Columbus Bios

Total Page:16

File Type:pdf, Size:1020Kb

Columbus Bios Columbus Bios Event Organizer David Chabira Director of Show Support Cirque du Soleil - Resident Shows Division David’s fascination with the circus began at age 14 when he landed his first job selling popcorn and cotton candy at the Arab Shrine Temple Circus in his hometown of Topeka, Kansas. After High School he literally ran away and joined the circus working first as a clown and later as an aerial artist. While performing the death defying high act; The Pirates of the Sky, he met his future wife Christine, a seventh generation circus performer. During their yearlong engagement, David designed and fabricated a brand new aerial spectacular to perform with his young bride. This act was an instant sensation and the duo toured extensively with circuses worldwide for the next seven years. In 1990 David retired the act and settled with his wife and two young sons in Christine’s hometown of Sarasota, Florida. During this hiatus from the entertainment industry, David opened three restaurants in Florida but continued to design circus rigging and equipment, and take stagehand calls from IATSE Local 412. With sawdust in his veins the desire to return to show business was just too strong. In 1997, David applied for a rigging position with Cirque du Soleil for their new production at Disney World. When the company discovered that David was not only a rigger but an avid scuba diver, he was offered a position at Cirque’s upcoming Aquatic Spectacular O at the Bellagio Hotel in Las Vegas. In January of 1998 David relocated his family across country to begin the arduous creation period for O as the Assistant Head of Rigging. In November of 1998, just days after the new show opened, he was promoted to Head of Rigging, a position he held for over nine years. In September of 2007, David was promoted to Technical Director for O. In May of 2013 David accepted the position of Director of Show Support. His team oversees purchasing, training and systems support for all permanent Cirque du Soleil resident shows. Chris Kortum Head of Lighting Cirque du Soleil – KA MGM Grand Chris Kortum graduated from the University of California San Diego where he earned his Master’s Degree in Lighting Design. During his time there he enjoyed working on university productions and was lucky enough to be part of the technical team on La Jolla Playhouse productions of The Who’s Tommy and How to Succeed in Business Without Really Trying. A short trip to Las Vegas turned into an 8 year stint at EFX at the MGM Grand. Chris Has worked on Cirque du Soleil’s Zumanity, BeLIEve, and KA where he is Head of Lighting currently. Chris also has been involved with Electrical Safety for Cirque du Soleil and has done training for many of the resident shows. Chris Is an ETCP certified technician. Stacey Myers General Stage Manager Cirque du Soleil – KA MGM Grand Stacey is a native Texan whose interest in the arts started at an early age as she comes from a musical family. She has been involved in entertainment, in one form or another, since middle school. In college she studied all levels music and was involved in the Radio, Television and Film department. Stacey has been with Cirque du Soleil for over 13 years. She initially joined Alegria in Biloxi as a technician. Later Stacey went on tour with Alegria as a Stage Manager for almost 4 years during which time she became the General Stage Manager, visiting such places as Australia, Canada, and Singapore and opened the market in Mexico. Stacey is now the General Stage Manager for our resident show KÀ at the MGM Grand Casino and Hotel. She was involved with the creation of KÀ from 2004 and happily continues to face the challenges of one of our largest shows. Alana Clapp Sandra Fox Head of Wardrobe, Makeup & Wigs Cirque du Soleil – LOVE The Mirage Sandra grew up in the suburbs of Chicago, and was highly influenced in her career choice by the variety of theatrical productions available to see in the city and surrounding areas. She attended Northern Illinois University, completing a BA in Theater Design and Technology, with an emphasis on costumes. Before leaving school, Sandra was working three days a week at The Lyric Opera of Chicago; a job she enjoyed for four years. During off-season, Sandra spent time as a first hand at The Goodman Theater in Chicago. She also enjoyed working many different productions as a Wardrobe Attendant with the local union. During one season at The Goodman, Sandra was asked if she would consider becoming the Wardrobe Supervisor for Hubbard Street Dance Chicago. She accepted, establishing a costume shop for the company, and touring internationally for seven years. After 9/11, Sandra considered a career change. While working Radio City Christmas Spectacular, and spending time checking out Pharmacy programs at Chicago universities, Sandra were approached by Cirque du Soleil to interview for a touring show. One month later, she traveled around the world to Singapore to become Head of Wardrobe on Alegria. Sandra enjoyed touring with Cirque, but was looking forward to settling down after touring for so many years. So, she accepted a position as Assistant Head of Wardrobe for KA. This gave her the opportunity to work a creation with Cirque du Soleil, learn about corporate theater, and supervise a large crew. When Cirque du Soleil announced it would be creating a new show at the Mirage, she applied to be Head of Wardrobe. The Beatles LOVE has been her home since creation, and continues to be a challenge and a joy to Sandra every day. Randy Handley Head of Wardrobe, Makeup & Wigs Cirque du Soleil – MJ One Mandalay Bay Randy is in his eighth year with Cirque du Soleil and is Head of Wardrobe on Michael Jackson ONE at Mandalay Bay Resort and Casino in Las Vegas. Randy has worked on 3 other Cirque du Soleil shows Corteo, Banana Shpeel, and Zarkana at Radio City Music Hall. Randy holds a BFA in Costume Design and Technology from Millikin University as well as a MFA in Costume Production from the University of North Carolina Chapel Hill. Randy has also worked with the Utah Shakespeare Festival, Lake Tahoe Shakespeare Festival, Playmakers Repertory Company, Carolina Ballet, Hartford Stage Company NETworks, Million Dollar Quartet, Ke$ha, Madonna, Leona Lewis, and One Night for One Drop. JanNelle Rivers Head of Props Cirque du Soleil – KA MGM Grand Before moving to Las Vegas in 2004 to work on the creation of KÀ, JanNelle lived in Biloxi, MS for 17 years and was introduced to Cirque du Soleil when Alegria came to the Beau Rivage in 1999. She was a self-employed faux finish artist working in many homes across the Mississippi Gulf Coast. [And thanks to Katrina a lot of her work doesn’t exist anymore.] Her theater background consisted mainly of community and children’s theater work as a lighting technician, then designer; set painter, decorator, and designer; prop maker and finder; stage manager; bookkeeper; grant writer; administrative director; and technical director—all as a volunteer. She joined the technical department of Alegria and was there until the show left in October of 2000. She rejoined Cirque as a Props Technician for the creation of KA in 2004 and became the Head of the Props & Puppets department in 2008. Nancy Mallette Senior Manager, Occupational Health and Safety Cirque du Soleil - Resident Shows Division Nancy Mallette is the Senior Manager for Occupational Health and Safety for Cirque du Soleil responsible for Health and Safety oversight of the 9 United States based productions. She has been with Cirque du Soleil for 19 years principally as their Senior Operations Production Manager. She has managed such productions as "Mystère", "Zumanity" and was the Creation Production Manager for Criss Angel's "Believe". Prior to joining Cirque du Soleil in 1996, Ms. Mallette held the position of Director of Production at the largest multi venue production facility in Canada; the National Arts Center. She has been involved in the field of live entertainment in positions ranging from Production Stage Manager, Technical Direction and Festival Logistics Coordination. Ms. Mallette possesses an array of experience in the field of arts management including: dance, orchestra, opera, theatre, Kabuki, Commedia dell'arte, outdoor festivals, circus arts, film, TV and Rock 'n' Roll. She holds a Bachelor of Arts degree in Mass Communications and a second Bachelor of Arts in Film. She is a creative writer, meditator, Buddhist and dedicated to the cause that more women need to take leadership roles in the field of entertainment. Gemma Guy VP Business Development TAIT Having trained at the Bristol Old Vic Theatre School in the UK, Gemma Guy has been involved in the theatre entertainment industry for more than 18 years. She has had extensive experience managing technical departments both onboard Carnival cruise ships and as technical coordinator in Carnival Corporation’s Miami headquarters. Gemma joined Stage Technologies as a Sales Manager in June 2006, enjoying two years in their London headquarters before being appointed VP Business Development in 2012. She is based out of the Las Vegas office. Ben Gasper Integrator TAIT An Alumni of Pennsylvania State University, Ben has been working in the field of automated rigging for over 10 years. Starting out in college building small tracking and counter weight assist systems, he moved to Cirque du Soleil’s production of O, at the Bellagio Theater in Las Vegas. During his time with O Ben performed regular maintenance on O’s 120 axes showroom, half of which were under water, as well as extensive automation upgrades to the entire showroom.
Recommended publications
  • Cirque Du Soleil Michael Jackson ONE
    Cirque du Soleil Michael Jackson ONE Case Study Lightware Visual Engineering 1 Peterdy 15, Budapest H-1071, Hungary +36 1 255 3800 [email protected] www.lightware.com Cirque du Soleil – Michael Jackson ONE Market Country Rental & Staging USA Lightware Equipment Used in Project 1 - Lightware MX-FR65R frame 41 - Lightware fiber receivers 3 - Lightware fiber transmitters “I’m a perfectionist; it’s part of who I am,” Michael Jackson is purported to have said. Given the quality of his work and his reputation for high standards, the expectations for a show revolving around Michael Jackson will always be exceedingly high. Cirque du Soleil’s Michael Jackson ONE, produced in conjunction with Jackson’s estate, aspires to meet the level of perfection the star would demand. The show, which combines Jackson’s music with Cirque’s distinctive acrobatic feats, is at the Mandalay Bay Resort and Casino in Las Vegas in a space that was formerly occupied by a production of The Lion King; it was completely renovated specifically for MJ ONE. CDS anchored a team that included Auerbach Pollock Friedlander, Moser Architecture Studio, and Jaffe Holden Acoustics for the design and specification of the rigging and automation, lighting control, and audio-video systems. The show’s story line was written by choreographer Jamie King, who danced in Michael Jackson’s 1992 Dangerous World Tour. The musical director, Kevin Antunes (New Kids on the Block, Marky Mark and the Funky Bunch, Britney Spears, ‘N Sync, Justin Timberlake), made his selections from “Michael’s entire treasure vault” and remixed it specifically for the show.
    [Show full text]
  • À O Làng Pho
    À O Làng Pho Sydney Opera House 2019 Teacher Resources Welcome Sydney Opera House is one of the indisputable Did You Know…? masterpieces of human creativity and has long been - More than 8.2 million people visit the a place for learning and sharing knowledge. The land Opera House every year. on which Sydney Opera House stands was known - Sydney Opera House is cooled using seawater taken directly from the to its traditional custodians, the Gadigal people of harbour. The system circulates cold the Eora Nation, as Tubowgule, meaning “where water from the harbour through 35 kilometres of pipes to power both the knowledge waters meet”. A stream carried fresh the heating and air conditioning in water down from what is now Pitt Street to the cove the building. near Tubowgule, a rock promontory that at high - Sydney Opera House was opened by tide became an island. The mixing of fresh and salt Queen Elizabeth II on 20th October, 1973. She has since visited four times, waters formed a perfect fishing ground. Middens of most recently in 2006. shells were a testament to Tubowgule’s long history - The Sydney Opera House Digital as a place where the Gadigal gathered, feasted, Creative Learning program allows sung, danced and told stories. students from all over the world to access the Sydney Opera House and learn about its history and culture, while also developing skills in literacy, drama and creative writing. Schools in remote locations, interstate or even overseas are able to connect with the Opera House from the comfort of their own classroom, and it’s completely free.
    [Show full text]
  • MGM Citycenter, Cirque Du Soleil
    www.lightingandsoundamerica.com October 2010 $10.00 CityCenter Las Vegas: Viva ELVIS Theatre/Aria Convention Center/HAZE Nightclub Copyright Lighting &Sound America October 2010 http://www.lightingandsoundamerica.com/LSA.html ARCHITECTURE Copyright Lighting &Sound America October 2010 http://www.lightingandsoundamerica.com/LSA.html Inside A stunningly ambitious new Vegas development is a one-stop City destination for Cenmeetingts, er entertainment, and clubbing By: David Barbour 2 • October 2010 • Lighting &Sound America ven if one fully appreciates the tear-it-down-and-build-it- up-again ethos that prevails along the Strip, it’s hard to grasp the scale and ambition of CityCenter Las Vegas. Others build resorts, casinos, and nightclubs; CityCenter is a major act of urban renewal. Located on 67 Eacres between the Bellagio and Monte Carlo resorts, CityCenter—a joint venture between MGM Resorts International and Infinity World Development Corp, a subsidiary of Dubai World—takes in the Aria resort and casino, Vdara hotel and spa, Crystals restaurant and entertainment district, Mandarin Oriental resort, and a residential area. It’s a kind of city- Above and opposite: CItyCenter makes a glittering addition to the strip. within-the-city; one could conceivably spend an entire visit there without the Viva Elvis Theatre. It all adds up to Elvis has returned seeing the rest of Vegas. a trilogy of projects that are unusual to the building Designed by the architectural firm for their ambition, scale, and for the Regular readers will recall LSA ’s Pelli Clarke Pelli, Aria—the focus of way in which they challenge the feature story on Viva Elvis in the May this story—consists of two curvilinear prevailing Las Vegas style.
    [Show full text]
  • Hollywood Pantages Theatre Los Angeles, California
    ® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 02-269.24.19 Cats - 10.6.19 Cover Blue- Retro.indd Man Group 1 @ Pantages 9-6.indd 1 9/10/199/10/19 10:18 1:19 AMPM HOLLYWOOD PANTAGES THEATRE BMGNET Touring, LLC presents Written by JONATHAN KNIGHT MICHAEL DAHLEN BLUE MAN GROUP Composers ANDREW SCHNEIDER JEFF TURLIK Blue Men MERIDIAN MIKE BROWN STEVEN WENDT ADAM ZUICK Musicians CORKY GAINSFORD ROBERT GOMEZ JERRY KOPS Set Designer Lighting Designer Costume Designer Sound Designer JASON ARDIZZONE-WEST JEN SCHRIEVER EMILIO SOSA CREST FACTOR Video Designer Blue Man Character Costumes SFX Designer LUCY MACKINNON PATRICIA MURPHY BILL SWARTZ Creative Director Production Stage Manager Music Director JONATHAN KNIGHT RICHARD HERRICK BYRON ESTEP Company Manager Production Stage Manager Head Carpenter STACY MYERS ANNA K. RAINS ZACHARY FEIVOU General Management Tour Booking, Marketing Production Management GENTRY & ASSOCIATES and Publicity Direction NETWORKS PRESENTATIONS GREGORY VANDER PLOEG BOND THEATRICAL GROUP WALKER WHITE Line Producer Executive Producers JENNIE RYAN BENOIT MATHIEU & SETH WENIG Directed by JENNY KOONS Original Creators - MATT GOLDMAN, PHIL STANTON, CHRIS WINK A CIRQUE DU SOLEIL Entertainment Group and NETWORKS Presentation Additional Music Composer and Collaborators - Lotic, Holly Original Direction by Blue Man Group and Marlene Swartz Original Executive Producer - Maria Di Dia Original Associate Producers - Akie Kimura Topal & Broadway Line Company Original New York production presented in a workshop production at La MaMa E.T.C. blueman.com 4 PLAYBILL 9.24.19 - 10.6.19 Blue Man Group @ Pantages 9-6.indd 2 9/10/19 1:19 PM WHO’S WHO MERIDIAN (Blue Man Captain) received his company.
    [Show full text]
  • Daihatsu to Be Special Sponsor for “KURIOS,” the Next Cirque Du Soleil Show to Play in Japan a Sponsor for the Seventh Show in Succession
    May 22, 2017 (1/2) Daihatsu to be special sponsor for “KURIOS,” the next Cirque du Soleil show to play in Japan A sponsor for the seventh show in succession Cirque du Soleil’s “KURIOS” logo Daihatsu Motor Co., Ltd. (hereinafter “Daihatsu”) will be a special sponsor for the Cirque du Soleil show “KURIOS,” which will premier in Japan in February 2018. Daihatsu is an advocate of Cirque du Soleil’s creativity and artistry, which captivates people of all generations and nationalities, and has been a supporter of the entertainment group’s Japanese shows since Dralion in 2007. KURIOS will be the seventh show in succession that Daihatsu has sponsored. *Previous shows sponsored by Daihatsu are listed below: Dralion (February 2007–June 2008) Corteo (February 2009–June 2010) Koozå (February 2011–April 2012) Michael Jackson: The Immortal World Tour (May–June 2013) Ovo (February 2014–June 2015) Totem (February 2016–May 2017) (2/2) At every show, Daihatsu exhibits vehicles inside the performance hall that reflect the show’s worldview. For Totem, the company delighted visitors by displaying the Cast Sport mini passenger vehicle and the Boon Cilq compact passenger vehicle. Daihatsu is planning an elaborate exhibition of vehicles during KURIOS as well. Daihatsu exhibits the Boon Cilq (left) and Cast Sports (right) at Totem About Cirque du Soleil Cirque du Soleil was established in Quebec, Canada, in 1984. The entertainment group has toured 300 cities in five continents, enchanting more than 100 million people worldwide. Its shows explore the limits of human capabilities and, with careful attention to live music, lighting, stage effects, costumes and choreography, Cirque du Soleil is a synthesis of masterful artistry and continues to be loved by people of all generations and nationalities.
    [Show full text]
  • Cirque Du Soleil Shows and Destinations in 2008-2009
    Case study: Tour Planning at Cirque du Soleil Cirque du Soleil is a Canadian entertainment company. It is the largest theatrical producer in the world. Its theatrical, character-driven approach and the absence of performing animals helped define Cirque du Soleil as the contemporary circus ("nouveau cirque") that it remains today. The case is about the opportunity for Cirque du Soleil management, to include in the tour a new destination, Istambul, in the summer 2010. The decision must be done before the end of 2008. 61 Case study: data and information Louise Murray, Vice-President, Tour Planning and Partnerships at Cirque du Soleil received on 23th December 2008 a proposal to include Istanbul, as destination, in the 2010 tour. “A wide range of administrative formalities and tasks must be accomplished to ensure the transfer of material and people to a new show site. The tearing down, repacking, shipping and setting up must all be done in a very precise order. And because each move is to a new site, often in a new country, the experience is unique every time. A technical problem, customs difficulties, a breakdown or bad weather conditions can all lead to costly delays, sometimes even forcing the cancellation of shows.” 62 Case study: data and information “Our shows are not produced independently of each other. A synergy must emerge between these different cultural works. We can see them as a strategic portfolio of cultural products. Ideally, we would be able to present several touring shows in succession in a large city in order to establish our reputation, build an audience and open the way for the establishment of a permanent show.
    [Show full text]
  • This Is an Exclusive Offer Only Available by Contacting [email protected] and Mentioning HOLLYWOOD DODGERS
    Cirque du Soleil Entertainment Group welcomes you to Las Vegas for Hollywood Dodgers LV Invitational! Treat your team to infectious folly and unquenchable smiles witnessing our world renowned team of athletes, acrobats, and dancers; or three bald dudes in blue paint. Cirque du Soleil and Blue Man Group shows are the perfect way to create unique and unforgettable team experiences. As a part of the 19th Annual Hollywood Dodgers Las Vegas Invitational, we invite you to arrange your team’s show tickets at these exclusive group rates. Mystère Team Rates Category 1 $100 (Retail $153.20) Category 2 $72 (Retail $135.76) Category 3 $62 (Retail $113.96) Blue Man Group Team Rates Category A $83.95 (Retail $143.85) Category C $63.95 (Retail $101.85) All-in pricing, quotes include all tax and fees. Subject to change and availability. GROUP POLICIES • A group consists of 12 or more tickets, to a single performance, with one method of payment • Group will all be seated together, based on availability at the time of payment processing • The buyer shall distribute all tickets to guests in advance of the performance • Cannot be combined with any other offers or previous sales This is an exclusive offer only available by contacting [email protected] and mentioning HOLLYWOOD DODGERS Less Than 12 Tickets visit www.cirk.me/sports WATCH A SNEAK PEEK! SATURDAY – WEDNESDAY 7:00PM & 9:30PM ABOUT THE SHOW: Mystère is the original must-see Cirque du Soleil production that combines high-energy acrobatics and dramatic dance, set to the thunderous rhythms of the Taïko drums.
    [Show full text]
  • Summer Savings Save on Blue Man Group
    Entertainment Discounts for Employees! Company Code Orlando: 407-393-5862 Toll Free: 866-273-5825 July 2019-National *Save Money *Avoid Admission Lines *Have Your Tickets Before You Go *Convenient Delivery Options SUMMER SAVINGS ORLANDO & TAMPA ATTRACTIONS Walt Disney World® Resort – 4 Theme Parks, 2 Water Parks, 1 World Jet Ski Rentals – Save 25% VIP Shop & Dine 4Less – Save 30% Universal Orlando – Buy 2 Days, Get 3 Days Free Tampa Bay CityPASS – Save up to 49% Fun Spot America – Save 60% Blue Man Group Orlando – Save up to 50% The Florida Aquarium – Save 40% Marsh Landing Adventures – Save 30% Legoland Florida – Save up to 40% Crayola Experience - Orlando, FL Friday Night Rodeo at Suhls Rodeo – Save over 25% SeaWorld Orlando – Save over 45% – Limited Time - Save on an Annual Pass Theme Park Express – Save over 20% Aquatica Orlando – Save over 40% Andretti Indoor Karting & Games – Save 40% Holy Land Experience – Save 30% Busch Gardens Tampa Bay – Save up to 30%! Wild Florida – Save 35% Brightline – Save up to 35% Kennedy Space Center – Save over 30% Gatorland – Save 30%! Orlando Dinner Shows I-Ride Trolley – Save over 45% The Escape Company – Save 30% Mango’s Tropical Cafe Orlando – Save up to 50%! ZooTampa at Lowry Park – Save over 25%! SEA LIFE Aquarium – Save up to 50% The Outta Control Dinner Show – Save 25% Daytona Lagoon Water Park – Save 40% Chocolate Kingdom – Save over 40% Sleuths Mystery Dinner Show – Save 40% The Wheel – Save 50% Revolution Off Road – Save over 20% Dine with Shamu – Save over 15%! Discovery Cove – Save up
    [Show full text]
  • The Art of the Contemporary Circus
    SATURDAY, MARCH 1, 2014 SPECIAL INFORMATION FEATURE THE ART OF THE CONTEMPORARY CIRCUS How the spirit of risk- taking and a lack of respect for barriers inspired Quebec’s Cirque du Soleil to unheard-of aesthetic and commercial heights little more than three decades ago, a group of A jugglers, stilt-walkers and accordion-players brought their start-up idea to a Quebec agency and asked for funding for a show about Jacques Cartier’s 1534 arrival in what would be- come Canada. Although turned down, the street performers behind Cirque du Soleil were undaunted, and went straight to then-premier René Lévesque. “That was gutsy and unexpect- ed,” says Louis Patrick Leroux, a playwright and director who holds joint appointments in Concordia University’s departments of Eng- lish and French, and is a leader in the burgeoning field of contempo- rary circus research. Valérie Remise et de l’École nationale de cirque Cirque got its funding, and made its point; this was a company cination of the contemporary enough. Training, preparation ists after Quebec rejected sover- much more in spinoffs including ready to push beyond the usual circus, as created by Cirque du and team-building are all vital, eignty in the 1980 referendum, 40 smaller circus companies, limits, whether in the creative Soleil, is in the way it combines she says. “I don’t mean just the Professor Leroux says. There was the National Circus School of process or in its approach to busi- theatre, dance and acrobatics. artists. I mean also putting the a reaction against the identity- Montreal — the only government- ness.
    [Show full text]
  • “Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
    “FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours.
    [Show full text]
  • Final Degree Dissertation
    UNIVERSIDAD PONTIFICIA COMILLAS Facultad de Ciencias Humanas y Sociales Bachelor’s Degree in International Relations Final Degree Dissertation A LOCATION ANALYSIS FOR CIRQUE DU SOLEIL’S ESTABLISHMENT OF RESIDENT SHOWS Student: María Domínguez Pérez Supervisor: Santiago Urío Rodríguez Madrid, April 2018 “They can do anything, from a permanent location on Broadway, to a traveling show that pops into towns for two to three weeks, to a show that just appears for a day on a football field. That is easy to say and very hard to execute” - Dawn Hudson (cited in Rastello, 2017) - ACKNOWLEDGEMENTS First of all, I would like to thank Santiago Urío for his constant support and guidance, not only throughout the elaboration of this dissertation, but also during the past couple of years. Through his lessons and expertise, I have been able to discover my passion for International Strategy and Business Management, which I hope to develop further during my professional career. In addition, a special thanks to Jesús Méndez for always lending an ear and for encouraging me to strive for excellence and pursue my dreams of working for a major entertainment firm such as Cirque du Soleil. Finally, to my family for their words of encouragement and unconditional support. Thank you for helping me find my way out of the most stressful moments during the year. Abstract With the development of the international business field, the study of location gained importance. It began to distinguish between firms that initiated their internationalisation process to reduce production costs and those that did it in order to access new markets.
    [Show full text]
  • P2 P4 Shopwith A
    December 2010 News from the Village of Hoffman Estates Shop with a Cop On the morning of Dec. 11, the Hoffman Estates Police Benevolent Fund (HEPBF) is sponsoring its 11th annual “Shop with a Cop” holiday event at the Target and Buffalo Wild Wings locations in Hoffman Estates. The event is tailored after the many Shop with a Cop pro- the domestic violence shelter, WINGS (Women In Need grams from years past, in which a member of the HEPBF Growing Stronger), as well as from direct referrals of School will be paired with one of 35 needy children from the com- District 54 social workers in Hoffman Estates schools. Many munity. of the children come from the Community Resource Center, which is supported by offi cers from the Police Department, The HEPBF is a not-for-profi t organization made up of and located at the Salem Hill/Interlude Apartments in Hoff- all the sworn offi cers from the Police Department, and is man Estates. The cops will help the children shop for gifts for committed to giving back to disadvantaged families in the themselves and other family members, with each child being Village. allowed to spend about $125 at the local Target. The children who benefi t from Shop with a Cop have been [continued on page 2] identifi ed as in need of gifts, and include children from In this issue Historian’s notebook . 2 A message from Clerk’s corner . 5 p2 p4 Public Works Mayor McLeod . 3 Growing to Greenness! . 6 gears up for winter . 2 Community briefs .
    [Show full text]