, 87 226 Allam, Roger, 143n74 The Cheviot, The Stag and The Black Anderson, David, 27n129, 39 Black Oil, 12, 39–40, 105, Andrews, Benedict, 144 207n6 Angel-Perez, Elisabeth, 21 and Wildcat, 12, 16, 37–40, 88–89, Anouilh, Jean, 52, 66 91, 92, 109, 125, 153, Antigone, 21n100 161–164, 171, 188, 198, Anton, George, 221–223 206–208, 219–221, 226 Apollinaire, Guillaume, 20 The Arches, Glasgow, 41, 45, 226–233 A Archibald, David, 65 Abbey Theatre, Dublin, 182n166, Arnold, Andy, 41n83, 44, 48, 227, 205n2 233, 235, 236 Absurdism, 2, 48, 49 Arnott, Peter, 42n93, 114 Adam, Henry, 231 Arrabel, Fernando Adrian, Kane, 218, 218n65 Orison, 38

1 Note: Page numbers followed by ‘n’ refer to notes.

Artaud, Antonin, 55–57, 66, 67 Beckett, Samuel, 3n8, 7, 24, 33, 42, Arts Theatre, London, 158n119, 48, 66, 78, 82, 106, 129, 146, 159n122 152, 184, 191, 193, 195, 199 Aurora Nova, 185 Footfalls, 78 Auteurism, 3, 6, 8–12, 17, 27, 59, Happy Days, 176 65–66, 68, 82–85, 132, 180, 187 Krapp’s Last Tape, 78 Ayckbourn, Alan, 75, 76 Waiting for Godot, 45, 60, 132, 159, 210n32 Bee Gees, The B How Deep Is Your Love, 174 Les Ballet C de la B, 182 Behn, Aphra, 32 Balzac, Honoré de, 66 Belgrade Theatre, Coventry, 43n102 Vautrin, 179n160 Bell, Barbara, 34–36 Banham, Martin Benjamin, Walter The Cambridge Guide to Theatre, Understanding Brecht, 12–13 10n48, 17n79, 59 Bentley, Eric Barba, Eugenio, 17 The Brecht Commentaries, 81n141, Barber, Samuel 83 Adagio for Strings, 174 Berg, Alban, 3n12 Barbican Centre, London, 181 Berkoff, Steven, 16n73, 17, 100, Barker, Howard, 1–4, 6, 11, 19–24, 102 27, 42, 78, 82, 114n1, 115, 126, Berne Mime Ensemble, 100 133–138, 141, 148, 167, 170, Best, Adam, 81, 82, 85 190, 194n189, 196, 198, 203 Beuys, Joseph, 184, 202 Arguments for a Theatre, 4n14, Bhabha, Homi 192n185 The Location of Culture, 107n61, The Castle, 192 123n21, 198n197 A Hard Heart, 7n29 Bieito, Calixto, 9, 83, 185 Lot and His God, 7n30 Big Brother, 167 The Power of the Dog: Moments in Billington, Michael, 10–11, 170 History & Anti-History, Binnie, John, 114 194n189 Birds of Paradise, 45 Scenes from an Execution, 7n30, Bissett, Cora, 235 11n53, 20n91, 139 Roadkill, 231 Victory, 22–23, 45 BITEF festival, Belgrade, 71 Bartók, Béla, 3, 19, 21, 195, 219 Blakemore, Michael, 16n73, 67, 68 Bath, Michael Bogarde, Dirk, 175 Reading Poetry: An Introduction, Boilerhouse Theatre Company, 146, 154n108 148 Bausch, Pina, 129, 186, 202 Bolger, Dermot Beaumarchis, Pierre-Augustin Caron Ulysses, 45 de, 66 Bond, Edward, 23n107, 141 INDEX 239

Borštnik Theatre Festival, Maribor, Brown, Ian (academic and poet), 30, 136n62, 144n78, 190n181 34, 35, 42n93, 65, 119 Bowie, David, 234n58 The Edinburgh Companion to Bral, Grzegorz, see Song of the Goat Scottish Drama, 97n26 (Teatr Pieśń Kozła) Scottish Theatre: Diversity, Language, Branagh, Kenneth, 142n71 Continuity, 30, 35 Braque, Georges, 2n5, 4n18, 25, 196 Brown, Ian (theatre director), 145n80 Brecht, Bertolt, 3, 6, 12–17, 27, Brown, Irina, 130n45, 138n64 37–38, 52, 60, 66 Brown, Mark, 11, 19n85, 72n88, and alienation techniques, 12–14 75n103, 77n116, 77n117, The Caucasian Chalk Circle, 16, 82n146, 84n160, 85n162, 16n75 86n168, 96n19, 99n33, 134n58, and gestus, 106 148n93, 191n182, 214n51, The Lindbergh Flight/The Flight Over 219n66, 219n69, 223n84 the Ocean, 16 Howard Barker Interviews Mother Courage and Her Children, 1980–2010: Conversations in 14 Catastrophe, 11, 19n85, and narrative realism, 12–15, 81, 82 134n58, 148n93 The Resistible Rise of Arturo Ui, Brown, Susan M. 16n73 Poems of Fernando Pessoa, 20n93 Señora Carrar’s Rifles, 15n72 Bryden, Bill The Seven Deadly Sins, 16 The Big Picnic, 42 The Visions of Simone Machard, Büchner, Georg, 66, 150, 195, 197 16n73 Danton’s Death, 60, 92–94 Breen, Phillip, 68n68, 76n112, Woyzeck, 142, 151, 195 79n137 Burgess, Anthony Bridie, James, 36 A Clockwork Orange, 76 Briers, Richard, 142 Burke, Gregory, 114 Bristol, University of, 22–23, 115n2, Black Watch, 207, 207n4, 207n5, 116, 124n23, 145, 155 207n6, 235 production of Howard Barker’s Burnett, Cliff, 84–85 Victory, 22–23 Burns, Robert, 31, 35 Britannia Panopticon theatre, Glasgow, Tam o’ Shanter, 98, 101, 110 5n25 Bush Theatre, London, 148n95 British Council, 71, 126 Butlin, Ron Bronovitskaya, Anna, 2n2 The Sound of My Voice, 76 Brook, Peter, 10, 41n81, 178, 181, Butterworth, Jez 202, 226 Mojo, 156 The Mahabharata, 42, 128n43 Byre Theatre, St Andrews, 36 Brown, George Douglas Byrne, John, 114, 127, 154, 156, 160, The House with the Green Shutters, 189, 210 91 Tutti Frutti, 207 240 INDEX

C Chamberlain, Franc Cabaret Voltaire, see Dada and Dadaism Jacques Lecoq and the British Theatre, Calder, John, 37n60, 42 18 Callinicos, Alex, 24–25 Charles II, King of England, Scotland Calvinism (and the Scottish and Ireland, 32n19, 34n34 Reformation), 31–36, 107, 109, Cheek by Jowl, 71 123n21, 144, 221 Chekhov, Anton, 21n97, 99, 126, 160 Cameron, Alasdair, 212 Chéreau, Patrice, 66 Cameron, Ian, 17n78, 45 Chetty, Nalini, 48 Campbell, Donald, 30, 33n30, 35, Chin, Unsuk, 200 148, 155, 160 Churchill, Caryl, 24, 79, 82 Playing for Scotland: A History of the A Number, 117, 130 Scottish Stage 1715–1965, 30, Citizens Theatre, Glasgow, 1, 5n20, 6, 33n30, 35 7, 11–12, 15, 16, 27, 29n1, 30, Camus, Albert, 2n8 36–38, 40, 46, 51–92, 94, Cannon, Andy, 45 95n16, 96, 104n52, 109, 111, Carroll, Lewis 113, 119–122, 208n11, 209n27, Alice’s Adventures in Wonderland, 212n40, 213n47, 221n77, 226, 163n133, 167, 174n143, 232, 233, 235 196n193, 199, 233n53 Clark, Michael, 133, 141 Carter, Pamela, 45, 202 Clifford, Jo, 42n93, 114, 117, 155 Interiors, 176n150 The Gospel According to Jesus, Queen Paul Bright’s Confessions of a of Heaven, 155n110 Justified Sinner, 74, 125n33, Inês de Castro, 155n110 176, 187, 208, 209, 213n47, Cocteau, Jean, 66 215, 216, 219–223 Coleman, Mark, 7n29 Saturday Night, 176n150 Collins, Phil Slope, 125n33, 176, 177, 187 Against All Odds, 24n116 Tomorrow, 176n150 Communicado, 6, 11, 17–19, 27, 30, Castorf, Frank, 181–182 46, 64, 88–89, 91–113, 123, Catherine Wheels, 11, 45, 111, 233 124, 163, 188, 189, 202, Cavendish, Dominic, 215n56 210n33, 212, 215n57, 221n79, CCA (Centre for Contemporary Arts, 225n2, 233 previously Third Eye Centre), Brave, 97 Glasgow, 41 Carmen – The Play, 91 Celan, Paul, 20 Robotnik, 91 Céline, Louis-Ferdinand, 19 Tam o’ Shanter, 98, 110, 215n57 Central School of Art and Design, Zlata’a Diary, 97 London, 176, 183 Company of Wolves, 5, 23n114, Centre for Contemporary Arts, 106n57 previously Third Eye Centre Constructivism, 2 (CCA), Glasgow, 145n81, 226 Copi Chaillet, Ned, 63 The Homosexual, 176 INDEX 241

Corrie, Joe, 36 Daniels, Jeff, 143n75 Hewers of Coal, 36n51 Davetian, Benet, 62 In Time O’ Strife, 36n51, 215n55 Davis, Bette, 179 Coveney, Michael, 52–54, 57, 58, Dawson Scott, Robert, 97n27 60–62, 66n59, 68, 69, 71, 73, 89 Demarco, Richard, 37n60, 42, 128, The Citz: 21 Years of the Glasgow 129, 184, 202 Citizens Theatre, 52, 53, 57, Diaghilev, Sergei, 69n75, 71 58, 60, 66n59, 68, 69, 71, 73 Dibdin, James, 35 Coward, Noël Dibdin, Thom, 86n166, 217–218 Semi-Monde, 62 Dickens, Charles, 79 The Vortex, 66n60 Dickie, Kate, 217, 218 Cox, Michael, 209n16 Diderot, Denis Cramer, Steve, 42n93, 232 The Nun, 73 Creative Scotland, 98n29, 177, Dight, Angie, 5n24 233n53, 234 Dogstar Theatre Company, 206 Crichton, Mamie, 53 Donald, Simon, 145, 146 Critics’ Awards for Theatre in Scotland Donmar Warehouse, London, 142n72 (CATS), 43n101, 43n102, 49, Donnellan, Declan, see Cheek by Jowl 79n138, 79n139, 81n142, 130 Dostoyevsky, Fyodor, 79 Cromwell, Oliver, 32 Crime and Punishment, 79, 86, Cronin, Anthony, 24n115 103, 105, 210n32 Samuel Beckett: The Last Modernist, DOT Theatre, Istanbul, see Daltaban, 24n115 Murat Crouch, Tim, 221, 227, 228, 230 Downie, Ewan, see Company of Shopping for Shoes, 228n16 Wolves Crystal, Ben, 110 Drennan, George, 111 Crystal, David, 110 Dr Seuss Cubism, 2, 4–5, 218 The Lorax, 116 Cullen, Mike, 114, 210 Drum Theatre, Plymouth, 162n132 Cuneen, Paddy, 84n158 Drummond, Rob, 210, 227, 228, Cuthbertson, Iain, 52 230, 231n34, 232 Bullet Catch, 227, 228, 230 Mr Write, 209, 227, 228 D Dumas, Alexandre, 67, 179 Dada and Dadaism, 2, 5, 7, 197, The Lady of the Camellias, 43, 60, 219–220, 222, 228 179n162 and Cabaret Voltaire, 6, 228 The Three Musketeers, 87 Dafoe, Willem, 10 Dunbar, Karen, 48 Dahl, Roald Dundee Rep Theatre, 16, 40, 79n138, Charlie and the Chocolate Factory, 86, 87, 130 116 Dürrenmatt, Friedrich, 52 Daltaban, Murat, 49 DV8 Physical Theatre, see Newson, DOT Theatre, 130 Lloyd 242 INDEX

E Preparadise Sorry Now, 183n169 Eagleton, Terry Featherstone, Vicky, 47, 70n81, 134, The Illusions of Postmodernism, 139n66, 153n104, 205–208, 196n194 210–215, 217, 223 Eatough, Graham, 22–23, 23n114, Fellini, Federico, 8 208n8 Ferguson, Brian (journalist), 214n50 How to Act, 210 Ferguson, Lorna, 176 L’École Internationale de Théâtre Fifth Estate Theatre Company, 148 Jacques Lecoq, 17, 103 Filipovic, Zlata, 97 Edinburgh Festival Fringe, 36, 41, Finborough Theatre, London, 41n85, 41n86, 42n92, 46, 70, 161n127, 161n128 87n170, 93, 99, 124, 129, 133, Findlay, Bill, 30 138n64, 139n66, 140n67, 141, A History of the Scottish Theatre, 184–185, 202, 210n29, 213n43, 30, 33n31, 34n35, 36n46, 214, 217n59, 227, 229n25, 36n49, 53, 59, 95n16, 107, 231n42, 232, 233n53, 235 109, 110 Edinburgh International Children’s Fire Exit, 232 Festival, see Imaginate See also Leddy, David Edinburgh International Festival Fischer, Kai (EIF), 16, 36, 39n71, 41, 46, 49, Last Dream (On Earth), 209, 69–71, 99, 128, 130, 132, 215n54 133n54, 143, 153n104, 158, Fisher, Mark, 81, 84, 85, 178n157, 158n120, 162n132, 165, 208n14, 209n16, 217–218, 222, 165n134, 166n135, 176n152, 228n20 177, 178n157, 185n170, 208n9, Flynn, Lance 209n23, 213, 214, 215n57, Barrabas, 148 220n74 Forced Entertainment, 20, 216n58 Emanuel, Oliver, 231 Forsyth, Bruce, 166 Esslin, Martin, 3n8, 79n135 Fraser, Brad Etchells, Tim, 216n58 Poor Super Man, 145 Euripides Unidentified Human Remains, 145 Medea, 31n13 Freud, Sigmund European City of Culture and Freudian psychoanalysis, 196 Glasgow, 1990, 124, 124n24, 181, The Interpretation of Dreams, 226 196n192 Everett, Rupert, 66 Friel, Brian, 128 Red Carpets and Other Banana Molly Sweeney, 76 Skins, 65 Translations, 45 Existentialism, 2n8, 48 Fugard, Athol A Place with the Pigs, 104 Furniss, Tom F Reading Poetry: An Introduction, Farber, Yaël, 142n72 154n108 Fassbinder, Rainer Werner Futurism, 2 INDEX 243

G 125n28, 133, 134, 144, 145, Gablik, Suzy, 25 145n79, 145n80, 147, 147n90, Gaelic language (Scotland), 39, 109, 152, 154–156, 156n115, 163, 207n6 180, 187–191, 193, 197, Gardner, Lyn, 229, 230 200–203, 208n8, 210, 211, Gateway Theatre, Edinburgh, 15, 36, 211n36, 213n45, 223, 228, 74 231n33, 233, 236 Gaulier, Philippe, 17, 88, 89 The Architect, 116, 129, 211 Gaye, Marvin, 158 Caledonia Dreaming, Sexual Healing, 158 125n28 Genet, Jean, 66, 79n135 Charlie and the Chocolate Factory, Gioia, Ted, 25–26 116 Glasgow Repertory Company, 34 The Cosmonaut’s Last Message to Glasgow Unity (theatre company), the Woman He Once Loved in 109 the Former Soviet Union, 116, Glasgow, University of 206 Contemporary Scottish Theatre Creditors, 48, 49, 116 course, 212 Damascus, 116 Glass, Philip, 219n66 Dr Korczak’s Example, 117 Glenaan, Kenny, 104n54 Dunsinane, 117, 209 Glover, Sue, 114, 155 Europe, 116, 156, 189 Bondagers, 37, 65 Lanark, 116, 215n57 Godard, Jean-Luc, 8 The Lorax, 116 Goethe, Johann Wolfgang von, 66 Midsummer, 116 Faust, 83n154 Outlying Islands, 116 Gogglebox, 167 Pyrenees, 116, 206 Gogol, Nikolai, 66, 111 San Diego, 116 The Government Inspector, The Strange Undoing of Prudencia 98, 142 Hart, 117 Goldoni, Carlo, 66, 179 The Suppliant Women, 117 The Good Humoured Ladies, 69 Ubu Roi, 98n30 La Guerra, 71 Yellow Moon, 48n113 Gore, Tashi, 45 Gribben, Crawford Gray, Alasdair Literature and the Scottish Lanark (see under Greig, David) Reformation, 119n9 Green, Nic, 210, 227, 234, 235 Grid Iron theatre company, 11, 46 Trilogy, 227–230 Gris, Juan, 4–6 Greenhorn, Stephen, 42n93, 114, Gritzner, Karoline, 20–21, 127, 189 194n189 Greig, David, 5, 7, 12, 22, 23n114, Grotowski, Jerzy, 5, 7, 17, 46, 92, 98, 34, 42n93, 44, 46, 49, 73, 74, 99, 101–103, 105–107, 110, 113–129, 115n2, 115n4, 123, 178, 184, 202 120n11, 121n15, 121n17, Towards a Poor Theatre, 99, 102, 122n18, 124n22, 124n23, 102n47, 105, 105n56 244 INDEX

H Harrower, David, 12, 19n84, 43, 44, Hamilton, Christine, 177 46, 49, 73, 74, 113–115, 119, Handke, Peter, 83 127, 127n38, 128, 133n53, 135, The Hour We Knew Nothing of Each 137, 142–161, 142n72, 147n90, Other, 48 150–151n102, 151n103, Handleigh, Rab, 103 152–153n104, 163, 180, Hannan, Chris, 42n93, 84n158, 114, 187–190, 189n178, 193–197, 117, 127, 145–148, 155, 156, 200, 202, 203, 211, 223, 160, 189, 189n178 223n87, 228, 231n33, 233, The Baby, 148 236n63 Crime and Punishment, 79–82, 86, 365, 142, 152n104, 208, 223n87 103, 105 Blackbird, 143–144, 152–154, 157, The Evildoers, 148 158, 195–196 The Three Musketeers and the Princess Calum’s Road, 98 of Spain, 43, 87 Ciara, 43, 142 Hannan, Debbie, 7n30 Dark Earth, 142 Hardwick, Jessica, 49 The Girl on the Sofa, 142 Harris, John The Government Inspector, 142 The Garden, 140 Kill the Old, Torture Their Young, Harris, Zinnie, 7, 12, 19n84, 21n99, 142 44, 46, 49, 73, 79, 87, 113–115, Knives in Hens, 21n99, 43, 49, 133, 119, 127, 127n40, 128, 142–144, 146, 148–150, 130–142, 133n55, 133n56, 159–161, 189, 193, 194, 196, 134n58, 136n61, 144, 147, 152, 208, 211, 219n69, 223n87, 154, 155, 163, 180, 187–194, 229, 236n63 197, 200, 202, 203, 210, 223, Mary Stuart, 142, 151n103 228, 229, 233, 235, 236 Six Characters in Search of an Fall, 87n170 Author, 131, 142, 151n102, Furthest than the Furthest Thing, 208, 223 21n99, 130, 131, 135, A Slow Air, 142 136n61, 137–138, 140, 141, Una (film based on Blackbird), 144 144, 189–192, 211, 229 Woyzeck, 142, 150n102, 151, The Garden, 140 194–195, 195n191 How to Hold Your Breath, 130, 133, Hartnoll, Phyllis, 15n70 135, 191, 193 The Theatre: A Concise History, Julie (after Miss Julie), 130, 206, 15n70 208 Havel, Vaclav Meet Me at Dawn, 130 The Memorandum, 97 Rhinoceros, 49, 130 Havergal, Giles, 5n20, 6n26, 11, 27, This Restless House (after The 29, 36–38, 40, 46, 51–75, 78, Oresteia), 79, 130, 209, 79, 88, 89, 91, 92, 94–96, 107, 215n54 111, 113, 118–121, 121n12, The Wheel, 192, 208 121n15, 122n19, 123, 126, 132, INDEX 245

154, 163, 178–180, 186–188, Hull, University of, 130 197, 201, 202, 213n47, Hunter, Paul, 111 221–222, 221n77, 226, 233 Hurley, Kieran, 210, 227, 230 Hayman, David, 53, 65, 77, 78 Beats, 228, 230 Haynes, Jim, 37n60, 42 Rantin, 209 Heggie, Iain, 114, 117, 126–127, 189 Hutchison, David, 34, 109n70 Hermanis, Alvis, 9 Heyvaert, Pol Aalst, 207–210, 216, 218n63 I Hiberno-English, 154n108 Ibáñez, Vicente Blasco, 67 Higgins, Paul, 144n76 Ibsen, Henrik, 32, 78, 126, 128–129, Hill, Dominic, 7, 11, 12, 15, 23n114, 147, 160, 210 43, 46, 77–90, 103–106, 130, A Doll’s House, 130 140n69, 208n10, 209n27, 210, Peer Gynt, 98n30, 208 210n32, 214, 226, 233, 235, 236 Imaginate, 41, 45 Hitchcock, Alfred, 173 Ince, Kate, 8n39 Hobbes, Nick, 20n91 Five directors: Auteurism from Hobson, Harold, 159, 159n124 Assayas to Ozon, 8n39 Hochhuth, Rolf, 66 Ireland, David, 231 Hodgart, Hugh, 7n29, 23n114 Ulster American, 231n37 Hoffmann, Wolfgang, 185n170 Hofmannsthal, Hugo von, 25, 66 Rosenkavalier, 69 J Hogg, James Jackson, DC, 231 The Private Memoirs and Confessions Jackson, Glenda, 66 of a Justified Sinner, see Carter, Jackson, Shirley Pamela, Paul Bright’s The Haunting of Hill House, Confessions of a Justified Sinner 162 Holdsworth, Nadine, 27n129 James, Nick, 8n44 Home, John Jarry, Alfred, 9, 38, 48, 106 Douglas, 33–35 César-Antéchrist, 9n46 Homer, 166 Ubu Roi, 1n1, 9n46, 98n30, 128, Honig, Edwin 196n192 Poems of Fernando Pessoa, 20n93 Jeffreys, Stephen Houellebecq, Michel The Libertine, 79 Platform, 83n155 Jeffries, Stuart, 10n48 Howard, Philip, 42–44, 142n72 Jenkins, Robin Howells, Adrian Fergus Lamont, 97, 215n57 Lifeguard, 209 Johnstone, Iain, 45, 111 Hughes, Robert Johnstone, Keith, 100, 100n41 The Shock of the New, 5n21, 46, 58 Impro: Improvisation and the Hugo, Victor Theatre, 100n41 The Hunchback of Notre Dame, 92 Jones, Richard, 212 246 INDEX

Joyce, James, 152 Kushner, Tony Ulysses, 45 Angels in America, 76 József, Attila, 20 Junction 25, 45 L Laclos, Pierre Choderlos de, 66 K Laing, Stewart, 11, 46, 48, 49, The Kabbalah, 67 73–74, 109, 111, 113, 114, Kafka, Franz, 21, 25–26, 196 125n33, 144, 175–187, Kane, Sarah, 19, 20, 22, 22n102, 176n149, 176n150, 176n152, 115n2, 116n5, 135, 141, 176n154, 200–203, 201n203, 156n114, 162n131, 192–193 209n23, 210, 215, 219–223, 4:48 Psychosis, 22n102 233–236 Blasted, 22n102, 156, 213n44 Brainy, 176 Cleansed, 213n44, 221n78 Laki, Peter, 3n9 Crave, 212 Lamont Stewart, Ena, 36 on Howard Barker, 23 Lean, Ferelith, 39 Phaedra’s Love, 213n44 Lecoq, Jacques, 3, 6, 17–19, 27, 46, Kantor, Tadeusz, 9, 92, 99, 184, 185, 88, 89, 98, 100, 102, 103, 106, 202 110, 123 Kaplangi, Oğuz, 49 Theatre of Movement and Gesture, Kashmiry, Adam, 235n61 18n83 Kay, Jackie, 114 Leddy, David, 231–233 Kazek, John, 73 Home Hindrance, 232n49 Kelly, Cara, 76 International Waters, 231n39 Kemp, Lu, 49, 142n72 Sub Rosa, 76, 232 Kemp, Robert, 32n18 Susurrus, 232n48 Kent, Nicolas Lenton, Matthew, 225–227 Called to Account, 169n138 Lepage, Robert, 41n81, 128n43, 181, The Colour of Justice, 169n138 186, 202, 226 Kesselring, Joseph, 66 Lermontov, Mikhail, 66 Kharms, Daniil Maskerade, 62, 179n161 The Old Woman, 10n48 Lewis, Gary, 217 Kieślowski, Krzysztof, 173 Licata, Tim, 17n78 King’s Theatre, Edinburgh, 158 Linehan, Fergus, 70, 177, 213n47 Kleist, Heinrich von Linlithgow Palace The Broken Jug, 83n154 and Ane Satyre of the Thrie Estaitis, Kodjabashia, Nikola, 81, 84n158 109 Korczak, Janusz, 116 Littlewood, Joan, 10 Kramer, Daniel, 76n111 Ljubljana City Theatre, 136n62, 190 Kraus, Karl, 66 Lochhead, Liz, 31–33, 114, 117, 119, The Last Days of Mankind, 69–71 127, 154–156, 156n116, 160, Kubrick, Stanley, 173 189, 210 INDEX 247

Educating Agnes (after The School for A Waste of Time (after À la recherche Wives), 31n17 du temps perdu), 61 Jock Tamson’s Bairns, 92, 156 MacLennan, David Mary Queen of Scots Got Her Head and 7:84/Wildcat, 27, 39 Chopped Off, 31n13, 92 See also A Play, A Pie and A Pint Medea, 31n13 MacLennan, Robert, 27 Miseryguts (after The Misanthrope), MacMillan, Hector, 32n18 31n13 MacMillan, James Perfect Days, 31n13, 156 Inês de Castro, 155n110 Tartuffe, 31n13 MacMolière tradition, 32 Thon Man Molière, 31n13 Manilow, Barry Logan, Brian, 12n58 Mandy, 175 Lorca, Federico García, 110, 123, 210 Manley, Andy, 45 Blood Wedding, 76–77, 108 Mann, Thomas and duende, 76 Death in Venice, 69, 175 The House of Bernarda Alba, 208, Massinger, Philip 223n87 The City Madam, 78n127 Lulu, 160, 196 Maupassant, Guy de, 69 Lung Ha, 45 Maxwell, Douglas, 87n173, 114 Lupa, Kristian, 9 Fever Dream: Southside, 87n173 Lyly, John, 122 May, Jodhi, 143, 143n74 Lynch, David, 173 Mayfest, 124 Lyndsay, Sir David, 119 McArthur, Alexander Ane Pleasant Satyre of the Thrie No Mean City, 76 Estaitis, 31, 33, 39n71 McBurney, Simon and Théâtre de Complicité, 18 McCardie, Martin, 27n129 M McCartney, Nicola, 114 MacCaig, Norman, 154 McCormick, Martin, 231 MacDonald, Malcolm Ma, Pa and the Little Mouths, 48, Schoenberg, 4n17 235 MacDonald, Robert David, 1, 6n26, McDowell, Robert, 41n86 11, 27, 36, 46, 51, 52, 59, 60, McFadyen, Myra, 17 66, 68, 71–72, 75, 79, 95n15, McGrath, John, 75, 114, 212 121, 178, 178n158, 179n162, Naked Thoughts That Roam About, 186, 201, 202, 226 27n129, 95n14 The Battlefield (after La Guerra), 71 See also 7:84 Scotland Camille (after The Lady of the McGuinness, Frank Camellias), 60, 179n162 Someone Who’ll Watch Over Me, 45 Chinchilla, 69 McKay, David, 216–218 De Sade Show, 60 McKnight, Johnny, 231 Enrico Four (after Copi’s Henry IV), McLaren, Graham, 182, 182n166, 69 205n2 248 INDEX

McLean, Duncan Molyneux, John, 230n30 Aalst, 207–210, 215–217, 217n61 Morgan, Edwin McLean, Linda, 114 Cyrano de Bergerac, 234–235 Riddance, 206 Morricone, Ennio, 174 McLellan, Robert, 39 Mowe, Richard, 91 and 7:84/Wildcat, 39 Mulgrew, Gerry, 17, 46, 48, 49, 88, The Flouers o’ Edinburgh, 109n68 91–112, 123, 226, 236 McMaster, Brian, 165, 214 Mullan, David George McMillan, Joyce, 37n59, 42n91, Literature and the Scottish 65n57, 76, 81, 99n32, 161, Reformation, 119n9 161n126, 222, 222n81 Mull Theatre, 206 The Traverse Theatre Story: Munro, Rona, 114 1963–1988, 37n59 The House of Bernarda Alba, 208, McMillan, Roddy 223n87 The Bevellers, 37 The James Plays, 215 McNair, Gary, 43, 210, 227 The Last Witch, 87n171 Donald Robertson is Not a Stand Up Murphy, Gerard, 65, 78 Comedian, 209 Murray, Neil, 182n166, 205n2 McPherson, Conor Murray, Simon The Seafarer, 45 Jacques Lecoq, 17n80 McVicar, David, 182 Musset, Alfred de, 66 Meacham, Michael, 67–68 Metatheatre, 94, 219–220, 232 Meyerhold, Vsevolod, 17, 106 N Miller, Arthur National Theatre (of Great Britain), The Crucible, 45 11n53, 130n45, 134, 138n64, Miller, Kenny, 73–74, 183, 201n203 169n140, 221n78 Miller, Phil, 177n156 National Theatre of Scotland (NTS), Milligan, Judith, see Seed, Al 17n76, 29n2, 30, 36n51, 44, 47, Mills, Jonathan, 213n48, 214 48, 49n117, 74, 78n124, 98n28, Milton, John 111, 112, 118, 130, 134n59, Paradise Lost, 6 139n66, 140n69, 142n72, Mischief La-Bas 146n88, 151n102, 151n103, Nursery Crymes, 5 152n104, 160, 160n125, Mishima, Yukio, 38 162n132, 182n166, 183n168, Mitchell, Katie, 184, 202, 221 227, 230–231, 233–235 Mitchell, Tom, 37n60, 42 Home Away, 219n69 Mnouchkine, Ariane, 9 Home project, 206 and Théâtre du Soleil, 84 National Theatre of Wales, 205n2 Molière Neilson, Anthony, 12, 44, 46, 73, The Misanthrope, 31n13 113–115, 127, 144, 147–148, The School for Wives, 31n17 147n89, 147n90, 152, 154, Tartuffe, 31, 31n13, 31n16 161–175, 162n131, 162n132, INDEX 249

163n133, 168n136, 174n143, The Colour of Justice, 169n138 180, 187–190, 196–203, NVA, 146 196n193, 197n195, 210, 223, 228, 233 Alice’s Adventures in Wonderland, O 163n133, 167, 174n143, 199, O’Casey, Sean, 33 233n53 Offenbach, Jacques, 66 The Censor, 127n41, 147n89, 161, Oliver, Cordelia, 51–52, 57, 66–67 167, 199 Magic in the Gorbals: a personal Get Santa!, 168 record of the Citizens Theatre, The Night Before Christmas, 51–52, 57, 66–67 147n89 O’Loughlin, Orla, 42–44 Realism, 162, 166, 207 Onashile, Adura, 231, 235 Sixty Six, 162 Expensive Shit, 231n42 Stitching, 127n41, 161, 167, 189, HeLa, 231n42 199, 206 Ontroerend Goed, 217n59 Welfare My Lovely, 147n89 Opera National de Lyon, 16 The Wonderful World of Dissocia, Òran Mór, Glasgow 127n41, 162, 197n195, 208, A Play, A Pie and A Pint, 39n73, 211, 235 140n67, 233, 235n62 Neilson, Sandy, 161 Orange Tree theatre, Richmond, 88 Nekrošius, Eimuntas, 9 O’Riordan, Rachel, 45 New Romanticism, 183 Ormerod, Ben, 82 Newson, Lloyd Ormerod, Nick, see Cheek by Jowl Dead Dreams of Monochrome Men, Ostermeier, Thomas, 181 145, 145n81 Otway, Thomas DV8 Physical Theatre, 41n81, The Orphan, 32n20 145n81 Venice Preserv’d, 32n20, 75 Nicholls, Gareth, 144 Oxford, University of, 130 Nicholls, Peter, 220n71 Modernisms: A Literary Guide, 220n71 P Nichols, Peter Pachamama Productions, 19 A Day in the Death of Joe Egg, Grit: The Martyn Bennett Story, 19 67n68 Paines Plough, 205–206, 207n5, 212 Nobel Prize for Literature Palmer, Camrie, 144n76 Pinter, Harold, 192, 199, 199n199, Pan Pan Theatre, Dublin, 184 203 Pauwels, Lies, 142n72, 160, 160n125, Pirandello, Luigi, 7–8 161, 196, 209n16, 223n87 Norris, Rufus, 169, 169n140 Peacock, Noel A. Norton-Taylor, Richard and Kent, Moliere in Scotland, 32n18 Nicolas Pearson, Morna, 231 Called to Account, 169n138 Peebles, Alison, 91, 221, 221n79, 236 250 INDEX

Pegg, Simon, 22 Brimstone and Treacle, 133n56 Pessoa, Fernando, 20n93 Powell, Nick, 174, 174n143 Philippou, Nick Prebble, John Brainy, 176 The Highland Clearances, 39n76 Picasso, Pablo, 2n5, 3, 4n18, 196 Proust, Marcel, 66 Pickavance, Rob, 91 À la recherche du temps perdu, 61, Pinter, Harold, 6, 7, 23n107, 24, 25, 63, 68 82, 99, 106, 146, 152, 157–159, Prowse, Philip, 1, 6n26, 11, 36, 46, 157n117, 158n119, 170, 193, 51–61, 68, 71, 73–75, 79, 92n3, 195–196, 198–199, 199n199, 121, 176–178, 182, 186, 201, 203 201n203, 202, 226 Betrayal, 78 Purcărete, Silviu, 9 The Caretaker, 76, 158, 159 Pushkin Theatre, Moscow, 71n87 The Homecoming, 157, 159 Piper, Tom, 82 Pirandello, Luigi, 7, 52, 67, 82, 131, Q 142, 151n102, 191, 193, 195, Quinn, Gavin, see Pan Pan Theatre, 210 Dublin Henry IV, 69 Six Characters in Search of an Author, 7n33, 131, 142, R 151n102, 208, 223 Racine, Jean, 67 Piscator, Erwin, 178 Phèdre, 62 Pitlochry Festival Theatre, 15, 36 Radcliffe, Allan, 101, 110 A Play, A Pie and A Pint, see Òran Radosavljević, Duska, 79n139 Mór, Glasgow Theatre Criticism: Changing Playwrights’ Studio, Scotland, 44, 232 Landscapes, 79n139 Plutôt la Vie, 17 Raison, Jeremy, 46, 65, Poet, Frances, 231 74–77 Adam, 210 Thérèse Raquin, 74–76 Gut, 235 Rattray, Jeremy Polanski, Roman, 173 The Mill Lavvies, 37 Polwart, Karine Received Pronunciation (RP), Wind Resistance, 117 107–110 Porubcansky, Anna, see Company of Reekie, Iain, 125, 125n28 Wolves Reekie, Tony, 45 Postmodernism/postmodernity, Reich, Steve, 25, 219 20n92, 21, 24–26, 167, 196, Reid, Alexander, 97 196n194, 234 Reid, Trish and Lies Pauwel’s production of Theatre and Scotland, 12n59, 97 Knives in Hens, 142n72, The Theatre of Anthony Neilson, 160–161, 196, 209n16 162n131, 168n136 Potter, Dennis Reppe, Shona, 45 INDEX 251

Reynolds, James Sappho, 151 Howard Barker’s Theatre, 4, 19 Sarris, Andrew, 9 Rilke, Rainer Maria, 20 Sartre, Jean-Paul, 66 Robens, Beth, 161 Huis Clos, 37 Robertson, Gill, 45 Saunders, Graham, 23n110 Robertson, Iain, 76 About Kane: the Playwright and the Rodchenko, Alexander, 25 Work, 23n110 Rogers, W. G., 217 Schiller, Friedrich, 66, 142, 151, Rojas, Manuel, 66 151n103, 180 Roper, Tony Don Carlos, 70 The Steamie, 37 Mary Stuart, 68, 142, 151n103 Rorrison, Hugh, 59, 60 Schoenberg, Arnold, 25, 26, 219 Rossiter, Leonard, 16n73 First Symphony controversy, 58 Rostand, Edmond and Second Viennese School, 3 Cyrano de Bergerac, 234–235 Scots language and Scots-English, Roxy Art House/Assembly Roxy, 32n18, 97, 109, 110, 127n35, Edinburgh, 41 150, 154n108, 235 Royal Court Theatre, London, Lallans, 127 133n55, 134n59, 156n113, Scottish Arts Council, 98 156n114, 168n137, 193n187, Scottish National Players, 34 207n5, 213n44 Scottish Opera, 16, 78, 212n40 Royal Lyceum Theatre, Edinburgh, Scottish Screen, 98n29 5n22, 7n29, 16, 36, 45, 48–49, Scottish Theatre Archive, 15 53, 65, 69, 79n131, 87n171, Scottish Youth Theatre, 74 111, 117, 130, 131n46, 148n96, Scullion, Adrienne, 33n31, 119n9 150–151n102, 151n103, Seed, Al, 227 162n132, 163, 208n11, 209n28, The Shadow of Heaven (after 233n53, 235 Paradise Lost), 6 Royal Opera House, London, Service, Tom, 3–5 182n167 Shakespeare, William, 23, 32, 33, 67, Royal Shakespeare Company, 52, 78, 109, 117, 122, 129, 132 84, 88 As You Like It, 132 Russell, Willy Hamlet, 52, 56, 57, 79n133, Educating Rita, 76 84–85 Rustaveli Theatre, Tbilisi, 16, 83n156 Henry IV (Parts 1, 2 and 3), 215n56 King Lear, 77, 78, 142 S Macbeth, 117 Sade, Marquis de, 60–61, 66 Measure for Measure, 71n87 Sampson, John, 103 Twelfth Night, 78n121 Sansom, Laurie, 207–208, 214–215, The Winter’s Tale, 71 219, 223 Shaw, George Bernard, 33 The Driver’s Seat, 209 Shead, Karen, 98, 98n31 252 INDEX

Shepard, Sam St Andrews, University of, 130 True West, 79n137 St Bride’s Centre, 93 Sheridan, Richard Brinsley, 32 Starcatchers, 45 Sherman Theatre, Cardiff, 45 Stein, Gertrude, 106, 193, 195, 218 Shorter, Eric, 68 Nine Plays and a Recipe, 73 Sidiropoulou, Avra, 8–10 Stein, Peter, 9, 59, 66, 83, 129, 132, Sierz, Aleks, 23n108, 161, 162n131, 132n52, 138, 141, 143, 185, 165, 168n136 186, 202 In-Yer-Face Theatre: British Drama Faust Fantasia (after Goethe’s Faust), Today, 23n108 83n154 Slater, Steve, 182 Stevenson, Mark, 235 Small, Christopher, 53, 56, 57, 60, 61, Stevenson, Randall 63–64 Scottish Theatre Since the Seventies, Smith, Andy W. 32n18, 92n6, 93n7 Howard Barker’s Theatre, 4, 19 Strindberg, August, 32, 116, 130, Smith, Ashley 147, 210, 219n66 How You Gonna Live Your Dash, Creditors, 48, 116, 231n42 24n116, 227n12 Miss Julie, 130, 206 Smith, Donald, 36–37, 53, 95, 95n16, Sturua, Robert, 9–10, 16n74, 83 97 Summerhall, Edinburgh, 41, 185, Smith, Ian, 5n24 185n171, 185n173, 209n23 Smith, Stef, 231, 232 Surrealism, 2, 200 Roadkill, 231 Suspect Culture, 22–23, 41n81, 45, Smout, T.C. 46, 111, 115n2, 116, 124–126, A History of the Scottish People 125n33, 145n80, 176n150, 188, 1560–1830, 149 189, 202, 210, 223, 230, 233 Solomon, Alisa, 10n48 Futurology, 208, 223n87 Somerset, Adam, 111 Swedish Performing Arts Bienniale, Song of the Goat (Teatr Pieśń Kozła), 184 106n57, 185, 185n172 Synge, John Millington, 33, 154 Sontag, Susan, 55 Sophocles Antigone, 21n100 T Southbank Centre, London, 41n86, TAG theatre company, 15, 132 185n171 Tall, Allan, 98 Spark, Muriel Tarantino, Quentin, 8 The Driver’s Seat, 209 Taudevin, Julia, 227 Spence, Alan, 155 Blow Off, 228 Spielberg, Steven, 173–174 Taylor, Cecil Philip, 37 The Color Purple, 174 Taylor, Paul, 93–94 Jaws, 174 Teatro Municipal Joaquim Benite, Raiders of the Lost Ark, 174 Almada, 144n77 INDEX 253

Tennant, David, 16n75 Trouton, David, 45 tg STAN, 41n81, 182 Truffaut, François, 8, 8n39 The TEAM TV Productions, 176 Everything That Gives Off Light, 210 Tynan, Kenneth, 159, 159n123, Théâtre de Complicité, see McBurney, 159n124 Simon Tzara, Tristan Théâtre du Soleil, see Mnouchkine, The Gas Heart, 220 Ariane Theatre Machine (improvisation group), see Johnstone, Keith U Thomas, Sian, 43n101 Untitled Projects, 11, 45, 111, 124, Thompson, Emma, 142 125, 125n33, 175, 176n149–151, Thompson, Gregory, 76n110 177, 189, 201, 202 Thomson, Mark, 131, 208n11, 210, The Salon Project, 74, 93n10, 176 210n32 Pleasure and Pain, 69, 72, 73 Thomson, Rupert, 41n86, 185 V Tiffany, John, 74, 207n5, 208n14, Valle-Inclan, Ramon Del 212 Barbaric Comedies, 83n155 Black Watch, 207, 207n4 Vanishing Point, 11, 19, 41n81, 46, Told by an Idiot 111, 124, 125, 176n150, 189, I Am Thomas, 111–112, 209 210, 223, 225, 230, 233 Toller, Ernst, 66 The Beautiful Cosmos of Ivor Cutler, Tolstoy, Leo, 67 19, 209 War and Peace, 178 Verdi, Giuseppe Tony Awards, 143, 207n5 Falstaff, 78 Tramway, Glasgow, 10n51, 41, 42n87, Verhulst, Dimitri 44, 74, 90, 128, 176n149, Aalst, 207–210, 216, 218n63 176n152, 181, 182, 182n165, Vesel, Alenka Klabus, 136n63, 191 209n23, 216, 216n58, 217n59, Victoria (theatre company), 41n81, 219, 220, 220n74, 223, 226 160n125, 216 Traverse Theatre, Edinburgh, 15, 37, Victoria (theatre company) 41–44, 46, 65, 72, 74, 78, üBUNG, 217n59 84n158, 86, 87, 88n173, 93n10, Vile, Gareth, 81–82 128n42, 130, 133n53, 138n64, Visconti, Luchino, 179, 180, 201 139n66, 140n67, 142n72, Death in Venice, 175 156n115, 161n127, 161n129, Volksbühne, Berlin, 181 176n149, 176n151, 206, 207n5, 213, 231, 231n42, 232, 235n61 Tron Theatre, Glasgow, 44, 45, 48, W 98n30, 130n45, 138n64, Walker, Alice, 174n144 148n94, 162n132, 227, 232 Walker, Robert, 55–56 254 INDEX

Wallace, Gavin Brecht on Theatre: The Development Scottish Theatre Since the Seventies, of an Aesthetic, 13n60, 106n58 32n18, 92n6, 93n7 Williams, Michelle, 143n75 Walsh, Enda, 234n58 Wilson, Robert, 9, 186, 202 Warlikowski, Krzysztof, 9 Wilson, Wils, 48 Warner, Alan, 148 Woodhead, Cameron, 229, 230 Watt, Jenna, 227 The Wooster Group, 41n81, 128n43, banned from The Arches, 181, 186, 202 228n20 Wright, Allen, 53, 56, 64, 67–68 How You Gonna Live Your Dash, Wright, Isabel, 231 24n116, 227n12 Wylie, Jackie, 29, 47, 49, 208n7, Webster, John 223n86, 224, 227–231, 233–235 The Duchess of Malfi, 71 The White Devil, 60 Wee Stories, 45, 111 Y Weill, Kurt Yarrow, Ralph The Lindbergh Flight/The Flight Over Jacques Lecoq and the British Theatre, the Ocean, 16 18 The Seven Deadly Sins, 16 Welsh, Louise, 79 The Cutting Room, 72, 75 Z West Yorkshire Playhouse, Leeds, Zadek, Peter, 9, 59, 60, 66 207n5 Zeffirelli, Franco, 179, 180, 201 Wildcat, see 7:84 Scotland The Zohar, see The Kabbalah Wilde, Oscar, 33 Zola, Emile, 15 Willett, John, 13n60, 106n58 Thérèse Raquin, 75