Ernest Tubb Record Store
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Voices in the Hall: Sam Bush (Part 1) Episode Transcript
VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Sense of Place in Appalachia. INSTITUTION East Tennessee State Univ., Johnson City
DOCUMENT. RESUME ED 313 194 RC 017 330 AUTHOR Arnow, Pat, Ed. TITLE Sense of Place in Appalachia. INSTITUTION East Tennessee State Univ., Johnson City. Center for Appalachian Sttdies and Services. PUB DATE 89 NOTE 49p.; Photographs will not reproduce well. AVAILABLE FROMNow and Then, CASS, Box 19180A, ETSU, Johnson City, TN 37614-0002 ($3.50 each; subscription $9.00 individual and $12.00 institution). PUB TYPE Collected Works -Serials (022) -- Viewpoints (120) -- Creative Works (Literature,Drama,Fine Arts) (030) JOURNAL CIT Now and Then; v6 n2 Sum 1989 EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Essays; Interviews; *Novels; Photographs; Poetry; *Regional Attitudes; Regional Characteristics; *Rural Areas; Short Stories IDENTIFIERS *Appalachia; Appalachian Literature; Appalachian People; *Place Identity; Regionalism; Rural Culture ABSTRACT This journal issue contains interviews, essays, short stc-ies, and poetry focusing on sense of place in Appalachia. In iLterviews, author Wilma Dykeman discussed past and recent novels set in Appalachia with interviewer Sandra L. Ballard; and novelist Lee Smith spoke with interviewer Pat Arnow about how Appalachia has shaped her writing. Essays include "Eminent Domain" by Amy Tipton Gray, "You Can't Go Home If You Haven't Been Away" by Pauline Binkley Cheek, and "Here and Elsewhere" by Fred Waage (views of regionalism from writers Gurney Norman, Lou Crabtree, Joe Bruchac, Linda Hogan, Penelope Schott and Hugh Nissenson). Short stories include "Letcher" by Sondra Millner, "Baptismal" by Randy Oakes, and "A Country Summer" by Lance Olsen. Poems include "Honey, You Drive" by Jo Carson, "The Widow Riley Tells It Like It Is" by P. J. Laska, "Words on Stone" by Wayne-Hogan, "Reeling In" by Jim Clark, "Traveler's Rest" by Walter Haden, "Houses" by Georgeann Eskievich Rettberg, "Seasonal Pig" by J. -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
Songs of Desire Clinch Mtn Backstep (Dobro/Banjo)
Songs of Desire Clinch Mtn Backstep (dobro/banjo) Lady of Spain Rank Stranger Dobro Practise Tunes Kentucky Waltz Down Home Waltz Stony Creek Nine Pound Hammer Coconut Grove Gravity Gulch Coloured Aristocracy Right or Wrong Hano Hano (?) Boston Boy C High Country G Amor de ma vida Eb Make it your own idea A Napoleon Crossing the Rhine D Across the Alley From the Alamo by Joe Greene (1947) Across the alley from the Alamo Lived a pinto pony and a Navajo Who sang a sort of Indian hi-de-ho To the people passing by The pinto spent his time a-swishin flies And the Navajo watched the lazy skies And very rarely did they ever rest their eyes On the people passing by One day they went a-walkin Along the railroad track They were swishin not a-lookin Toot toot, they never came back Across the alley from the Alamo When the summer sun decides to settle low A fly sings an Indian hi-de-ho To the people passing by Across the alley from the Alamo Lived a pinto pony and a Navajo Who used to bake frijoles in cornmeal dough For the people passing by They thought that they would make some easy bucks If they're washin their frijoles in Duz and Lux A pair of very conscientious clucks To the people passing by They took this cheap vacation Their shoes were polished bright No they never heard the whistle Toot toot, they're clear out of sight Across the alley from the Alamo When the sunlight beams its tender tender glow The beams go to sleep and there ain't no dough For the people passing by Across The Great Divide by Kate Wolf I've been walkin' in my sleep Countin' troubles 'stead of countin' sheep Where the years went I can't say I just turned around and they've gone away I've been siftin' through the layers Of dusty books and faded papers They tell a story I used to know It was one that happened so long ago It's gone away in yesterday And I find myself on the mountainside Where the rivers change direction Across the Great Divide Well I heard the owl a-callin' Softly as the night was fallin' With a question and I replied But he's gone across the borderline He's gone away . -
A Cultural History of Opryland USA, Nashville, and the Suburban South
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-10-2020 Country Fun: A Cultural History of Opryland USA, Nashville, and the Suburban South William C. Nieman Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Popular Culture Commons, Cultural History Commons, and the United States History Commons Recommended Citation Nieman, William C., "Country Fun: A Cultural History of Opryland USA, Nashville, and the Suburban South" (2020). Honors Theses. 1348. https://egrove.olemiss.edu/hon_thesis/1348 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. COUNTRY FUN: A CULTURAL HISTORY OF OPRYLAND USA, NASHVILLE, AND THE SUBURBAN SOUTH by William C. Nieman A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford April 2020 Approved by ______________________________ Advisor: Professor Ted Ownby ______________________________ Reader: Professor Rebecca Marchiel ______________________________ Reader: Professor Jay Watson © 2020 William Chalmer Nieman ALL RIGHTS RESERVED ii In memory of Frankie and John Prine, two Nashvillians that we lost too early. iii ACKNOWLEDGMENTS First, my thanks go to the faculty members who have shaped me into the scholar, writer, and critical thinker that I am today, including Ted Ownby, Darren Grem, Katie McKee, Brian Foster, Ralph Eubanks, Patrick Alexander, Garrett Felber, and Kirk Johnson. -
1 a Conversation with Elizabeth Cook by Frank Goodman (7/2005
A Conversation with Elizabeth Cook By Frank Goodman (7/2005, Puremusic.com) I admit it, a lot of seemingly everyday things are mysteries to me. But as I became more aware of and then deeply into the music of Elizabeth Cook, a new mystery moved up the list. Namely, how can you take a singer this great, with tunes of this caliber, who looks this gorgeous, and not be able to put it in the hoop? In this particular case, all the factors mentioned are in the extreme, so it seems like criminal ineptitude. It’s not that simple, of course. Her 2002 big label (Warners) debut Hey Y’all didn’t really see the exposure it was due, to understate the matter. It’s all too easy to deduce that it was considered too traditional, or “too Country for Country” as it’s come to be called around Music Row. On the other hand, Elizabeth’s authentically traditional country sound endeared her to the Grand Ole Opry and its fans. To date, she has appeared over 100 times on the Opry, more than many huge stars of the genre. I was fortunate enough to see her perform at a Billy Block show in town a while back, and was knocked out. Elizabeth’s manager David Macias is a friend, and he took me upstairs to meet her. She’s such a lovely and genuine person that it kind of bowls you over, you know what I mean. Her husband Tim Carroll was talking to a fan so I didn’t get to hang with him, but he’s also extremely talented, both as an artist in his own right and as her bandleader. -
Hayride Final 51-100.Pdf
COMMERCIAL DISCS CUT IN KWKH RADIO STUDIOS The next eighteen songs are examples of the commercial discs recorded by record companies in the KWKH radio studios during the early years of the Hayride. Several of them were major country music used for radio broadcasts, some thirty by hits, competing with music made in profes - fifteen feet in size with a twelve foot high sional studios in Nashville, Dallas, and the ceiling, and an announcer's viewing area, big cities of the north, east and west. In into a recording studio with only a one- part, this is as much testimony to the abil - track control board but with five top quality ities of KWKH recording engineer Bob microphones. In the main, the studio 'Sully' Sullivan as it is to the artists them - catered to the local artists who wanted to selves. Sullivan was born in Shreveport be able to record locally for the local PACE - and lived locally, working a full day shift on MAKER record label set up by singer Webb the station as well as taking charge of out - Pierce, but it also suited artists contracted side broadcasts such as the Hayride. He to other labels including Slim Whitman was also persuaded to stay on occasionally who had a day job as a mail man and Mac during the down-time of the early morning Wiseman who was resident in Shreveport hours. While the station was off air, he briefly and was unable to get back to would turn the insulated internal room Nashville on demand. TEX GRIMSLEY & THE TEXAS PLAYBOYS 1-13 Walking The Dog (Grimsley) PACEMAKER 1001 Fiddle player Marcel 'Tex' Grimsley They relocated around Shreveport after was a mainstay of the KWKH radio sched - that, playing local shows as the Red River ules in the late '40s and he was the first to Ramblers and holding down their own record on PACEMAKER with his band, the radio show as well as being early regulars Texas Playboys. -
Yesterday and Today Records Newsletter, August 2009
August 09 Newsletter --------------------------------------- Yesterday & Today Records PO Box 54 Miranda NSW 2228 ph/fax: (02) 95311710 email: [email protected] web site: www.yesterdayandtoday.com.au ------------------------------------------- Unfortunately there has been a slight postage increase, brought about by our friends at Australia Post. 1 cd $2/ 2 cds $3/ 3-4 cds $6.50 We will send registered or express as requested. New and just in. Hillside Records Country Song Roundup $30 This is new recordings on the Hillside label with special guest and musical director in Justin Trevino. Justin is still on the Heart of Texas label and his 4 songs (of a very generous 21). I can’t say I have heard Kenny Seratt before but that is mainly through lack of material available more so than anything else but lo & behold if he doesn’t sound like Lefty, which is particularly weird on “Hank & Lefty Raised My Country Soul”!! He appears on 5 songs and none are less than sensational. What a voice!! Jerry Inman is also fine on three tracks. He was once voted the CMA’s Best Newcomer of the Year. Well he is close to the best on this. The remaining songs feature Curtis Potter, Darrell McCall and Ray Sanders in various trios, duos and solo spots. These are different to the “Texas Dance Hall Music” cd. Curtis Potter, who recorded a duet album on step One with Willie Nelson, is a superb Ray price style vocalist (as if I had to actually tell Y & T regulars) and is grand on “January, April & Me”. -
Howe Man Met Clyde Barrow Face to Face Walter Enloe, a Longtime Resident Who Passed Right There
http://howeenterprise.com/ Volume #55, Edition #6 Monday, June 26, 2017 howeenterprise.com Howe's That Howe ISD takes first step Howe police sergeant named The Howe Fire Department towards November bond for has indicated that they will interim police chief not hold a Fourth of July new intermediate school Fireworks Festival this year due to budget restraints. They are hopeful to be able to have a fireworks show later in the year. Howe's Garrett Fulenchek got started in his fourth professional season in the minor leagues. His debut on opening night for the Hudson Valley Renegades, was a pretty salty one. He struck out three hitters in two relief innings, allowed one run on two hits and no New Interim Police Chief Michael Hill being walks. The Renegades are a Howe Superintendent Kevin Wilson listens to a interviewed by a television crew in 2015. Tampa Bay Rays franchise presentation from Gallagher and are a member of the The Howe City Council on for the new responsibilities. New York–Penn League, a The Howe ISD Board of Von Gallagher, of Tuesday night voted The deadline for Class A Short Season Trustees met for over two Gallagher Construction, on unanimously to appoint Sgt. applications for police chief league. hours on Monday night and the different types of Michael Hill to fill the void is close of business, July 31. most of the evening's delivery methods for of police chief due to the Stark Lane Farms discussion involved a construction management. resignation of Carl Hudman. Hudman announced his announced on Thursday on discussion about the resignation last month in their Facebook page that construction of a new "If we decide to move Hill, an 8-year veteran of favor for a similar position they will be closing the school to help alleviate the forward, one of the first the Howe Police Dept., will in Alaska. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS DECEMBER 14, 2020 | PAGE 1 OF 23 INSIDE BILLBOARD COUNTRY UPDATE [email protected] The Impact Of If We Make It Through December: Charley Pride Page 4 2020 Hindsight Starts With COVID-19 Chris Lane’s We find ourselves at the end, according to some pundits, of It. Has. Been. Bad. ‘Big, Big’ Moment the worst year ever. But 2021 is another year, and there is reason for optimism. Page 5 Thanks to an erratic government response, COVID-19 has For starters, the rollout of the first vaccines brings a hazy prom- killed nearly 300,000 Americans, unemployment remains ise of future tours. high, major cities are beset by lengthy food lines, and one-third Plus, country music is establishing its next wave of stars, and Palomino of citizens are likely to face eviction or foreclosure in the next some areas of the business are demonstrating their adaptabil- Rides Again two months, accord- ity, a necessary trait Page 14 ing to U.S. Census for survival. Bureau projec- L e a d i n g t h a t tions. Add in racial new-artist class tensions, a soaring are Luke Combs, Darius Rucker national debt and Gabby Barrett A Big-League Star the increasing toll and Morgan Wal- Page 14 of climate change, len. Combs, who and… well… can we topped eight of just get to 2021? Billboard’s year- Makin’ Tracks: This year has end country charts ‘Famous Friends’ naturally been a for the second year Young, Brown challenge in country in a row, has now Page 20 music, too. -
110 Reasons Nashville Is Music City.” of the Students Were Former Slaves
(Mike Curb College of Entertainment and A-Teamers such as guitarist Hank Garland, blues greats like Smith with her sister Mamie largest AFM local in the United States. Music Business) and Middle Tennessee bassist Bob Moore, drummer Buddy Harman Smith and the Jazz Hounds. Dedicated in Francis Craig: One of the city’s State University (Department of Recording and saxophonist Boots Randolph got their jazz 1925 to honor Tennesseans who served in leading musical figures in the first half 110 Reasons Industry), plus Vanderbilt University’s on), The Gaslight(home to the Brenton Banks World War I, War Memorial Auditorium, of the 20th century, bandleader Francis conservatory-style Blair School of Music and Quartet which included bassist W.O. Smith), an iconic Nashville structure with its Doric Craig was Nashville’s second recording artist. W. O. Smith Music School for low-income The Subway Lounge (where saxophonist- columns and plaza located just south of the 7He signed with Columbia Records in 1925 and children. Smith was an accomplished jazz bassist writer-arranger Hank Crawford led a combo), state capitol, has served as a venue for live music the label released 12 sides by Craig between and educator who was on the TSU faculty The Jolly Roger (where Jimi Hendrix and almost from its inception. The hall, with a high 1925 and 1928. Craig’s orchestra appeared on Nashville is for more than two decades. When he retired, Billy Cox performed as members of the King ceiling adorned with trademark art deco inlays, WSM’s inaugural broadcast Smith had a dream that by offering musical Casuals) and The Voodoo Club were the great wooden stage and deep floor, is known and they had a regular Sunday instruction to low-income families the lives of prominent venues in the alley.