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Submitted to the Faculty of the Jacobs School of Music in Partial Fulfillment of the Requirements for the Degree, Doctor of Music, Indiana University December, 2015
A HANDBOOK FOR INTRODUCING UNDERGRADUATES TO THE ORGAN AND ITS LITERATURE BY PATRICK EUGENE POPE Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University December, 2015 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Katherine Strand, Research Director __________________________________ Christopher Young, Chairperson __________________________________ Mary Ann Hart __________________________________ Marilyn Keiser September 17, 2015 ii Copyright © 2015 Patrick E. Pope iii ACKNOWLEDGEMENTS The writer wishes to acknowledge his organ teachers and professors, whose instruction led to a discerned need for this handbook and its creation: Donnie Beddingfield (1994-1998); William Bates (1998-2002); Marilyn Keiser (2002-2004); Todd Wilson (2008- 2009); and Christopher Young (2009-present). Their love and passion for teaching, performing, and researching has kindled the writer’s interest in the organ, its music, and its literature. The writer is a better musician because of their wisdom and encouragement. The writer wishes to thank the Reverend Kevin Brown, rector, and the parish of Holy Comforter Episcopal Church, Charlotte, North Carolina for their encouragement during the final stages of the doctoral degree. The writer wishes to thank the members of his doctoral research committee and other faculty for their guidance and professional support: Katherine Strand, research director; Christopher Young, chairperson; Janette Fishell; Marilyn Keiser; Mary Ann Hart; and Bruce Neswick. In particular, the writer is grateful to Professor Young for his insightful and energizing classroom teaching in a four-semester organ literature survey at Indiana University, in which the writer was privileged to take part during master’s and doctoral coursework. -
Thomas Augustine Arne: a Bicentenary Appreciation Author(S): Frank Kidson Source: the Musical Times, Vol
Thomas Augustine Arne: A Bicentenary Appreciation Author(s): Frank Kidson Source: The Musical Times, Vol. 51, No. 805 (Mar. 1, 1910), pp. 153-154 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/906730 Accessed: 03-12-2015 02:14 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 138.73.1.36 on Thu, 03 Dec 2015 02:14:37 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-MARCH I, I9Io. I53 THOMAS AUGUSTINE ARNE: determination to become a musician, and wisely gave in. Free to make music his profession, he A BICENTENARY APPRECIATION. taught his sister and his brother the art, and BY FRANK KIDSON. with much success. The former, Susanna Maria Arne, who married the brutal Theophilus Cibber What was the state and condition of English in haste, had, perhaps, leisure to regret her music in the year I 7 1 ? I do not ask what was the matrimonial choice: she became a singer and an appreciation of music in England, but how it was actress of great merit. -
Spring 2018/2 by Brian Wilson and Dan Morgan
Second Thoughts and Short Reviews - Spring 2018/2 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson unless signed [DM]. Spring 2018/1 is here. Links there to earlier editions. Index: ADAMS Absolute Jest; Naïve and Sentimental Music_Chandos BACH Keyboard Music: Volume 2_Nimbus - Complete Organ Works Volume 7_Signum BEETHOVEN Triple Concerto_DG (+ BRAHMS) BORENSTEIN Violin Concerto, etc._Chandos BRAHMS Double Concerto_DG (+ BEETHOVEN) BRUCKNER Symphony No. 3_Profil - Symphony No. 4 in E-flat ‘Romantic’_LSO Live BUSONI Orchestral Works_Chandos ELGAR Violin Sonata, etc._Naxos_Chandos GERSHWIN Rhapsody in Blue_Beulah GUILMANT Organ Works_Chandos (+ WIDOR, FRANCK, SAINT-SAËNS) IRELAND Downland Suite, etc._Chandos - Mai Dun, Overlanders Suite, etc._Hallé JANITSCH Rediscoveries from the Sara Levy Collection_Chandos KARAYEV Symphony No.1; Violin Concerto_Naxos - Seven Beauties Suite, etc._Chandos LIDSTRÖM Rigoletto Fantasy_BIS (+ SHOSTAKOVICH Cello Concerto) LISZT A Faust Symphony_Alpha LUDFORD Missa Videte miraculum, etc._Hyperion MAHLER Symphony No.1_CAvi - Symphonies Nos. 4-6_Signum - Symphony No. 6_BIS MONTEVERDI Lettera Amorosa_Ricercar - Clorinda e Tancredi: Love scenes_Glossa - Night - Stories of Lovers and Warriors_Naïve PALUMBO Three Concertos_BIS RACHMANINOV The Bells, Symphonic Dances_BRKlassik ROSSINI Overtures – Gazza Ladra, Guillaume Tell_Beulah SAUER Piano Concerto No.1_Hyperion (+ SCHARWENKA) SCHARWENKA Piano Concerto No.4_Hyperion (+ SAUER) SHOSTAKOVICH Cello Concerto No.1_BIS (+ LIDSTRÖM) TALLIS Lamentations and Medieval Chant_Signum TIPPETT Symphonies Nos. 1 and 2_Hyperion VIVALDI Concertos Op.8/1-12_Chandos - Double Concertos_Chandos WESLEY, Samuel Symphonies_Chandos WESLEY, Samuel Sebastian Ascribe unto the Lord - Sacred choral works_Chandos WIDOR Organ Works_Chandos (see GUILMANT) Electric Django (Reinhardt)_Beulah *** MusicWeb International April 2018 Second Thoughts and Short Reviews - Spring 2018/2 Nicholas LUDFORD (c.1490-1557) Ninefold Kyrie (at Ladymass on Tuesday, Feria iii) [4:45] Alleluia. -
New College Oxford
NEW COLLEGE OXFORD POST OF ASSISTANT ORGANIST The College seeks to appoint an Assistant Organist with effect from 1 September 2020. This is a full-time post. The principal duties of the Assistant Organist are as follows: • to accompany New College Choir • to assist with the training of the choristers, in particular the Year 3 and 4 Probationers • to deputize for the Organist when he is absent • to play a key role in the administration of the choir and chapel music, including: o managing the choir library o curating a weekly organ recital series o scheduling organ maintenance, organ practice and the playing rota o managing and developing outreach activities, including the sixth-form ‘Experience Evensong’ programme • to assist with the teaching of early stage undergraduates in Keyboard Skills and Techniques of Composition (Harmony and Counterpoint) papers • to fulfil a key role in relation to the choristers, alongside the Headmaster of New College School, Chorister Tutors and the rest of the choir team, overseeing their welfare and logistics, with responsibilities in school and college: this will not conflict with musical duties The successful applicant will have time to develop his or her personal musical career alongside the post. The Assistant will be required to keep school terms (these being longer than the University terms, during which the Choir sings its daily offices), and will also be expected to be available for the periods outside term when the Choir tours and/or records. The annual salary will be equivalent to the University scale 5: 5.10 33797 5.9 32816 5.8 31866 5.7 30942 5.6 30046 5.5 29176 5.4 28331 5.3 27511 5.2 26715 5.1 25941 Current earnings will be taken into account in the calculation of the successful candidate’s salary. -
John Stanley a Miracle of Art and Nature
John Stanley, “A Miracle of Art and Nature”: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician by John Richard Prescott Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor James Davies Professor Susan Schweik Fall 2011 Abstract John Stanley, “A Miracle of Art and Nature”: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician by John Richard Prescott Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair This dissertation explores the life and career of John Stanley, an eighteenth-century blind organist, composer, conductor and impresario. Most historians of blindness discuss Stanley but merely repeat biographical material without adding any particular insights relating to his blindness. As for twentieth-century musicologists, they have largely ignored Stanley’s blindness. The conclusion is that Stanley’s blindness, despite being present in most of his reception, is not treated as a defining factor. This study pursues new questions about Stanley’s blindness. His disability is given pride of place, and perspectives from the fields of disability studies and minority studies are central to the work. A biographical sketch precedes a discussion of the role of Stanley’s blindness in his reception. The central role of Stanley’s amanuensis and sister-in-law, Anne Arlond, leads to a discussion of issues of gender, and the general invisibility of caregivers. Chapter 2 explores those aspects of Stanley’s life that required an engagement with literate music. -
Jan 25 to 31.Txt
CLASSIC CHOICES PLAYLIST January 25 - 31, 2021 PLAY DATE: Mon, 01/25/2021 6:02 AM Antonio Vivaldi Violin Concerto No. 10 "La Caccia" 6:11 AM Franz Joseph Haydn Symphony No. 22 6:30 AM Claudio Monteverdi Madrigals Book 6: Qui rise, o Tirso 6:39 AM Henry Purcell Sonata No. 9 6:48 AM Franz Ignaz Beck Sinfonia 7:02 AM Francois Francoeur Cello Sonata 7:13 AM Wolfgang Amadeus Mozart Twelve Variations on a Minuet by Fischer 7:33 AM Alessandro Scarlatti Sinfonia di Concerto Grosso No. 2 7:41 AM Franz Danzi Horn Concerto 8:02 AM Johann Sebastian Bach Lute Suite No. 1 8:17 AM William Boyce Concerto Grosso 8:30 AM Ludwig Van Beethoven Symphony No. 8 9:05 AM Lowell Liebermann Piano Concerto No. 2 9:34 AM Walter Piston Divertimento 9:49 AM Frank E. Churchill/Ann Ronell Medley From Snow White & the 7 Dwarfs 10:00 AM Wolfgang Amadeus Mozart Eight Variations on "Laat ons Juichen, 10:07 AM Wolfgang Amadeus Mozart Symphony No. 15 10:18 AM Wolfgang Amadeus Mozart Violin Sonata No. 17 10:35 AM Wolfgang Amadeus Mozart Divertimento No. 9 10:50 AM Wolfgang Amadeus Mozart Rondo for piano & orch 11:01 AM Louise Farrenc Quintet for piano, violin, viola, cello 11:31 AM John Alan Rose Piano Concerto, "Tolkien Tale" 12:00 PM Edward MacDowell Hamlet and Ophelia (1885) 12:15 PM Josef Strauss Music of the Spheres Waltz 12:26 PM Sir Paul McCartney A Leaf 12:39 PM Frank Bridge An Irish Melody, "The Londonderry Air" 12:49 PM Howard Shore The Return of the King: The Return of 1:01 PM Johannes Brahms Clarinet Quintet 1:41 PM Benjamin Britten Young Person's Guide to the Orchestra 2:00 PM Ferry Muhr Csardas No. -
Services and Music for July 2021
Services and Music for July 2021 1 THURSDAY1000 Holy Communion (BCP) 1930 CHORAL EVENSONG Introit: If ye love me (Thomas Tallis) sung by Canticles: Magnificat (tone VI) Nunc Dimittis (tone IV) Responses: Wiliam Smith Adult Team 2 Anthem: Lord for thy tender mercies' sake (John Hilton) Psalm 8 Organ: Fugue in C BWV545 (J.S.Bach) HON 10 4 1030 Holy Communion (CW) Setting: Spatzenmesse K220 (Gloria, Sanctus and Agnus Dei) HON 321 sung by (Wolfgang Amadeus Mozart) Adult Team 1 Organ: Bourée Water Music (George Frederick Handel) 1730 CHORAL EVENSONG Responses: Thomas Ebdon sung by Canticles: Fauxbourdons (John Long) Psalm 63 Adult Team 3 Anthem: Teach me O Lord (Thomas Attwood) HON 432 Organ: Le Tombeau d'Olivier Messaien 1st Movement (Naji Hakim) 8 THURSDAY1000 Holy Communion (BCP) 1930 CHORAL EVENSONG Introit: Thou knowest Lord (Henry Purcell) sung by Canticles: Daniel Purcell in E minor Responses: Thomas Morley Adult Team 1 Anthem: Rejoice in the Lord alway (Henry Purcell) Psalm 41 Organ: Voluntary IV (William Boyce) HON 514 11 SUNDAY 1030 Holy Communion (CW) Gloria: St Michael's Mass (Alistair Fisher) HON 148 sung by the Anthem: Bist du bei mir (J.S.Bach) Boys Anthem: Litany to the Holy Spirit (Peter Hurford) Organ: Sonata IV Allegro maestoso e vivace (Felix Mendelssohn) 1730 CHORAL EVENSONG sung by the Canticles: Fauxbourdons (William Byrd) Responses: Plainsong Junior Girls Anthem: Love one another (Samuel Sebastian Wesley) Psalm 66 vv1-8 Organ: Tuba Tune (Norman Cocker) HON 27 15 THURSDAY1000 Holy Communion (BCP) 1930 CHORAL EVENSONG -
On Christmas Night
On Christmas Night Eleanor Farjeon (1881 –1965) / Christopher Steel (1938 –1991) Phillips Brooks (1835 –1893) / Henry Walford Davies (1869 –1941) 1 People, look east 3.13 10 O Little Town of Bethlehem 4.33 Johannes Brahms (1833 –1897) Anon. ( c.1300) / Benjamin Britten (1913 –1976) 2 Chorale Prelude for organ ‘Es ist ein Ros entsprungen’ 2.47 11 A Hymn to the Virgin 3.05 Op.122 No.8 Traditional French carol (arr. Stephen Jackson) Anon. 15th century / Robin Nelson (b.1943) 12 Noël nouvelet 4.30 3 Out of your sleep 2.44 Christina Rossetti (1830 –1894) / Harold Darke (1888 –1976) Thomas Campion (1567 –1620) / Richard H. Lloyd (b.1933) 13 In the bleak midwinter 4.29 4 View me, Lord 2.41 Herbert Sumsion (1899 –1995 ) Johann Sebastian Bach (1685 –1750) 14 Prelude for organ on ‘The holly and the ivy’ 4.33 5 Chorale prelude for organ ‘Wachet auf, ruft uns die Stimme’ 4.02 BWV 645 Bruce Blunt (1899 –1957) / Peter Warlock (1894 –1930) 15 Bethlehem Down 4.23 Anon. 15th century / William Mathias (1934 –1992) 6 A babe is born 3.21 John Rutter (b.1945) 16 Shepherd’s Pipe Carol 3.08 Traditional Czech carol ‘Hajej, nynjej’ (trans. Percy Dearmer) / Traditional Czech melody (collected Martin Shaw, Traditional English folk carols (collected Cecil Sharp & arr. Edward Higginbottom) Ralph Vaughan Williams) / Ralph Vaughan Williams (1872 –1958) 7 Rocking 2.16 17 Fantasia on Christmas Carols 12.45 Marcel Dupré (1886 –1971) 69.02 8 Variations on ‘Il est né le divin enfant’, offertory for organ 4.02 Choir of Magdalen College, Oxford Anon. -
Jean Clay Radice, Organ Jean Clay Radice
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 8-31-2012 Faculty Recital: Jean Clay Radice, organ Jean Clay Radice Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Radice, Jean Clay, "Faculty Recital: Jean Clay Radice, organ" (2012). All Concert & Recital Programs. 3894. https://digitalcommons.ithaca.edu/music_programs/3894 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Faculty Recital: Jean Clay Radice, organ Ford Hall Friday, August 31, 2012 7:00 p.m. Program Four Centuries of Organ Music in the Anglican Tradition Voluntary for Double Organ Henry Purcell (1659-1695) Voluntary I in D Major William Boyce (1711-1779) On a Theme of Orlando Gibbons (Song 34) Charles Villiers Stanford The Angels' Song, Op.105, No.1 (1852-1924) Intermezzo Founded Upon an Irish Air, Op.189 On a Theme of Orlando Gibbons (Song 22), Op.105, No.4 Three Preludes Founded on Welsh Hymn Ralph Vaughan Williams Tunes (1872-1958) I. Bryn Calfaria II. Rhosymedre (or "Lovely") III. Hyfrydol Psalm-Prelude, Op.32, No.2 Herbert Howells Dalby's Fancy, from Two Pieces for Organ Manuals (1892-1983) Only Prelude on "Slane" Gerry Hancock (1934-2012) Alleluyas Simon Preston At his feet the six-winged Seraph; Cherubim with (b. 1938) sleepless eye, Veil their faces to the Presence, as with ceaseless voice they cry, Alleluya, Alleluya, Alleluya, Lord most high. -
CV-2020-Scott Anderson
Scott Anderson, D.M.A. University of Nebraska-Lincoln 2939 Sewell Street School of Music Lincoln, Nebraska 225 Westbrook Music Building 68502 Lincoln, Nebraska 68588-0100 402-853-1437 Email: [email protected] Current Position: Professor of Trombone (1996-present) University of Nebraska-Lincoln Duties: Recruit and teach applied trombone students at the undergraduate and graduate levels, teach Online History of Rock course and conduct the Nebraska Trombone Ensemble. Current Committees: -Chair; Brass/Percussion Area -Glenn Korff School of Music Graduate Committee -UNL Commencement Committee -UNL Academic Standards Committee -GKSOM Technology Committee Education 1995 Doctor of Musical Arts University of Minnesota Minneapolis, Minnesota Teaching Fellowship Recipient Graduate Teaching Assistant 1987 Master of Music Northwestern University Evanston, Illinois Graduate Assistant 1985 Bachelor of Music Iowa State University Scholarship recipient Teachers Thomas Ashworth Professor of Trombone University of Minnesota- Minneapolis, Minnesota Frank Crisafulli Professor of Trombone Northwestern University- Evanston, Illinois Dr. David Stuart Professor of Trombone Iowa State University- Ames, Iowa Previous Teaching 1992-1996 Assistant Professor of Low Brass Experience St. Cloud State University St. Cloud, Minnesota 1992 Instructor of Low Brass MacPhail School of Music Minneapolis, Minnesota 1990 – 1991 Instructor of Trombone Dana College Blair, Nebraska Cumulative 2016-present Lincoln’s Symphony Orchestra Performance (Principal Trombone) Experience -
Royal Free Music Society Choir Summer Concert
Royal Free Music Society Choir Summer Concert Saturday 18th June, 7.30pm Puccini: Messa di Gloria & summer songs by Vaughan Williams, Dvorak, Elgar & Parry Conductor: Benjamin Wolf Soloists: William Petter (tenor) Benjamin Seifert (baritone) Programme Elgar: As Torrents in Summer; My love dwelt in a Northern land Vaughan Williams: The Dark Eyed Sailor; Just as the Tide was Flowing Dvor a k: Melodies fell into my soul; In the rye fields; Come, let us dance and sing together Parry: My Soul, There is a Country; I Know My Soul hath Power Stanford: Justorum Animae; Beati Quorum Via Ireland: Ladslove; Goal and Wicket; The Vain Desire (Tenor solo) Tosti: Oh! Quanto io t'amerei!; Ideale (Baritone solo) Interval Puccini: Messa di Gloria Conductor: Benjamin Wolf Soloists William Petter (tenor) Benjamin Seifert (baritone) The choir is accompanied by Gillian Cracknell on piano Welcome Dear Audience Welcome to our Summer concert! Tonight the choir will be singing Puccini’s Messa di Gloria which we recently performed in Genoa with a wonderful Italian choir and orchestra in the sumptuous surroundings of the Ducal Palace. We look forward to singing this piece again in the beautiful surroundings of St John’s Wood Church. We will also be singing a selection of shorter pieces by Vaughan Williams, Dvorak, Elgar and Parry, and our wonderful soloists will be performing some solo pieces. As always, we would like to extend our thanks to our Music Director, Benjamin Wolf and to our excellent accompanist, Gill Cracknell, as well as to the members of the committee who oversee the running of the choir. -
Music for Mercer's: the Mercer's Hospital Music Collection and Charity Music in Eighteenth-Century Dublin
Technological University Dublin ARROW@TU Dublin Dissertations Conservatory of Music and Drama 2012 Music for Mercer's: The Mercer's Hospital Music Collection and Charity Music in Eighteenth-Century Dublin. Tríona O'Hanlon Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/aaconmusdiss Part of the Audio Arts and Acoustics Commons, and the Music Performance Commons Recommended Citation O'Hanlon, T. "Music for Mercer's: The Mercer's hospital music collection and charity music in eighteenth- century Dublin." Thesis submitted for the degree of Ph.D.to the Technological University Dublin, February 2012. This Theses, Ph.D is brought to you for free and open access by the Conservatory of Music and Drama at ARROW@TU Dublin. It has been accepted for inclusion in Dissertations by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Music for Mercer’s: The Mercer’s Hospital Music Collection and Charity Music in Eighteenth-Century Dublin Tríona O’Hanlon Conservatory of Music and Drama, Dublin Institute of Technology, Rathmines, Dublin Volume 1 of 4 Ph.D. 2012 Music for Mercer’s: The Mercer’s Hospital Music Collection and Charity Music in Eighteenth-Century Dublin TRÍONA O’HANLON B.A., M.A., DipABRSM Thesis submitted for the degree of Ph.D. to the Dublin Institute of Technology Lead Supervisor Dr Kerry Houston Advisory Supervisor Prof. Barra Boydell Conservatory of Music and Drama, Dublin Institute of Technology, Rathmines, Dublin February 2012 ABSTRACT This thesis examines and analyses the contents of the Mercer’s Hospital Music Collection.