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Caroline, Or Change Enjoy a pre-theatre dinner THEATRE THREE'S MAINSTAGE SEASON: at CHEERING THE UNDERDOGS! The Full Montv by David Yazbek and Terrence McNallv July 20-August 20 Did you see It? "Theu nderlylr,gIheme Is ab�ut gaining self-respect as wen as earning some ouc�s. and alrector/shoreographer MlcllaelSerrecch,a sfays firmly0n-message here. Betweenthe R-raled 2800 Routh Street, Ste. 115 jokes and pelvio thrusts, therEl,'sgenuine poignancy. You want these guys t0 be a hit" - Perry Stew� Dallas, Texas 75201 art, Fort .WorthStar-Telegram. Reservations: 214-303-0881 Vieux Carreby Tennessee Williams September 14-0ctober 15 The Dream Cafe Did you see it? "The first0f four Williams productions hereabouts over thenext month establishes a "It's one of the area's best Italian eateries 2800 Routh Street high standard forthe others to keep up." - Lawson Taitte, The Dallas MorningNews. and one of the best new spots to open Dallas, Texas 75201 this year." -- TheDallas Morning News Next door to Theatre Three Glorious! bv Peter Quilter November 9- December 10 Did you see it1 "G0nnie C0il so .good at being very bad that her perf0rmancepa)'.S h0mage, not only 214-956-0486 (o the power of illusion over life but also to the music she so skillfulf.yslaughters. She malcesyou Please show this playbill to receive hewl." - Glenn Arbery, People Newspapers 20% offof your food purchase at Riccardi's. We gladly take reservations Democracv bv Michael Frayn January4 - February 4 for theatre-goers in a hurry Did you see it? "Theperfonnances are excellent, and n0 act0r achieves too mush salience,as befits an ensemble piece like this one ... Tl')eatreThree deserves congFatulationsfor giving this all-male play Theatre Three's Board of Directors:Enika Schulze, Chair; Jae Alder, D'Metria Benson, Roland about power such an imaginativeand lucid treatment'- Glenn /IJbery,People Newspapers & Virginia Dykes, Gary W. Grubbs, Jeannine Lee, David G. Luther. Sonja J. McGill, Shanna Nugent, Elizabeth Rivera, Eileen Rosenblum, Ph.D., JeffSanders, Janet Spencer Shaw, Katherine Ward, Karen Talking Pictures by Horton Foote February22 - March25 Washington, Sam Yang, Patsy P. Yung Did you see it? "Theyought to make a law requiring every theaterin Texas to produceat l�asl 0ne The playbill is a publication of Theatre Three, Inc. 2800 Routh Street, Suite #168 Dallas, Texas 75201. HortonFoote script a year... Theatre Three op�ned a niftY.production of Mr. Foote's Talking Pictures... This Theatre Three playbill is published for: The play seems simple, but its themes spread out in ripple afterripple." - Lawson Taltte, The Dallas • Caroline or Change by Tony Kushner & Jeanine Tesori, the seventh show of the 2006-2007 Theatre MomingNews Three Mainstage Season. Cover artis by Jae Alder and Buzz Print. Show artworkby Susan Holden, and subscription brochure The Odd Couole bv Neil Simon April 12 - MaY.13 ' design by Joanna Holden of i] .. "' . 214. 526. 7356. Playbill editors: Jae Alder and KimberlyRichard Did you see It? 'les a sUff-sprtghU¥ Al'nerieanplay aoout a couple of buddies sortingout their d,f. ferences, Those lines about Oscar s kitchen -- when he serves brown and green .sandwichesto his poker pals, he says the latteris 'either verynew cheese or very old meat' - still get howls no matter The 2006 2007 5 s 5 how many timesy0u've heard them. Sim0n'says, see ii again if y0u need to laugh it out for a few hours." - Elaine Liner, bat/as Observer. 7 ijl�tl3aUa� �(JJrning 1thr� Caroline, Or Change by Tony Kushner and Jeanine Tesori May 31 -July 1 Dallas News.com .TAC.4,, Exciting, complex1 sometimes surreal and always theatrical, this musical storyenters tfle world of a black maid workingfor a well-to-doLouisiana family. On the national stage, fljeera of civilrlg_hts is Theatre Three is supported by its Board of Directors, by subscribers, by funds from the City of p_layin9out Dr. King, freedomrides SupremeCourt debates , and churolibombings. But unaerdOg Cato/meis playing outthe rightand wrong of all tnat in the laundry,room ot the nice people far whom Dallas Officeof Cultural Affairs, and The Texas Commission on the Arts. Supporters also in­ she works. Theybung sen ofth.efa,:nl/y, estranged fromhis new stepmother, relii�s,o_nfief. Car;,Caro­ clude TACA. Major corporate season sponsors include American Airlines, The Dallas Morning linesquare her dreamswffh the boy's as her own lifechanges with the times? A superbmusieal score floodsfhe stage with all the passion of those momentous tfmes in this greatnew musical. News, and WFAA Channel 8. For more information about Theatre Three's corporate sponsor­ ship program, please contact Jae Alder at 214-871-3300, #2. IN MEMORIAM Contributions have been made in memoryof, or from the estates of.. Sam & Shirley Jones Catter, Margaret Hatcher Coit, Bill Dallas, William T. Dobson, Scott Everheart,Javad Fiuzat M.D., Paula Goodlet. Oliver Hailey, Lloyd W. Kitchens Jr. M.D., Anne Weeks Jackson, Jim Jackson, Lynn Mathis, Masha Porte,Carolyn Ryburn, Frank Rey, Mary Blanche Scales, Charlotte E. Schumacher, Lynn Townsley, May , Tweed, Audrey B. Waite, Evelyn Wilke, MarthaRo selyn Wright, and Norma Young. Scene Synopsis & Musical Numbers Time: 1963 Place: Lake Charles, Louisiana Act I Scene 1: Washer/Dryer Caroline, The Washing Machine, The Radio, Noah, The Dryer Scene 2: Cabbage Rose, Caroline, Noah, Grandpa & Grandma Gellman, Stuart Scene 3: Long Distance Rose Scene 4: Moon Change Dotty, Caroline, The Moon, The Bus, Rose, Noah Scene 5: Duets The Radio, Caroline, Emmie, Noah Scene 6:The Bleach Cup Rose, Caroline, Stuart, Noah, Emmie, Jackie, Joe, The Moon Act II Scene 1 : Ironing The Radio, Caroline, The Washing Machine, Rose, The Dryer, Jackie, Joe, and Emmie Scene 2: The Chanukah Party Grandpa & Grandma Gellman, Mr. Stopnick, Rose, Noah, Caroline, Emmie, Dotty, Stuart, The Moon Scene 3: The Twenty Dollar Bill Noah, Rose, Stuart, Mr. Stopnick, Grandpa & Grandma Gell­ by Tony Kushner & Jeanine Tesori man, Caroline, The Washing Machine Artistic Staff Scene 4: Aftermath Rose, Noah, Stuart, Mr. Stopnick Dotty, Caroline Director Scene 5: Lot's Wife Jae Alder The Radio, Noah, Rose, Caroline Musical Director Te rry Dobson Scene 6: How Long Has This Been Set Design Going On? Jae Alder & Barbara Murrell The Moon, Emmie Lighting Design Neil Robert Ingles Epilogue: Emmie's Dream Costume Design Michael Robinson This play is performedin two acts with one fifteen minute intermission. Specialty Costume Design Bruce Coleman Musicians Cast Keyboards/Conductor Terry Dobson Radio 1 Feleceia Benton Percussion Justin Preece Washing Machine Chimberly Carter Bass Peggy Honea or David Odegaard Joe Thibodeaux Alex Coleman Woodwinds Ellen Kaner and Michael Dill Mr. Stopnick *Don Alan Croll Violin Christina Harpine Mr. Stopnick (Friday evenings and Saturday matinees) Doug Jackson The Handsome Boy, The Navy Man Walter Lee Cunningham Radio 2 Alysha Desloriuex The Bus/The Dryer Paul Doucet Emmie Thibodeaux Ashley Duplechain Stuart Gellman **Stan Graner The Staffof Theatre Three Grandma Gellman **Patricia Ivey Noah Gellman **Chance Jonas-O'Toole Administration Executive Producer-Director JacAlder Jackie Thibodeaux Alissa McCaffrey Company Manager Terry Dobson Caroline Thibodeaux *Liz Mikel Director of Business Affairs Joan Steloht Computer Services Manager Nick Rusfilng Radio 3 Sherel Riley Director of Publications & Communications Kimberly Ricnard Webmaster Curt S1e1ght Grandpa Gellman **Lonny Schonfeld In-House Accountant Wendy Kwan The Moon Vernicia Vernon Executive Administrative Assistant Adele Acrey Rose Stopnick Gellman *Wendy Welch Dotty *Yolonda Willams Production Director of Design JecAlder Musical Direcfor Terry Dobsen Production Staff Production Mari�er Linda Harrison AEA Stage Manager *Doug Jackson Master CarpE!hter JeffreySchmidt Intern Staff Mark C. Guerra, A11dr1Jw Phifer, Danielle Pickard Assistant AEA Stage Manager *Amy Mills ExxonMobil Community Summer Jobs Intern Christina Harpine Master Scenic Artist Barbara Murrell Production Manager & Propmaster Linda Harrison Customer Service Production Assistant Danielle Pickard Cvstemer Service Director Amy Mills Jackson Hospitality and Concessions Naricy Meeks. House Manager Master Carpenter Jeffrey Schmidt Box omceDaytime Service Manager Danus Warren Production Crew Evelyn Da vis, **Mark C. Guerra, Danielle Box OfficePerformance ServiceManager Shanara Hollins Box OfficeAgents Fred Faus( Am'.1'MIiis Jackson. Tony Banaa Shanara Pickard, Andrew Phifer Hollln!j,_Ro bertSilva Olreclor of Telemarketing CaroI 1.,rosby TelemarketingAgents Donald Baa6, Trinity Johannsen. Michael P. Marek, �indicates members working under Actor's qu1ty Assoc1at1on contracts in this production RogerWIison ,, *"*indicates a erformer enrolled in the AEA membershi candidate ro ram. Ill Jae Alder (Director & Co-Set Designer) Neil Robert Ingles (Lighting Design) Issuesof socialjustice, political empowerment. and thedefeat of racismin our country were a major preoccupationof my studentdays in Oklahomaand even into mytwo years in thearmy. I came to Dallas afterthat service in 1960. Whal I saw Neil's previous TheatreThree righting design assignmentsinclude The Mousetrap, TheMusical of Musicals{The Musical/) here affirmedthe importancethose values I'd internalized. Thus it felt especiallyappropriate that thefirst show I directed and The FullMonty , forwhich he was nominated for a 2006Column Award. Other lightingdesign credits includeLe Petit for TheatreThree (this was 1961) was the comedyPullie Victorious, a plantationfable involving a blackpreacher starting Theatre
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