Howe Man Met Clyde Barrow Face to Face Walter Enloe, a Longtime Resident Who Passed Right There
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Voices in the Hall: Sam Bush (Part 1) Episode Transcript
VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Titleartist Song #Title Artist Song
TITLEARTIST SONG #TITLE ARTIST SONG # #1 Nelly 13150- 4 + 20 Crosby, Still 19785- #1 Crush Garbage 09233- 4 Ever Lil Mo & Fabolous 19568- (I Never Promised You A) McBride, Martina 22023- 4 Seasons Of Loneliness Boyz II Men 19179- Rose Garden 4 To 1 In Atlanta Byrd, Tracy 07000- 03 Bonnie & Clyde Jay-Z & Beyonce 13989- 40 Kinds Of Sadness Cabrera, Ryan 20756- 1 Thing Amerie 20399- 409 Beach Boys, The 21689- 1,2 Step Ciara & Missy Elliott 21040- 42nd Street Musical/42nd Street 04865- 1-2-3 Barry, Len 00031- 45 Shine Down 19489- 1-2-3 Redlight 1910 Fruitgum Co. 05747- 455 Rocket Mattea, Kathy 07973- 1-2-3-4 Sumpin' New Coolio 17543- 48 Crash Quatro, Suzi 18006- 10 Days Late Third Eye Blind 11585- 4am Our Lady Peace 09576- 10 Out Of 10 Louchie Lou 19228- 4Ever The Veronicas 21893- 100 Years Five For Fighting 21554- 4th Of July Jennings, Shooter 20797- 100 Years From Now Lewis, Huey & The News 02521- 5 Miles To Empty Brownstone 08298- 100% Chance Of Rain Morris, Gary 10374- 5 O'clock In The Morning Nonchalant 16274- 100% Pure Love Waters, Crystal 05040- 5-4-3-2-1 Mann, Manfred 17727- 10th Ave. Freezeout Springsteen, Bruce 13026- 5-4-3-2-Yo! Time Is Up Jade 15955- 16th Avenue Dalton, Lacy J. 04285- 5-6-7-8 Steps 18204- Cross Canadian 14070- 17 50 Ways To Leave Your Simon, Paul 04687- Ragweed Lover 18 & Life Skid Row 21503- 50,000 Names Jones, George 13456- 18 Yellow Roses Darin, Bobby 06581- O'Hara, Jamie 05002- 19-2000 Gorillaz 13152- 50/50 Lemar 19097- 1969 Stegall, Keith 06368- 500 Miles Peter, Paul & Mary 21385- 1979 Smashing Pumpkins 06495- -
Sense of Place in Appalachia. INSTITUTION East Tennessee State Univ., Johnson City
DOCUMENT. RESUME ED 313 194 RC 017 330 AUTHOR Arnow, Pat, Ed. TITLE Sense of Place in Appalachia. INSTITUTION East Tennessee State Univ., Johnson City. Center for Appalachian Sttdies and Services. PUB DATE 89 NOTE 49p.; Photographs will not reproduce well. AVAILABLE FROMNow and Then, CASS, Box 19180A, ETSU, Johnson City, TN 37614-0002 ($3.50 each; subscription $9.00 individual and $12.00 institution). PUB TYPE Collected Works -Serials (022) -- Viewpoints (120) -- Creative Works (Literature,Drama,Fine Arts) (030) JOURNAL CIT Now and Then; v6 n2 Sum 1989 EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Essays; Interviews; *Novels; Photographs; Poetry; *Regional Attitudes; Regional Characteristics; *Rural Areas; Short Stories IDENTIFIERS *Appalachia; Appalachian Literature; Appalachian People; *Place Identity; Regionalism; Rural Culture ABSTRACT This journal issue contains interviews, essays, short stc-ies, and poetry focusing on sense of place in Appalachia. In iLterviews, author Wilma Dykeman discussed past and recent novels set in Appalachia with interviewer Sandra L. Ballard; and novelist Lee Smith spoke with interviewer Pat Arnow about how Appalachia has shaped her writing. Essays include "Eminent Domain" by Amy Tipton Gray, "You Can't Go Home If You Haven't Been Away" by Pauline Binkley Cheek, and "Here and Elsewhere" by Fred Waage (views of regionalism from writers Gurney Norman, Lou Crabtree, Joe Bruchac, Linda Hogan, Penelope Schott and Hugh Nissenson). Short stories include "Letcher" by Sondra Millner, "Baptismal" by Randy Oakes, and "A Country Summer" by Lance Olsen. Poems include "Honey, You Drive" by Jo Carson, "The Widow Riley Tells It Like It Is" by P. J. Laska, "Words on Stone" by Wayne-Hogan, "Reeling In" by Jim Clark, "Traveler's Rest" by Walter Haden, "Houses" by Georgeann Eskievich Rettberg, "Seasonal Pig" by J. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 1, 2021 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] What’s Up With Strait Talk With Songwriter Dean Dillon Bryan’s ‘Down’ >page 4 As He Awaits His Hall Of Fame Induction Academy Of Country Life-changing moments are not always obvious at the time minutes,” says Dillon. “I was in shock. My life is racing through Music Awards they occur. my mind, you know? And finally, I said something stupid, like, Raise Diversity So it’s easy to understand how songwriter Dean Dillon (“Ten- ‘Well, I’ve given my life to country music.’ She goes, ‘Well, we >page 10 nessee Whiskey,” “The Chair”) missed the 40th anniversary know you have, and we’re just proud to tell you that you’re going of a turning point in his career in February. He and songwriter to be inducted next fall.’ ” Frank Dycus (“I Don’t Need Your Rockin’ Chair,” “Marina Del The pandemic screwed up those plans. Dillon couldn’t even Rey”) were sitting on the front porch at Dycus’ share his good fortune until August — “I was tired FGL, Lambert, Clark home/office on Music Row when producer Blake of keeping that a secret,” he says — and he’s still Get Musical Help Mevis (Keith Whitley, Vern Gosdin) pulled over waiting, likely until this fall, to enter the hall >page 11 at the curb and asked if they had any material. along with Marty Stuart and Hank Williams Jr. He was about to record a new kid and needed Joining with Bocephus is apropos: Dillon used some songs. -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
Songs of Desire Clinch Mtn Backstep (Dobro/Banjo)
Songs of Desire Clinch Mtn Backstep (dobro/banjo) Lady of Spain Rank Stranger Dobro Practise Tunes Kentucky Waltz Down Home Waltz Stony Creek Nine Pound Hammer Coconut Grove Gravity Gulch Coloured Aristocracy Right or Wrong Hano Hano (?) Boston Boy C High Country G Amor de ma vida Eb Make it your own idea A Napoleon Crossing the Rhine D Across the Alley From the Alamo by Joe Greene (1947) Across the alley from the Alamo Lived a pinto pony and a Navajo Who sang a sort of Indian hi-de-ho To the people passing by The pinto spent his time a-swishin flies And the Navajo watched the lazy skies And very rarely did they ever rest their eyes On the people passing by One day they went a-walkin Along the railroad track They were swishin not a-lookin Toot toot, they never came back Across the alley from the Alamo When the summer sun decides to settle low A fly sings an Indian hi-de-ho To the people passing by Across the alley from the Alamo Lived a pinto pony and a Navajo Who used to bake frijoles in cornmeal dough For the people passing by They thought that they would make some easy bucks If they're washin their frijoles in Duz and Lux A pair of very conscientious clucks To the people passing by They took this cheap vacation Their shoes were polished bright No they never heard the whistle Toot toot, they're clear out of sight Across the alley from the Alamo When the sunlight beams its tender tender glow The beams go to sleep and there ain't no dough For the people passing by Across The Great Divide by Kate Wolf I've been walkin' in my sleep Countin' troubles 'stead of countin' sheep Where the years went I can't say I just turned around and they've gone away I've been siftin' through the layers Of dusty books and faded papers They tell a story I used to know It was one that happened so long ago It's gone away in yesterday And I find myself on the mountainside Where the rivers change direction Across the Great Divide Well I heard the owl a-callin' Softly as the night was fallin' With a question and I replied But he's gone across the borderline He's gone away . -
A Cultural History of Opryland USA, Nashville, and the Suburban South
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-10-2020 Country Fun: A Cultural History of Opryland USA, Nashville, and the Suburban South William C. Nieman Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Popular Culture Commons, Cultural History Commons, and the United States History Commons Recommended Citation Nieman, William C., "Country Fun: A Cultural History of Opryland USA, Nashville, and the Suburban South" (2020). Honors Theses. 1348. https://egrove.olemiss.edu/hon_thesis/1348 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. COUNTRY FUN: A CULTURAL HISTORY OF OPRYLAND USA, NASHVILLE, AND THE SUBURBAN SOUTH by William C. Nieman A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford April 2020 Approved by ______________________________ Advisor: Professor Ted Ownby ______________________________ Reader: Professor Rebecca Marchiel ______________________________ Reader: Professor Jay Watson © 2020 William Chalmer Nieman ALL RIGHTS RESERVED ii In memory of Frankie and John Prine, two Nashvillians that we lost too early. iii ACKNOWLEDGMENTS First, my thanks go to the faculty members who have shaped me into the scholar, writer, and critical thinker that I am today, including Ted Ownby, Darren Grem, Katie McKee, Brian Foster, Ralph Eubanks, Patrick Alexander, Garrett Felber, and Kirk Johnson. -
1 a Conversation with Elizabeth Cook by Frank Goodman (7/2005
A Conversation with Elizabeth Cook By Frank Goodman (7/2005, Puremusic.com) I admit it, a lot of seemingly everyday things are mysteries to me. But as I became more aware of and then deeply into the music of Elizabeth Cook, a new mystery moved up the list. Namely, how can you take a singer this great, with tunes of this caliber, who looks this gorgeous, and not be able to put it in the hoop? In this particular case, all the factors mentioned are in the extreme, so it seems like criminal ineptitude. It’s not that simple, of course. Her 2002 big label (Warners) debut Hey Y’all didn’t really see the exposure it was due, to understate the matter. It’s all too easy to deduce that it was considered too traditional, or “too Country for Country” as it’s come to be called around Music Row. On the other hand, Elizabeth’s authentically traditional country sound endeared her to the Grand Ole Opry and its fans. To date, she has appeared over 100 times on the Opry, more than many huge stars of the genre. I was fortunate enough to see her perform at a Billy Block show in town a while back, and was knocked out. Elizabeth’s manager David Macias is a friend, and he took me upstairs to meet her. She’s such a lovely and genuine person that it kind of bowls you over, you know what I mean. Her husband Tim Carroll was talking to a fan so I didn’t get to hang with him, but he’s also extremely talented, both as an artist in his own right and as her bandleader.