SUMMER 2017 Colson Whitehead
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THE ECONOMICS of EMPIRE by William Finnegan ROLLTOP
REGIS DEBRAY: NOUS SOMMES TOUS AMERICAINS HARPER'S MAGAZINE/MAY 2003 $5.95 1,0 -------_._------ THE ECONOMICS OF EMPIRE Notes on the Washington Consensus By William Finnegan -----------. ----------- ROLLTOP MANTRA OF THE OUTER BANKS Creepy but Tranquil in North Carolina By Mark Richard OUR ESSAYS, OURSELVES In Defense of the Big Idea By Cristina Nehring ROMAN BERMAN, MASSAGE THERAPIST A story by David Bezmozgis Also: Mark Slouka and Bill O'Reilly -----------. ----------- REP 0 R T THE ECONOMICS OF EMPIRE Notes on the Washington Consensus By William Finnegan In early March, President Bush, on the verge ·lectual connections with" the terrorists. The Sep- of declaring war on Iraq, was asked at a press con- tember 11 attacks were perpetrated, of course, ference why he thought "so many people around by a genocidal death cult, not by unusually de- the world take a different view of the threat that termined proponents of economic democracy. Saddam Hussein poses than you But what the Bush Adminis- and your allies." Mr. Bush replied, tration is signaling in these mud- "I've seen all kinds of protests dIed formulations (and in many since I've been the president. I less muddled statements-and, remember the protests against for that matter, in many major trade. There was a lot of people policy initiatives) is its transcen- who didn't feel like free trade was dent commitment to a set of fixed good for the world. I completely ideas about international trade, fi- disagree. I think free trade is good nance, politics, and economic de- for both wealthy and impover- velopment. -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
11 Th Grade American Literature Summer Assignment (20192020 School Y Ear)
6/26/2019 American Lit Summer Reading 2019-20 - Google Docs 11 th Grade American Literature Summer Assignment (20192020 School Y ear) Welcome to American Literature! This summer assignment is meant to keep your reading and writing skills fresh. You should choose carefully —select books that will be interesting and enjoyable for you. Any assignments that do not follow directions exactly will not be accepted. This assignment is due Friday, August 16, 2019 to your American Literature Teacher. This will count as your first formative grade and be used as a diagnostic for your writing ability. Directions: For your summer assignment, please choose o ne of the following books to read. You can choose if your book is Fiction or Nonfiction. Fiction Choices Nonfiction Choices Catch 22 by Joseph Heller The satirical story of a WWII soldier who The Short and Tragic Life of Robert Peace by Jeff Hobbs. An account thinks everyone is trying to kill him and hatches plot after plot to keep of a young African‑American man who escaped Newark, NJ, to attend from having to fly planes again. Yale, but still faced the dangers of the streets when he returned is, Bastard Out of Carolina by Dorothy Allison The story of an abusive “nuanced and shattering” ( People ) and “mesmeric” ( The New York Southern childhood. Times Book Review ) . The Known World by Edward P. Jones The story of a black, slave Outliers / Blink / The Tipping Point by Malcolm Gladwell Fascinating owning family. statistical studies of everyday phenomena. For Whom the Bell Tolls by Ernest Hemingway A young American The Hot Zone: A Terrifying True Story by Richard Preston There is an anti‑fascist guerilla in the Spanish civil war falls in love with a complex outbreak of ebola virus in an American lab, and other stories of germs woman. -
Sara L. Pfaff English Department, Brown University Box 1852, Providence, RI 02912 Phone: (586) 596-7130 Email: Sara [email protected]
Sara L. Pfaff English Department, Brown University Box 1852, Providence, RI 02912 phone: (586) 596-7130 email: [email protected] Education: Brown University, Providence, RI 2008— Ph.D., English, completion May 2016 M.A., English, May 2010 Wayne State University, Detroit, MI 2003—2008 B.A., English, May 2008 B.A., History, May 2008 Dissertation: “Pluralism and Pathology in Ethnic American Fiction” explores the political implications of alternative configurations of multiethnic communities in American literature since 1965. In particular, my project examines how tropes of pathology and disease reflect—not just bodies that are in transition—but also communities and individuals that are increasingly interconnected, interdependent, and metastable. The pathological and ailing body functions as a literary device that advocates for the centrality of contingency and adaptation within ethnic, political, and social forms of belonging. I argue that this emphasis on contingent identity troubles the reified identity forms disseminated by nationalist ideologies and introduces alternative forms of belonging based in liminality, uncertainty, and debate. Tropes of pathological embodiment in the novels of N. Scott Momaday, John A. Williams, John E. Wideman, Louise Erdrich, Paul Beatty, Sherman Alexie, and Colson Whitehead thus provide a vital critique of (and alternative to) dominant ideologies of multiculturalism, which have recently been shown as reinforcing, rather than rectifying, racial inequality. This project explains how this literary device is congruent with a refashioning of multiculturalism in literary criticism; and analyzes how contingent configurations of identity are compatible with the rise of pluralism in emerging political, scientific, and cultural theory. Chair: Rolland Murray Committee: Professors Daniel Kim and Ralph Rodriguez Publications: “‘The slack string is just a slack string’: Neoformalist Networks in The White Boy Shuffle”. -
Barbarian Days by William Finnegan
Barbarian Days by William Finnegan Random Notes (DJE) From a review on Amazon by Michael T: Best book on surfing I have read. Yes, he does veer from surfing to explore other aspects of his life, but it all weaves together so seamlessly that it holds the reader's interest throughout. As a contemporary of Finnegan, I found the descriptions of beach life and surfing from his childhood and early adolescence very nostalgic. I felt envy at the experiences he had exploring now famous waves around the world when they were still mostly unknown. This is a masterful piece of writing. His descriptions of the experience of riding a wave are unparalleled in my experience. The personal dimension he brings to the tale, both the people he meets and the conflicts he goes through, brings the story to life. This is a page-turner. I was sad to come to the end. P.18 Surfing always had this horizon, this fear-line, that made it different from other things, certainly from other sports I knew. Everything out there was disturbingly interlaced with everything else. Waves were the playing field. They were the goal. They were the object of your deepest desire and adoration. At the same time, they were your adversary, your nemesis, even your enemy. P. 40 I felt myself floating between two worlds. There was the ocean, effectively infinite, falling away forever to horizon. I was a sunburnt pagan now. I felt privy to mysteries. The other world was land: everything that was not surfing. Books, girls, school, my family, friends who did not surf. -
Jesmyn Ward, Salvage the Bones Alice Walker, The Color Purple Ernest Gaines, A Lesson Before Dying Colson Whitehead, The Intuitionist Yaa Gyasi, Homegoing N
June 2020 Dear 11th and 12th U.S. Literature Students, The following is your summer reading list. I have provided several fiction and nonfiction books as options. You are required to read two (2) books this summer, three (3) books if you plan to take Honors. You will have individual writing assignments based on your summer reading and follow up discussions in August/September. Honors students will present multimedia reflections on their chosen texts. All of these assignments will be part of your first semester grade for U.S. Literature. You can find these books on Amazon, Barnes & Noble.com, Half Priced Books, Google Play Books, etc. (see used copies), or e-copies at your local libraries (until libraries reopen). They can also be found as audio books (Audible), so you may elect to listen to the story being read aloud as you follow along, if that helps you. Fiction Toni Morrison, Beloved Richard Wright, Native Son Jesmyn Ward, Salvage the Bones Alice Walker, The Color Purple Ernest Gaines, A Lesson Before Dying Colson Whitehead, The Intuitionist Yaa Gyasi, Homegoing N. Scott Momaday, House Made of Dawn Jhumpa Lahiri, Interpreter of Maladies Randy Ribay, Patron Saints of Nothing Mario Alberto Zambrano, Lotería Erika L. Sánchez, I Am Not Your Perfect Mexican Daughter Elizabeth Acevedo, The Poet X Nonfiction Joan Didion, Where I Was From Domingo Martinez, The Boy Kings of Texas Mohammed Ghassan Farjia, The Layman’s Guide to Climate Change Kwame Alexander, The Playbook: 52 Rules to Aim, Shoot, and Score in this Game Called Life Janet Gurtler, You Too? Matthew Desmond, Evicted: Poverty and Profit in the American City Robert Pirsig, Zen and Art of Motorcycle Maintenance Best wishes, Mr. -
AP Literature and Composition 2017 Summer Reading List and Writing Assignment
AP Literature and Composition 2017 Summer Reading List and Writing Assignment Mr. Preston [email protected] aplit11.blogspot.com Greetings and salutations! (That’s from Charlotte’s Web, which I encourage everyone to (re)read.) You’ve signed up for AP Literature, a course that aims to provide the experience of—and prepare you for—a college-level English course. To that end, the summer assignment will give you some preparation for the kind of reading you’ll encounter and the type of thinking you’ll need to apply to that reading. This is meant to be a challenging class, but if you throw yourself into it and accept the responsibility for your own learning, you’ll have a great time. AP Literature isn’t just about reading wonderful literature; it’s about encountering writers who are trying to connect with you across time and space, reflecting on how those writers employ language and ideas, and finding ways in discussion and print to both examine and more deeply appreciate the works of those writers. When I took this course in high school nearly 40 years ago ( . oh, man . ), I already enjoyed reading, and I’d been writing short stories for years, but AP Lit provided the texts—and the ways of thinking about those texts—that forever changed reading and writing for me . and forever changed me. I’m enthusiastic about this course because I know what can happen when you open yourself up to an artist’s vision and ideas. Required Reading The Art of Fiction, David Lodge Read this book first. -
Moving Ever Forward: Reading the Significance of Motion and Space
MOVING EVER FORWARD: READING THE SIGNIFICANCE OF MOTION AND SPACE AS A REPRESENTATION OF TRAUMA IN TONI MORRISON’S SONG OF SOLOMON AND COLSON WHITEHEAD’S THE UNDERGROUND RAILROAD by Samantha Richmond A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL May 2017 Copyright by Samantha Richmond 2017 ii i ACKNOWLEDGEMENTS The author wishes to express deepest gratitude to my thesis chair, Dr. Andrew Furman, for his guidance throughout this process. I would like to thank Dr. Sika Dagbovie-Mullins for insightful suggestions and guidance towards critical texts that really deepened my understanding of these theoretical fields. Thank you to Dr. Adam Spry for advice and helpful suggestions in the editing stage of this manuscript. Thank you to my wonderful and supportive family: Sandra Jae, Donald, and Tony for their constant love and support during the writing of this thesis (and every other part of my life). A huge thank you to my friends in the English department who were my support, my solace, and my guides, especially: Advitiya, Rachel, Jenn, Jess, and Ashely. iv ABSTRACT Author: Samantha Richmond Title: Moving Ever Forward: Reading the Significance of Motion and Space as a Representation of Trauma in Toni Morrison’s Song of Solomon and Colson Whitehead’s The Underground Railroad Institution: Florida Atlantic University Thesis Advisor: Dr. Andrew Furman Degree: Master of Arts Year: 2017 This thesis argues that three models of trauma theory, which include traditional trauma theory, postcolonial trauma theory, and cultural trauma theory, must be joined to fully understand the trauma experienced by African Americans within the novels Song of Solomon by Toni Morrison and The Underground Railroad by Colson Whitehead. -
Surfing, Gender and Politics: Identity and Society in the History of South African Surfing Culture in the Twentieth-Century
Surfing, gender and politics: Identity and society in the history of South African surfing culture in the twentieth-century. by Glen Thompson Dissertation presented for the Degree of Doctor of Philosophy (History) at Stellenbosch University Supervisor: Prof. Albert M. Grundlingh Co-supervisor: Prof. Sandra S. Swart Marc 2015 0 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the author thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 8 October 2014 Copyright © 2015 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za Abstract This study is a socio-cultural history of the sport of surfing from 1959 to the 2000s in South Africa. It critically engages with the “South African Surfing History Archive”, collected in the course of research, by focusing on two inter-related themes in contributing to a critical sports historiography in southern Africa. The first is how surfing in South Africa has come to be considered a white, male sport. The second is whether surfing is political. In addressing these topics the study considers the double whiteness of the Californian influences that shaped local surfing culture at “whites only” beaches during apartheid. The racialised nature of the sport can be found in the emergence of an amateur national surfing association in the mid-1960s and consolidated during the professionalisation of the sport in the mid-1970s. -
Barbarian Days: a Surfing Life Online
ke6cx [Read free ebook] Barbarian Days: A Surfing Life Online [ke6cx.ebook] Barbarian Days: A Surfing Life Pdf Free William Finnegan DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #1992362 in Books 2016-05-17 2016-05-17Formats: Audiobook, CD, UnabridgedOriginal language:EnglishPDF # 15 5.50 x 1.75 x 6.50l, Running time: 18 HoursBinding: Audio CD | File size: 64.Mb William Finnegan : Barbarian Days: A Surfing Life before purchasing it in order to gage whether or not it would be worth my time, and all praised Barbarian Days: A Surfing Life: 96 of 100 people found the following review helpful. Growing Up On The Worldrsquo;s Best WavesBy Esteban EssThe unusual title of this book might lead a prospective reader to think the author is going to talk about the dark side of the people who surf. We have come to associate the word ldquo;barbarianrdquo; with hordes of less civilized people who sack cities and carry off fair maidens. But, a visit to Websterrsquo;s Dictionary will provide you with a meaning more relevant to William Finneganrsquo;s book about the surfing life. Per Websterrsquo;s Dictionary, ldquo;barbarianrdquo; refers to a ldquo;hellip; culture or people alien to, and usually believed to be inferior to another people or culturehellip; ldquo; A Barbarian might be seen as lacking refinement, learning, or artistic or literary culture. ldquo;Barbarian Days A Surfing Liferdquo; can be viewed as a memoir of some fifty years of William Finneganrsquo;s life as a family member, a surfing fanatic, a writer, a world traveler and a Quixotic searcher of new and near perfect waves in remote places around the world; places like Indonesia, Fiji, Bali, and Madeira. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Lesson Plan for Teaching Colson Whitehead's "The Underground Railroad"
Swarthmore College Works English Literature Faculty Works English Literature Spring 2019 Lesson Plan For Teaching Colson Whitehead's "The Underground Railroad" Amelia Tomei , '19 Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Amelia Tomei , '19 and Peter Schmidt. (2019). "Lesson Plan For Teaching Colson Whitehead's "The Underground Railroad"". English Literature Faculty Works. DOI: 10.24968/2476-2458.engl.357 https://works.swarthmore.edu/fac-english-lit/357 This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Tomei Whitehead’s The Underground Railroad: Lesson Plan Lesson Plan for Teaching Colson Whitehead’s The Underground Railroad By Amelia Tomei ’19 / Swarthmore College / Spring 2019 A project completed for Professor Schmidt’s English 052C, “Towards a More Perfect Union: Contemporary U.S. Fiction” / Swarthmore College Learning Goals: students will… • Understand how the narrator guides reader’s interpretation of the story • Understand how to read dialogue and how it contributes to characterization • Explore the complexity of the themes present in the story and the characters Whitehead has created • Understand how to annotate key references to things outside of the text and apply these back to the main text Necessary Preparation: The teacher should have familiarized him or herself with Whitehead’s The Underground Railroad before the first lesson.