The Overlook P Ress Pet E R M a Y E R P U B L I S H E R S , I N C
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
East Hartford Club Guest of Rotarians Here Will Plan
4 ft**? '*"!' «#<, *-r**i,T'' *•»> * > ..,... '" T'^ :'H • . '*£! Sj-L , V-.J" «•*• #4,? ,&S C?,# x •••••••' ;:-. '" *' \¥" "i^S>J? • : • 7,v#sBffi THE ONLY NEWSPAPER PUBLISHED IN THE TOWN OF ENFIELD, CONN. Fifty-Third Year—No. 24. THOMPSONVILjaErCONN., THURSDAY, SEPT. 29, 1932 Subscription $2.00 Per Year—Single Copy 5c. EAST HARTFORD Things to Remember Before Voting ENDORSED FOR Town Tickets As They Will Be DEMOCRATS TO CLUB GUEST OF At the Town Election Next Monday REGIONAL LOAN HOLD RALLY AT ROTARIANS HERE Voted At Election Next Monday The polls in all three of the voting districts will open at 6 A. M. BANK DIRECTOR THE HIGH SCHOOL and close at 4 P. M. DEMOCRATIC REPUBLICAN First Inter-City Meeting Avoid confusion by checking up in which district or precinct you Assessor are registered before balloting. Walter P. Schwabe Be Michael A. Mitchell Henry J. Bridge Local Candidates And Proves Unusually Suc _ Jn Thompsonville, if you live south of the Asnuntuck Brook, the ing Urged For Direc jrona or Freshwater Brook you are in Precinct 1, and you vote at the Board of Relief Out of Town Speakers cessful— Rev. Charles Town Court Room. torship of New Eng Michael J. Liberty Jeremiah H. Provencher Will Be Heard Tomor Noble of Hartford Ad If you live on the north side of the above named bodies of water Selectmen you are in Precinct 2, and your voting place is the Higgins School land Branch,of Federal Patrick T. Malley Orrin W. Beehler row Night—No Repub dresses Gathering. Auditorium. Francis T. Carey Robert J. -
The Illustrated Winespeak Free
FREE THE ILLUSTRATED WINESPEAK PDF Ronald Searle | 104 pages | 01 Jun 1994 | Souvenir Press Ltd | 9780285625921 | English | London, United Kingdom The Illustrated Winespeak: Ronald Searle's Wicked World of Winetasting by Ronald Searle Please sign in to write a review. If you have changed your email address then contact us and we will update your details. Would you like to proceed to the App store to download the Waterstones App? We have recently updated our Privacy Policy. The Illustrated Winespeak site uses cookies The Illustrated Winespeak offer you a better experience. By continuing to browse the site you accept our Cookie Policy, you can change your settings at any time. In stock Usually dispatched within 24 hours. Quantity Add to basket. This item has been added to your basket View basket Checkout. Your local Waterstones may have stock of this item. On The Illustrated Winespeak's first publication inthis hilarious send-up of winetaster's jargon was hailed by 'The Financial Times' as "one of this year's bubbling successes". It has since been constantly reprinted to meet demand and has become a classic of The Illustrated Winespeak kind. For all those mystified by the strange pontifications of wine-buffs, Ronald Searle's The Illustrated Winespeak is the perfect guide to the meaning behind "distinctive nose", "full bodied" and "elegant but lacks backbone". The book is an onslaught on the pretentious nonsense written and spoken about wine. His interpretations of such apparently innocent phrases as 'full bodied' and 'distinctive nose' The Illustrated Winespeak certainly make you laugh aloud, and in all probability splutter in your wine glass. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Hugh^ Set No Records on Globe Girdling Flight
HANCHraTER EVBNINO R E ^^D . MANCRUTEB, CONN« THURSDAY,. JULY 14.1988 MANCHESTER BVENINQ HERALD, MANCBB8TER. THURSDAY, JULY %4 ,1988 market at the tlma the Boland bid stated that, la hUi opinlea, the ohiy town money. Ra isn’t doing th tff waa accepted, ta tt Bay for the town to give out I nor is this sealedIsd bid p r o ^ t tlig (he kandaUam this afternoon. f General Mlahp. Its builiiees wae by eealed bid, pAr- DEMOCRAn MAY ALTER tlonald Stewart, 28, of 620 Wash- Winner In Kemp’s Contest DRIYING TEST CAR BID MUDDLE doing It. He now proposes only ington avenue; Chariea Petei The entire gasoline tnirchasa prob- tlelpatton In which would be open loWes his price to meat competition. ’ POSITION Pretzel Twisting Case lem has been in a miaiip of mis- only to local taxpayers. 20, of f0S Amsterdam avenue, SEADLUND EI£CTR0CUTED understanding and turmoil' 'since We am i’t getting any bargain. It’a DAtE OF CONVENTION Jlaymopd Coi^, 27, of lOO ' ROCKVILLE HERE NEXT IHUIDAY After discussing the qnSkttoa, Just a 'ehift of dealers.’’ Martin last week when three local oil deal- the Board memfaera agreed that alt street, former employ^ of th* Has Referee Twisted Ut SOLVED BY SELECTMEN ers, acting on a request to submit was backed, in hla view by fliflaet- Telegram who partidpatad i t a IPOGHT IN DANGER local taxpayers >houId be given an Favor Roldiiig State Parley , -}r • ^ s ,etna Safety Special” To Be offers for the supplying of the men L. T. Wood and Harold Reed, walkout at the plant aeVeral weSks FOR THE ROSS KIDNAPING equal chance to bid for the comJiig who were not in sympathy with the Week O f^ept. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of Arts and Architecture UNSETTLED MASSES: PUBLIC TRANSPORTATION IN THE ART OF NEW YORK CITY, 1929–1941 A Dissertation in Art History by Emily A. Schiller © 2016 Emily A. Schiller Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2016 The dissertation of Emily A. Schiller was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Co-Adviser Co-Chair of Committee Leo G. Mazow Louise B. and J. Harwood Cochrane Curator Head of the Department of American Art Virginia Museum of Fine Arts Dissertation Co-Adviser Co-Chair of Committee Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Craig Zabel Associate Professor of Art History Head of the Department of Art History Anne Rose Distinguished Professor of History and Religious Studies *Signatures are on file in the Graduate School. ii ABSTRACT During the Great Depression and World War II, public transportation thrived as an alternative to costly travel by railroads or private cars. This dissertation uses depictions of mass transit as points of departure into contextual examinations of three artists who repeatedly used passengers as subjects: Reginald Marsh (1898–1954), Donald Freeman (1908–1978), and Walker Evans (1903–1975). I argue that travel imagery attests to mobility as a common experience—an aspect of American life that viewers would recognize. Through a close examination of representations of mobility, it becomes clear that the motif appealed to these artists because it was simultaneously common and complicated—implicitly moving but explicitly stationary. -
Thomas E. Dewey and Earl Warren: the Rise of the Twentieth Century Urban Prosecutor
California Western Law Review Volume 28 Number 1 Article 2 1991 Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Century Urban Prosecutor Lawrence Fleischer Follow this and additional works at: https://scholarlycommons.law.cwsl.edu/cwlr Recommended Citation Fleischer, Lawrence (1991) "Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Century Urban Prosecutor," California Western Law Review: Vol. 28 : No. 1 , Article 2. Available at: https://scholarlycommons.law.cwsl.edu/cwlr/vol28/iss1/2 This Article is brought to you for free and open access by CWSL Scholarly Commons. It has been accepted for inclusion in California Western Law Review by an authorized editor of CWSL Scholarly Commons. For more information, please contact [email protected]. CALIFORNIA WESTERN Fleischer: Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Centur LAW REVIEW VOLUME 28 1991-1992 NUMBER 1 THOMAS E. DEWEY AND EARL WARREN: THm RISE OF THE TWENTIETH CENTURY URBAN PROSECUTOR LAWRENCE FLEISCHER* INTRODUCTION The study of the American urban prosecutor, a key political-legal officer who carries the immense power of "prosecutorial discretion," has yet to attract serious historical research. A review of the published literature suggests the first crucial period of development occurred during the Jacksonian period when the office broke free of its traditional administrative role as the adjunct of the court. During this period the local urban prosecutor became an elected official.1 This unmoored the office from the anchor of the judiciary and set it sailing into the realm of politics. Essential- ly, this set the standard throughout the nineteenth and the early part of the twentieth centuries of an office beholden to the electorate in the most intimate political sense, and established the office as the keystone of the criminal justice system. -
Judge Jean Hortense Norris, New York City - 1912-1955
University of the District of Columbia School of Law Digital Commons @ UDC Law Journal Articles Publications 2019 Fallen Woman (Re) Frame: Judge Jean Hortense Norris, New York City - 1912-1955 Mae C. Quinn University of the District of Columbia David A Clarke School of Law Follow this and additional works at: https://digitalcommons.law.udc.edu/fac_journal_articles Part of the Courts Commons, Judges Commons, and the Legal History Commons Recommended Citation Mae C. Quinn, Fallen Woman (Re) Frame: Judge Jean Hortense Norris, New York City - 1912-1955, 67 (macro my.short_title 451 (2019). Available at: https://digitalcommons.law.udc.edu/fac_journal_articles/25 This Article is brought to you for free and open access by the Publications at Digital Commons @ UDC Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ UDC Law. For more information, please contact [email protected]. Fallen Woman (Re)framed: Judge Jean Hortense Norris, New York City – 1912-1955 Mae C. Quinn∗ INTRODUCTION In 1932, William and John Northrop, brothers and members of the New York State Bar, published their book, THE INSOLENCE OF OFFICE: THE STORY OF THE SEABURY INVESTIGATIONS. It purported to provide the “factual narrative” underlying the wide-ranging New York City investigation that occurred under the auspices of their brethren-in-law, Samuel Seabury.1 Seabury, a luminary in New York legal circles, was appointed as one of the nation’s first “special counsel” by state officials to uncover, among other things, -
•97-S® Those 55,000
MONDAY, AUOU8T i, If 40 TWELVm Jbmrlirstre Soniftio S m iOI ■ ' f Average Dally Circulation For ttM Month a t J u ly ,194# The Weather Foraman Raymond Oolaman o€ year for earrytng a conoealad wea wrongdoing at first, but after In anything but the length of a rorecMri at O. H. Wamttmt emraaa Onmpany No. 1 Of the Msnchoatar Roy Sentenced pon, aontenee for taking ears with eonstant questioning said he Jail sentence. The sixty day penal About Town ftre department haa called a drill out pennlasion of the owner and might be able to find the rings ty then was Imposed. 6 ,3 6 7 of the company for tonight. Mem other offenses. and tha money". Police, searehlhg Aftor-Invoitory Qearance attarmaam and tonigM; Weffaeoday bers wUl meet at the flrehouae at Stolen From Boom Roy and hia car, then uncovered Monbor of tto Audit ^..VrA BiMtlnr of the Tall Cedars To Sixty Days According to the teatlmony of the money and the Jewelry tmder fair; ooolor. T lMn be held toniiht at 8 o’clock 6:80. There will be no meeting Bmeee a t Clrenlatloas tonight. Prosecutor Herman Tules, the ac a back seat In the auto. L'it tha Ifaaonlc Temple ■ to make cused took the articles from Mc- Manchester— City of Village Charm amnfements for "Joyland.” The accused maintained the The members of Hose Co. No. 3 Pleads Guilty to Stealing Caff ey'e room while - the robbed money was hla. He admitted tak A R. Wilkie of Summer Merchan&e man waa at work. -
America Radio Archive Broadcasting Books
ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p. -
Some Further Reflections on the Problem of Adequacy of Trial Counsel
Fordham Law Review Volume 49 Issue 1 Article 7 1980 Some Further Reflections on the Problem of Adequacy of Trial Counsel Warren E. Burger Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Warren E. Burger, Some Further Reflections on the Problem of Adequacy of Trial Counsel , 49 Fordham L. Rev. 1 (1980). Available at: https://ir.lawnet.fordham.edu/flr/vol49/iss1/7 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Some Further Reflections on the Problem of Adequacy of Trial Counsel Cover Page Footnote Chief Justice of the United States. I am indebted to Carl Daniel Motsinger and Jeffrey B. Morris for undertaking to synthesize informal lectures, articles, and speeches made by me over nearly two decades, for researching recent developments, organizing extensive materials, and offering their own analyses. This article is available in Fordham Law Review: https://ir.lawnet.fordham.edu/flr/vol49/iss1/7 FORDHAM LAW REVIEW 1980-1981 VOLUME XLIX © 1980 and 1981 by Fordham Law Review EDITORIAL BOARD JOHN M. FIETKIEWICZ Editor-in-Chief BARBARA WRUBEL JOSEPH GUGLIELMELLI Writing & Research Editor Articles Editor IRENE A. STEINER ANNE T. VITALE KATHLEEN H. WILSON Articles Editor Managing Editor Articles Editor SUSAN M. COYNE ROBERT A. GAYNOR Commentary Editor Commentary Editor ROBERT L. -
The History of British Cartoons and Caricature Transcript
The History of British Cartoons and Caricature Transcript Date: Monday, 4 October 2010 - 12:00AM Location: Museum of London Gresham Lecture, 4 October 2010 The History of British Cartoons and Caricature Lord Baker of Dorking First, I should congratulate you on coming today, in spite of the tube strike. It is a wonderful example of British grit and determination, and congratulations in beating Mr Bob Crow! Of course, the alternative that you did have available to you was to stay at home and watch the Conservative Party Conference on television. I think, on the whole, you have chosen wisely! Caricature is not an English word. The first time it was used in England was in 1748. It comes from the Italian “caricatura” and there is also a French verb, “carcare”. Those verbs mean to load, to burden, and to exaggerate. There were a few drawings made at the end of the 17th Century in Italy of grotesque figures, exaggerated caricatures, but it did not develop as an art form there at all. There is virtually nothing in 18th Century Italian art that could be described as caricature. It sort of fizzled out. Nor did it get established in France. Indeed, the Kings of France were quite clear that they did not like to be caricatured. One engraver, who depicted Louis XIV, the Sun King, in a disparaging way, was torn apart by four horses. That is a practice, which on the whole, discourages the dedication to a profession. Caricature started in Britain in the 1720s. Graphic satire is the only art form our country has created. -
WE HAVE the TECHNOLOGY Your Gags Inside
! ISSUE 376 – AUGUST 2005 ! AUTUMN 2005 The Jester NOT ROCKET SCIENCE WE HAVE THE TECHNOLOGY Your gags inside “Look dear, he’s burning his first illegal download to re-writable DVD.” TALKING UP THE MEETINGS / HEATED DEBATE TO GO LIVE HUMOUR IN TROUBLED TIMES / A QUESTION OF STYLE CARICATURIST GETS GREAT TIP / EMBARRASSING MOMENTS A CARTOON PICTURE OF BRITAIN? / PLUS REVIEWS & MORE The Newsletter of the Cartoonists’ Club of Great Britain THE JESTER ISSUE 376 – AUGUST 2005 CCGB ONLINE: WWW.CCGB.ORG.UK The Jester News Issue 376 - August 2005 the following Monday. Her trip, Published 11 times a year which will involve meeting up with by The Cartoonists’ Club local cartoonists, will then take in Brussels – where she will visit the of Great Britain Centre for Comic Strip Art – Germany, the Czech Republic and Slovakia, where she hopes to meet The CCGB Committee Marie Plotena and some other Chairman: Terry Christien women cartoonists. Sue will then 020–8892 3621 make her way to Hungary, Romania [email protected] and Bulgaria. Sue should reach Secretary: Richard Tomes Istanbul by August 29. From Turkey 0121–706 7652 she will go to Beirut where she will Ronald Searle be meeting up with the cartoonist [email protected] Stavro Jabra. Then it’s on to Egypt, Treasurer: Jill Kearney ‘not dead’ shock Italy, Spain and eventually France, 020–8590 8942 aiming for the St Just Cartoon RONALD SEARLE appeared on Festival at the end of September. Les Barton: 01895–236 732 BBC Radio 4’s Desert Island Discs You can follow Sue’s adventures [email protected] last month in his first radio interview at www.ccgb.org.uk/toontrek/ in more than 30 years.