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Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
Biographical Description for the Historymakers® Video Oral History with James Earl Jones
Biographical Description for The HistoryMakers® Video Oral History with James Earl Jones PERSON Jones, James Earl Alternative Names: James Earl Jones; Life Dates: January 17, 1931- Place of Birth: Arkabutla, Mississippi, USA Work: Pawling, NY Occupations: Actor Biographical Note Actor James Earl Jones was born on January 17, 1931 to Robert Earl Jones and Ruth Connolly in Arkabutla, Mississippi. When Jones was five years old, his family moved to Dublin, Michigan. He graduated from Dickson High School in Brethren, Michigan in 1949. In 1953, Jones participated in productions at Manistee Summer Theatre. After serving in the U.S. Army for two years, Jones received his B.A. degree from the University of Michigan in Ann Arbor in 1955. Following graduation, Jones relocated to New York City where he studied acting at the American Theatre Wing. Jones’ first speaking role on Broadway was as the valet in Sunrise at Campobello in 1958. Then, in 1960, Jones acted in the Shakespeare in Central Park production of Henry V while also playing the lead in the off-Broadway production of The Pretender. Geraldine Lust cast Jones in Jean Genet’s The Blacks in the following year. In 1963, Jones made his feature film debut as Lt. Lothar Zogg in Dr. Strangelove, directed by Stanley Kubrick. In 1964, Joseph Papp cast Jones as Othello for the Shakespeare in Central Park production of Othello. Jones portrayed champion boxer Jack Jefferson in the play The Great White Hope in 1969, and again in the 1970 film adaptation. His leading film performances of the 1970s include The Man (1972), Claudine (1974), The River Niger (1975) and The Bingo Long Traveling All-Stars and Motor Kings (1976). -
Community in August Wilson and Tony Kushner
FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay. -
Viola Davis's Call to Adventure
PROFILES DECEMBER 19 & 26, 2016 ISSUE VIOLA DAVIS’S CALL TO ADVENTURE How the star of “Fences” and “How to Get Away with Murder” got away from her difficult past. By John Lahr “I had a call to adventure, a call to live life bigger than myself,” Davis said. Photograph by Awol Erizku for The New Yorker n January 25, 2009, a jubilant Meryl Streep stood before a gala crowd at the O Screen Actors Guild Awards, in Los Angeles, having just won an award for her role in “Doubt,” the flm adaptation of John Patrick Shanley’s Pulitzer Prize- winning play about sexual abuse, race, and the Catholic Church. Clutching her statuette, Streep gave a shout-out to the rest of the cast. When she got to Viola Davis—who had earned her frst Academy Award nomination for her performance as the mother of an African-American boy a priest is accused of abusing—Streep saluted her colleague as “gigantically gifted,” then threw up her hands. “My God!” she said. “Somebody give her a movie!” The industry seems to have listened. Davis—“a newcomer at forty-fve,” as Streep later joked—has made twenty-one flms since then. Not all her roles have been large or central to the narrative arc, but, as Aibileen Clark, the maid who helps expose the folly of the white Mississippi matrons she serves, in “The Help”(2011), she was a popular success and gained a second Academy Award nomination. “No one had ever akst me what it felt like to be me,” Aibileen says at the end of the flm. -
By: Makayla Chanel Brown
CICELY TYSON By: MaKayla Chanel Brown "Cicely Tyson was an award-winning film, television and stage actress, notable for her roles in 'The Autobiography of Miss Jane Pittman,' 'The Help' and Broadway's 'The Trip to Bountiful,' among others." EARLY LIFE Tyson was born in New York City on December 19, 1924, and grew up in Harlem, New York. At the age of 18, she walked away from a typing job and began modeling. Tyson was then drawn to acting, though she had not been permitted to go to plays or movies as a child. When she got her first acting job, her religious mother, feeling that Tyson was choosing a sinful path, kicked her out of their home. "In my early years, there were a number of experiences that made me decide I could not afford the luxury of just being an actress. There were a number of issues I wanted to address. And I wanted to use my career as a platform." ~Cicely Tyson NOTABLE HONORS ❖ In 1977 Tyson was inducted and become a member of the Black Filmmakers Hall of Fame ❖ She was honored by the Congress of Racial Equality and by the National Council of Negro Women. ❖ 2010, the National Association for the Advancement of Colored People presented Tyson with its 95th Spingarn Medal — an award given to African Americans who have reached outstanding levels of achievement. ❖ She was a recipient of the Kennedy Center Honor. ❖ The following year, she was honored with the Presidential Medal of Freedom by Barack Obama. "One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me, and I don't want anybody to walk behind me. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Restart & Recovery Plan
EAST ORANGE SCHOOL DISTRICT Developing Leaders, One Student At A Time RESTART & RECOVERY PLAN 2.0 Guidelines, Resources, and Best Practices for the Safe Reopening of East Orange School District in COVID -19 EAST ORANGE BOARD!2 OF EDUCATION Terry S. Tucker President Darlene Clovis Vice President Board Members Cameron B. Jones, Sr. Andrea McPhatter Tashia Owens Muhammad Wayne R. Stackhouse, Jr. Felecia Williams Ware SUPERINTENDENT OF SCHOOLS AbdulSaleem R. Hasan, Ed.S. ASSISTANT SUPERINTENDENTS Anita Champagne, Curriculum & Instruction Services Dr. Deborah Harvest, Operations, Compliance & Educational Services BUSINESS ADMINISTRATION Christina Hunt, Business Administrator/ Board Secretary DIRECTORS Marissa McKenzie, Division of Labor Relations & Employment Service Tonya Santos, Special Education Services Patrice Coleman, Asst. Director - Special Education Services John E. Sousa, Chief Information Officer - Department of Information Technology Dr. Kelly Williams, Educational Support Services & Parent Relations PRINCIPALS Dr. Tabina H. Adam, Johnnie Cochran Academy Flore-Nadiege Lovett, Sojourner Truth Middle School Dr. Sharon Alsbrook Davis, Gordon Parks Academy Dr. Passion Moss-Hasan, Dionne Warwick Institute Dr. Monica Burton, Benjamin Banneker Academy Ivy Peeples, Mildred Barry Garvin School Dr. Crystal Davis, Garfield Jackson Academy Thelma Ramsey, John Costley Middle School John English, Cicely Tyson Community Middle / High School Dr. Renee Richardson, Althea Gibson Academy Henry Hamilton, Whitney Houston Academy Leslie Shults, Wahlstrom Academy Brian Heaphy, Edward T. Bowser School of Excellence Dr. Vincent Stallings, East Orange STEM Academy Annie Jackson, Patrick Healy Middle School Koree Toles, Cicely Tyson Community Elementary School Ralph Jacob, Jr. , Ecole Touissaint Louverture School Dr. Howard Walker, Langston Hughes School Yvy Joseph, Sheila Oliver Academy Willie Worley, East Orange Campus High School ASSISTANT PRINCIPALS Dr. -
When Stars Descend on Red Carpet
ACTRESS Jennifer Lawrence (Silver Linings Playbook) WHEN STARS Emmanuelle Riva (Amour) Naomi Watts DESCEND ON Jessica Chastain (The Impossible) (Zero Dark Thirty) RED CARPET Quvenzhané Wallis (Beasts of the Southern Wild) Nominations for the DJANGO 85th Academy Awards, UNCHAINED to be telecast at 6 am BEST PICTURE Beasts of the Southern Wild IST on Monday Amour Silver Linings Life of Pi ACTOR Playbook Argo Daniel Day-Lewis Django Unchained (Lincoln) Lincoln Les Misérables Denzel Washington (Flight) Zero Dark Thirty Hugh Jackman (Les Misérables) DIRECTION Bradley Cooper (Silver Linings Playbook) Benh Zeitlin (Beasts of Joaquin Phoenix (The Master) QUVENZHANÉ the Southern Wild) WALLIS Michael Haneke (Amour) ORIGINAL SCREENPLAY ADAPTED SCREENPLAY Steven Spielberg (Lincoln) Michael Haneke (Amour) Chris Terrio (Argo) Ang Lee (Life of Pi) MICHAEL HANEKE Quentin Tarantino (Django Lucy Alibar & Benh Zeitlin David O Russell Unchained) (Beasts of the Southern Wild) (Silver Linings Playbook) John Gatins (Flight) David Magee (Life of Pi) ParaNorman Wes Anderson & Roman Tony Kushner (Lincoln) ANIMATED FEATURE FILM The Pirates! Band Coppola (Moonrise Kingdom) David O. Russell of Misfits DANIEL DAY-LEWIS Mark Boal (Zero Dark Thirty) (Silver Linings Playbook) Brave Frankenweenie Wreck-It Ralph BEST ACTOR IN SUPPORTING ROLE BEST ACTRESS IN SUPPORTING ROLE FOREIGN FILM BRAVE Alan Arkin (Argo) Amy Adams (The Master) Amour (Austria) Robert De Niro (Silver Linings Playbook) Sally Field (Lincoln) Kon-Tiki (Norway) Philip Seymour Hoffman (The Master) Anne Hathaway (Les Misérables) No (Chile) Tommy Lee Jones (Lincoln) Helen Hunt (The Sessions) A Royal Affair (Denmark) Christoph Waltz (Django Unchained) Jacki Weaver (Silver Linings Playbook) War Witch (Canada) PHOTOS: REUTERS, OSCAR.GO.COM. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
MLS NETS MATADORS Campus
LISTEN TO SUNDIAL SUNDIAL MOBILE PODCASTS ONLINE ALWAYS FRESH AVAILABLE ON ITUNES AND ALWAYS GOOGLE PLAY FREE SUNDIAL.CSUN.EDU TUESDAY, JANUARY 20, 2015 | VOL. 56 IS. 19 | FREE LIFESTYLE OPINIONS SPORTS A survival guide for suc- No spring rush will only Matador boxing team ceeding during the new put a temporary stop to looking to repeat at semester Page 6 hazing Page 13 Nationals Page14 Campus MLS NETS MATADORS reflects on Sagi Lev-Ari and Edwin Rivas make history in the 2015 MLS Super Draft provost CANDICE CRISS CAMPUS EDITOR ALEX VEJAR PRINT MANAGING EDITOR ON JAN. 9, President Dianne Harrison officially announced Harry Hellenbrand’s decision to step down as the university’s provost. Hellenbrand has been pro- viding services to CSUN for 11 years, and has chosen to step down after this academic year, as opposed to his initial plan to leave by June 2017. During Hellenbrand’s pend- ing departure, many of his col- leagues and pupils have reacted with respect and admiration for what he has been able to accom- plish as provost. William Watkins, vice presi- dent of student affairs, was still associate vice president when he met Hellenbrand. They soon formed a very close friendship. Watkins said the news of his exit made him sad for himself and his colleagues, but happy for Hellenbrand. / FILE PHOTOS THE SUNDIAL “I have had a chance to dwin ivas left, taken th overall, and agi evAri right, taken th overall, made history as the first atador pair drafted in the uperdraft. observe how fellow CSU pro- vosts defer to and seek out his VINCENT NGUYEN as CSUN men’s soccer playershave two players drafted in the CSUN men’s soccer head coach judgment on a wide range of SPORTS EDITOR Sagi Lev-Ari and Edwin Rivassame year in the first two rounds. -
Tony Kushner's Angels in America Or How American History Spins Forward
Tony Kushner’s Angels in America or How American History Spins Forward Alfonso Ceballos Muñoz Universidad de Cádiz [email protected] Abstract Angels in America’s roaring success represents a real turning point in mainstream American drama. This article explores both Kushner’s treatment of history— particularly American history—and the ingredients which compound the melting pot American society had become in the 1980s. Through the specific situations the characters undergo in both Millennium Approaches and Perestroika, the playwright exposes his own Brechtian and neo-Hegelian vision of current events. Kushner deliberately recycles traditional American myths and elements of American culture and pins them all on a reconstruction of identity—whether gender, racial, or political—as the real axes of his plays. By making gay characters lead the plays, and by including obvious religious elements from an apocalyptic literary style, political discussions on Reagan’s policy on AIDS, and reminiscent historical images, Angels in America becomes a revision of the new National Period America is living as the promised land which every single individual re-creates with her/his daily efforts and capabilities. “The people look skyward seeking aid from above, and the Angel of History appears on the horizon his eyes staring, mouth open and wings spread, while human catastrophes are hurled before his feet”. Walter Benjamin, “Theses on the Philosophy of History”. “History is a ribbon, always unfurling; history is a journey. And as we continue our journey, we think of those who travelled before us”. Ronald Reagan’s Second Inaugural Address. January 21, 1985 “We won’t die secret deaths anymore.