Duke Pearson the Phantom Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Duke Pearson The Phantom mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Phantom Country: US Released: 1968 Style: Soul-Jazz, Modal MP3 version RAR size: 1641 mb FLAC version RAR size: 1921 mb WMA version RAR size: 1303 mb Rating: 4.3 Votes: 371 Other Formats: DXD AHX FLAC MMF MIDI AU MP3 Tracklist Hide Credits 1 The Phantom 10:18 Blues For Alvina 2 3:08 Written-By – Alvina Wilson, Willie Wilson 3 Bunda Amerela (Little Yellow Streetcar) 5:44 4 Los Ojos Alegres (The Happy Eyes) 6:15 5 Say You're Mine 5:36 The Moana Surf 6 7:24 Written-By – Jerry Dodgion Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Manufactured By – Toshiba EMI Ltd Credits Bass – Bob Cranshaw Congas – Victor Pantojo* Congas, Guiro – "Potato" Valdes* Design [Cover] – Forlenza Venosa Associates Drums – Mickey Roker Flute, Flute [Alto] – Jerry Dodgion Guitar – Al Gafa, Sam Brown Liner Notes [New] – Gilles Peterson Liner Notes [Original] – Nat Hentoff Liner Notes [Translated by] – Shin Sakamoto Photography By [Cover Photo] – Francis Wolff Piano – Duke Pearson Producer – Francis Wolff Recorded By [Recording By] – Rudy Van Gelder Supervised By – 花房浩一* Vibraphone – Bobby Hutcherson Written-By – Duke Pearson (tracks: 1, 3, 4, 5) Barcode and Other Identifiers Barcode: 4988006677593 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year BST 84293 Duke Pearson The Phantom (LP, Album) Blue Note BST 84293 US 1968 BST 84293 K Duke Pearson The Phantom (LP, Album) Blue Note BST 84293 K Germany 1968 The Phantom (LP, Album, BN 4293 Duke Pearson Blue Note BN 4293 Japan 1993 Ltd, RE) The Phantom (CD, Album, UCCQ-5075 Duke Pearson Blue Note UCCQ-5075 Japan 2014 RE, RM, SHM) The Phantom (CD, Album, WATER 133 Duke Pearson Water WATER 133 US 2004 RE) Related Music albums to The Phantom by Duke Pearson Duke Pearson - How Insensitive Donald Byrd - Electric Byrd Duke Pearson - Sweet Honey Bee Jack Wilson - Easterly Winds Duke Pearson - Profile The New Elvin Jones Trio - Puttin' It Together Jimmy Smith & Wes Montgomery - Jimmy & Wes - The Dynamic Duo Frank Foster - Manhattan Fever Herbie Hancock - Speak Like A Child Various - Blue Note Plays Jobim.

Copy Link

Recommended publications

Cut Enrollment Or Quality of Education
r » Krend plans Cut enrollment or new faculty evaluation quality of education By MIKE LIFTON Staff Writer Tm not for that’-Kerr In the next three weeks, stu By JOHN MAYBURY dents will have a chance to gripe Editor publically about the kind of in and struction they have been PAUL DOUGLASS getting—and get results. News Editor Jeff Krend, ex-editor of EL BERKELEY—A general atmosphere of uncertainty looms over GAUCHO, is presently involved Berkeley this week with many speculating, but no more, as to what in the intricacies of putting Governor Reagan will do next. M out a new version of the old At a luncheon Wednesday, UC President Clark K err outlined Faculty Evaluation Guide. what adjustments and cutbacks have already been implemented as The purpose of the Guide, . , a result of the prospect of a according to Krend, is twofold. substantial budget cut. First, it will provide profes Incorporation «Recruiting (of new pro sors with reactions from fessors),*’ he announced, »4s students who have taken their virtually stopped at aU cam courses. 'should wait’ puses.** With budget resources uncertain, the University is CLASS GUIDE By GARY HANAUER hand-tied to make any definite The second purpose, Krend Staff Writer offer. The University has also went on, is to allow the stu (Last part in a series) asked fo r a $12 m illion cut in dents to find out what their John Doty, rancher and farm faculty salaries, it was dis fellow students thought about er, has lived in the Goleta closed. When asked if a cut a course they want or need to.
[Show full text]
GREAT BIG BANDS: Evening of Cool Brazilian Music for Orchestra and Jazz Ensemble
IN THE WINGS CCM JAZZ SERIES PRESENTS 7 p.m. Sunday, April 14 • Orchestra and Jazz Series • FANTASIA BRASILEIRA CCM Philharmonia and Jazz Orchestra Featuring guest artist Jovino Santos Neto, piano Scott Belck and Aik Khai Pung, music directors and conductors The seductive soundscape of enchanted Brazil comes to life in this GREAT BIG BANDS: evening of cool Brazilian music for orchestra and jazz ensemble. Featuring three-time Latin Grammy nominee Jovino Santos Neto, a master pianist and PAST AND PRESENT composer. Location: Patricia Corbett Theater Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE. CCM JAZZ LAB BAND 8 p.m. Saturday, April 20 • Jazz Series • CCM Student Jazz Combos and Faculty Artists CRAIG BAILEY, music director Tia Fuller, guest artist Scott Belck, music director MARCUS CASH, guest conductor A well-respected bandleader and educator, Tia Fuller is a professor at the Berklee College of Music and a nationally-touring artist. She was the featured saxophone soloist in Beyoncé’s band from 2006- MAYA THREAT, guest vocalist 10, and recently released Diamond Cut, a new album that features collaborations with Terri Lyne Carrington, Jack DeJohnette and Dave Holland. Location: Corbett Auditorium Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE. Thursday, March 14, 2019 Corbett Auditorium 8:00 p.m. Notice of Nondiscrimination — uc.edu/about/policies/non-discrimination ccm.uc.edu [email protected] 513-556-4183 CCM Jazz Lab Band Craig Bailey, music director PROGRAM Saxophone Trombone Wenbo Yin, lead alto Jacob Long To be selected from: Alex Belkin, alto Jonathan Newman John Lee Sullivan, tenor Nolan Manigold Quintessence Quincy Jones Colton Thomas, tenor Zachary Granger (b.
[Show full text]
That Historical Plague Was Pure Epidemics of Primary Pneumonic Plague
CHAPTER THIRTEEN GUNNAR KARLSSON’S ALTERNATIVE THEORY: THAT HISTORICAL PLAGUE WAS PURE EPIDEMICS OF PRIMARY PNEUMONIC PLAGUE Introduction G. Karlsson presented his alternative theory to the international com- munity of scholars in a paper published in Journal of Medieval History in 1996 where he argues that two late medieval epidemics in Iceland and more generally that plague in medieval Europe were pure epidem- ics of primary pneumonic plague.1 For his epidemiological interpreta- tion, Karlsson bases his alternative theory directly on Morris’s assertion of the occurrence of pure epidemics of primary pneumonic plague, a modality of plague disease spread by interhuman cross-infection by droplets. Th e concept of a pure epidemic of primary pneumonic plague implies that the origin of the epidemic is not a case of bubonic plague which develops secondary pneumonia but a case in which the fi rst vic- tim contracted pneumonic plague directly by inhalation of infected droplets into the lungs. Karlsson’s paper follows quite closely and draws heavily on a paper he published together with S. Kjartansson in an Icelandic journal in 1994 on two supposed plague epidemics in Iceland in 1402–4 and 1494–5 respectively.2 He is clear about its objective: “Th e present article [as the fi rst in Icelandic] can be seen as a defence of the late Jón Steff ensen against Benedictow’s critique of his conclusions,” namely, that these epidemics, and also the Black Death of 1348–9 in Norway were primary pneumonic plague.3 Th us, the central feature of Karlsson’s (and Karlsson’s and Kjartansson’s) paper on the two supposed plague epidemics in fi ft eenth-century Iceland is a comprehensive and sharp criticism of my doctoral thesis (1993, repr.
[Show full text]
Blizzard Buries Midwest
24 ^ THE HERALD. Fri„ Jan. 22, 1962 Federal restrictions seen David Rinas: Super Sunday Labor agency Gets diploma Is tomorrow closing office HARTFORD — Cornelius T. Duggan Jr. of 216 Class A machinist Hollister St., ... page 10 Manchester, has Tax-free bonds sure to change ... page 11 page 8 received the Chartered Life By Lisa Shepard INDUSTRIAL REVENUE BONDS are freely issued be in the president’s 1983 budget and tax package i^e n Underwriter early February. Talk has centered on forcing firms to diploma and Herald Washington Correspon dent by state and local governments (which bear no financial professional designa- responsibility), making them attractive as a develop choose between tax-exempt financing tion from the WASHINGTON — High interest rates hurt everybody, ment tool. What makes IDBs so attractive to business is provisions in the 1981 tax law for accelerated deprecia- American College. but no one knows that better than business. For that that they provide tax-free financing of development, Duggan is life sales reason alone, tax-exempt industrial revenue bonds are therefore lowering the cost of borrowing money Right now firms can use the tends and the faster tax training manager at extremely attractive to businesses of all sizes. In fact, anywhere from 4 to 7 percentage points. write-off to defray the cost of new business ventures. too attractive. The Hartford In “This is a pure interest-rate issue,” said a staff OBSERVERS FAMILIAR with the Manchester, Conn. surance Group. The bonds have been around since 1936, when Winter watch Mississippi issued one for a manufacturing plant.
[Show full text]
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz,
[Show full text]
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, ﬁxed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
[Show full text]
Jazzflits 01 09 2003 - 01 09 2021
1 19de JAARGANG, NR. 361 16 AUGUSTUS 2021 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP DE PLAAT Eve Beuvens, Steve Cole, Flat Earth Society Orchestra, Ben van de Dungen, Gerry Gibbs e.a. EN VERDER (ONDER MEER): 10 Lee Morgan (Erik Marcel Frans) 16 Europe Jazz Media Chart Augustus 18 J AAR JAZZFLITS 01 09 2003 - 01 09 2021 NR. 362 KOMT 13 SEPT. UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN CORONA-EDITIE FESTIVAL GENT JAZZ TREKT 20.000 BEZOEKERS In de tien dagen dat Gent Jazz ‘Back to Live’ duurde (van 9 tot en met 18 juli), passeerden zo’n twintigdui- zend mensen de festivalkassa. Van- wege de coronacrisis was op het laatste moment een speciale editie van het jaarlijkse zomerfestival in elkaar gezet met veel Belgische mu- sici. Maar ook de pianisten Monty Alexander, Tigran Hamasyan en ac- cordeonist Richard Galliano kwamen naar Gent. Festivaldirecteur Ber- trand Flamang sprak na afloop van een succesvol evenement. Cassandra Wilson tijdens het North Sea Jazz Festival 2015. (Foto: Joke Schot) Flamang: “In mei leek het er nog op dat deze editie niet zou doorgaan. Maar op CASSANDRA WILSON, STANLEY CLARKE twee maanden tijd zijn we erin geslaagd EN BILLY HART BENOEMD TOT NEA JAZZ MASTER om een coronaveilig evenement op po- ten te zetten.” Bezoekers konden zich Drummer Billy Hart, Bassist Stanley Clarke en zangeres niet vrij bewegen. Ze zaten per bubbel Cassandra Wilson zijn Benoemd tot NEA Jazz Master aan stoelen en tafels onder een giganti- 2022. Saxofonist Donald Harrison ontvangt de A.B. Spell- man NEA Jazz Masters Fellowship for Jazz Advocacy.
[Show full text]
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).
[Show full text]
The Rangers Meet the Devil Moves to the Texas House for Final Owner of the Lot Informed Him
Inside the Moon St. Paddy's Day A2 Chess A3 Traveling Moon A9 Spring Break A16 Issue 779 The 27° 37' 0.5952'' N | 97° 13' 21.4068'' W Island Free The voiceMoon of The Island since 1996 March 21, 2019 Weekly www.islandmoon.com FREE Around By the numbers The Island Who Islanders By Dale Rankin Work For Editor’s note: We recently got Spring Break 2019 is now winding numbers from the U.S. Census down and it can be said that other Bureau concerning the population than the swarm of out of town State on Mustang and Padre islands Police in Port A it was not an over- inside the Corpus Christi City attended event. We drove the beach Limits. These numbers are from down to up several times in compiled from data gathered the past two weeks and college kids between 2013 and 2017 and do frolicking on the sand were few and not reflect changes after December far between. Of beachgoers there 2017. This week we look at who were many but their college days for Islanders work for by industry. the most part were well behind them. It is accurate to say that Spring Break 9425 Population of Mustang hereabouts is (thankfully) a family and Padre islands inside Corpus affair and that is just fine. Christi City Limits The exception being the beach 5452 Civilian population 16 and around Mile Marker 34 in Port A over where there seems to be a permanent 299 5.5% Agriculture, forestry, swarm of kids of college age who fishing and hunting, and mining bring in a stage, complete with a guy in a rabbit suit, and have a good time 564 10.3% Construction while surrounded by attendant law 342 6.3% Manufacturing enforcement officers.
[Show full text]
The Playlist!
THE SOUNDS OF THE SEASON NOON, DECEMBER 24 - MIDNIGHT, DECEMBER 25, 2020 PRESENTED BY JAZZ 88.3 KSDS Number Name Artist Album Time Hour #01 NOON TO 1 PM DECEMBER 24 001 The Sounds of the Season - Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Jingle Bells Duke Ellington Jingle Bell Jazz (rec. 1962) 3:02 004 Frosty the Snowman Roy Hargrove & Christian McBride Jazz for Joy - A Verve Christmas Album (rec. 1996) 3:56 005 Sleigh Ride Ella Fitzgerald Ella Wishes You a Swinging Christmas! (rec. 1960) 2:59 006 Winter Wonderland The Ramsey Lewis Trio Sound of Christmas (rec. 1961) 2:08 007 O Tannenbaum Vince Guaraldi A Charlie Brown Christmas (rec. 1964) 5:09 008 Home for the Holidays Joe Pass Six-String Santa (rec. 1992) 4:00 009 The Sounds of the Season ID 0:45 010 Let It Snow! Let It Snow! Let It Snow! Brynn Stanley Classic Christmas (rec. 2019) 3:44 011 Line for Santa Octobop West Coast Christmas (rec. 2012 4:07 012 White Christmas Booker Ervin Structurally Sound (rec. 1966) 4:28 013 Deck the Halls Gerry Beaudoin & The Boston Jazz Ensemble A Sentimental Christmas (rec. 1994) 2:39 014 I’ll Be Home for Christmas Tony Bennett The Tony Bennett Christmas Album 2:14 015 The Christmas Song Scott Hamilton Christmas Love Song (rec. 1997) 5:44 016 Have Yourself a Merry Little Christmas Ron Affif Christmas Songs (rec. 1992) 5:01 017 The Christmas Waltz Beegie Adair Trio Jazz Piano Christmas (rec. 1989) 2:42 HOUR #02 1 PM TO 2 PM DECEMBER 24 018 The Sounds of the Season ID 0:45 019 A Holly Jolly Christmas Straight No Chaser Social Christmasing (rel.
[Show full text]
Celebrating Duke Ellington
Thursday–Saturday Evening, April 25 –27, 2013, at 8:00 Saturday Afternoon, April 27, 2013, at 2:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. CELEBRATING DUKE ELLINGTON JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto Saxophone, Clarinet TED NASH, Alto Saxophone, Clarinet VICTOR GOINES, Tenor Saxophone, Clarinet WALTER BLANDING, Tenor Saxophone, Clarinet JOE TEMPERLEY, Baritone Saxophone, Bass Clarinet JAMES CHIRILLO, Guitar and Banjo DAN NIMMER, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Selections will be announced from the stage. There will be a 20-minute intermission for the evening performances. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard ® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz.
[Show full text]
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
[Show full text]